SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Heard"/1) | (@(roleclean,performerclean) "Mr Heard")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4481 matches on Event Comments, 1673 matches on Performance Comments, 534 matches on Performance Title, 20 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Afterpiece Title: The Double Disappointment

Performances

Mainpiece Title: Lucius Verus

Performances

Mainpiece Title: Miss In Her Teens

Afterpiece Title: Harlequin Fortune Teller

Entertainment: Italian Fireworks-as perform'd in the Opera House in the Haymarket

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: Apollo and Daphne

Performances

Mainpiece Title: Romeo And Juliet

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: Phoebe; or, The Beggar's Wedding

Song: Miss Falkner

Performances

Mainpiece Title: The Provok'd Husband; Or, A Journey To London

Afterpiece Title: Phebe; or, The Beggar's Wedding

Performances

Mainpiece Title: Othello, The Moor Of Venice

Afterpiece Title: Damon and Phillida

Performances

Mainpiece Title: None

Performances

Mainpiece Title: Il Negligente

Performances

Mainpiece Title: Love's Last Shift

Afterpiece Title: The Chaplet

Dance: II: Savoyard Dance, as17491213

Performances

Mainpiece Title: None

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Chaplet

Dance: NNew Comic Dance-Grandchamps, Mrs Addison, Miss Baker

Song: Master Mattocks

Event Comment: At Hickford's Room, Brewer St. Benefit for Mme Cuzzoni. Burney, II, 848-49: [Giardini's] first performance in public was at a benefit concert for Cuzzoni, May the 18th...where, as this was her third arrival in this country, and she was grown old, poor, and almost deprived of voice, by age and infirmities, there was but little company; yet, when Giardini played a solo of Martini of Milan's composition, the applause was so long and loud, that I never remember to have heard such hearty and unequivocal marks of approbation at any other musical performance

Performances

Mainpiece Title: A Concert

Event Comment: Receipts: #40 (Cross). [The Epilogue Occasioned by the Two Occasional Prologues published in the General Advertiser. Fifty-one lines ending: @"No more shall either rack his brains to teaze ye@But let the Contest be who most shall please ye." [In the form of a story, mocking Garrick and Berry]: "Once on a time two boys were throwing dirt@A gentle youth was one, and one was somewhat pert.@Each to his Master with his tale retreated,@Who gravely heard their different parts repeated,@How Tom was rude, and Jack poor lad ill treated."

Performances

Mainpiece Title: The Funeral; Or, Grief A-la-mode

Afterpiece Title: Lethe

Dance: III: New Running Footmen's Dance, as17501020; IV: Hornpipe-Mathews, the Little Swiss

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Miss in Her Teens

Dance: II: New Running Footman's Dance, as17501020

Performances

Mainpiece Title: The Pilgrim

Afterpiece Title: Secular Masque

Dance: New Running Footman's Dance, as17501020

Performances

Mainpiece Title: Alfred

Performances

Mainpiece Title: None

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Shepherd's Lottery

Performances

Mainpiece Title: The Refusal

Afterpiece Title: The Necromancer

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: Queen Mab

Dance: IV: A Comic Dance introduc'd-Harvey, Sga Piettro