Event Comment: [By Theophilus Cibber.] Alter'd from Shakespear. Containing the Marriages of King Edward the Fourth , and young Prince Edward , with Lady Gray , and Lady Anne . The Distresses of Queen Margaret . The Deposing King Henry the Sixth . The Battles Fought at St. Albans, Wakefield, Mortimer's-Cross, and Tewkesbury. The Deaths of Lord Clifford of Cumberland , and his Son, the Duke of York , his Steward. And many other True Historical Passages

Event Comment: By Command of His Royal Highness the Duke. Benefit a Gentleman's Family in Distress. Receipts: money #71 0s. 6d.; tickets #51 15s. [Duke of Cumberland present.

Event Comment: Benefit Denoyer. By Command of His Royal Highness. [Prince, Duke of Cumberland, three eldest Princesses, and Princess Mary present.

Event Comment: A Musical Drama, in Two Parts...with Dances and other Decorations Entirely new. Pit and Boxes to be put together, and no Persons to be admitted without Tickets, which will be delivered this Day, at the Opera Office in the Haymarket, at Half a Guinea each. Gallery 5s. By His Majesty's Command, No Persons whatsoever to be admitted behind the Scenes. The Gallery to be open'd at Four o'Clock. Pit and Boxes at Five. To begin at Six o'clock. A New Opera [composed by Gluck; text by F. Vanneschi]. The Subscribers to the Opera are desired to make the last Payment of their Subscription Money to the Treasurer, at the Opera Office in the Haymarket, where Attendance will be given this and every Day, from Ten till Two, to receive the same, and deliver out the Silver Tickets. [Repeated until 28 Jan.] The new Musical Italian Drama; entitled La Caduta de Giganti, or the Fall of the Giants, writ on Occasion of the expulsion of the Rebels, was perform'd last Night at King's Theatre in the Haymarket. The performance was received and carried on with great Attention, Tranquility, and Applause: and not a little enliven'd by the Presence of his Royal Highness the Duke of Cumberland.--Daily Advertiser, 8 Jan

Event Comment: At Cushing's Booth, facing the King's Head, Smithfield. The tragedy contains the barbarous contrivances of King John against his nephew Prince Arthur; his method of persuading Hubert to undertake the cruel murder of that youth; the sufferings of Arthur in his confinement, where Hubert attempts to put out eyes with a red-hot iron, til moved to compassion by the tender entreating of the young prince, he quits his horrid purpose. The manner of Arthur's leaping from the battlements of the tower where he was imprisoned, when by attempting to escape his severe treatment he loses his life. The terrors that attended the villainous Uncle King John, and at length his dreadful death, who is poisoned in the midst of all his glory, and in terrible anguish and distraction, pays his nephew's blood with the price of his own. The comic contains the exquisite drolleries of Sir Lubberly and his man, their whimsical journey from Cumberland, and no less whimsical exploits in London; the odd reception they met with from their three faithful friends, Tom Rash the Porter, Jeffrey Holdfast the Constable, and Moll Tatter the Beggar Woman, the one getting a wife, the other a bastard

Event Comment: Mainpiece: By Desire. His Royal Highness the Duke of Cumberland was at the Theatre Royal in Drury Lane, to see the tragedy of The Orphan; being the first time of his Royal Highness's being at either of the Theatres since his indisposition (General Advertiser, 4 Jan.). Receipts: #180 (Cross)

Event Comment: [Scheduled for performance, but theatres closed on account of the death of the Duke of Cumberland.

Event Comment: Both Pieces By Particular Desire. Present the Dukes of York and Cumberland, Princess of Brunswick, and Lady Louisa. Paid for the paragraph of the Royal Family coming in the Ledger and Gazetteer 6s. (Account Book). Receipts: #149 4s. 6d. (Account Book)

Event Comment: Program By Command of their Majesties. Present their Majesties, the Duke of Cumberland, Princess of Brunswick, and Lady Louisa. Paid Yeoman of the Guard #2 2s. Paid Messrs Tomkyn and Robinson a bill for wine, &c. 4s. 3d. (Account Book). Receipts: #243 7s. (Account Book)

Event Comment: Paid Bibb (sword cutler) #5 5s. Paid Barratt (wax chandler) as per Bill #156; Gave Duke of York's Footmen #2 2s. Duke of Cumberland's Footmen #2 2s. (Account Book). Receipts: #118 18s. (Account Book)

Event Comment: Paid Blandford (tallow chandler) 4th bill #34 6s. 6d.; Paid Colthorpe on acct for half season #157 10s.; Paid John Palmer for Spermacetti candles #118 14s. 6d.; Paid Daniel Malthus Esq one year's rent #30 7s. 6d.; Gave the Knight's Marshall men Xmas boxes 10s. 6d.; Duke of Cumberland's Footmen Xmas box, #2 2s.; Beadle and Watchmen Xmas Box 12s. 6d.; the Bricklayer man 2s. 6d.; Paid Roberts, shoemaker, on account #3 3s. (Treasurer's Book). Receipts: #139 5s. 6d. (Treasurer's Book)

Event Comment: Both pieces By Command of their Majesties. Present their Majesties, the Duke of Cumberland, Princess of Brunswick, and Lady Louisa. Gave Yeomen of the Guard #2 2s., and gave Princess Dowager's Footmen #1 1s. and Chairmen #1 1s. (Account Book). Receipts: #232 7s. (Account Book)

Event Comment: By Command of their Majesties, both pieces. Present their Majesties, the Prince of Wales Duke of Cumberland, Princess of Brunswick, and Lady Louisa. Gave Yeomen of the Guards #2 2s. Paid Miss Valois the balance of her salary last season #27 16s. 8d., and in full for this season to 24 Oct. 1766, #3 16s. 8d. (Account Book). Receipts: #241 3s

Event Comment: Mainpiece: By Particular Desire. Rec'd of the Duke of Cumberland for the 25th inst. 5s. (Account Book). Receipts: #167 2s. (Account Book)

Event Comment: Mainpiece: By Particular Desire. To Princess Dowager's Footmen (by Mayne) Xmas #1 1s.; To her Chairmen (by Olive) Xmas #1 1s.; To Duke of Cumberland Footmen (by Herpst) Xmas #2 2s. (Account Book). Receipts: #122 12s. 6d. (Account Book)

Event Comment: Mainpiece; Performed but once. Afterpiece: By Desire. Paid Cumberland balances for author's nights 5th, 8th, 12th Insts. #265 1s. 6d. (Account Book). Receipts: #132 10s

Event Comment: Jane Shore oblig'd to be deferr'd. Gave Duke of Cumberland's Footmen by Cummins #1 1s., and Duke of Gloucester's Footmen by Bryan #2 2s. (Account Book). Receipts: #111 11s

Event Comment: Receipts: #86 (Account Book). Charges #81 15s. Profit to Society #4 5s., plus #106 17s. from tickets (Box 242; Pit 309) (Account Book). Benefit for Use of the Society at the Thatched-House Tavern For the release and discharge of persons imprisoned for small debts. [The Epilogue was written by Cumberland. (See Folger Library Theatrical Clippings). The Curtain rises and discovers a prison; at some distance a woman, poorly habited, and in a disconsolate attitude; after standing some time montionless, in a posture of fixed attention she speaks]: @Woman: Thou loathsome dungeon in whose dreary womb@The pining Debtor finds a living tomb;@Where 'midst the Clank of Chains and Dismal yells@Of shakled felons my sad husband dwells;@From his dark cell, oh give him to my view!@Let him look forth and take a last adieu.@ [As she advances towards the prison, a person in Gentleman's apparel accosts her.] @Man: Stay, Child of Sorrow, thou whose piercing groans@Might move to pity e'en these senseless stones.@Why dost thou bend thy melancholy way@To that Drear Dungeon? Child of Sorrow stay.@Woman: Why should I stay, or my sad Griefs impart?@Can there be pity in a Human heart?@Away and let me die.@ [...The Man suggests a Human heart can have pity] @Woman: If there be such, O lead me to their sight,@And let me plead a wretched sufferer's right:@Can there be Truth, Humanity or Sense@In laws that make Misfortune an offence?@ [Her husband was a God-fearing weaver who fell ill for 10 weeks, lost his job and was seized upon by a relentless creditor.] @Steel'd to their trade, and deaf to all our cries,@Relentless ruffians seize their legal prize;@From my fond arms a dying Husband tear@And plunge their victims in a dungeon there!@Man: Enough! go speak the healing words of peace@To thy sad mate, and bear him this release;@Tell him the Muse, which on these Scenes attend@That balsam to his wounded spirit sends.@And Know this Truth thyself, 'tis not alone@The Preacher's pulpit and the Monarch's throne@That Charity frequents; but in this age,@She guides the Theatre and treads the stage;@Lo! She is present, cast your eyes around,@And here in each Spectator's heart she's found.

Event Comment: Gave King's Footmen by Heron #2 2s., and Chairmen by Jupp, #2 2s.; Queen's Footmen by Burton 2s., and chairmen by Jones #2 2s.; Duke of Gloucester's footmen by Scalkavy #2 2s., and Duke of Cumberland's by Malme 2s. (Account Book). Receipts: #135 18s. 6d. (Account Book)

Event Comment: Mainpiece [1st time, i.e. as an alteration of Richard Savage's play; T 5, by William Woodfall. Prologue by Richard Brinsley Sheridan. Epilogue by Richard Cumberland (see text)]: with New Scenes and Dresses. Public Advertiser, 13 Feb. 1777: Sir Thomas Overbury (the Publication of which was unavoidably postponed) will be ready this Morning, at Ten o'Clock (1s. 6d.). Receipts: #212 4s. 6d. (210.7.6; 1.17.0)

Event Comment: Mainpiece [1st time; T 5, by William Shirley. Not in Larpent MS; not published; synopsis of plot in London Chronicle, 19 Dec. Prologue by the author (London Chronicle, 23 Dec.). Epilogue by Richard Cumberland (Collection...of English Prologues and Epilogues, IV, 194]: With New Scenes and Dresses. "I have been at another new play, The Roman Sacrifice. It is the old story of Junius Brutus, without a tolerable line. I went to see it, as I had never seen Henderson, and thought I could Judge him better in a new part; but either the part was so bad, or he wants to copy, that I should not have found out he was at all superior to all other actors" (Walpole [23 Dec. 1777], X 170). Receipts: #2223s. 6d. (207.8.0; 13.13.6; 1.2.0)

Event Comment: Mainpiece: Not acted these 7 years [acted 16 May 1772]. [Epilogue by Richard Cumberland.] Afterpiece: Never acted here. Receipts: #165 6s. (161.12.6; 3.13.6)

Event Comment: Afterpiece [1st time; MF 2]: Written by the Author of Tony Lumpkin in Town [John O'Keeffe. Text (1st authorized) published in Cumberland's British Theatre, Vol. XXXI]. The Music and Overture composed by Dr Arnold [with airs adapted from Philidor and Guglielmi (Public Advertiser, 17 Aug.)]. Books of the Songs to be had at the Theatre