SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Heard"/1) | (@(roleclean,performerclean) "Mr Heard")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4488 matches on Event Comments, 1673 matches on Performance Comments, 534 matches on Performance Title, 20 matches on Author, and 0 matches on Roles/Actors.
Event Comment: [This day Horace Walpole wrote as follows to George Montagu, forshadowing an event to take place on 27 July: "If you will stay with me a fortnight or three weeks, perhaps I may be able to carry you to a play of Mr Bentley's--you stare--but I am in earnest--nay, and de par le roy. In short, here is the history of it. You know the passion he always had for the Italian comedy. About two years ago he writ one, intending to get it offered to Rich--but without his name--he would have died to be supposed an author, and writing [I, 372] for gain. I kept this a most inviolable secret. Judge then of my surprise when about a fortnight or three weeks ago I found my Lord Melcomb reading this very Bentleiad in a circle at my Lady Hervey's. Cumberland had carried it to him, with a recommendatory copy of verses, containing more incense to the King and my Lord Bute, than the Magi brought in their portmanteaus to Jerusalem. The idols were propitious, and to do them justice, there is a great deal of wit in the piece, which is called The Wishes or Harlequin's Mouth Opened. A bank note of #200 was sent from the Treasury to the author, and the play ordered to be performed by the summer company. Foote was summoned to Lord Melcomb's, where Parnassus was composed of the peer himself, who, like Apollo as I am going to tell you, was dozing, the two Chief Justices and Lord Bute. Bubo read the play himself, with handkerchief and orange by his side. But the curious part is a prologue which I never saw. It represents the god of verse fast asleep by the side of Helicon. The race of modern bards try to wake him, but the more they repeat of their works, the louder he snores. At last "Ruin seize thee ruthless King" is heard, and the god starts from his trance. This is a good thought, but will offend the bards so much, that I think Dr Bentley's son will be abused at least as much as his father was. The prologue concludes with young Augustus, and how much he excels the ancient one, by the choice of his friend. Foote refused to act this prologue, and said it was too strong. 'Indeed,' said Augustus's friend, 'I think it is.' They have softened it a little, and I suppose it will be performed. You may depend upon the truth of all this; but what is much more credible, is that the comely young author appears every night in the Mall in a milkwhite coat with a blue cape, disclaims any benefit, and says he has done with the play now it is out of his own hands, and that Mrs Hannah Clio alias Bentley writ the best scenes in it. He is going to write a tragedy, and she, I suppose, is going--to court."--Horace Walpole's Correspondence with George Montagu. Ed. W. S. Lewis and Ralph S. Brown Jr (New Haven: Yale University Press, 1941), I, 372-73. [IX, 372-373.

Performances

Mainpiece Title: All In The Wrong

Dance: As17610616

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Flitch of Bacon

Dance: As17891024

Song: In course of Evening: The Wolf-Bannister

Performances

Mainpiece Title: Sir Patient Fancy

Event Comment: Rich's Company. The date of the first performance is not known, but the fact that the play was advertised in the London Gazette, No. 3177, 20-23 April 1696, suggests that it was first performed not later than March 1696. Preface, Edition of 1696: This Comedy by the little success it met with in the Acting, has not at all deceived my Expectations....Give me leave to thank the Well-natur'd Town for Damning me so suddenly; They would not suffer me to linger in suspence, nor allow me any degrees of Mortification; neither my Sex, Dress, Musick and Dancing, cou'd allow it a three Days Reprieve. A Comparison Between the Two Stages (1702), p. 17: Ramble: I never heard of that. Sullen: Oh this is a Lady's

Performances

Mainpiece Title: The Lost Lover Or The Jealous Husband

Performances

Mainpiece Title: Tartuffe

Event Comment: Afterpiece: The Musick composed by Storace. Powell: Englishman in Paris rehearsed at 10; Children in the Wood at 11 (Master Welsh absent; rehearsal dismissed); Love a-la-Mode at 12 (Suett and Miss Heard, one scene). Receipts: #416 3s. (343/7/6; 61/19/0; 10/7/6; tickets not come in: 0/9/0)

Performances

Mainpiece Title: The Jew

Afterpiece Title: THE PRIZE or 2

Event Comment: Mainpiece: Not acted these 3 years. Tickets delivered by the young D'Egvilles, Jones, Newbold, Shaw, Dale, Purser Sen., Smith, Aberdein, Mills, Miss Tidswell, Mrs Heard, Miss Dancer, Miss Bradshaw, Mrs Haskey, will be admitted. Receipts: #241 8s. 6d. (23.4.0; 15.3.6; 0.15.0; tickets: 202.6.0)

Performances

Mainpiece Title: The Plain Dealer

Performance Comment: The Plain Dealer-Bensley; Lord Plausible-Suett; Major Old Fox-Moody; Freeman-Barrymore; Varnish-Packer; Jerry Blackacre-Dodd; Councellor Quillet-Phillimore; Oakam-Bates; Country Boy-Miss Heard; Novel-Palmer; Widow Blackacre-Mrs Hopkins; Olivia-Miss Pope; Eliza-Miss Tidswell; Lettice-Mrs Heard; Fidelia-Mrs Wilson.
Cast
Role: Country Boy Actor: Miss Heard
Role: Lettice Actor: Mrs Heard

Afterpiece Title: The Deserter

Dance: End III: The Capricious Lovers-the two young D'Egvilles, Miss Blanchet (1st appearance), Miss DeCamp; End: The Scheming Jockey and Fortune@Teller-the young D'Egvilles, Miss Blanchet, Miss DeCamp

Event Comment: Benefit for Phillimore, Denman, Cooke, Stokes, Miss Tidswell, Miss Heard, Mrs Benson. Morning Herald, 9 June: Tickets to be had of Miss Heard at Mrs Fletcher's, No. 239, Piccadilly; True Briton, 5 June: of Mrs Benson, No. 31, Hart-street, Bloomsbury [no others listed]. Receipts: #78 10s. (35.0.6; 41.2.6; 2.7.0; tickets: none listed) (charge: #224 15s. 3d.)

Performances

Mainpiece Title: Love Makes A Man

Performance Comment: Antonio-Dowton; Charino-Hollingsworth; Don Lewis-King; Carlos-Barrymore; Clodio-Palmer; Sancho-Suett; Monsieur-Wewitzer; Governor-Phillimore; Don Duart-Caulfield; Don Manuel-Holland; Priest-Denman; Lawyer-Cooke; Louisa-Mrs Powell; Angelina-Miss Heard; Elvira-Miss Tidswell.
Cast
Role: Angelina Actor: Miss Heard

Afterpiece Title: The Spoild Child

Cast
Role: Maria Actor: Miss Heard

Song: End I: When on board our trim Vessel-Cooke (composed by Carter); End IV: Chelsea Quarters (composed by Schroeder)-Cooke

Entertainment: Imitations. End: a Variety of Imitations-Caulfield

Ballet: Following Imitations: The Scotch Ghost. As17961221

Event Comment: Rich's Company. The date of the first performance is not known, but the fact that the play was advertised in the London Gazette, No. 3140, 12-16 Dec. 1695, to be published 17 Dec. 1695, suggests that its first appearance was not later than November 1695. According to the Edition of 1695, the music was set by the late Henry Purcell, Courteville, Samuel? Aykerod, and other composers. For Purcell's music, see Purcell's Works, Purcell Society, XVI (1906), xxix-xxxi. The songs were sung by Miss Cross and Mrs Verbruggen. Preface, Edition of 1696: I must inform the Reader, that this Third Part before it came upon the Stage was acknowledg'd and believ'd by all that saw it, and were concern'd (as well those that heard it read, as those that were Actors, who certainly, every one must own, are in their Affairs skilful enough to know the value of things of this Nature) to be much the best of all the Three Parts;...tho prepar'd by my indefatigable Diligence, Care, Pains, nay, the variety which I thought could not possibly miss the expected Success, yet by some Accidents happening in the Presentment, was disliked and explored; The Songish part which I used to succeed so well in, by the indifferent performance the first day, and the hurrying it on so soon, being streightned in time through ill management--(tho extreamly well set to Musick, and I'm sure the just Critick will say not ill Writ) yet being imperfectly performed, was consequently not pleasing; and the Dances too, for want of some good Performers, also disliked; all which, tho impossible for me to avoid, and not reasonably to be attributed any way to a fault in me, yet the noisy Party endeavour'd to use me as ill as if it were, till the generous Opposition of my Friends gave me as much reason to thank them for their Justice, as to despise the others Malice.... As to the Poppet Shew in the Fourth Act, the Accident of its being plac'd so far from the Audience, which hindred them from hearing what either they or the Prolocutor said, was the main and only reason of its diverting no better. A Comparison Between the Two Stages (1702) p. 17: Sullen: The third Part of Don Quixote. Ramble: Oh the ever-running Streams of Helicon! by all that's Poetical, my Friend Durfey; good lack! I thought I shou'd meet with him before we got half way: Well, in the name of Impudence, what luck? Sullen: Damn'd, Damn'd to all intents and purposes. Ramble: His first and second Part did well

Performances

Mainpiece Title: The Comical History Of Don Quixote The Third Part With The Marriage Of Mary The Buxome

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: Love a la Mode

Song: End I: Wine cannot cure the pain I endure for my Chloe-Johnstone, Incledon; with new accompaniments by Shield-; End: Catches and Glees-Bannister, Johnstone, Incledon, Davies, Blanchard, Williamson; The Anacreontic Song-Bannister; The Introductory Dialogue, in Irish Character-Rock

Event Comment: Tickets delivered by Kenny, Briggs, Pemberton, Newton, Leslie, Miss Heard, Miss Richards, Mrs Enoe will be taken. Receipts: #40 11s. 6d. (27/5/0; 13/6/6; 0/0/0; tickets: none listed)

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: As17840416, but Lucy (1st time)-Mrs Wilson; Mrs Peachum-Mrs Hopkins; added: Sukey Tawdry-Mrs Heard. hathi.

Afterpiece Title: A Trip to Scotland

Performance Comment: Griskin-Parsons; Cupid-Miss Heard; Chamberlain-Burton; Jemmy Twinkle-Bannister Jun.; Fillagree-Mrs Hopkins; Landlady-Mrs Love; Chambermaid-Miss Simson; Miss Flack-Miss Tidswell; Miss Griskin-Mrs Brereton .
Cast
Role: Cupid Actor: Miss Heard

Dance: In Act III of mainpiece Hornpipe by a Young Lady [unidentified], Scholar of Briggs; In afterpiece a Postillion Dance incident to the piece (performers not listed)

Event Comment: Tickets delivered by Brigg, Pemberton, Bourk, Aberdein, Newbold, Smith, Miss Tidswell, Mrs Haskey, Mrs Heard [Account-Book adds: Mills] will be admitted. [The afterpiece was perhaps changed. On the Kemble playbill it is deleted, but no substitute play is given. The Account-Book lists The Lyar.] Receipts: #220 181. 6d. (43/4/0; 21/0/0; 0/2/6; tickets: 156/12/0)

Performances

Mainpiece Title: The Provokd Husband

Performance Comment: As17840918, but Trusty-Mrs Heard; Myrtilla-Miss Tidswell .
Cast
Role: Trusty Actor: Mrs Heard

Afterpiece Title: The Lyar

Dance: End of Act II of mainpiece the Minuet de la Cow by Brigg and Miss Stageldoir; End of Act III Hornpipe by Bourk

Event Comment: Tickets delivered by Jones, Stageldoir, Newbold, Powell, Shaw, Pemberton, Dale, Smith [Account-Book adds: Mills], Miss Hale, Mrs Heard, Miss Tidswell will be admitted. Receipts: #229 17s. (18/11; 7/16; 0/15; tickets: 202/15)

Performances

Mainpiece Title: The Jealous Wife

Performance Comment: As17860107, but Russet-Thompson (of CG); Lady Freelove-Miss Tidswell; added: Toilet-Miss Hale; Chambermaid-Mrs Heard .
Cast
Role: Chambermaid Actor: Mrs Heard

Afterpiece Title: The Gentle Shepherd

Dance: End of Act IV of mainpiece Minuet de la Cour and Allemande, as17860502; End of Act I of afterpiece a Highland Reel, as17860223

Event Comment: Tickets delivered for this Evening [Account-Book: by Brady, Dale, the D'Egvilles, Jones, Lyons, Powell, Sherratt, Smith, Whittow, Mrs Heard, Mrs Haskey, Mrs Mills, Miss Palmer, Mrs Shaw] will be admitted. [Miss Davies's 1st appearance, billed as "A Young Lady," was at the hay, 28 July 1786.] Receipts: #279 12s. 6d. (16.1.0; 10.8.6; 0.6.0; tickets: 252.17.0)

Performances

Mainpiece Title: The West Indian

Performance Comment: As17871208, but Varland-Waldron; Louisa Dudley-Miss Davies (2nd appearance on any stage); Mrs Fulmer-Mrs Heard; Lucy-Mrs Shaw.
Cast
Role: Mrs Fulmer Actor: Mrs Heard

Afterpiece Title: All the Worlds a Stage

Dance: End III: New Dance taken from the Favourite Comic Opera of Gli Schiavi par Amore (recte per)-the two young D'Egvilles, Miss Blanchet, Miss DeCamp; End: a new dance, The Comic Concert, in which will be introduced The Devonshire Reel, Jack Tar's Delight-the two young D'Egvilles, Miss D'Egville, Miss Blanchet, Miss DeCamp

Event Comment: Tickets delivered for this Evening [Account-Book: by Benson, Bourk, Booth, Dale, Johnston, Jones, Purser, Walker, Miss Davies, Mrs Heard, Mrs Lewis, Miss Stageldoir] will be admitted. [Afterpiece in place of The Doctor and the Apothecary, advertised on playbill of 8 June.] Receipts: #257 2s. 6d. (19.7.0; 7.8.6; 1.10.0; tickets: 228.17.0)

Performances

Mainpiece Title: The Winters Tale

Performance Comment: As17880916, but Polixenes-Williames; Rogero-Benson; Perdita (1st time)-Miss Heard; Cleomenes-Chaplin; Countryman-Fawcett; Mopsa-Miss Barnes; Dorcas-Miss Cranford.
Cast
Role: Perdita Actor: Miss Heard

Afterpiece Title: The Deserter

Dance: II: a Dance-Hamoir, Miss Stageldoir; End: Highland Reel, as17890502, but Bourk, _Keen

Song: I: the Sheep@shearing Song-Miss Romanzini

Event Comment: [In mainpiece the playbill assigns Jessica to Mrs Bland, but "an apology was made stating the indisposition of Mrs Bland, and requesting that Miss Heard might be permitted to perform Jessica, which was agreed to" (Thespian Magazine, Apr. 1793, p. 243). In afterpiece the playbill assigns Mrs Matadore to Mrs Hopkins, but "Benson informed the audience that owing to a mistake in the bills, Mrs Hopkins's Name had been inserted instead of Mrs Booth's (ibid).] Receipts: #139 11s. (136.12; 2.19)

Performances

Mainpiece Title: At Hay The Merchant Of Venice

Performance Comment: Duke of Venice-Packer; Anthonio-Bensley; Bassanio-Wroughton; Salanio-Whitfield; Solarino-Barrymore; Gratiano-Dodd; Lorenzo (with song)-Dignum; Shylock-Kemble; Tubal-Waldron; Launcelot-Bannister Jun.; Gobbo-Suett; Leonardo-Cooke; Balthazar-Maddocks; Portia-Mrs Siddons; Nerissa-Miss Collins; Jessica (with a song)-Miss Heard.
Cast
Role: Jessica Actor: Miss Heard.

Afterpiece Title: The Humourist

Event Comment: [In 2nd piece the playbill retains Mrs Goodall, but she "being indisposed, her part was read by Miss Heard" (Thespian Magazine, Dec. 1793 , p.363).]

Performances

Mainpiece Title: Half An Hour After Supper

Afterpiece Title: WIVES IN PLENTY

Performance Comment: As17931123, but Mrs Goodall's part read by Miss Heard .
Cast
Role: Harriet Actor: Miss Heard

Afterpiece Title: THE CHILDREN IN THE WOOD

Song: As17931123

Event Comment: [In mainpiece the playbill retains Miss De Camp as Lady Elinor, but an "apology was made by Caulfield, stating . . . that Miss De Camp was extremely hoarse . . . and that Miss Heard would perform Lady Elinor" (Thespian Magazine, Jan. 1794, p. 31).]

Performances

Mainpiece Title: The Haunted Tower

Performance Comment: As17931216, but Robert-Maddocks; Martin-Waldron Jun.; Hugo-Cooke//Lady Elinor-Miss Heard .

Afterpiece Title: HARLEQUIN PEASANT

Cast
Role: Actor: Miss Heard
Role: Pantaloon's Wife Actor: Mrs Heard
Event Comment: [The playbill for this night announces as mainpiece MUCH ADO ABOUT NOT HING, but "The Publick are most respectfully informed that, on account of the sudden indisposition of a Principal Performer, MUCH ADO ABOUT NOTHING cannot be acted. This Evening will be presented AS YOU LIKE IT" (printed slip attached to BM playbill, Harris, Vol. IV). "Mrs Kemble being ill, Miss Collins play'd Celia for Mrs Kemble and Miss Heard Phebe for Miss Collins" (Powell). Since Powell mentions no other changes, it may be assumed that the cast was otherwise the same as on 25 Apr.] Receipts: #208 8s. (127/1/6; 77/0/0; 4/6/6)

Performances

Mainpiece Title: As You Like It

Performance Comment: Probably as17940425, but Celia-Miss Collins; Phebe-Miss Heard .
Cast
Role: Phebe Actor: Miss Heard

Afterpiece Title: LODOISKA

Event Comment: Afterpiece [1st time; F 2, by Mary Robinson. Prologue and Epilogue by the author (London Chronicle, 1 Dec.). MS: Larpent 1046; not published]: With new Dresses, &c. "The dissatisfaction to the Piece being so great [Mrs Jordan] was so much agitated as to be unable to repeat above one half of the Epilogue, which, from the Opposition of Hisses and Applauses, not scarely three lines of that could be distinctly heard" (Powell). Powell: New Ballet rehearsed at 10; Nobody at 12. Receipts: #334 2s. 6d. (222.13.6; 107.10.6; 3.18.6)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: Nobody

Performance Comment: Characters-Barrymore, Bensley, Bannister Jun., Maddocks, Trueman, Evans, Mrs Goodall, Miss Pope, Miss Collins, Miss Heard, Miss DeCamp, Mrs Booth, Mrs Jordan; [Larpent MS 1046 lists the parts: Sir Henry Rightly, Sharply, Lord Courtland, Thomas, Servants, Nelly Primrose, Lady Languid, Lady Rouleau, Lady Farrow, Lady Squander, Miss Cassino, Mrs Goodly.] Prologue-Barrymore; Epilogue-Mrs Jordan.
Event Comment: 3rd piece [1st time; MF 2, by George Brewer]: The Musick by Dr Arnold. Books of the Songs to be had at the Theatre. Morning Herald; 6 July 1796: This Day is published Bannian Day (1s.). Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. Places for the Boxes to be had of Rice, at the Theatre. [On this evening the following performers appeared both at dl and at the hay: Suett, Caulfield, Trueman, R. Palmer, Burton, Miss Leak, Miss Heard

Performances

Mainpiece Title: Peeping Tom

Afterpiece Title: The Liar

Performance Comment: Young Wilding-Palmer (1st appearance on that stage these 2 years); Old Wilding-Davies; Papillion-Burton; Waiter-Ledger; Servants-Abbot, Lyons; Sir James Elliot-R. Palmer (1st appearance on that stage these 2 years); Miss Godfrey-Miss Heard; Kitty-Mrs Hale; Miss Grantham-Mrs Harlowe.
Cast
Role: Miss Godfrey Actor: Miss Heard

Afterpiece Title: Bannian Day

Event Comment: [On this evening the following performers appeared both at dl and at the hay: Suett, Palmer, Miss DeCamp, Miss Heard.

Performances

Mainpiece Title: The Mock Doctor Or The Dumb Lady Cured

Performance Comment: Gregory (The Mock Doctor)-Palmer (1st appearance in that character); Sir Jasper-Waldron; Leander-Caulfield; Dr Hellebore-Burton; Davy-Waldron Jun.; James-Palmer Jun.; Harry-Abbot; Sq. Robert-Lyons; Charlotte-Miss Heard; Maid-Mrs Jones; Dorcas-Mrs Harlowe.
Cast
Role: Charlotte Actor: Miss Heard

Afterpiece Title: The Agreeable Surprise

Afterpiece Title: Bannian Day

Cast
Role: Miss Godfrey Actor: Miss Heard
Event Comment: "Nothing reduces acting to so miserable a show of mechanism as the constant applause at particular speeches...Mrs Siddons labours under a disadvantage [in dl theatre]. that she is not everywhere heard. To be so she would strain her voice unnaturally. She does not choose to make the sacrifice, and preserves her excellence with the near, whatever she may lose to the remote" (Oracle, 27 Sept.). Receipts: #372 0s. 6d. (280.13.0; 89.18.6; 1.9.0)

Performances

Mainpiece Title: Isabella Or The Fatal Marriage

Afterpiece Title: The Liar

Performance Comment: Sir James Elliot-R. Palmer; Old Wilding-Aickin; Young Wilding-Palmer; Papillion-Wewitzer; Miss Grantham-Miss Mellon; Miss Godfrey-Miss Heard; Kitty-Miss Tidswell.
Cast
Role: Miss Godfrey Actor: Miss Heard

Song: In III: Epithalamium. Vocal Parts-Miss Leak, Master Welsh

Event Comment: [In mainpiece the playbill retains Miss Biggs, but "Biggs, of Drury-lane Theatre, died yesterday [actually not until 9 Dec.]. The grief of his sister on the occasion prevented her performing in Cumberland's new comedy last night; in consequence of which the part of Matilda was read by Miss Heard" (Morning Herald, 8 Dec.).] Receipts: #158 0s. 6d.(98.0.0; 56.11.6; 3.9.0)

Performances

Mainpiece Title: A Word For Nature

Performance Comment: As17981205, but Matilda-Miss Biggs's part read byMiss Heard; unassigned-_Fisher, _Ryder. Prologue, Epilogue as17981205 .

Afterpiece Title: The Captive of Spilburg

Dance: As17981205

Event Comment: [In mainpiece the playbill retains Miss Biggs as Angela, but "On account of the sudden indisposition of Miss Biggs, Miss Heard will perform the part of Angela, and hopes for the usual indulgence of the audience" (printed slip attached to Kemble playbill).] Afterpiece [1st time; MF 2, by Thomas John Dibdin, based on Der Wildfang, by August Ferdinand Friedrich von Kotzebue. Prologue by Miles Peter Andrews (London Chronicle, 4 Feb. 1800)]: The Overture and Musick composed by Kelly [with one selection from Paisiello]. Books of the Songs to be had in the Theatre. Receipts: #264 17s. (139.8.6; 122.17.0; 2.11.6)

Performances

Mainpiece Title: The Castle spectre

Performance Comment: As17991030, but Angela-Miss Heard.
Cast
Role: Angela Actor: Miss Heard.

Afterpiece Title: Of Age To morrow