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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Hay"/1) | (@(roleclean,performerclean) "Mr Hay")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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5971 results for: Keyword - Mr Hay
We found 4449 matches on Event Comments, 1205 matches on Performance Comments, 661 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

1101
05 April 1779 @ Drury Lane Theatre

Event Comment: Benefit for Miss Pope. Afterpiece [1st time; F 2, by James Cobb, based on La Fausse Suivante; ou, Le Fourbe Puni, by Pierre Carlet de Chamblain de Marivaux. Prologue by the author (Knapp, 117). Larpent MS 476; not published. In 1780 this was acted at the hay as The Female Captain]. Part of the Pit will be laid into the Boxes. Public Advertiser, 15 Mar.: Tickets to be had of Miss Pope, Little Russel-street, Covent Garden. Receipts: #202 10s. (54.14; 17.6; 1.12; tickets: 128.18) (charge: #65 17s. 2d.)

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: The Contract; or, The Female Captain

1102
24 September 1779 @ Covent Garden

Event Comment: [Edwin (who was from the Hay) was "unintelligible and too rapid" (Morning Chronicle, 25 Sept.).] Receipts: #142 19s. 6d. (142.2.0; 0.17.6)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Midas

Dance: End I: The Dockyard-as17790922, but _Holland; V: a Dance of Foresters-

1103
12 November 1779 @ Covent Garden

Event Comment: Afterpiece [1st time; PAST 2, by Richard Josceline Goodenough, altered from his unacted play The Cottagers]: The Overture and Music composed by Baumgarten. [Baumgarten used this overture again in Robin Hood (see cg, 17 Apr. 1784).] Books of the Pastoral to be had at the Theatre. [Wordsworth is identified in the playbill of 22 Dec. Mrs Webb was from the Hay.] Public Advertiser, 24 Nov. 1779: This Day is published William And Nanny (1s.). Receipts: #122 15s. (116.15.6; 5.19.6)

Performances

Mainpiece Title: The Duke Of Milan

Afterpiece Title: William And Nanny

1104
27 November 1779 @ King's Theatre

Event Comment: A new Serious Opera [1st time; SER 3, by Pietro Metastasio; a pasticcio]. The Music by various eminent Composers [Anfossi, Myslivecek and Piccinni]. Amongst them several airs by Handel. Under the Direction of Bertoni. With entire new Scenes, Dresses and Decorations, both for the Opera and Dances. Pit 10s. 6d. 1st Gallery 5s. and 2nd Gallery 3s. By Their Majesties' Command no Person can be admitted behind the Scenes. The Doors to be opened at 6:00. To begin at 7:00 [same throughtout season]. To prevent inconvenience to the Nobility and Gentry in getting to their carriages, they are most respectfully intreated to give positive orders to their Servants to set down and take up with their Horses Heads towards Pall-mall. The Door in Market Lane for Chairs only. To prevent mistakes, Ladies who have not sent the names of the Subscribers to their Boxes are particularly requested to send them as early as possible to Johnson, at the office of the Theatre, in order to [permit] their Tickets being engraved. Subscriptions are received by Johnson in Union Court, Hay Market

Performances

Mainpiece Title: Alessandro Nelle Indie

Dance: End I: Indian Ballet (composed by Zuchelli), adapted to the Opera-Sg and Sga Zuchelli, Henry, young Miss Simonet; End II: new Pastoral Ballet (composed by Zuchelli and Slingsby)-Slingsby, Sg and Sga Zuchelli, Sga Tantini (1st appearance in England); End Opera: Grand Serious Ballet connected with the Opera (composed by Favre Guiardele, ballet master), in which the celebrated Chaconne of Jomelli's-Slingsby, Sga Tantini, Favre Guiardele (1st appearance in England)

1105
24 January 1780 @ Drury Lane Theatre

Performances

Mainpiece Title: Julius Caesar

Performance Comment: Mark Anthony-Smith; Cassius-Henry; Caska-read by Gardner [of hay]; Julius Caesar-Packer; Octavius Caesar-Farren; Trebonius-Chaplin; Decius Brutus-Wrighten; Metellus Cimber-Williams; Cinna-Norris; Pindarus-R. Palmer; Soothsayer-Fawcett; Servant to Anthony-Philimore; Lucius-Master Pulley; Plebians-Baddeley, Waldron, Burton, Holcroft; Brutus-Palmer; Calphurnia-Miss Sherry; Portia-Mrs Baddeley.

Afterpiece Title: Fortunatus

1106
22 April 1780 @ Covent Garden

Event Comment: Benefit for Edwin. 1st piece: Never performed there. [Master Edwin was from the Hay.] Public Advertiser, 18 Apr.: Tickets to be had of Edwin, No. 76, the corner of Long Acre, Drury-lane. Receipts: #107 10s. 6d. (89.0.6; tickets: 18.10.0) (charge: #105)

Performances

Mainpiece Title: Buxom Joan

Afterpiece Title: Much Ado about Nothing

Afterpiece Title: The Flitch of Bacon

Song: End: Moderation and Alteration-Edwin

1107
02 May 1780 @ Drury Lane Theatre

Event Comment: Benefit for Delpini and Sga Crespi. Morning Chronicle, 22 Apr.: Tickets to be had of Delpini, No. 1, Hay-Market [Sga Crespi not listed]. Afterpiece: With Storming of Fort Omoa, as 12 Jan. Receipts: #163 11s. (42.4.0; 15.10.6; 0.12.6; tickets: 105.4.0) (charge: #89 17s.)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Fortunatus

Dance: End I: a new Comic Pantomime Dance, The Savoyards-Delpini, Sga Crespi, Henry, Miss Armstrong; End IV: Minuet, Allemande-Delpini, Sga Crespi

1108
19 May 1780 @ Covent Garden

Event Comment: Benefit for Green and Ansell, box-keepers. Tickets delivered for Know Your Own Mind (which is unavoidably obliged to be set aside) will be admitted this Evening. Public Advertiser, 11 May: Tickets to be had of Green, the corner of Norris-street, No. 55, Hay-market; of Ansell, Davies-street, Berkeley-square. Receipts: #277 9s. 6d. (29.12.6; tickets: 247.17.0) (charge: #105)

Performances

Mainpiece Title: The Funeral

Afterpiece Title: The Deaf Lover

Ballet: End: The Humours of New-Market. As17800518

1109
10 October 1780 @ Drury Lane Theatre

Event Comment: [Palmer's 1st appearance as Comus was at the hay, 24 June 1780.] Paid Printer [of playbills] #8 8s.; Supernumeraries #3 12s. 6d. Receipts: #127 19s. 6d. (101.19.0; 25.10.0; 1.10.6)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Comus

Song: Afterpiece: Sweet Echo-Mrs Wrighten; accompanied-Parke. [This was sung, as here assigned, in all subsequent performances.

1110
29 November 1780 @ Drury Lane Theatre

Event Comment: [Crawford was from the hay.] Receipts: #94 11s. 6d. (66.11.0; 26.8.6; 1.12.0)

Performances

Mainpiece Title: Othello

Afterpiece Title: The Lyar

1111
08 December 1780 @ Drury Lane Theatre

Event Comment: [Mrs Hedges, who is identified by MS annotation on Kemble playbill, was from the hay.] Receipts: #115 8s. (86.1; 27.17; 1.10)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Harlequin's Invasion

Dance: End IV: The Irish Fair, as17800930

1112
22 January 1781 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Mainpiece: Written by the celebrated Mrs Eliza Haywood. Not acted these 6 years. Afterpiece [1st time; F 2 (?)]: Written by a Comedian [unidentified. not in Larpent MS; not published]. The above Pieces have been a long Time in Rehearsal, and as no Expense has been spared in procuring respectable Performers from capital Theatres, there is no doubt (as the Comedies have sterling Merit) of their giving Satisfaction to the Audience. The Doors to be opened at 5:15. To begin at 6:15

Performances

Mainpiece Title: A Wife To Be Lett

Performance Comment: Graspall-Barrett (of hay); Captain Gaylove-Turner; Fairman-Stannard; Sneaksby-Digby; Sir Harry Beaumont-Lyon (from the Theatre Royal, Edinburgh); Shamble-Williams; Courtly-Johnson; Tim-Benson; Toywell-Russell (from the Theatre Royal, Norwich); Mrs Graspall-Mrs Harley (1st appearance); Dogwood-Mrs Gardner; Marilla (with a song)-Miss Green (1st appearance); Celemena-Miss Harrison; Widow Stately-Mrs Russell (from the Theatre Royal, Norwich); Amadea (with songs)-Miss Hemet.
Related Works
Related Work: A Wife to be Let Author(s): Eliza Haywood

Afterpiece Title: The Sharper's Last Shift

Song: End I: Stand to your Guns-Digby

Entertainment: Monologue. End: Bucks have at ye All-Benson

1113
08 March 1781 @ King's Theatre

Event Comment: Benefit for Roncaglia. Opera: The Music composed by Gretry. Tickets to be had of Roncaglia, No. 2, Hay-market

Performances

Mainpiece Title: Zemira And Azor

Dance: End I: The Pert Country Maid, as17810113; End II: The Fortunate Escape, as17801216; End Opera: Les Amans Surpris, as17801216

1114
28 April 1781 @ Covent Garden

Performances

Mainpiece Title: Seventeen Hundred And Eighty One; Or, The Cartel At Philadelphia

Afterpiece Title: Sir Courtly Nice; or, It Cannot Be

Afterpiece Title: Who'd have Thought It

Performance Comment: Characters-Wilson, Whitfield, Wewitzer, Cubitt, Thompson, Booth, Lee Lewes, Mrs Wilson, Mrs Lewis, Mrs Webb; [Partial cast adjusted from hay playbill of 7 July 1781: Strap-Wilson; Ishmael-Wewitzer; Broadhem-Mrs Wilson; Caroline-Mrs Lewis; Mrs Strap-Mrs Webb; Larpent MS lists the other parts: Hawser, Spangle, Lord George Willmore, Clinker, Clod, Box, Frank, Pillage.] Prologue-Lee Lewes.

1115
30 April 1781 @ Covent Garden

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: A Fete

Afterpiece Title: The Son-in-Law

Performance Comment: Principal Characters-Bannister (of dl), Edwin, Wilson, Egan, Cubitt, Fearon, Stevens, Quick, Mrs Davenett, Miss Satchell. Probable cast from hay playbill of 13 June 1780, and Genest, VI, 196: Signor Arionelli-Bannister; Bowkitt-Edwin; Cranky-Wilson; Idle-Egan; Vinegar-Cubitt; Bouquet-Fearon; John-Stevens; Orator Mum-Quick; Dolce-Mrs Davenett; Cecilia-Miss Satchell.

Entertainment: Monologue.End 1st piece: a Prologue written by S. Foote, Esq.,-Master Edwin

1116
15 September 1781 @ Haymarket Theatre

Event Comment: The last Night of this Season. [On this night Bannister was also acting at dl; on his arrival at the hay he made the following apology, "The instant the opera was finished at Drury Lane I hastened with all possible expedition to execute my duty." But the performance of the 3rd piece was so long delayed that the final curtain did not fall until 12 o'clock (Morning Herald, 17 Sept.).

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Spanish Barber

Afterpiece Title: The Agreeable Surprise

Afterpiece Title: Medea and Jason

1117
21 September 1781 @ Covent Garden

Event Comment: [Miss Harper was from the HAY.] Receipts: #149 6s. 6d. (147/17/6; 1/9/0)

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: Three Weeks after Marriage

Dance: End of mainpiece The Merry Sailors by Aldridgc, &c

1118
24 November 1781 @ Covent Garden

Event Comment: Afterpiece: Never performed here. Written by [John] O'Keeffe; As it was performed at the Theatre Royal in the Haymarket [beginning with 4 Sept.], with the greatest Applause. The Overture and new Music composed by Dr Arnold. Books of the Songs to be had at the Theatre. Receipts: #205 7s. 6d.(203/6/6; 2/1/0)

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: The Agreeable Surprise

Performance Comment: Characters by Reinhold, Wilson, Davies, Webb, Egan, Stevens, Painter, J. Wilson, Edwin; Mrs Webb, Mrs Wilson, Mrs Poussin, Miss Harper-[Cast from Public Advertiser, 26 Nov., and adjusted from HAY playbill of 4 Sept.: Compton-Reinhold; Sir Felix Friendly-Wilson; Eugene-Davies; Chicane-Webb; John-Egan; Thomas-Stevens; Stump-Painter; Cudden-J. Wilson; Lingo-Edwin; Mrs Cheshire-Mrs Webb; Cowslip-Mrs Wilson; Fringe-Mrs Poussin; Laura-Miss Harper.] hathi. hathi.

1119
05 December 1781 @ Covent Garden

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Son-in-Law

Performance Comment: Principal Characters by Wilson, Edwin, Robson, Lee Lewes, Quick, Egan, Stevens, Thompson, Bannister; Mrs Davenett, Miss Harper. [Probable cast adjusted from HAY playbill of 9 June 1781: Cranky-Wilson; Bowkitt-Edwin; Bouquet-Robson; Vinegar-Lee Lewes; Orator Mum-Quick; Idle-Egan; John-Stevens; Signor Arionelli-Bannister; Dolce-Mrs Davenett; Cecilia-Miss Harper. Thompson is unassigned.] hathi. hathi.

Dance: As17811101

1120
16 March 1782 @ Covent Garden

Event Comment: Afterpiece [1st time; F 2, by John O'KeefFe, altered from his The She Gallant; or, Square-Toes Outwitted, 1st acted at Smock Alley Theatre, Dublin, 14 Jan. 1767, and in London at the HAY, 13 Oct. 1779. Incidental music by Michael Arne and William Shield. Text 1st published by T. N. Longman and O. Rees, 1800. Prologue by George Colman, the elder (Colman, Prose, m, 231)]. Receipts: #228 10s. 6d. (226/14/6; 1/16/0)

Performances

Mainpiece Title: The Man Of The World

Afterpiece Title: The Positive Man

1121
10 May 1782 @ Drury Lane Theatre

Event Comment: Benefit for Zuchelli, Delpini & the Miss Stageldoirs. Mainpiece: With Alterations [by Richard Brinsley Sheridan]. Afterpiece [1st time; P 2, author unknown]: The whole under the direction of Delpini and Zuchelli. The Music by the celebrated Chevalier Clough. An Historical Account of the Pantomime, with the Songs, may be had at the Theatre. Morning Herald, 27 Apr.: Tickets to be had of Zuchelli, No. 81, Hay-market; Ibid, 30 Apr.: of the Miss Stageldoirs at their house, No. 26, Crown-street, Little Russel-street, Covent-garden [Delpini not listed]. Receipts: #226 13s. (67/7; 28/12; 0/3; tickets: 130/11) (charge: #120 16s. 9d.)

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: Don Juan; or, The Libertine Destroy'd

Dance: End of Act III of mainpiece a new Masquerade Dance, in which a Minuet by Zuchelli and Miss M. Stageldoir; Afterpiece to conclude with a Dance of Furies (performers not listed)

Song: In Masquerade Dance a favorite song by Miss Romanzini, and to conclude with a Serious and Comic Air by Delpini

1122
31 May 1782 @ Drury Lane Theatre

Event Comment: Benefit for Wood, Percey, Cameron & Morris. [Palmer's 1st appearance as Archer was at the HAY, 17 Aug. 1779. Afterpiece in place of The Alchymist, announced on playbill of 30 May.] Receipts: #254 17s. (36/2; 19/6; 0/0; tickets: 199/9) (charge: none listed)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Irish Widow

1123
25 September 1782 @ Covent Garden

Event Comment: Mainpiece: With Alterations in the Dialogue and New Music [i.e. 6 new songs by John O'Keeffe with music by Michael Arne: 3 sung by Fairfield, and 1 each by Theodosia, Farmer Giles and Fanny. They are printed in London Chronicle, 26 Sept. and in Town and Country Magazine, Sept. 1782,p. 452]. The Words of the New Songs will be given at the Boxes. Afterpiece: 6th time [i.e. in continuation of the reckoning for the previous season]. [Brett was from the HAY.] Receipts: #271 10s. 6d. (269/4/6; 2/6/0)

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: Retaliation

Dance: End of Act I of mainpiece The Belle of the Village by Harris and Miss Matthews

1124
27 September 1782 @ Covent Garden

Event Comment: [Mrs Wheatley, for whom see HAY, 26 Aug. and 2 Sept. 1782, is identified in European Magazine, Oct. 1782, p. 308.] Receipts: #232 (223/17/6; 8/2/6)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Tom Thumb

Related Works
Related Work: The Opera of Operas; or Tom Thumb the Great Author(s): Eliza Haywood

Dance: End of mainpiece, as17820925

1125
07 November 1782 @ Drury Lane Theatre

Event Comment: Mainpiece: Not acted these 6 years [acted 9 Apr. 1778]. [Staunton was from the HAY.] Receipts: #125 13s. (93/6/0; 31/9/6; 0/17/6)

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: Too Civil by Half

Dance: End of mainpiece, as17821005