SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr James Love"/1) | (@(roleclean,performerclean) "Mr James Love")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 4697 matches on Event Comments, 3312 matches on Performance Title, 3052 matches on Performance Comments, 2196 matches on Author, and 0 matches on Roles/Actors.
Event Comment: The United Company. The date of the first performance is not known, and the play is one of a large group commonly assigned to September-December 1690. As the Prologue implies an autumn production, it has been placed at late September, although the premiere may have been October. It was advertised in the London Gazette, 18-22 Dec. 1690, and entered in the Term Catalogues, Feb. 1690@1. The music was composed by Henry Purcell. See Purcell, Works, Purcell Society, XXI (Dramatic Music, III, 1917), xii-xiv. Dedication: So visibly promoting my Interest on those days chiefly (the Third and the Sixth) when I had the tenderest relation to the welfare of my Play [i.e. Southerne had two benefits]. Langbaine (English Dramatick Poets, 1691, Appendix): This Play was acted with extraordinary Applause, the Part of Sir Anthony Love being most Masterly play'd by Mr Montfort: and certainly, who ever reads it, will find it fraught with true Wit and Humour. Gentleman's Journal, January 1691@2: [The Wives' Excuse, newly performed] was written by Mr Southern, who made that call'd Sir Anthony Love, which you and all the Town have lik'd so well

Performances

Mainpiece Title: Sir Anthony Love Or The Rambling Lady

Performance Comment: Edition of 1691: Sir Anthony Love-Mrs Mountford; Valentine-Mountford; Ilford-Williams; Sir Gentle Golding-Bowen; An Abbe-Antho. Leigh; Count Canaile-Hodgson; Count Verole-Sandford; Palmer-Powel Jr; Waitwell-Bright; Traffique-Kirkham; Cortaut-Mich. Lee; Servant to Sir Gentle-Cibber; Servant to Ilford-Tho. Kent; Floriante-Mrs Butler; Charlote-Mrs Bracegirdle; Volante-Mrs Knight; Prologue-Mrs Bracegirdle; Epilogue-Mrs Butler.
Event Comment: Mainpiece [1st time; C 5, by Richard Cumberland. Prologue and Epilogue by the author (Knapp, 269, 221)]: With new Dresses, &c. Morning Chronicle, 12 Oct. 1795: This Day is published First Love (2s.). Receipts: #266 7s. 6d. (205.4.0; 52.2.0; 9.1.6)

Performances

Mainpiece Title: First Love

Afterpiece Title: The Adopted Child

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: The Enchanter or Love and Magic

Event Comment: Rich's Company. The date of the premiere is not known, but the fact that the play was advertised in the Post Man, 3-5 March 1697@8, suggests that the first performance occurred probably not later than early February 1697@8. The Preface is signed by George Powell, who refers to the author of the play as unknown. In addition, Powell mentions that his company has recently revived some of Dryden's plays: Don Sebastian, Secret Love; or, The Maiden Queen, Marriage a la Mode, King Arthur, and adds: In relation to our reviving his Almanzor...very hard crutching up what Hart and Mohun...could not prop

Performances

Mainpiece Title: The Fatal Discovery Or Love In Ruines

Event Comment: Rich's Company. Lady Morley attended this performance: Lady Morley and one in the Box at the Grove an Opera. 10s. See Hotson, Commonwealth and Restoration Drama, p. 378. It is not known whether this performance was the premiere, but the publication of this work on 16 March 1699@1700 (Post Man, 14-16 March 1699@1700) suggests that if the usual month between premiere and publication intervened for this work, the premiere may have been in mid-February. On the other hand, a letter-see 20 Jan. 1699@1700-may refer to this work. The music was composed by Daniel Purcell. In Songs in the New Opera Called The Grove or Love's Paradice (1700) the following singers are listed: Mrs Irwin, Freeman, The Boy, Hughes, Mrs Lindsey, Pate, and Mrs Shaw. The Preface implies that the opera was a failure: As for the Persons who were not so generous...who thought the Catastrophe was not enough prepar'd, and that the discovery in the last Act was huddled and in confusion, they will now see if what he had writ had been spoken, every thing would have appear's clear and natural, which, to shorten the Entertainment had been before broken and disorder'd

Performances

Mainpiece Title: The Grove Or Loves Paradice

Performances

Mainpiece Title: Cinthia And Endimion Or The Loves Of The Deities

Performances

Mainpiece Title: Concert

Music: A Solo and several Pieces on the French Horn by Mr Charles. And several Songs and Duets by the two Miss Youngs. The German Flute by Mr Pelicour [Balicourt in Daily Advertiser], lately arrived from abroad; Being the first Time of his Performing in England

Event Comment: Benefit for Mr Love. Afterpiece: By Particular Desire. Paid half year's Poor's Rate for St Martin's to Xmas last #28 5s.; Two extra hautboys 2 nights #1 (Treasurer's Book). Receipts: #187 10s. Charges: #64 11s. Profits to Love: #122 19s. (Treasurer's Book)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: High Life below Stairs

Cast
Role: Lovel Actor: Cautherly
Related Works
Related Work: High Life Below Stairs Author(s): James Townley

Dance: III: The Sailors Revels, as17711008

Entertainment: I: (by Particular Desire) A Comic Paraphrase of Shakespeare's Seven Ages-King

Monologue: End: By particular Desire Linco's Travels. As 24 March

Event Comment: The New Tragedy entitled Love's the Cause and Cure of Grief intended to have been acted this night is deferr'd till Monday Next. Daily Advertiser: The Fable of the Iron and the Earthen Pot. To Mr Macklin. Vers'd thou art in every Wile Thy conduct who can Reconcile? Who'll think thee knowing in Intrigue With Garrick e'er to join in League? Was not the Maxim to thee known That Leaguers. 'Twixt Equals suit alone? We grant thee Merit; yet how far Does Sol outshine the brightest Star? Thy strength hads't thou by duly weigh'd No Feuds had then to ills betray'd. Still if thou well or ill deserve Pity, methinks, to let thee starve Pity that thou shoulds't find too late Sage Aesop's Earthen Pot thy fate

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Lawyers Feast

Related Works
Related Work: The Lawyer's Feast Author(s): James Ralph

Song: II: Song-Morland

Dance: V: New Dance, as17431123

Event Comment: Benefit for Love. House charges #66 7s. [Profit to Love #84 19s.] Paid Manager's subscription to Widow Nimmo #2 2s; Paid French on acct #20; Rec'd Stopages #3 3s. Paid salary list #435 19s. (Treasurer's Book). [Neville attended and commented that Bayes was well done by Love, We had Hearts of Oak, Bayes's Horse, & and a Concerto on the Harpsichord by Master Love, who was much applauded.'] Receipts: #151 6s. (Treasurer's Book)

Performances

Mainpiece Title: The Rehearsal

Performance Comment: As17661204, but Bayes-Love; Others-_Yates, Baddeley.
Cast
Role: Bayes Actor: Love

Afterpiece Title: High Life below Stairs

Cast
Role: Lovel Actor: Cautherley, 1st time
Related Works
Related Work: High Life Below Stairs Author(s): James Townley

Dance: II: Hearts of Oak, as17670212

Music: End: Concerto on Harpsichord- as17670212Burney Jun

Performances

Mainpiece Title: Mahomet

Related Works
Related Work: Mahomet the Imposter Author(s): James Miller

Afterpiece Title: Harlequin Dr Faustus

Event Comment: Benefit for Havard. Fairy Tale deferr'd, Miss Wright ill. This morning Mr Obrien was married to Lady Susan Strangeways. Mr Powell made an Apology & Mr King play'd his part in the Farce. N.B. This Night Mrs Yates sent me word She could play no more this Season (Hopkins). Mr Obrien married, cou'd not come. Mr King play'd his Part Mr I. Palmer King's (Cross Diary). Mr O'Brien being married this morning to Lady Susan Strangeways [sic] after the Play Mr Powell made apology that Mr O'Brien had sent word he was not able to do his part [Lovel], and that Mr King had undertaken it at every short warning, and hoped for their indulgence.-Mr J. Palmer did Mr King's part [Sir Harry's Servant]. This Night Mrs Yates gave notice she could play no more this season (Hopkins Diary-MacMillan). Receipts: #214 2s. (MacMillan); charges: #64 4s. [Profit to Havard: #149 18s.

Performances

Mainpiece Title: The Orphan

Cast
Role: Chaplain Actor: Love

Afterpiece Title: High Life below Stairs

Performance Comment: As17631029, but Lovel-King; Sir Harry's Servt-J. Palmer. [See note below.]See note below.]
Cast
Role: Lovel Actor: King
Related Works
Related Work: High Life Below Stairs Author(s): James Townley

Dance: End: The Irish Lilt, as17630922

Event Comment: Afterpiece [1st time; P 2 (?), by James Wild. MS: Larpent 1000]: The greatest part entirely new, with a few Select Scenes from the most approv'd Compositions. With new Scenery, Machinery, Dresses and Decorations. The Dresses entirely new. The new Music composed by Shield, the rest selected from Harington, Dr Arne, Eley, Reeve, Pepusch, Galliard, George Ware, Hook, &c. The Scenery and Machinery entirely new painted by Richards, Hodgins, Walmsley, Lupino, Pugh, Phillips and Malton. The Dances entirely new, composed by Byrn. Account-Book, 23 Apr. 1795: Paid James Wild in full for Dr Faustus #40. European Magazine, Jan. 1794, p. 49: Dr Faustus has afforded entertainment to three if not four generations. It was first produced at Drury-lane in 1723, by Mr Thurmond, a dancing-master, and was afterwards succeeded at Lincoln's inn-fields, in the same year, by Mr Rich's more splendid performance [entitled The Necromancer; or, Harlequin Doctor Faustus], which received improvement at different revivals of it. At the latter end of 1766 [at Covent Garden] Mr Woodward made some alterations, and it was revived with great success. It is again brought forward with applause, and recalls to the remembrance of those who formerly saw it with delight, the recollection of the most enchanting period of life. The opening scene of Tartarus . . . was first introduced in the speaking pantomime of The Mirror [at Covent Garden, 30 Nov. 1779). Receipts: #352 13s. 6d. (324/13/6; 28/0/0)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: HARLEQUIN AND FAUSTUS or The Devil will have his Own

Related Works
Related Work: Harlequin and Faustus; or, The Devil will have His Own Author(s): James Wild

Performances

Mainpiece Title: Sethona

Afterpiece Title: High Life below Stairs

Cast
Role: Young Lovel Actor: Cautherly
Related Works
Related Work: High Life Below Stairs Author(s): James Townley

Performances

Mainpiece Title: The Gamester

Related Works
Related Work: The Gamester Author(s): James Shirley

Performances

Mainpiece Title: The Brothers

Related Works
Related Work: The Brothers Author(s): James Shirley

Afterpiece Title: The Contrivances

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Spring

Related Works
Related Work: The Spring Author(s): James Harris

Dance: II: The Irish Lilt, as17621023

Performances

Mainpiece Title: Love In A Village

Cast
Role: Deborah Actor: Mrs Love

Afterpiece Title: Queen Mab

Related Works
Related Work: Queen Mab Author(s): James Oswald

Dance: II: The Savage Hunters, as17751118

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, and there saw The English Monsieur; sitting for privacy sake in an upper box: the play hath much mirth in it as to that particular humour. After the play done, I down to Knipp, and did stay her undressing herself; and there saw the several players, men and women go by; and pretty to see how strange they are all, one to another, after the play is done. Here I saw a wonderful pretty maid of her own, that come to undress her, and one so pretty that she says she intends not to keep her, for fear of her being undone in her service, by coming to the playhouse. Here I hear Sir W. Davenant is just now dead; and so who will succeed him in the mastership of the house is not yet known. The eldest Davenport is, it seems, gone from this house to be kept by somebody; which I am glad of, she being a very bad actor.... [Mrs Knepp] tells me mighty news, that my Lady Castlemayne is mightily in love with Hart of their house; and he is much with her in private, and she goes to him, and do give him many Presents; and that the thing is most certain, and Becke Marshall only privy to it, and the means of bringing them together, which is a very odd thing; and by this means she is even with the King's love to Mrs Davis

Performances

Mainpiece Title: The English Monsieur

Related Works
Related Work: The English Monsieur Author(s): James Howard

Performances

Mainpiece Title: Tancred And Sigismunda

Performance Comment: Siffredi-Love; Rhodolpho-Ackman; Officers-Fox, Castle; Tancred-Holland; Osmond-Havard; Laura-Miss Haughton; Sigismunda-Mrs Cibber.
Cast
Role: Siffredi Actor: Love
Related Works
Related Work: Tancred and Sigismunda Author(s): James Thomson

Afterpiece Title: Polly Honeycomb

Dance: II: The Bavarian Shoemakers, as17621009; The Italian Robbers, as17621009

Performances

Mainpiece Title: Tancred And Sigismunda

Performance Comment: Tancred-Holland; Siffredi-Love; Osmond-Havard; Rhodolpho-Ackman; Officers-Fox, Castle, Marr; Laura-Miss Haughton; Sigismunda-Mrs Palmer.
Cast
Role: Siffredi Actor: Love
Related Works
Related Work: Tancred and Sigismunda Author(s): James Thomson

Afterpiece Title: The Musical Lady

Dance: I: The Irish Lilt, as17630922

Performances

Mainpiece Title: Tancred And Sigismunda

Performance Comment: Tancred-Holland; Osmond-Havard; Siffredi-Love; Officers-Fox, Castle, Marr; Rhodolpho-Ackman; Laura-Mrs Hopkins; Sigismunda-Mrs Palmer.
Cast
Role: Siffredi Actor: Love
Related Works
Related Work: Tancred and Sigismunda Author(s): James Thomson

Afterpiece Title: The Witches

Related Works
Related Work: The Witches; or, Harlequin Cherokee Author(s): James Love

Dance: I: New Tambourine, as17640929

Performances

Mainpiece Title: Tancred And Sigismunda

Performance Comment: Tancred-Holland; Siffredi-Love; Osmond-Havard; Officers-Castle, Strange, Marr; Rhodolpho-Ackman; Laura-Mrs Hopkins; Sigismunda-Mrs Palmer.
Cast
Role: Siffredi Actor: Love
Related Works
Related Work: Tancred and Sigismunda Author(s): James Thomson

Afterpiece Title: Daphne and Amintor

Event Comment: SSigismunda by Mrs Dancer, being her first appearance on this stage, --was well received and great applause, --She is a good figure, and has a great deal of merit, --and is an acquisition to the theatre (Hopkins MS Notes). Mainpiece: Not acted these 2 years. [See 21 Nov. 1765.] Got with difficulty into the Pit before the play began. Holland played Tancred pretty well but can never divest himself of a certain stiffness...Mrs Dancer was affecting in Sigismunda...Lovel [in the afterpiece] by King, much better than by Cautherly. Saw the Duchess of Ancaster at the Play, who tho upwards of 40, is still remarkably handsome (Neville MS Diary)

Performances

Mainpiece Title: Tancred And Sigismunda

Performance Comment: Tancred-Holland; Siffredi-Love; Osmond-Aickin; Rodolpho-Ackman; Officers-Keen, Strange, Marr; Laura-Mrs Hopkins; Sigismunda-Mrs Dancer, 1st appearance there.
Cast
Role: Siffredi Actor: Love
Related Works
Related Work: Tancred and Sigismunda Author(s): James Thomson

Afterpiece Title: High Life below Stairs

Performance Comment: Lovell-King; Sir Harry's Servt-Dodd; Philip-Baddeley; Duke's Servt-Palmer; Freeman-Packer; Kitty-Mrs Clive.
Cast
Role: Lovell Actor: King
Related Works
Related Work: High Life Below Stairs Author(s): James Townley

Dance: End: The Irish Hay@makers, as17670919

Performances

Mainpiece Title: The New Peerage

Cast
Role: Sir John Lovelace Actor: Suett

Afterpiece Title: Hurly Burly or The Fairy of the Well

Performance Comment: Characters-Bannister Jun., Dignum, Waldron, Burton, Fawcett, Chaplin, Phillimore, Wilson, Jones, Benson, Spencer, Alfred, Mrs Love, Mrs Booth, Miss Tidswell, Miss Cranford, Miss Collett, Mrs Wilson. [for partial cast see17871123] .for partial cast see17871123] .
Related Works
Related Work: Hurly-Burly; or, The Fairy of the Well Author(s): James Cobb

Dance: In afterpiece: Ferrere, the Miss Stageldoirs