SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Edward Barns"/1) | (@(roleclean,performerclean) "Mr Edward Barns")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4403 matches on Event Comments, 1700 matches on Performance Comments, 957 matches on Author, 605 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: The Genius of Nonsense

Performances

Mainpiece Title: The Noble Peasant

Afterpiece Title: The Genius of Nonsense

Song: As17840730

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Sultan

Dance: End of mainpiece, as17841022; Afterpiece to conclude with a Grand Dana. Chief of the Bostanges-Harris; Principal Female Dancers-Mrs Ratchford, Miss Besford

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Spanish Rivals

Song: In Act II of mainpiece a song by Miss Stageldoir

Performances

Mainpiece Title: The Rival Clowns

Afterpiece Title: The Deserter

Performances

Mainpiece Title: The Peasant Metamorphosis

Afterpiece Title: The Deserter

Dance: In 1st ballet, by Duquesney and the two Miss Simonets; After the Singing, Hornpipe by Baptist and a Comic Dance by Delpini

Song: End of 1st ballet a Serio-Comic Italian Song by Delpini. imitations. After the Dancing, as17850207

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Israelites; or, The Pamper'd Nabob

Dance: As17841116

Song: Preceding afterpiece a Trio, composed by an English composer in 1540 [unidentified], by Davies, Darley, Brett. The new Words by Holcroft, the new Accompaniments by Shield

Performances

Mainpiece Title: Fashionable Levities

Afterpiece Title: The Magic Cavern

Performances

Mainpiece Title: 'tis Well It's No Worse

Afterpiece Title: The Diversions of the Morning

Afterpiece Title: Lethe, -AEsop, Old Man, Mercury, Drunken Man, Charon, Bowman, Snip, Fine Gentleman, Frenchman, Lord Chalkstone to be performed, for that night only, by a Society of Gentleman; Mrs Riot-Mrs Dore

Monologue: 1785 04 25 Preceding the 1st piece an Address spoken by Brown

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Irish Widow

Song: End of mainpiece The Soldier tired of War's Alarms by Mrs Pinto

Monologue: 1785 04 26 End of Act II of mainpiece Collins's Ode on the Passions by Mrs Walcot. imitations. End of Act I of afterpiece, as 17 Sept. 1784, but An entire new dialogue in the Shades between Foote and Weston; added: Prospero (in the manner of Mossop); omitted: Prologue to Barbarossa

Performances

Mainpiece Title: The Committee; Or, The Faithful Irishman

Afterpiece Title: The Author

Dance: As17840918

Song: End of Act I of mainpiece Bright Phoebus has mounted the Chariot of Day by Dignum

Performances

Mainpiece Title: The Spanish Barber; Or, The Fruitless Precaution

Afterpiece Title: Hunt the Slipper

Dance: As17850601

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Waterman

Dance: End of mainpiece The Wapping Landlady; or Jack in Distress. Jack (with a Hornpipe)-Wright; Wapping Landlady-Mr Kerridge; Sailors and Ladies-The rest of the Company

Performances

Mainpiece Title: Two To One

Afterpiece Title: The Guardian

Dance: End of mainpiece The Deserter. The Deserter-Mme Dageville; Skirmish-Miss Simonet; Louisa-Mr Delpini; and with Byrne and Miss L. Simonet

Performances

Mainpiece Title: The Sons Of Anacreon

Afterpiece Title: The Spanish Barber

Afterpiece Title: The Genius of Nonsense

Song: In 1st piece capital Catches and Glees, selected from the most eminent Masters, with the celebrated Anacreontic Song by Bannister. imitations. End of 2nd piece, as17850726

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Appearance is against Them

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Commissary

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: The Sultan

Dance: End of Act IV of mainpiece The Merry Sailors, as17850919; End of mainpiece The Piping Pedlar, as17851112; In afterpiece, as17851123

Performances

Mainpiece Title: The Comedy Of Errors

Afterpiece Title: Omai

Dance: End of mainpiece The Deserter. The Deserter-Byrn; Skirmish-Mrs Goodwin; Louisa-Mr Delpini

Performances

Mainpiece Title: The Lord Of The Manor

Afterpiece Title: The Sons of Anacreon

Afterpiece Title: The Romp

Song: In 2nd piece several capital Catches and Glees, selected from the most eminent Masters; The celebrated Anacreontic Song by Bannister; an Imitative Song by Bannister Jun

Performances

Mainpiece Title: I'll Tell You What

Afterpiece Title: Tom Thumb

Dance: As17851112

Performances

Mainpiece Title: A Bold Stroke For A Husband

Afterpiece Title: Love in a Camp

Dance: As17851112

Performances

Mainpiece Title: I'll Tell You What

Afterpiece Title: The Flitch of Bacon

Performances

Mainpiece Title: Hamlet: Prince Of Denmark

Afterpiece Title: Taste; or, The Diversions of the Morning

Related Works
Related Work: Marforio, being a Comi-Tragical Farce, called The Critick of Taste; or, A Tale of a Tub, with Characters of Singlewit, Drawcansir, Modern, Drapper, Buskin, Propter, the Great Mogul, Dunceada, Prince Prettyman, Common Sense, the Embryo of Common Sense, Lorg Haranguewell, Falarini, Signior Tweedledum, Signior Tweedledee, Prologues, Senators, Patriots, Courtiers, Fidlers, Eunucks, Gentleman Usher, Ghosts, and Chorus of Ghosts Author(s): Edward Phillips

Afterpiece Title: Catherine and Petruchio; or, The Taming of a Shrew

Performances

Mainpiece Title: The Heiress

Related Works
Related Work: The Welch Heiress Author(s): Edward Jerningham

Afterpiece Title: Peeping Tom of Coventry

Afterpiece Title: Robinson Crusoe; or, Harlequin Friday

Song: End of Act I of mainpiece Sweet Poll of Plymouth by Master Muffett of Hammersmith (1st appearance in public); In Act II an incidental song, accompanied by the pedal harp, by Miss Phillips; End of mainpiece Let Fame sound the Trumpet, as sung by Johnstone in Fontainbleau, by a Young Gentleman (1st appearance)

Monologue: 1786 07 10 End of last song Parents and Children, as 28 June