SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Nevil Pain"/1) | (@(roleclean,performerclean) "Mr Nevil Pain")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4243 matches on Event Comments, 1152 matches on Performance Comments, 535 matches on Performance Title, 19 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Entertainments

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: Measure For Measure; Or, Beauty The Best Advocate

Performances

Mainpiece Title: Cato

Afterpiece Title: Trick for Trick

Dance: Amorous Swain, as17350327

Performances

Mainpiece Title: Parnasso In Festa

Performances

Mainpiece Title: Love And Friendship

Performances

Mainpiece Title: Sir Courtly Nice; Or, It Cannot Be

Afterpiece Title: The Rape of Proserpine

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Intriguing Chambermaid

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Anatomist

Dance: III: Grand Scotch Dance, as17491031

Performances

Mainpiece Title: Merope

Afterpiece Title: The Englishman in Paris

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: The Diversions of the Morning

Performances

Mainpiece Title: Coriolanus

Afterpiece Title: The Contrivances

Dance: As17581016

Event Comment: N.B. We have engag'd Mr King; & Miss Baker from Ireland, one Mr Moody, a Stroler,-Mr Beard is gone to Covent Garden, 'tis said to be manager Mr Mossop to Ireland. Receipts: #120 (Cross). Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Places from Mr Varney at the Stage Door. No admittance behind scenes. [The customary note about prices and admittance will not be noted further here.] [At the opening of the theatres this season appeared an essay in Goldsmith's Bee, giving close observations upon actors, and deploring the relative stiffness and formality of English actors in comparison with the French. Advised English actors to travel abroad. Yet (Vol. 1759, p. 12) commented on the magnificnece of "our theatres as far superior to any others in Europe where plays only are acted. The great care our performers take in painting for a part, their exactness in all minutiae of dress, and other little scenical proprieties has been taken notice of by Riccoboni." Complains of the convention of laying a rug before a dying scene and of the vacant expressions of mutes on stage.

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Intriguing Chambermaid

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Spring

Dance: II: The Irish Lilt, as17621023

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Perseus and Andromeda

Performances

Mainpiece Title: False Delicacy

Afterpiece Title: The Elopement

Performances

Mainpiece Title: False Delicacy

Afterpiece Title: The Jubilee

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Institution of the Garter

Performances

Mainpiece Title: Timon Of Athens

Performance Comment: Timon-Barry; Apemantus-Bannister; Alcibiades-Crofts, 1st appearance on the stage; Flavius-Packer; Lucius-Palmer; Lucullus-Hurst; Senators-J. Aickin, Inchbald, Keen; Poet-Jefferson; Painter-Davies; Jeweler-Wright; Merchant-Fawcett; Flaminius-Brereton; Caphis-Ackman; Soldier-Baddeley; Servilius-Wrighten; Lucilius-Wheeler; Hortensius-Griffith; Titus-J. Burton; Varro-Master Cape; Philotus-Jacobs; Messenger-Follett; Evanthe-Mrs Barry; In Act I: will be introduced a Grand Dance-Daigville, Atkins, Giorgi, Sga Vidini, Sga Giorgi, Miss Rogers.
Cast
Role: Painter Actor: Davies

Afterpiece Title: The Musical Lady

Performances

Mainpiece Title: Cymon

Afterpiece Title: The Citizen

Entertainment: V:(By Desire,) Cupid's Remonstrance, as17720427

Event Comment: Mainpiece: By Particular Desire. Paid salary 1st 5 days at #84 6s. 11d. per diem, #421 14s. 7d.; Mr S. French, six days #1 10s.; Mr Roye on acct 1st. #4 4s.; Mr Clinch, per order #5 5s. (Treasurer's Book). [This is the last payment to Mr S. French. Mr Roye hereafter seems to take his place at #4 10s. per week during the rest of the season. Query. Pierre Royer, painter? His name spelled Royer in the Treasurer's Book, 3 Jan. 1773. His total season's payment #153. Not further itemized.] Receipts: #171 8s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Old Maid

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Pigmy Revels

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Pigmy Revels

Dance: II: Comic Dance, as17720922

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Thomasand Sally

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: The Lyar