SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Hay"/1) | (@(roleclean,performerclean) "Mr Hay")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4449 matches on Event Comments, 1205 matches on Performance Comments, 661 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.
Event Comment: [Lee Lewes's 1st recorded appearance as Falstaff was at Manchester, 19 Dec. 1777. Miss Farren's 1st appearance as Mrs Ford was at the HAY, 24 Aug. 1781.] Receipts: #277 2s. (273/15; 3/2; ticket not come in: 0/5)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Harlequin Junior

Event Comment: Benefit for Richardson and Mrs Davenport. 1st piece: Not acted these 20 years [acted 9 Oct. 1778], and compressed into one Act. [Miss Hay, whose 1st appearance on the stage was at Richmond, 15 Sept. 1792, is identified in Thespian Dictionary, 1805, under Mrs Litchfield.] Receipts: #234 5s. (69.1.6; 2.6.6; tickets: 162.17, of which Richardson sold 84.0, and Mrs Davenport 78.17)

Performances

Mainpiece Title: The Old Maid

Afterpiece Title: Every One has His Fault

Performance Comment: As17960420, but Edward (for that night only)-A Young Lady (1st appearance on this stage [Miss Hay]); Lady Eleanor Irwin-Mrs Pope.

Afterpiece Title: Cymon

Dance: Conclude 3rd piece: Dance-

Song: End: Black@Ey'd Susan-Incledon; End 2nd piece: The Group of Lovers-Munden

Event Comment: [Mrs Leach is identified by MS annotation on hay playbill now at Harvard.

Performances

Mainpiece Title: What A Blunder

Afterpiece Title: The Guardian

Event Comment: [Du-Bellamy was from the hay.] Receipts: #159 13s. (124.18; 34.13; 0.2)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Who's the Dupe

Dance: I: Country Dance- incident to the piece; [This was included in all subsequent performances.] End II: The Butterfly, as17800921; End I afterpiece: Minuet de la Cour, as17800919

Event Comment: [Miss Villers is identified in MS list, in hay playbills in Harvard Theatre Collection, of new performers for 1793.

Performances

Mainpiece Title: The Mountaineers

Afterpiece Title: Polly Honeycomb

Song: As17930823

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Chaplet

Dance: V: A Comic Dance-Daigville, Sga Vidini

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Harlequin's Invasion

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: Polly Honeycomb

Dance: End: The Mountaineers, as17730930 Como, Sga Crespi (2nd appearance)

Performances

Mainpiece Title: New Brooms

Afterpiece Title: Matilda

Afterpiece Title: The Mayor of Garratt

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Jubilee

Performances

Mainpiece Title: The Alchymist

Afterpiece Title: Polly Honeycomb

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Phoenix; or, Anacreontics Renovated [i

Afterpiece Title: Rosina

Entertainment: In 2nd piece: Imitations-Caulfield

Performances

Mainpiece Title: Rose And Colin

Afterpiece Title: The Jealous Wife

Afterpiece Title: The Farmer

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Chaplet

Ballet: II: Savoyard Travellers. Principal Savoyards-Grandchamps, Mlle Auretti, Mathews, Mrs Addison; Children Savoyards-Little Swiss, Miss Popling; Peasants-M'Neil, Mlle delaContri; see17491110

Performances

Mainpiece Title: A Writ Of Inquiry Will Be Executed On The Inquisitor General

Event Comment: The Principles not to be didactically and drily delivered but demonstrated by apt and familiar instances and illustrated by a set of Pupils long trained and properly prepared for the Purpose. [This performance originally scheduled for 26 April, but deferred to this date, a noon performance.] See Sketch of Mr Foote's Lectures on Oratory, as delivered Yesterday at the Little Theatre in the Haymarket (St James Chronicle, as 29 April)

Performances

Mainpiece Title: The Orators

Performances

Mainpiece Title: Acis And Galatea

Music: CConcerto on the Harpsichord-Stanley; solo on Violin-Hay

Performances

Mainpiece Title: Acis And Galatea

Music: Between the acts: Solo on Violincello-Chiri; Concerto on Bassoon-Baumgarten; Concerto on Hautboy-Simpson; Solo on Violin-Hay who will lead the performance; To conclude with the Coronation Anthem-

Event Comment: Benefit Carey. With some Additional Songs proper to the Characters, which will be printed, and given Gratis to all Persons at their Entrance. [A Tragedy of half an act entitled Did You Ever See The Like? was advertised as an afterpiece for this day 1n Fog's, 28 Nov.] Daily Post, 3 Dec.: Our Friend Harry Carey having this Night a Benefit...the Powers of Music, Painting, and Poetry, assemble in his Behalf, he being an Admirer of the three Sister Arts: The Body of Musicians meet in the Hay-market, from whence they march in great Order, preceded by a magnificent moving Organ, in Form of a Pageant, accompany'd by all Kinds of Musical Instruments ever in Use, from Tubal Cain to this Day: A great Multitude of Booksellers, Authors and Printers, form themselves into a Body at Temple-Bar, from whence of Printers Devils, with their proper Implements: Here the two Bodies of Music and Poetry are joined by the Brothers of the Pencil, where taking a Glass of Refreshment at the Bedford-Arms, they make a solemn Procession to the Theatre, amidst an innumerable Croud of Spectators

Performances

Mainpiece Title: Greenwich Park

Song: A Dialogue of Mr Henry Purcell-Mrs Carey, Miss Raftor; A Cantata of Mr Carey's-Miss Raftor

Dance: Essex, Lally, Rainton, Mrs Walter, Miss Robinson, Miss Brett

Event Comment: The King's Theatre having been rented to the Proprietors of Drury-Lane House, with a reserve of the Nights for the Italian Opera to be carried on there for the Opera Trust, the Drury-Land Patent will in future be moved on Tuesdays and Saturdays to the Theatre Royal, Hay-Market, where all old and new Renters, claiming under the Drury-Lane Patent, will be entitled to Free Admission, and to their Rights for each Night of Performance. Half Price not being taken at this Theatre, the Performances will be reduced to the old established Prices. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Places for the Boxes in the Theatre Royal, Hay-Market, to be taken at Fosbrook's Office at the King's Theatre as usual. [Mainpiece in place of Cymon; afterpiece of The Patron, both advertised on playbill of 25 Jan.] Receipts: #140 11s. (139.0; 1.11)

Performances

Mainpiece Title: At Hay Jane Shore

Afterpiece Title: The Cheats of Scapin

Event Comment: Benefit for Bannister Jun. 1st piece [1st time; MD 2, by Samuel Birch]: The Musick by Attwood. Books of the Songs to be had in the Theatre. 2nd piece [1st time; INT 1, by George Colman, ynger. This was the 1st scene from Colman's New Hay at the Old Market, slightly revised; in subsequent seasons it was acted under the title of Sylvester Daggerwood]: By Permission of the Proprietor of the Theatre Royal Hay-Market. 3rd piece: With a Sea Fight. [The playbill assigns Sneer to Palmer, but "The Public are most respectfully informed that Palmer being too ill to perform this Evening, the character of Sneer will be attempted by Benson, who humbly hopes for their usual indulgence" (printed slip attached to Kemble playbill).] Oracle, 4 Apr.: Tickets to be had of Bannister Jun., No. 65, Gower-street, Bedford Square. Receipts: #613 12s. (332.0.6; 45.19.6; 4.3.0; tickets: 231.9.0) (charge: #221 19s.)

Performances

Mainpiece Title: The Smugglers

Afterpiece Title: A Favourite Scene from New Hay [Sylvester Daggerwood]

Afterpiece Title: The Critic

Afterpiece Title: The Wedding Day

Event Comment: Mainpiece: With an additional Scene written by the late Sir John Vanbrugh. [See Daily Journal, 26 Sept., for a discussion of the relationship between the Patentees of DL and the rebelling actors, opening at HAY, with particular reference to The Impartial State of the Dispute; see also 4 June 1733.]

Performances

Mainpiece Title: Aesop

Afterpiece Title: The Devil to Pay

Music: Select Pieces between the Acts, Composed by Mr Lampe

Dance: Drunken Peasant by Le Brun. English Maggot by Lally Jr and Mrs Walter

Event Comment: Benefit for Johnstone. [Forster is identified by MS annotation on hay playbill now at Harvard.] Morning Chronicle, 25 Aug.: Tickets to be had of Johnstone, No. 19, Piazza, Covent Garden

Performances

Mainpiece Title: Cambro-britons

Afterpiece Title: The Agreeable Surprise

Song: End: Paddy's Description of Pizarro; or, Mr Paddy O'Doody and his Cousin Shaun Shaugnessy's Treat to the One Shilling Gallery-Johnstone

Event Comment: 2nd piece [1st time; PREL 1, by George Colman, ynger. In 1796 the 1st scene was acted as Sylvester Daggerwood]. Morning Chronicle, 3 July 1795: This Day is published New Hay at the Old Market (1s.). Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. Places for the Boxes to be had of Rice at the Theatre

Performances

Mainpiece Title: The Mayor Of Garratt

Afterpiece Title: New Hay at the Old Market

Afterpiece Title: The Battle of Hexham; or, Days of Old

Event Comment: Books of New Hay at the Old Market are now published, and may be had at the Theatre

Performances

Mainpiece Title: The Prisoner At Large

Afterpiece Title: Peeping Tom

Afterpiece Title: New Hay at the Old Market