SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Hill"/1) | (@(roleclean,performerclean) "Mr Hill")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4311 matches on Event Comments, 1313 matches on Performance Comments, 570 matches on Performance Title, 399 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Formerly Compos'd by Mr Handel, and now again Revis'd by him. With several Additions, to be perform'd by a great Number of the best Voices and Instruments. There will be no Action on the Stage, but the Scenes will represent (in a Picturesque Manner) a Rural Prospect, with Rocks, Groves, Fountains, and Grottos, amongst which will be disposed a Chorus of Nymphs and Shepherds. The Habits and every other Decoration suited to the Subject. [Prince of Wales and Princess Royal present. See letter from Hill to Handel, in Hill, Works, I, 174-75, and in Deutsch, Handel, p. 299.

Performances

Mainpiece Title: Acis And Galatea

Event Comment: Benefit Boman, Hill, Martin. Mainpiece: Written by the late Mr Congreve

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The King and the Miller of Mansfield

Cast
Role: 7380413 but King Actor: Hill

Dance: I: A new dance-Miss Wright, Miss Morrison; II: Punch-Master Ferg; III: Drunken Peasant-Phillips; V: A new Sailor's Dance-Phillips

Event Comment: Benefit for ye Author put up by the Prince's Command but he did not come--ye Author [Aron Hill] dy'd on Wed last (Cross). Tickets to be had of Mr Miller over against Catherine St. in Strand. [For a short account of Hill, his death, his work, See Genest, IV, 295.] Payment this night to Norton #1 10s. for 2 chorus last night and 4 this. (Treasurer's Book). Receipts: #170 (Cross); charges, #63 (Treasurer's Book)

Performances

Mainpiece Title: Merope

Ballet: SSavoyard Travellers. As17500126

Performances

Mainpiece Title: Hamlet Prince Of Denmark

Performance Comment: Hamlet-Curtis; King-Yatesmore; Horatio-Smith; Polonius-Waldron; Laertes-Hill; Ostrick-Wilson; Guildenstern-Meadows; Bernardo-Price; Marcellus-Johnston; Grave-diggers-Simpson, Watts; Ghost-Benson; Ophelia-Miss Phillips; Player Queen-Miss Williams; Queen-Mrs Johnston .
Cast
Role: Laertes Actor: Hill
Role: Ophelia Actor: Miss Phillips

Afterpiece Title: Taste or The Diversions of the Morning

Performance Comment: Carmine-Hill; Lady Pentweazle-Mr Wilson .
Cast
Role: Carmine Actor: Hill
Related Works
Related Work: Marforio, being a Comi-Tragical Farce, called The Critick of Taste; or, A Tale of a Tub, with Characters of Singlewit, Drawcansir, Modern, Drapper, Buskin, Propter, the Great Mogul, Dunceada, Prince Prettyman, Common Sense, the Embryo of Common Sense, Lorg Haranguewell, Falarini, Signior Tweedledum, Signior Tweedledee, Prologues, Senators, Patriots, Courtiers, Fidlers, Eunucks, Gentleman Usher, Ghosts, and Chorus of Ghosts Author(s): Edward Phillips

Afterpiece Title: Catherine and Petruchio or The Taming of a Shrew

Performance Comment: Petruchio-Benson; Baptista-Smith; Hortensio-Hill; Taylor-Simpson; Biondello-Wilson; Music-Master-Meadows; Pedro-Watts; Nathaniel-Price; Grumio-Waldron; Bianca-Miss Phillips; Curtis-Miss Williams; Catherine-Mrs Johnston. monologues. End of 1st piece Buds have at ye all by Curtis; End of 2nd piece Parents and Children, as17860628. End of 2nd piece Parents and Children, as17860628.
Cast
Role: Hortensio Actor: Hill
Role: Bianca Actor: Miss Phillips

Performances

Mainpiece Title: False And True

Performance Comment: Count Benini-Munden; Marchesi Caliari-Murray; Count Florenzi-H. Johnston; Lealto-Fawcett; Nicolo-Hill; Tomaso-Davenport; Malevole-Davenport [sic]; O'Raffarty-Johnstone; (with a new Planxty [in character, which includes Mr O'Raffarty's Parentage, Family Friend, Cheap Dinner or Pot Luck, and Joys of a Sun Shiny Night)-Johnstone; Marchesa Veteria-Mrs Davenport; Lauretta-Miss Wheatley; Juliana-Miss Sims; Janetta-Mrs Atkins.
Cast
Role: Nicolo Actor: Hill

Afterpiece Title: The Son in Law

Performance Comment: Bowkit (By Permission of the Proprietors of Drury-Lane Theatre)-Bannister Jun. (1st appearance on this stage); Cranky-Munden; Vinegar-Emery; Orator Mum-Knight (Their 1st apappearance in those characters); Bouquet-Hill; Idle-Farley; Signor Arionelli-Incledon; Cecilia-Mrs Atkins.
Cast
Role: Bouquet Actor: Hill

Afterpiece Title: The Paradox or Maid Wife and Widow

Dance: III: a Characteristic Dance and Masquerade as at the Venetian Carnival-

Song: In course Evening: a new Sea Ballad, composed for his Royal Highness the Prince of Wales, Tomorrow[; or, the Mars, Capt. Connor (the words by the Author of the Castle Spectre [Matthew Gregory Lewis]; the music by Kelly)-Incledon; A Touch at old Times-Munden; In my Father's Mud Cabin-Johnstone

Event Comment: Afterpiece: By desire. Powel: Rec'd of Mr Wolfall [Woodfall?] for a ticket for the season to admit one into any part of the house, behind the scenes and to Benefit nights excepted--#15 15s. N.B.: These tickets us'd to be no more than ten guineas each before Mr Garrick's time, as for example Mr Ibbeston upon Ludgate hill, and Mr Tinker gave no more for theirs. Receipts: #170 (Cross); #166 6d. (Powel)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Anatomist

Event Comment: Mainpiece [1st time; T 5, by Robert Jephson. Prologue by the author (Gentleman's Magazine, Jan, 1782, p. 36). Another Prologue, by the Right Hon. Luke Gardiner, "not arriving in London time enough for the first exhibition of the Count of Narbonne, was not spoken" (ibid.). Epilogue by Richard Josceline Goodenough, but beginning with 20 Nov. it was superseded by a new Epilogue written by Edmond Malone (see text)]: With new Scenery and Dresses. Public Advertiser, 1 Nov.: The Management of The Count of Narbonne is . . . under very good Care: Mr Horace Walpole, with a Fondness nothing less than fatherly, directs that part of the Affair which respects the Scenes and Dresses, while Henderson takes Charge of the Rehearsals and the casting of inferior Parts... [Henderson] is to wear a Dress which is lent him from among the Antiquities at Strawberry Hill. "I have been at the theatre, and compromised the affair of the epilogues: one is to be spoken to-morrow, the friend's on the author's night. I have been tumbling into trap-doors, seeing dresses tried on in the green-room, and directing armour in the painting-room" (Walpole [16 Nov. 1781], XII, 95). "I never saw a more unprejudiced audience, nor more attention. There was not the slightest symptom of disapprobation to any part ... It is impossible to say how much justice Miss Younge did to your writing. She has shown herself a great mistress of her profession, mistress of dignity, passion, and of all the sentiments you have put into her hands. The applause given to her description of Raymond's death lasted some minutes, and recommenced; and her scene in the fourth act, after the Count's ill-usage, was played in the highest perfection. Mr Henderson was far better than I excepted from his weakness, and from his rehearsal yesterday, with which he was much discontented himself. Mr Wroughton was very animated, and played the part of the Count much better than any man now on the stage would have done. I wish I could say Mr Lewis satisfied me; and that poor child Miss Satchell was very inferior to what she appeared at the rehearsals, where the total silence and our nearness deceived us. Her voice has no strength, nor is she yet at all mistress of the stage. I have begged Miss Younge to try what she can do with her by Monday. However, there is no danger to your play: it is fully established" (Walpole [to the author, 18 Nov. 1781], XII, 95-96). Public Advertiser, 28 Nov. 1781: This Day is published The Count of Narbonne (price not listed). Receipts: #164 10s. 6d. (163/0/6; 1/10/0)

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: The Deaf Lover

Event Comment: [Huddart, whose 1st appearance on the stage was at the Crow Street Theatre Dublin, on 14 May 1798, is identified in European Magazine, Oct. 1798, p. 258.] "In the gentle and tender scenes [Huddart] was impressive...but in the impassioned parts he was often too boisterous, and from his too eager exertion, he exhausted himself, in a great measure, before the conclusion of the piece" (Morning Herald, 16 Oct.). [Mrs Pope, as Miss Campion, had 1st appeared as Desdemona at the same theatre, 11 Mar. 1790. Mrs Wybrow was from the Royal Circus. She had appeared at cg on 6 June 1798.] Afterp iece [1st time; BALL. PI, by John Cartwright Cross. Larpent MS 1228. Text (i.e. synopsis of the ballet, and the songs) in his Circusiana (Lackington, Allen & Co., 1890), Vol. 1; it lists the cast for the Royal Circus]: Taken chiefly from the favourtie Piece of the latter Title [1st acted at the Royal Circus, 9 Apr. 1798], with Alterations and Additions by the original Author. The Music by Sanderson, and Scenery by Phillips, Lupino, Hollogan, Blackmore, &c. Receipts: #294 15s. 6d. (290.8.6; 4.7.0)

Performances

Mainpiece Title: Othello Moor Of Venice

Afterpiece Title: The Genoese Pirate or Black Beard

Performance Comment: Principal Ballet Characters-Follett, Bologna Jun., Bologna Sen., Dyke, Whitmore, Abbot, Wilde, Blurton, Platt, Jackson, Hawtin, Powers, Findlay, Rayner, Webb, Farley, Mrs Watts, Mrs Follett, Mrs Bologna, Miss Burnett, Mrs Ward, Miss Bologna, Mrs Wybrow (1st appearance); Vocal Characters-Townsend, Hill, Linton, Street, Tett, Curties, Master Standen, Miss Gray; [Larpent MS lists the parts: Abdallah, Capt. Teach, Garrat Gibbons, Cesar, Gunner, Carpenter, Seamen-Hill, Linton, Street, Abbot; [Entrance into Cabin. My Willy was a Sailor bold-Miss Gray; [Between Decks. Stand to your guns our cannons thunder-Townsend, Hill; [Entrance into Cabin. A pirate's Life-Townsend; [Roads of Madagascar. Negro Air: When sunny Beams-Master Standen; [Sea Ballad. Three Years I've bade sweet Home adieu-Hill; [Inside of Black-Beard's Hut. West Indian View. Seaman and Drunken Negro: In Search of a Pirate-Clarke, Simmons; [Romantic Heights, with Black-Beard's Ship at a Distance. Grand cabin by Moonlight. No longer heave the heart@felt sigh-Hill, Miss Gray [The Powder Magazine. To conclude with a representation of the recent Glorious Engagement fought by His Majesty's Sloop, L'Espoir, of 14 Guns, and the Genoese Pirate's Ship, $the Liguria">Clarke, William, Drunken Negro-$Simmons, Servants, Negro Boy-$Master Standen, Lieut. Maynard, Sailors, Nancy, Servants, Orra, Ismena. For the three assigned parts see Songs, below.] the following new Scenes, Songs: Grand Cabin. While the jolly grog-Townsend, Hill, Linton, Street, Abbot; [Entrance into Cabin. My Willy was a Sailor bold-Miss Gray; [Between Decks. Stand to your guns our cannons thunder-Townsend, Hill; [Entrance into Cabin. A pirate's Life-Townsend; [Roads of Madagascar. Negro Air: When sunny Beams-Master Standen; [Sea Ballad. Three Years I've bade sweet Home adieu-Hill; [Inside of Black-Beard's Hut. West Indian View. Seaman and Drunken Negro: In Search of a Pirate-Clarke, Simmons; [Romantic Heights, with Black-Beard's Ship at a Distance. Grand cabin by Moonlight. No longer heave the heart@felt sigh-Hill, Miss Gray [The Powder Magazine. To conclude with a representation of the recent Glorious Engagement fought by His Majesty's Sloop, L'Espoir, of 14 Guns, and the Genoese Pirate's Ship, $the Liguria, of 42 Guns and 120 Men [on 7 Aug. 1798, off Malaga], with the Striking the Black Flag, and Plunging the Pirate into the Sea.The Powder Magazine. To conclude with a representation of the recent Glorious Engagement fought by His Majesty's Sloop, L'Espoir, of 14 Guns, and the Genoese Pirate's Ship, the Liguria, of 42 Guns and 120 Men [on 7 Aug. 1798, off Malaga], with the Striking the Black Flag, and Plunging the Pirate into the Sea.

Dance: In afterpiece: Dance of Negroes-

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@142, p. 81: At the Virtuoso. See also Nicoll, Restoration Drama, p. 348. Nell Gwyn also attended this performance; see VanLennep, Nell Gwyn's Playgoing, p. 407. The Diary of Robert Hooke, 25 May 1676: Mr Abraham Hill gave J. Hoskins, Aubery and I an account of Vertuoso play. A song, How retched is the slave to love, the music by Francis Forcer, is in Choice Ayres and Songs, The Second Book, 1679. Downes (Roscius Anglicanus, p. 37): The Libertine and Virtuoso: Both Wrote by Mr Shadwell; they were both very well Acted, and got the company great Reputation

Performances

Mainpiece Title: The Virtuoso

Performance Comment: Edition of 1676: Prologue-; Epilogue-; A copy in the William Andrews Clark Jr Memorial Library, Los Angeles, has the following manuscript cast, which may well be the original cast. (The trimming of the page has sometimes cut off the first letter or two of a name, and these have been supplied.) Sir NicholasGimcrack-Percivall; Sir Formal Trifle-Anthony Leigh; Sir Samuel Hearty-Underhill; Longvill-Betterton; Bruce-Smythe; Hazard-Jevon; Lady Gimcrack-Mrs Shadwell; Clarinda-Mrs Currer; Miranda-Mrs Betterton; unassigned-Mrs Price.
Cast
Role: Sir Samuel Hearty Actor: Underhill
Event Comment: FFog's, 19 July: We hear that Mr Miller having left performing as usual, at Windmill Hill, Mr Spencer intends to Entertain the Town with an antient Catalogue of Plays, which will begin on Monday next

Performances

Event Comment: LLondon Daily Post and General Advertiser, 6 Feb., contains a letter: To Mr John Hill, on his Answer to Mr Rich's Defence

Performances

Mainpiece Title: King Henry The Fourth Part Ii

Afterpiece Title: The Dragon of Wantley

Dance: II: Comic Ballet-Villeneuve, Miss Oates; IV: Grand Ballet-Glover, Mlle Roland Ynger; In Afterpiece: Grecian Sailors-Glover

Event Comment: At Cibber's Academy in the Hay-Market...will be presented a Concert of Musick, Vocal and Instrumental. The Vocal Parts-Mr Brett, Mrs Hill, and others; the Instrumental by eminent Masters. The Doors to be open'd at Four, the Concert to begin at Five, and no Persons to be admitted after Seven o'clock. The Prices are Four Shillings, Half a Crown and Eighteen Pence. Places may be bespoke at the Academy. After the Concert will be exhibited Gratis, a Rehearsal, in Form, of the Play-(often acted with great Applause) call'd Romeo and Juliet. Written by Shakespear. The Characters personated by the Master of the Academy, his Assistants, Pupils, and Servants. With Proper Habits, Scenes and Decorations. [After Cibber announced his Academy, he received the following letter from the Justice of the Peace: I see by your advertisements, in regard to your Academical Performances, that they are of the same Nature as Mr L/c@y's were some Years ago, which brought him to a great deal of Trouble. Some strong Applications are making now to give you some; of which I think proper to give you Notice, in this private Manner, that you may avoid it.-Tho. de Veil. 31 Oct. Cibber, A Serio-Comic Apology. p. 12.

Performances

Mainpiece Title: Romeo And Juliet

Event Comment: GGeneral Advertiser: This day is publish'd at 6d. An Apology to the Town, for Himself and the Bottle. By J. Nick-all. N.B. Mr P- was mistaken in the name. To which is prefix'd an exact representation of the scene of Harlequin's Escape into the Bottlev , introduc'd into the Pantomime of Apollo and Daphne, or the Burgomaster Trick'd, the Character of Harlequin by Mr Phillips. Printed for B. Dickenson, the corner of Bell Savage Inn, Ludgate Hill

Performances

Mainpiece Title: None

Event Comment: Benefit for a Citizen in Distress. Benefit for Mr Buss. Cash #47 1s. 6d. plus tickets #46 19s. Total income #94 6s. (Treasurer's Book). Tickets to be had at Pinchbeck's Toy Shop, in the Haymarket; the Mitre, Union St., Westminster; The Rummer, Charing Cross, the Gentleman and Porter, Fleet St.; Mr Dickenson, Printseller, Fleet St., Doctor's Commons Coffee House; the Dog Tavern, Garlick Hill; the Three Tuns Aldgate; and of Hobson at the stage door. Tomorrow, the Merchant of Venice, for the Benefit of a Young Gentlewoman under misfortunes, by the bankruptcy of her Guardian (General Advertiser). Receipts: #93 (Cross); charges, #80 (Treasurer's Book)

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Lying Valet

Dance: CComic Dance-Mathews, MacNeale, Miss Baker

Event Comment: Three Brothers of ye Delavals play'd ye Eldest Othello, ye next Iago, ye next Cassio--+Brabantio & Lodovico Mr Pine Roderigo-Cap. Stevens and Wife Emelia $Mrs Quan did Desdemona, the performance was very decent & met with great applause the Audience from ye Boxes to the upper Gallery were fill'd with people of ye first rank & make a most brilliant appearance. & ye greatest Crowd at ye Doors I ever saw. their Agreement for ye House was a receipt of one of the Alfred Houses upon an Averidge. they had all new cloaths, & very nicely ornamented with Diamonds (Cross). [See eulogy and criticism in some detail concerning the acting, by John Hill, Inspector No 3.] All Gentlemen and Ladies who intend going in coaches this evening to Drury Lane Theatre, are desired to order their coachmen to drive thro' Covent Garden, and stop at Bridges St. Door, and as soon as they have set down the company to drive off directly towards the Strand.--Those who go in chairs, are requested to order the men to the New Door in Russel St., and to prevent the avenues being stopt up no person will be admitted to either passage without first showing their tickets at the outward door (General Advertiser). Tickets Lost. If any person has found three tickets (numbers forgot) for the private play this night at Drury Lane, and will be so kind as to bring them to the Bar of the Rainbow Coffee House, Ironmonger Lane, shall receive 15s. for the whole, or in proportion for one or two of them (General Advertiser). Tomorrow Morning at 8 o'clock will be published' (price 6d.) by Thomas Carnan, at Mr Newberry's, at the Bible and Sun in St Paul's Churchyard; An Occasional Prologue and Epilogue to Othello, as it will this night be acted at the theatre-Royal in Drury Lane, by Persons of distinction, for their diversion. Written by Christopher Smart, A.M., Fellow of Pembroke Hall in the University of Cambridge. To be had at the place above mentioned, and at the pamphlet shops at the Royal Exchange and Charing Cross. This Prologue and Epilogue will be entered in the Hall Book of the Company of Stationers, and whoever presumes to pyrate them, or any part of them, will be persecuted as the Law directs (General Advertiser). [Both pieces by Christopher Smart, according to the Daily Advertiser. See two exceedingly favorable critical comments and one derogatory reprinted in the Gentleman's Magazine, March 1751 (pp. 119-22): "The greatest part of the play was much better performed than it ever was on any stage before. In the whole, there was a face of nature that no theatrical piece, acted by common players ever came up to." Macklin was Delaval's dramatic coach, according to one of these articles.

Performances

Mainpiece Title: Othello By Gentlemen

Event Comment: This day at noon will be published at 6d. A Letter to Mr Henry Woodward, Comedian, occasioned by his letter to the Inspector. by Simon Partridge, the facetious Cobbler of Pall Mall, and son to the late Mr Partridge, famous for his dispute with Isaac Bickerstaff. "Barbarian to attack, a chymist, Critick, Journalist, and Quack" (Anon). Printed for H. Jeffrey in Pope's Head Alley, Cornhill. [Another mock defense of Hill, casting opprobrium on him in the manner of the eightenth-century bully boys of the bathroom. A second edition of Sampson Edwards' Letter to Woodward appeared this day. See Comment, 9 Dec.] Receipts: #130 (Cross)

Performances

Mainpiece Title: Loves Last Shift

Cast
Role: Hillaria Actor: Mrs Mills

Afterpiece Title: The King and Miller of Mansfield

Dance: TThe Italian Gardeners, as17521221; Le Matelot Basque, as17521005

Event Comment: Benefit for a Gentlewoman, who hath a large Family in great Distress, being kept out of a good Fortune (Cross). Tickets to be had at Mrs Brown's, Milliner, in Martin's-Church-Yard; Mr Leeson, Haberdasher, near the New Church in the Strand; Mrs Kelly's, the Rainbow Coffee House, Ludgate Hill; Mr Walker's, an Oilman in Catherine St., and of Varney at the Stage Door (playbill). Receipts: #30 (Cross)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Devil to Pay

Dance: II: L'Entree de Flore- see17531123; IV: Hornpipe-the Little Swiss; V: New Dutch Dance, as17531117

Song: III: Beard

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: The Humours of Harlequin With the Loves of Several Deities

Performance Comment: Diana-Mrs Hill; Venus-Miss Hill; Endymion-Carlton; Adonis-Chardin; Aurora-Mrs Ward; Graces (attendants on Venus )-Mrs Thomas, Mrs Mountfort, Mrs Purden; Shepherds (attendants on Adonis )-Sandham, H. Fench, Webster; Harlequin-Leprue; Miller-Reynolds; Miller's Wife-Miss Mann; Miller's Man-Giffard; 1st Countryman-Gillow; 2d Countryman-Wathen; 3d Countryman-Dove; 1st Countrywoman-Mrs Clarke; 2d Countrywoman-Mrs Holt; 3rd Countrywoman-Mrs Nokes; Ceres-Miss Hill; Sylvans-Sandham, H. Fench, Webster; Nymphs-Mrs Thomas, Mrs Mounfort, Mrs Purden.
Cast
Role: Diana Actor: Mrs Hill
Role: Venus Actor: Miss Hill
Role: Ceres Actor: Miss Hill
Event Comment: The United Company. On this evening William Mountfort, the actor, was killed by Lord Mohun and Captain Hill, but the name of the play given that night seems not to have been mentioned in the testimony at the trial. In a novel based on the event, The Player's Tragedy; or, Fatal Love (1693), Mrs Bracegirdle acted the Wife of Essex in The Unhappy Favourite, and the fiction may have been based on fact. Luttrell, A Brief Relation, II, 637, 10 Dec. 1692: Last night lord Mohun, captain Hill of collonel Earles regiment, and others, pursued Mountfort the actor from the playhouse to his lodgings in Norfolk Street, where one kist him while Hill run him thro' the belly: they ran away, but his lordship was this morning seized and committed to prison. Mountfort died of nis wounds this afternoon. The quarrell was about Bracegirdle the actresse, whom they would have trapan'd away, but Mountfort prevented it, wherefore they murthered him thus. [See also HMC, 14th Report, Appendix, Portland MSS., III, 509; The Ladies Lamentation for their Adonis, 16@2, a poem on Mountfort's death; The Player's Tragedy; or, Fatal Love, 1693, a fictional treatment of the affair; and, particularly, Borgman, The Life and Death of William Mountfort, pp. 123-69. See also Cibber, Apology, I, 108, for an account of Betterton's taking the role of Alexander after Mountfort's death.

Performances

Mainpiece Title: The Unhappy Favourite Or The Earl Of Essex

Performances

Mainpiece Title: Sir Thomas Overbury

Performance Comment: Edition of 1724 lists: Earl of Northampton-Bridgwater; Earl of Somerset-Cibber Jr; Sir ThomasOverbury-Savage; Sir George Elloways-Keith; Lady Frances Howard-Mrs Campbell; Isabella-Mrs Bret; Cleora-Mrs Davidson; Prologue by Aaron Hill-Cibber Jr; Epilogue by Aaron Hill-Mrs Bret.

Performances

Mainpiece Title: The Lottery

Performance Comment: Principal parts-Adams, Mrs Hill, Reynolds, Lacy, Williams, Layfield, Giffard, Turner, Mrs Turner, Mrs Purden, Mrs Noak, Mrs Layfield, Mrs Mountfort, Mrs Anderson; but edition of 1728 lists: Freeman-Adams; Truelove-Hill; Atall-Reynolds; Truck-Lacy; Mackhazard-Williams; Plowshare-Layfield; Tim-Giffard; Capreol-Turner; Sylvia-Mrs Turner; Lucia-Mrs Purden; Mrs Matchall-Mrs Noakes; Mrs Subtle-Mrs Holt; Flora-Mrs Mountfort; Jenny-Mrs Anderson; Servant Maid-Miss Mann; Abigail Scewer-Mrs Smith; Prologue-Adams; Epilogue-Mrs Purden.

Performances

Mainpiece Title: King Henry The Fourth With The Humours Of Sir John Falstaff

Afterpiece Title: Apollo and Daphne or The Burgo Master Trickd

Performance Comment: Apollo-Salle; Nymphs-Mrs Bullock, Miss LaTour, Mrs Ogden, Miss Hill; Daphne-Mrs Laguerre; Morpheus-Leveridge; Mystery-Laguerre; Slumber-Salway; Harequin-Lun; Burgomaster-Nivelon; Boor Servant-Hippisley; Colombine-Mrs Younger; Scaramouch-Newhouse; Peasants-Newhouse, Delagarde Jr, Pelling; Women Peasants-Mrs Benson, Mrs Kilby, Mrs Rice; Venus-Mrs Seedo; Silenus-Leveridge; Bacchus-Salway; Pan-Laguerre; Zephyrus-Salle; Spaniard-Dupre; Polonese-Pelling; French-Poitier; Spanish Woman-Miss LaTour; Polonese Woman-Mrs Ogden; French Woman-Mrs Hill; Flora-Mrs Laguerre.
Event Comment: For a discussion of the Drury Lane problem, see a letter from Hill to Highmore, 5 July 1733, in Hill, Works, I, 188-92. For Hill's intention of bringing on a play in the summer of 1733, see the preface to his Filial Pity, 1760

Performances

Performances

Mainpiece Title: Comus

Performance Comment: Quin, Milward, Cibber, Mills, Hill, Mrs Cibber, with Vocal Parts-Beard, Mrs Clive, Mrs Arne, dances-Denoyer, Muilment, Mrs Walter, Mrs Thompson; but edition of 1738 lists: Comus-Quin; Lady-Mrs Cibber; Brothers-Milward, Cibber; Spirits-Mills, Hill; Euphrosyne-Mrs Clive; Sabrina-Mrs Arne; Attendant Spirits-Beard, Mrs Clive, Mrs Arne.
Cast
Role: Spirits Actor: Mills, Hill

Performances

Mainpiece Title: Agamemnon

Performance Comment: Parts-Quin, Milward, Cibber, Wright, Hill, Mrs Porter, Mrs Cibber, Miss Brett; but edition of 1738 lists: Agamemnon-Quin; Egisthus-Milward; Melisander-Cibber; Arcas-Wright; Orestes-Green; Talthybius Herald-Havard; Clytemnestra-Mrs Porter; Cassandra-Mrs Cibber; Electra-Miss Brett; Attendant on Clytemnestra-Mrs Furnival; Prologue by the Author of Eurydice-Quin; Epilogue-Mrs Cibber; unassigned-Hill.