SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Day"/1) | (@(roleclean,performerclean) "Mr Day")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5815 matches on Event Comments, 1425 matches on Performance Comments, 1025 matches on Performance Title, 18 matches on Author, and 17 matches on Roles/Actors.
Event Comment: By Command of their Majesties. This Day publish'd Price 1s. L'Allegro ed Il Penseroso By Milton, and a Song for St Cecelia's Day by Dryden as performed at Covent Garden. Printed for J. and R. Tonson

Performances

Mainpiece Title: Lallegro Il Penseroso Drydens Ode

Music: As17640309

Event Comment: No Performance. Theatre clos'd for royal death of the Duke of Cumberland. Love for Love & The Royal Chace listed next day. [Opened again 11 Nov.]*c1765 11 01 cg No Performance. Theatre clos'd for royal death of the Duke of Cumberland. Love for Love & The Royal Chace listed next day. [Opened again 11 Nov.

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Intriguing Chambermaid

Dance: II: The Garland?-as17651003

Event Comment: By Command of their Majesties. A new serious Opera. Pit and Boxes put together and no Persons to be admitted without Tickets, which will be delivered this Day, at the Office, at Half a Guinea each. Gallery 5s. By their Majesties Command no Persons whatsoever to be admitted behind the Scenes or in the Orchestra. Gallery, Pit and Boxes to be opened at Five. 6:30 p.m. [Repeated in the subsequent bills.] Messrs Crawford, Vincent, and Gordon most humbly request that the Nobility and Gentry, Subscribers to the Operas for the ensuing Season, will please send their Subssciptions to Andrew Drummond and Co., Bankers at Charing Cross; or to Crawford, at the theatre, where attendance will be given every day from Ten to Two, to receive Subscriptions, and the names of the Subscribers who are pleased to honor the Managers with their Protection to enable them to get the Tickets engraved before the Operas begin (Public Advertiser through October and November)

Performances

Mainpiece Title: Eumene

Dance: NNew Dances-

Event Comment: Author's Day. [Publication of the play announced in the Public Advertiser this day, along with the following "puff" by Censor Dramaticus: "Sir: I have just given the new comedy, the Double Mistake, its first reading, and must confess I never was better pleased at a first reading than at present: It is chaste, sententious and genteel in its dialogue, interesting in its plot, the characters all of consequence, strongly marked and happily kept up, and even the virtuoso entertaining without being tiresome. I heartily wish it success, and congratulate the author on such a production, which shows that virtuous principles in high life render the persons that possess them doubly charming, and add real grace and dignity to their appearance in public life....I hope I may be believed when I say I have not the most distant knowledge of the author, and that impartiality shall ever be, and ever was my constant plan in observations of this kind."

Performances

Mainpiece Title: The Double Mistake

Event Comment: [T+The Way of the World had been advertised for both this day and the day before at foot of playbills.] Paid Isaac Wheatland for the side drum in The Female Archer 9s. (Account Book). Receipts: #194 1s. 6d. (Account Book)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Harlequin Dr Faustus

Performances

Mainpiece Title: Cymon

Performance Comment: Parts by King, Bensley, Parsons, Champness, Fawcett, Fox, Vernon, Mrs Abington, Mrs Baddeley, Miss Plym, Miss Reynolds, Mrs Bradshaw, Mrs Dorman, Mrs Arne. Prologue and Epilogue. The Dances-Grimaldi, Guidetti, Duquesney, Giorgi, Mrs King, Sga Giorgi, Miss Rogers, Miss Ford, Miss Collet; Cymon-Vernon; Linco-King; Merlin (Enchanter)-Bensley; Dorus-Parsons; Damon and Dorilas-Fawcett, Fox; Demon of Revenge-Champness; Sylvia-Mrs Arne; Urganda (Enchantress)-Mrs Baddeley; Fatima-Mrs Abington; Dorcas-Mrs Bradshaw; 1st shepherdess-Miss Reynolds; 2nd Shepherdess-Miss Plym; Cupid-Miss Rogers; Parts-Mrs Dorman; Prologue for New Year's Day-King; Epilogue (by George Keate)-Mrs Abington (Edition of 1767).
Event Comment: Mainpiece: A Comedy [by Wm Kenrick] never perform'd before. The characters New Dress'd. [Theatrical Monitor, No VIII (16 Dec. 1767) approved the mainpiece--"engages the mind, affects the passions, totally divested of indecency"--but thought Garrick's art of "puffing" was evident in his note at foot of playbills, "Those Ladies and Gentlemen, who have taken places for this day, are desired to send their servants by one o'clock, in order to ascertain the same, otherwise they cannot be secured," since the house, except the first night, had not been half full. N.B. This note appeared in an Advance Bill, but did not appear in the Bill of the Day.

Performances

Mainpiece Title: The Widowd Wife

Afterpiece Title: The Old Maid

Event Comment: [Benefit for Dibdin, but not acted,] Princess Louisa Anne, sister to His Majesty died in the morning. All Theatres and Gardens closed for 8 days. Rec'd of Mrs Squibb for her deficiency the 10th Inst. #11 5s. Rec'd of Davis for his deficiency the 4th inst. #4 12s. Received of Perry for his deficiency the 4th inst. #4 12s. (Account Book).*c1768 05 13 cg [Benefit for Dibdin, but not acted,] Princess Louisa Anne, sister to His Majesty died in the morning. All Theatres and Gardens closed for 8 days. Rec'd of Mrs Squibb for her deficiency the 10th Inst. #11 5s. Rec'd of Davis for his deficiency the 4th inst. #4 12s. Received of Perry for his deficiency the 4th inst. #4 12s. (Account Book)

Performances

Mainpiece Title: None

Afterpiece Title: None

Dance: II: Hornpipe-Miss Pitt

Event Comment: The Thirty-fourth Day. Being Positively the last Day of performing this Season

Performances

Mainpiece Title: The Devil Upon Two Sticks

Afterpiece Title: Damon and Phillida

Dance: As17680530

Performances

Mainpiece Title: Gideon

Performance Comment: Parts for five characters and a Chorus; Gideon-; Joash-; Eliakim-; a Priest of Baal-; Oreb-; Chorus of Israelites-.*m1769 2 10 cg The First Violin, a Concerto-Sga Paganini; a Concerto on the Hautboy-Fischer.*c1769 2 10 cg By Command of their Majesties. Pit and Boxes to be put together. Tickets will be deliver'd this day in the Office of the Theatre at Half a Guinea each. First Gallery 5s. Second Gallery 3s. 6d. The doors to be opened at Five o'clock. To begin at Half an Hour after Six. A New ORATORIO, the Music by Handel. Composed by Dr Morrell (Biographia Dramatica). We cannot commend this piece, it being altogether a very tedious and heavy performance (Theatrical Register). Charges: #35.
Event Comment: The Last time of the Company's performing this season. The Oxonian in Town, cannot be perform'd on account of the indisposition of a performer. Doors open at Half past 5. To begin at Half past 6. [Account Book indicates the following as paying up their deficiencies or half value of tickets: Perry, Gardner, Legg, Mrs Lampe and Mrs Jones, Wignell, Barnshaw, Wild, Mrs Hartle, Miss Brown, Ellis and Sherratt. Master Harris receiv'd #5 5s. for his performances this season. The Salary list for 25 May, recording payments for a ten day Period, amounted to #639 2s. 2d., or about #63 per day. Basic house charges of #63 may have been based on this salary figure, with the extras of candles, music, wardrobe, &c. added. See 6 June.] Receipts: #67 12s. (Account Book)

Performances

Mainpiece Title: Cyrus

Afterpiece Title: The Apprentice

Dance: End: The Merry Sailors, as17680920

Event Comment: The Doors to be opened at Five o'clock. To Begin exactly at Six o'clock. [Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s.] Vivant Rex et Regina. [Customary footnote for each succeeding Bill. Only significant variations will be noted further. Criticism: For contemporary comment on performances and plays this season see John Potter's Theatrical Review, or New Companion to the Playhouse. 2 vols. London, 1772, a day by day account of Plays and actors at Drury Lane and Covent Garden theatres for the season 1771-72. He is rather severe in his comments on most of the actors at cg. The four relatively constant expenditures set up for each night this season include music: averaging #7 5s.; wardrobe charges of from 1 to #3; properties 7s. to #1; and renters, paid to Garton, the treasurer, #10. Extras, when they occur, which is almost nightly, for such things as kettle drum, side drum, bagpipes, chorus singers, supernumeraries, together with all repair bills paid advances to actors, &c. are duly recorded. I include only what appear to be significant ones which illustrate the theatre as a show business.] Receipts: #186 4s. 6d. (Account Book)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Commissary

Dance: End of Play: The Dutch Milkmaid-Mas. Blurton, Miss Besford. [See17700924.

Event Comment: Mainpiece: Not acted these two years. [See 7 Feb. 1770.] Mrs Lessingham in the pay accounts this evening receiv'd her regular salary of #2 10s. for five previous days, plus a lump sum in addition amounting to #74 13s. 4d. (Account Book). A subsequent raise in salary on the books indicates her receiving now #1 3s. 3d. per day instead of the 10s. with which she began the season. Receipts: #149 10s. 6d. (Account Book)

Performances

Mainpiece Title: She Woud And She Woud Not

Afterpiece Title: The Fairy Prince

Performances

Mainpiece Title: The Committee

Performance Comment: As17720427 but Obadiah-Love; Ruth-Mrs Hopkins; Abel-W. Palmer; Mrs Day-Mrs Bradshaw; Storey-_.
Cast
Role: Mrs Day Actor: Mrs Bradshaw
Role: Day Actor: Baddeley

Afterpiece Title: A Trip to Scotland

Entertainment: IV: introduce the Description of a Man of War and a Sea Fight-Moody

Dance: V: New Double Hornpipe-Master Whitlow, Miss Lings (scholars of Sg Giorgi)

Event Comment: Mainpiece [1st time; C 5, by Hannah Cowley.] Miss Younge had a song [Wake, thou son of dullness] composed by Michael Arne. Authors of Prologue and Epilogue unknown]: New Scenes and Dresses. Account-Book, 16 June: Paid Mrs Cowley for suspending the publication of the Belle's Stratagem #100. Public Advertiser, 1 Apr. 1782: In a few Days will be published The Belle's Stratagem. A spurious Copy having been published in Ireland [in 1781] make[s] it necessary to observe that the above is the genuine Comedy, as performed at Covent Garden Theatre. Ibid., 9 Apr. 1782: This Day is published The Belle's Stratagem (1s. 6d.). Receipts: #213 19s. (212.15.6; 1.3.6)

Performances

Mainpiece Title: The Belles Stratagem

Afterpiece Title: Cross Purposes

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: A Fete

Performance Comment: As17800410, but in Scene III Venus-Mrs Morton; added are: Scenes V, VI, VII. The May-Day Garland; or, Harlequin's Trip to Lisson-Green. Harlequin (with the jump through the tub)-W. Bates; Scene VIII originally Scene VI; Scene IX originally Scene VII. Scene VIII originally Scene VI; Scene IX originally Scene VII.
Cast
Role: The May Actor: Day Garland

Afterpiece Title: The Elders

Song: In: To thee O gentle sleep-Leoni

Performances

Mainpiece Title: The Funeral

Afterpiece Title: A Fete

Performance Comment: As17800501, but in Scene IX Attendant Genius-Miss Langrish; added to The May-Day Garland: Colombine-Miss Cranfield; from Scene I: Give round the word dismount-_.

Afterpiece Title: The Elders

Cast
Role: The May Actor: Day Garland
Event Comment: Afterpiece [1st time; CO 2, by Miles Peter Andrews]: The Overture from the celebrated Fire and Water Music of Handel. The new Airs and Chorusses by Dr Arnold. With new scenes by Rooker. Books of the Songs may be had at the Theatre. Public Advertiser, 8 July 1780: This Day is published the Songs in Fire And Water! (6d.). Ibid, 22 July 1780: This Day is published Fire And Water! (price not listed)

Performances

Mainpiece Title: The Suicide

Afterpiece Title: Fire and Water

Event Comment: It not being customary to perform on the Day following Christmas Day, there will be no Opera till Saturday

Performances

Mainpiece Title: None

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Caldron

Dance: End of Act II of mainpiece a new Comic Dance, The Market [on 28 Oct., and thereafter, entitled The Market-Day], by Hamoir and Mrs Sutton; In afterpiece, as17851018

Performance Comment: , and thereafter, entitled The Market-Day], by Hamoir and Mrs Sutton; In afterpiece, as17851018., by Hamoir and Mrs Sutton; In afterpiece, as17851018.
Cast
Role: , entitled The Market Actor: Day

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Bon Ton

Dance: III: a Hornpipe-Johnston

Song: End I: Primroses deck the Banks' green side (composed by Linley? Sen)-Dignum; End I afterpiece: Bright Phoebus has mounted the Chariot of Day (composed by Hook)-Dignum

Performance Comment: Sen=)-Dignum; End I afterpiece: Bright Phoebus has mounted the Chariot of Day (composed by Hook)-Dignum.

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: The Double Disguise

Song: End III: song-Miss Barnes; End IV: O! Nanny wilt thou go with me (composed by Carter)-Dignum; End: Bright Phoebus has mounted the Chariot of Day-Miss Barnes

Performance Comment: Nanny wilt thou go with me (composed by Carter)-Dignum; End: Bright Phoebus has mounted the Chariot of Day-Miss Barnes.
Event Comment: By Permission of the Lord Chamberlain. Benefit for Mrs Farrer. Mainpiece: Not acted these 3 years. Afterpiece: Never acted here. The Doors to be opened at 5:15. To begin at 6:15. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. Tickets delivered for Wednesday, Dec. 18, will be admitted

Performances

Mainpiece Title: Tamerlane The Great Or The Fall Of Bajazet Emperor Of The Turks

Afterpiece Title: Whos the Dupe

Performance Comment: Doiley-Follett? Sen.; Granger-Chambers; Sandford-Brooke; Gradus-Simpson; Miss Doiley-Mrs Day; Charlotte-Mrs Hemley.
Cast
Role: Miss Doiley Actor: Mrs Day

Song: IV: To Thee O Gentle Sleep-a Young Lady (1st appearance in public [unidentified])

Entertainment: Monologue End: Hippisley's Drunken Man-Jackson

Performances

Mainpiece Title: The Triumph Of Truth 0

Afterpiece Title: Triumph of Truth 1

Afterpiece Title: Triumph of Truth 2

Performance Comment: Tis Mighty Wine-Reinhold (Ottone, Handel); 'Tis Generous Wine-Kelly, Chorus (Dr Arnold); Like the raging Ocean-Mrs Crouch (Dr Arne); Shake the Dome-Double Chorus (Solomon, Handel); Prophetic visions-Kelly (Occasional Oratorio, Handel); The Glorious Day is won-Chorus of Soldiers (Handel); The Soldier tir'd-Mrs Ambrose ([Artaxerxes] Dr Arne); From the censer-Double Chorus (Solomon, Handel); Around the Fair attending-Miss Lockhart (Handel); On the charmer-Miss Hagley (Dr Arnold); Strong is the Heart-Chorus (Handel).

Afterpiece Title: Triumph of Truth 3

Music: As17890311

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: Jehovah crowned-Pearson, Chorus; He was Eyes unto the Blind-Miss Cantelo; Second Hautboy +Concerto-; So shall the Lute and Harp-Miss Mahon (Judas Maccabaeus); Gird on thy Sword-Chorus; Thanks to my Brethren, How vain is Man-Harrison (Judas Maccabaeus); Then round about the starry Throne-Chorus (Samson); Every Day will I give Thanks-Sga Storace (Chandos? Anthems); Fix'd in his everlasting Seat-Chorus (Samson).

Afterpiece Title: Grand Selection 3

Music: As17890306