SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Machin"/1) | (@(roleclean,performerclean) "Mr Machin")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4224 matches on Event Comments, 1143 matches on Performance Comments, 528 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.
Event Comment: With proper scenes, Machines, &c. [This is the Dryden-Davenant version.] Paid G. Garrick balance of his bill #6 13s.; Christmas Box to ye Beadle 3s. 6d.; Mr Norton 5 chorus #1 5s.; Xmas Jury #1 1s.; Mr Madden for an Embroidered Coat and a velvet suit of Cloaths #12 (Treasurer's Book). [This month was published A Dissertation on Comedy (by John Hippisley, Jr) in which the Rise and Progress of that Species of the Drama is particularly considered and deduced from the earliest to the present age. By a Student of Oxford. Printed for T. Lowndes (Gentleman's Magazine, Register of Books). The "Student of Oxford" seems to have been a Garrick apologist in the extreme: "But whatever reason there may have been formerly for this complaint [the immorality of the stage] since Mr Garrick's management the Stage is become the school of manners and morality: Ribaldry and Profaneness are no longer tolerated, Sense and Nature exert their influence; Pantomime daily declines, Dancers are but little encouraged; the Burletta performs to empty benches, and the British can now vie with the Athenian Drama when in its severest state of purity" (p. 15). Also, from the same source, Reflections on that Species of Dramatic Writing which it improperly call'd Serious Comedy: from the French of M Maillet du Boulley.] Receipts: #120 (Cross); #126 3s. (Treasurer's Book)

Performances

Mainpiece Title: The Tempest; Or, The Inchanted Island

Afterpiece Title: The Anatomist

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Chaplet

Performances

Mainpiece Title: Merope

Dance: GGrand Scotch Dance, as17491031

Performances

Mainpiece Title: The Roman Father

Performances

Mainpiece Title: Concert Spiritual

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: A Duke and no Duke

Dance: I: Fingalian Dance-McNeil; II: Black Joke-the Little Swiss, Miss Foulcade; III: Grand Scotch Dance, as17491031; IV: Hornpipe-Mathews; End of Play: Minuet-Mathews, Mad DeLaContri

Performances

Mainpiece Title: Gil Blas

Performances

Mainpiece Title: Alfred, A Masque

Performances

Mainpiece Title: None

Event Comment: Benefit for Havard. Mainpiece: By particular desire. No building on the stage on account of the machinery for the Masque. Tho' Mr Havard's long and severe indisposition has prevented his personal solicitation, yet he hopes it will not deprive him of the preference of those Persons of Quality, &c. who used to favour his Benefits. N.B. Those ladies and gentlemen who applied for places and were disappointed the last time the Masque was performed, may have them for this night, by sending to Mr Hobson at the stage door, by whom tickets will be deliver'd; As also at the Bedford Coffee House, and at Mr Havard's in Broad Court, the upper end of Bow St., Covent Garden. Tickets hitherto deliver'd will be taken. Receipts: #200 (Cross)

Performances

Mainpiece Title: Alfred

Afterpiece Title: The Chaplet

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Lottery

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: Harlequin Ranger

Performances

Mainpiece Title: Eugenia

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: Miss in Her Teens

Dance: IV: Sg Piettro, Janeton Auretti, Master Piettro

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Harlequin Ranger

Dance: II: L'Entree de Flore, as17521106, but Piettro, Miss +Rayner, Mad Auretti; III: A +Hornpipe-Mathews

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Queen Mab

Event Comment: A great Noise when they appear'd occasion'd, I believe, by a Paragraph in the Papers, saying, a piece of Machinery, of Fountain will soon come out at Covent Garden--so it was concluded we had stole ye design from Mr Rich--but not true, for they were design'd & made by Mr Johnson Property maker to our House--during ye Storm one Mr Bramstone, being Drunk ran cross the stage twice--fell down, & was taken off, like a dead Hero.--however the Pantomine ended quiet (Cross). Receipts: #120 (Cross). [See note to cg 13 Jan. 1753.

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Harlequin Ranger

Dance: I: Le Matelot Basque, as17521005

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Anatomist

Dance: LL'Entree de Flore, as17521122

Performances

Mainpiece Title: Philoclea

Performances

Mainpiece Title: Alfred

Music: Will be introduceda Solemn Dirge-in honour of the Heroes who died in the service of their country; After I: a Violin Concerto-DeGiardino, who will lead the performance; II: Duetto on the Hautboys-the two Pla's

Performances

Mainpiece Title: Zara

Afterpiece Title: Lethe

Song: Beard

Performances

Mainpiece Title: Eliza

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Anatomist

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: The Anatomist

Performances

Mainpiece Title: The Tempest