SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Death"/1) | (@(roleclean,performerclean) "Mr Death")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4349 matches on Event Comments, 1221 matches on Performance Comments, 837 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Inkle And Yarico

Entertainment: Vaudeville End Opera: [The Last new Squeeze for St. Paul's [i.e. British Loyalty]-Tunstall; [to conclude with a grand Chorus of God save the King-; [that sublime Soliloquy of Cato on Life Death and Immortality-Pope; [As a Gentleman lately asserted no Person in England could restore a Fowl to Life after its head should be cut off, it will be attempted by Pope. With several other of his tricks, particularly the Writing and Copying-Pope; [which for the Satisfaction of the Audience shall be explained how they are performed, and make every Person capable of doing the same. The whole to conclude with Divertisement Spanish and Venetian Speculums [consisting of Spanish Bull-baiting, and several other Diversions-Pope[, Venetian Processions and several curious Diversions, in beautiful Transparencies, interspersed with a Variety of Strictures, Satiric, Illustrive and Humourous

Performance Comment: Paul's [i.e. British Loyalty]-Tunstall; [to conclude with a grand Chorus of God save the King-; [that sublime Soliloquy of Cato on Life Death and Immortality-Pope; [As a Gentleman lately asserted no Person in England could restore a Fowl to Life after its head should be cut off, it will be attempted by Pope. With several other of his tricks, particularly the Writing and Copying-Pope; [which for the Satisfaction of the Audience shall be explained how they are performed, and make every Person capable of doing the same. The whole to conclude with Divertisement Spanish and Venetian Speculums [consisting of Spanish Bull-baiting, and several other Diversions-Pope[, Venetian Processions and several curious Diversions, in beautiful Transparencies, interspersed with a Variety of Strictures, Satiric, Illustrive and Humourous., Venetian Processions and several curious Diversions, in beautiful Transparencies, interspersed with a Variety of Strictures, Satiric, Illustrive and Humourous.

Performances

Mainpiece Title: Fontainbleau

Afterpiece Title: The Soldier's Festival; or, The Night before the Battle

Performance Comment: General Wolfe-Cranfield; Brigadier Moncton-Macready; Brigadier Townshend-King; Brigadier Murray-Ratchford; Adjutant-Lee; Surgeon Adair-Thompson; Aid@de@Camp-Farley; Grenadier-Evatt; Indian Chief-Follett; General Wolfe's favourite song, How stands the Glass around-Incledon; Irish Drinking Song [Of the ancients its speaking]-Johnstone; How merrily we live that Soldiers be-Bannister, Incledon, Johnstone; To arms! Britons strike home-Bannister, Incledon, Follett, Blurton, Lee, Letteney, Reeve, Rees; [Conclude with an exact Representation of the Siege of Quebec-; the Death of General Wolfe-.
Cast
Role: the Death of General Wolfe Actor: .

Afterpiece Title: The Intriguing Chambermaid

Performances

Mainpiece Title: The Messiah; Grand Selection 0

Afterpiece Title: The Messiah 1

Afterpiece Title: The Messiah 2

Afterpiece Title: The Messiah 3

Performance Comment: I know that my Redeemer liveth-Mrs Harrison; By Man came also the Resurrection of the Dead, Even so in Christ shall all be made alive-Chorus; The trumpet shall sound-; O! Death-Miss Leak, Harrison; If God be for us-Miss Poole; Since by Man came Death-Semi-Chorus; For as in Adam-Quartetto; Behold-Morelli; Then shall be brought-; But thanks be to God, Worthy is the Lamb-Chorus.

Song: End Part I: Captivity (supposed to be sung by the unfortunate Marie Antoinette, Queen of France, during her confinement in the Tower of the Temple; composed by Percy)-Master Welsh

Music: End Part II: concerto on the violin-Janiewicz

Performances

Mainpiece Title: Such Things Are

Afterpiece Title: The Soldier's Festival; or, The Night before the Battle

Performance Comment: In which How stands the Glass around? (General Wolfe's favorite Song)-Incledon; Irish Drinking song [Song [Of the ancients it's speaking]-Johnstone; How merrily we live that soldiers be-Darley, Incledon, Johnstone; To arms Britons strike home (composed by Purcell)-Incledon, Darley, Follett, Blurton, Linton, Rees[; The whole to conclude with a View of Quebec, and the Death of General Wolfe .; The whole to conclude with a View of Quebec, and the Death of General Wolfe .

Afterpiece Title: The Reprisal; or, The Tars of Old England

Song: In the course of 3rd piece: The Mid Watch, Rule Britannia-Incledon; and to conclude with God save the King in Full Chorus-

Performances

Mainpiece Title: The Messiah

Performance Comment: Principal Vocal Performers as17940314but omitted: Miller. Leader as17940312ART I. Overture. Comfort ye my people and Every Valley by Harrison. And the glory by Chorus. Thus saith the Lord and But who may abide by Meredith. And he shall purify by Chorus. Behold! a Virgin and O thou that tellest by Kelly. For, behold! and The people that by Meredith. For unto us by Chorus. There were Shepherds by Sga Storace. Glory to God by Chorus. Rejoice greatly by Master Welsh. Then shall the Eyes and He shall feed his flock by Mrs Bland. Come unto him by Sga Storace. His yoke is easy by Chorus. PART II. Behold the Lamb by Chorus. He was despised by Mrs Crouch. Surely he hath borne by Chorus. All they that see him by Kelly. He trusted in God by Chorus. Thy rebuke hath and Behold! and see by Harrison. He was cut off and But thou didst not by Miss Leak. Lift up your heads by Chorus. Unto which of the by Kelly. Let all the Angels by Chorus. Thou art gone up by Mrs Bland. The Lord gave by Chorus. How beautiful by Master Welsh. Their sound is gone by Chorus. Why do the nations by Meredith. Let us break by Chorus. He that dwelleth and Thou shalt break them by Dignum. Hallelujah by Chorus. PART III. I know that my Redeemer liveth by Master Welsh. Since by Man by the Principal Singers and Semi-Chorus. By Man came also the Resurrection of the Dead by Chorus. For as in Adam all die by Semi-Chorus. Even so in Christ shall all he made alive by Chorus. Behold! I tell by Meredith. The trumpet shall sound, accompanied on the trumpet by Hyde, and Then shall be brought to pass [singer not listed]. O Death where is thy sting by Harrison and Mrs Crouch. But thanks be to God by Chorus. If God he for us by Miss Leak. Worthy is the Lamb by Chorus .singer not listed]. O Death where is thy sting by Harrison and Mrs Crouch. But thanks be to God by Chorus. If God he for us by Miss Leak. Worthy is the Lamb by Chorus .

Music: End of Part I concerto on the flute by Ashe; End of Part II concerto on the violin by Giornovichi

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Mago and Dago

Performance Comment: As17950101, but in X: Wou'd you see the World in little (composed by Dibdin)-Townsend; in place of A New Trade for a Jew-_; XVIII entitled Temple of Fortunev; in XIX (originally XXII) Death and the Doctor-the Devil and the Lawyer, in place of how to kick up a dust; added: A New Overture by Howard-; in XIV: A new Roundelay (composed by Atterbury)-Townsend, Street, Mrs Henley, Miss Kirton omitted from III: The Drift of Snow; from IV: a Storm; from XVIII: the Magic Concerto. from IV: a Storm; from XVIII: the Magic Concerto.

Performances

Mainpiece Title: The Thespian Panorama; Or, Three Hours Heart's Ease

Performance Comment: [Composed of a variety of Matter, Musical, Rhetorical and Imitative; the greatest part of which has never yet been offered to the Public. The new Music by Shield, Carter and Reeve; The Selection from Martini i.e. Martin y Soler], Giordani, Storace, Jackson, Stevens, Pleyel. The Recitals will principally be new, and mostly spoken by Palmer; The Interlocutory Parts that connect the whole will likewise be delivered by him, and the other Parts of the Entertainment will be given by Johnstone, Wathen, Williames, Caulfield, Bannister, Mrs Mountain. Part 1. Exordium [written by Arthur Murphy, spoken by-Palmer; Overture [composed by Stamitz-; [New Glee The shipwreck'd Sailors (see dl, 19 May) [composed by an amateur-; Thespian Advice [spoken by-Palmer; Gipsey Jenny-; The Sailor's Joke [sung by-Wathen; A Milesian Pasticcio [spoken by-Johnstone; An attempt to cleanse the Augean Stable-; Love of our Country-; [Glee, Britain's best Bulwarks are her Wooden Walls-; [Part II. An Overture [by Clementi-; Neptune's Exhortation-; [the Death of Faulknor-; [The Country Clergyman [spoken by-Wathen; Anna's Lullaby [sung by-Johnstone; The Cambrian Quack [or Killing no Murder, spoken by-Williames; A further Attempt at the Stable-; Exhortation to Unanimity-; The Royal Nuptials-; Happiness and the House of Brunswick-; [Part III. The Overture [by Haydn-; The Comforts of Dust [or the Citizen's Cake-House-; Nothing but a Place [sung by-Wathen; Noli me tangere [or No jesting with Edged Tools-; Fancy's Festival [sung by-Johnstone; The Profit of Prosody-; [Irish Explanation, Tho' born in a Stable a Man's not a Horse [sung by-Mrs Mountain; Finale of Gratitude-; other Parts-Caulfield, Bannister.
Cast
Role: the Death of Faulknor Actor:

Performances

Mainpiece Title: The Woodman

Afterpiece Title: The Naval Volunteers; or, Britain's Bulwark

Performance Comment: in which: O why to be happy (composed by Shield)-Incledon, Bowden, Linton; Blow high blow low (composed by Dibdin)-Bowden; The Little Sailor Boy-Fawcett; Our Laws Constitiution and King (composed by Shield)-Bowden, Incledon; The Land of Potatoes-Johnstone; The Death of Admiral Benbow-Incledon; Ye Gentlemen of England (composed by Callcott)-Incledon, Townsend, Linton; To conclude with Rule Britannia-.

Afterpiece Title: Catharine and Petruchio

Dance: In 2nd piece: Hornpipe-Byrn, Holland, Mlle St.Amand, Mme Rossi

Song: End I: a Representation of a Ship in Distress, in which The Storm-Incledon; In the course of the Evening: Old Towler [both]-Incledon

Performances

Mainpiece Title: The Ghost

Afterpiece Title: The Widow of Malabar

Afterpiece Title: Merry Sherwood [and see17951221]

Performance Comment: Principal Vocal Characters: First Bowman, Friar Tuck-Bowden; Tinker-Knight; Cryer-Rees; Beggar Man-Townsend; Tanner-Richardson; Allen@o'@Dale-Gray; Martha-Mrs Mountain; Damsel-Mrs Clendining; Witch of Nottingham Well-Mrs Martyr; [Principal Pantomimic Characters: as17951221 Robin Hood-Follett; Arthur of Bradley-Farley; Little John-Simmons; Will Scarlet-Cranfield; Will Stukely-Williamson; Locksley-Gray; Midge the Miller-Street; Clerk-Rees; Parson of Barnsdale-Platt; Sheriff of Nottingham-Thompson; Prince of Arragon-Holland; Two Giants-Price, Stevens; Harlequin-Simpson; Maid Marian-Mlle St.Amand; [Part I. Scene I. A View in Sherwood Forest; Archers regaling on Venison Song-Follett; [Robin entering, receives a challenge from Marian, the Sheriff of Nottingham's Daughter, to shoot the Deer. The Sheriff and Arthur-o'-Bardley's pursuit of Marian. Harlequin appears as a Beggar Boy-is refused relief from the Sheriff, but receives it from Robin and his Men. Marian forced by the Sheriff from Robin. The Witch of Nottingham rises from the Well, puts Robin in possession of an enchanted Horn to wind when in distress, and appoints Harlequin as his Guide and Protector-the Moving Grove-the story of Robin Hood and the Tanner-the Miniature View of the Suburbs of Nottingham, which changes to Scene II. A View of Nottingham Town. The Sheriff offers a reward for apprehending Robin. The Cryer's Chaunt-; [Scene III. A Hall in the Sheriff's House; Sheriff introduces Marian to Arthur-o'-Bradley, her [sic] intended Bride-Little John disguised, brings on a dead Buck as a present to Arthur-the Buck becomes animated and drives off Arthur, and Little John escapes with Marian. A Leap by Harlequin over the Heads of twelve Soldiers armed With Pikes, Swords. Scene IV. View of the Town Hall in Nottingham. Porter enters with Box-Marian taken by Arthur is forced into it-the Box being placed on the head of Arthur changes into a Bird Cage, in which he is inclosed. Scene V. A Country Alehouse. Tinker's Song-Farley, Knight; [seated at a Table, which changes to the Town Stocks in which they are confined-Harlequin's Leap over the Heads of his pursuers, from the Thatch of the Alehouse. Scene VI. The Pinfold of Wakefield Town. The story of the Pindar of Wakefield-the Purseurs inclosed in the Pound. Scene VII. Robin Hood's Bower. Barrel of Ale which changes to the Cedar Tree of Lebanon, with a circular Bench. Scene VIII. View in Plumpton Park. Robin and his pursuers in full chace-the commencement of the Story of the Prince of Arragon, and the Earl of Nottingham's Daughter. The Entree of the Two Giants--the Challenge to Combat. Scene IX. Pollard Wood Song-Mrs Clendining; [imploring Robin Hood's aid to rescue the Princess. Scene X. The Earl of Nottingham, his Daughter, and the Count discovered-Giants, Pigmies-Robin vanquishes the Prince of Arragon-- the Grand Dance of Warriors in the Field of Combat-; [Part II. Scene I. A View in Fountain Dale. Story of the Curtal Fryar Song-Bowden; [Robin's skill in Archery-Arthur-o'-Bradley changed to a Tree-shot at by Robin and his Party-enters transfixed with Arrows. Scene II. Fountain Abbey Wall. Beggar's Ballad-; [Robin procures his Garments to rescue Will Scarlet. Scene III. Nottingham Castle. Scarlet attended by the Sheriff, his Guards, led to Execution. Scene IV. Nottingham Market-Place, Gibbet, Ladder. Robin rescues Will Scarlet. The Sheriff suspended on the Gibbet, Arthur-o'-Bradley by a Lanthorn of Fire-The Priest and Attendants enclosed in the Ladder. Scene V. Barnsdale Church. The Story of Allen o'Dale, Martha and the Old Knight and Martha, attended by the Bridemen and Maids-a Morrice Dance-; [the Marriage of Allen and Martha Martha's song to Allen o'Dale-Mrs Mountain; [Harlequin changes the Scene to Scene VI. A View of the Sea and Scarborough Cliffs, with a Cottage. Harlequin changes the Cottage to a Ship-a French Vessel appears in view, which he changes to a cart-and the Scene to a Plough Field-a piece of Mechanism is introduced representing a Farmer with his Plough and Team of Horses. Scene VII. A Landscape changes to a Stile-Archers to Trees-the Death of Robin by Arthur-o'-Bradley and his Men. Scene VII [sic]. Birksley Monastery. The renovation of Robin by the Witch of Nottingham Well Witches Recitative-Mrs Martyr; [Scene VII [sic]. Clouds with Angels supporting Wreaths-which changes to Scene VIII. Representing the Triumphs of Archery, as17951228. To conclude with a Grand Dance of Archers-Byrn; Finale, Chorus-.

Performances

Mainpiece Title: False Impressions

Afterpiece Title: The Round Tower; or, The Chieftains of Ireland

Performance Comment: Characters of the Ballet: Cobthach (usurper of the Throne)-Bologna; Sitric (a Danish Chief)-Bologna Jun. (Their 1st appearance on this stage); Kildare-Simpson; Danish Soldier-Dyke; Maon-Follett; Child-Master Blackmore; Moriat-Mrs Parker (1st appearance on this stage); [Principal Vocal Characters: Townsend, Linton, Gray, Street, Miss Sims, Mrs Clendining; Text adds: Irish Chiefs-Lee, Abbot, Wilde, Blurton; Danish Chiefs-Goostree, Coombes; Priestesses, Female Peasantry-Mrs Follett, Mrs Norton, Mrs Watts; [and specifies Vocal Characters: Principal Druid-Townsend; Fishermen-Townsend, Linton; Huntsmen-Gray, Linton, Street; Connor-Miss Sims; Saba-Mrs Clendining. [Founded on the following Historical Fact: Cobthach, Usurper of the Throne of Munster, & Murderer of his Sovereign and Brother Laughaire, learns the existence of his Brother's Son Maon, and Moriat, his Wife (who, separated for some time under the Idea of each other's decease, become, the former, the wild Resident of a Gloomy Cavern; the latter, a wandering Fugitive), and employs Sitric, a Danish Chief, adopted as his Heir, to destroy them. Moriat, on consulting a Druid, likewise learns of her Husband's Fate, and dispatches Kildare, a faithful Follower, in pursuit of him. Sitric, by Accident, meets Moriat, is struck with her Beauty and relinquishes his design of Murder, with the Idea of gratifying his Passion. She repulses him, and he is foiled by the sudden appearance of Cobthach. She and her Infant [are] imprisoned in an ancient Round Tower, from which, endeavouring to accelerate her Escape, he is detected and abandoned by Cobthach. In the interim, Kildare finds out Maon, who quits his lurking place, and journeying in pursuit of his Wife, discovers the Place of her Confinement, to which Sitric proffers to lead him by a secret Pass, determining to dispatch him on the road. They enter the Cemetery appertaining to the Roung Tower, where he attempts several times to murder him, but is prevented by the appearance of Laughaire's apparition; at length they reach the Dungeon, time enough to save Moriat; and Sitric, urged by Love and Revenge, stabs Cobthach; but recollecting he destroys one Rival, only to render another happy, accuses Maon of the Murder, and dooms him to Death, which is timely prevented by the intervention of the faithful Kildare, and the Irish Peasantry. Sitric falls by the hands of Maon, who with Moriat, are restored to Happiness and Dominion.Founded on the following Historical Fact: Cobthach, Usurper of the Throne of Munster, & Murderer of his Sovereign and Brother Laughaire, learns the existence of his Brother's Son Maon, and Moriat, his Wife (who, separated for some time under the Idea of each other's decease, become, the former, the wild Resident of a Gloomy Cavern; the latter, a wandering Fugitive), and employs Sitric, a Danish Chief, adopted as his Heir, to destroy them. Moriat, on consulting a Druid, likewise learns of her Husband's Fate, and dispatches Kildare, a faithful Follower, in pursuit of him. Sitric, by Accident, meets Moriat, is struck with her Beauty and relinquishes his design of Murder, with the Idea of gratifying his Passion. She repulses him, and he is foiled by the sudden appearance of Cobthach. She and her Infant [are] imprisoned in an ancient Round Tower, from which, endeavouring to accelerate her Escape, he is detected and abandoned by Cobthach. In the interim, Kildare finds out Maon, who quits his lurking place, and journeying in pursuit of his Wife, discovers the Place of her Confinement, to which Sitric proffers to lead him by a secret Pass, determining to dispatch him on the road. They enter the Cemetery appertaining to the Roung Tower, where he attempts several times to murder him, but is prevented by the appearance of Laughaire's apparition; at length they reach the Dungeon, time enough to save Moriat; and Sitric, urged by Love and Revenge, stabs Cobthach; but recollecting he destroys one Rival, only to render another happy, accuses Maon of the Murder, and dooms him to Death, which is timely prevented by the intervention of the faithful Kildare, and the Irish Peasantry. Sitric falls by the hands of Maon, who with Moriat, are restored to Happiness and Dominion.

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: Lock and Key

Song: II: the Grand Truimphal Entry of Alexander into Babylon. Vocal Parts-Johnstone, Incledon, Townsend, Hill, Linton, Street, Lee, Little, Sawyer, Tett, Miss Waters, Mrs Atkins, Mrs Chapman, Miss Mitchell, Miss Wheatley, Mrs Iliff, Miss Sims, Mrs Whitmore, Mrs Watts, Mrs Follet, Miss Leserve, Mrs Castelle, Mrs Martyr; End: Black Ey'd Susan-Incledon; End I afterpiece: The Death of Admiral Benbow-Incledon

Performance Comment: Vocal Parts-Johnstone, Incledon, Townsend, Hill, Linton, Street, Lee, Little, Sawyer, Tett, Miss Waters, Mrs Atkins, Mrs Chapman, Miss Mitchell, Miss Wheatley, Mrs Iliff, Miss Sims, Mrs Whitmore, Mrs Watts, Mrs Follet, Miss Leserve, Mrs Castelle, Mrs Martyr; End: Black Ey'd Susan-Incledon; End I afterpiece: The Death of Admiral Benbow-Incledon.

Performances

Mainpiece Title: Every One Has His Fault

Afterpiece Title: No Song No Supper

Song: End II: a song [Rosalie (Monthly Mirror, Aug. 1799, p. 109)]-Miss Waters; End III: The Death of Admiral Benbow-Incledon; End IV: a favorite duet-Incledon, Miss Waters; End: Old Towler-Incledon

Performance Comment: 1799, p. 109)]-Miss Waters; End III: The Death of Admiral Benbow-Incledon; End IV: a favorite duet-Incledon, Miss Waters; End: Old Towler-Incledon.

Performances

Mainpiece Title: The Woodman

Afterpiece Title: The Rendezvous

Performance Comment: Jack at the Windlass-Fawcett; The Death of Admiral Benbow-Incledon; Fat Dolly the Cook Maid-Munden; song-Johnstone; The Tight Little Island-Townsend; Our Laws, Constitution and King (composed by Shield)-Incledon, Linton; Great Britain still her Charter boasts (composed by Shield)- Incledon.

Afterpiece Title: The Jew and the Doctor

Song: End I: The Storm (by G. A. Stevens)-Incledon; In course Evening: an entire new Glee, composed by King, The Witches[, the Words from the First Scene of Shakspeare's Macbeth, -Incledon, Townsend, Linton, Chorus; [Also Black Ey'd Susan-; Old Towler- [Incledon]

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Child of Nature

Afterpiece Title: The Soldier's Festival; or, The Night before the Battle

Performance Comment: How stands the glass around-Incledon; Irish Song-Johnstone; How merrily we live that Soldiers be-Incledon, Linton, Johnstone; To arms! Britons strike home-Incledon, Linton, Blurton, Lee, Rees; To conclude The Siege of Quebec and the Death of General Wolfe-; General Wolfe-Farley; Brigadier Moncton-Atkins; Brigadier Townsend-Lewiss; Brigadier Murray-Thompson; Adjutants-Lee, Curties; Serjeant Adair-Abbot; Aid@de@camp-King; Indian Chief-Bologna Jun.

Dance: In II: Negro Dance-Bologna, King, Platt, Blurton

Song: End: The Tight Little Island-Townsend

Performances

Mainpiece Title: The Heir At Law

Afterpiece Title: The Social Songsters

Performance Comment: Naval History (1st time)-Fawcett; My Dolly was the fairest Thing-Incledon; A Bundle of Proverbs-Munden; The Red Cross Knight-Incledon, Linton, Denman; This Life is like a Country Dance-Fawcett; The Death of Admiral Benbow-Incledon; Sing Old Rose and burn the Bellows-Incledon, Fawcett, Hill, Linton.

Afterpiece Title: The Castle of Sorrento

Event Comment: By Desire of his Excellency the Turkish Ambassador [Ismail Ferrouh Effendi]. Benefit for Miss Waters. 1st piece: Not acted these 5 years [acted 13 May 1796]. 2nd piece: Not acted these 3 years [acted 14 May 1798]. [As 3rd piece the Account-Book lists The Death of Captain Cook.] Morning Chronicle, 14 May: Tickets to be had of Miss Waters, No. 43, Conduit-street, Hanover-square. Receipts: #436 19s. (101.14; 6.19; tickets: 328.6)

Performances

Mainpiece Title: Speculation

Afterpiece Title: Marian

Afterpiece Title: The Soldier's Festival

Song: End II 1st piece: a Musical Address Mark when beneath the western main (Dramatic Censor, II, 197), Written expressly for the occasion by T. Dutton, A. M., and composed by Mazzinghi-Miss Waters; End III: O Strike the Harp-Incledon, Linton, Miss Waters; accompanied on the Harp-Weippert; End IV: Happy were the Days-Miss Waters; End 1st piece: Sigh no more Ladies-Incledon, Townsend, Linton, Master Slape, Miss Waters

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Register Office

Dance: II: The Haymakers-Giorgi's Scholars; End Opera: Hornpipe-Master Burn

Entertainment: End Opera: Bannister's Imitations-Bannister

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Intriguing Chambermaid

Dance: Cook, Anne Auretti, Mathews, Mrs Addison

Performances

Mainpiece Title: Matilda

Afterpiece Title: Bon Ton

Performances

Mainpiece Title: Mahomet

Afterpiece Title: Harlequin Dr Faustus

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Waterman

Dance: I: The Grand Garland Dance as17760410 but-Slingsby, Sga Crespi, Mrs Sutton

Performances

Mainpiece Title: The Revenge

Afterpiece Title: Taste

Performances

Mainpiece Title: The World In The Moon

Performances

Mainpiece Title: The Old Batchelor

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-the best Masters; viz. A full Piece of Music of the famous Signior Pepusch-Mr Banister, Mr Dean, Mr Lamour; A set of Airs for the Arch/Lute and Violin-the Two Mr Deans, composed on purpose by Mr Dean Jun; A Sonata for the Arch/Lute and Flute Alleman-Mr Dean Jun, Mr Latour; Singing to the Arch/Lute-Mr Hughes; A Solo of the famous Archangelo Corelli-Mr Dean Sen; A Cantata to the Arch/Lute-Mr Newbury; Singing to the Arch/Lute-a Gentleman come on purpose from Worchester