Event Comment: Betterton's Company. There may have been a revival of Oedipus in the summer of 1696. In Francis Manning's Poems upon Several Occasions and to Several Persons (1701) there is a poem To Mr Betterton, Acting Oedipus King of Thebes. The first stanza describes the splendor of the installation of the Duke of Gloucester as a Knight of the Garter, an event which occurred at Windsor Castle in July 1696; but there is no certainty that Betterton's performance occurred before that date. It should be noted also that the play was reprinted in 1696

Event Comment: Post Man, 20-23 April 1700: On Saturday last two Gentlemen [according to the Post Boy, 23-25 April 1700, they were Captain Francis and Mr Squibb, of the Exchequer] quarrelled at the Play-house, and one of them was mortally wounded

Event Comment: At the Desire of several Persons of Quality. Written by the late Mr Gay. Receipts: #51 6s. [See Daily Advertiser, 26 March, for a letter from Francis Nivelon to the author of The Married Philosopher, to be acted on 27 March for the benefit of Nivelon.

Event Comment: By Desire. Paid salary list #305; Rec'd Cash #142 12s. plus #24 4s.; in tickets. Total #166 16s. Paid for the making a Robe for Mrs Clive by Garrick's order #1 2s. 6d.; Paid Mr Oram (Scene painter) on acct #6 6s. by order of Lacy; for a Great coat for Sir Francis Wronghead by order of Lacy 14s. (Treasurer's Book). Receipts: #180 (Cross); #156 2s. (Treasurer's Book)

Event Comment: A little hissing during the farce, & at the End ye Audience call'd, no more &c.--& insisted upon another farce being given out wch Mr Blakes did--farewell Taste (Cross). The Book of the Entertainment will be sold in the theatre, and at R. Francklin's in Russel Street, Covent Garden (playbill). [The publication of Taste was dedicated to Francis Delaval, and includes in prefatory remarks Foote's distinction between Comedy and Farce: As the follies and absurdities of men are the sole objects of Comedy, so the powers of Imagination (Plot and Incident expected) are in this kind of writing greatly restrainded. No unnatural assemblages, no creatures of the fancy can procure the protection of the Comic Muse; men and things must appear as they are. To Farce greater liberties are permitted. I look upon Farce to hold the same rank in drama that Burlesque does in other poetry. It is employed either in debasing lofty subjects, or in raising humble ones.'] Receipts: #180 (Cross)

Event Comment: In L. C. 5@139, p. 373, is a list of plays allowed to the Duke's Company: The Poetaster [by Ben Jonson]. Cupids Reuenge [by Francis Beaumont and John Fletcher. See 17 Aug. 1668]. Timon of Athens [by William Shakespeare]. Troyolus and Grisseida [by William Shakespeare]. Three parts of H. ye 6 [by William Shakespeare]. The honest mans fortune [by John Fletcher and others]. Woemen pleas'd [by John Fletcher]. Witt at Seuerall Weapons [by Francis Beaumont and John Fletcher]. The Woemen Hater or The hungry Courtier [by Francis Beaumont]. All fooles [by George Chapman]. Birons Conspiracy [by George Chapman]. Broken heart [by John Ford]. Bird in a Cage [by James Shirley]. Chabot Admirall of ffranse [by James Shirley, with George Chapman]. ffaithful Shepherd [possibly Guarini's Il Pastor Fido]. Herod and Antipater [by Gervase Markham with William Sampson]. Humor out of breath [by John Day]. Jealous Louers [by Thomas Randolph]. Loues Melancholy [Lover's Melancholy, by John Ford]. Muliasses the Turke [by John Mason]. Queene of Arragon [by William Habington]. Revenge of Bussy D'Ambois [by George Chapman]. Revenge for Honor [or The Parricide, by Henry Glapthorne]

Event Comment: [In mainpiece the playbill assigns Frederick to Murray, but on the playbill in the New York Public Library Theatre Collection his name is deleted and a MS annotation substitutes Francis's.] Boxes 3s. Pit 2s. Gallery 1s. To begin precisely at 7:00. The Public are respectfully informed that the Company will perform here but four or five Weeks longer, being engaged elsewhere. The Theatre is not only very commodious, but also remarkably cool. The Days of performing will be regularly Mondays, Wednesdays and Fridays