SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Carpenter"/1) | (@(roleclean,performerclean) "Mr Carpenter")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4281 matches on Event Comments, 1293 matches on Performance Comments, 537 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Overture and Music for the Prelude composed by Bates. Mr Bensley return'd from Covent Garden Theatre Play'd Pierre as usual was received with Applause (Hopkins Diary). Paid Carpenter's Bill #31 10s.; Two surveyors (by Butler) #5 5s. (Treasurer's Book). [The carpenter's bills averaged #10 per week during the season, or about #380 total. No further mention will be made of this item.] Receipts: #238 17s. (Treasurer's Book)

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: The Lyar

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Harlequin's Invasion

Performance Comment: Harlequin-Wright; Mercury-Davies; Snip-Parsons; Simon-Moody; Gasconade-Baddeley; Corporal Bounce-Bransby; Abram-Waldron; Forge-Griffiths; Bogg-Messink; Taffy-Burton; Crib-Everard; Jailor-Carpenter; Turnkey-R. Palmer; Justices-Wrighten, Follett, Norris, Nash, Marr; Falstaff-Gaudry; Slender-Baker; Old Woman-Mr Dodd; Mrs Snip-Mrs Bradshaw; Sukey Chitterlin-Mrs Davies; Dolly Snip-Miss Pope; Vocal Parts-Fawcett, Legg, Kear, Brown, Chaplin, Mrs Scott, Miss Collett, Miss Abrams, Miss Boyd, Mrs Love, Mrs Booth, Mrs Pitt, Mrs Smith.
Cast
Role: Jailor Actor: Carpenter

Performances

Mainpiece Title: The Runaway

Performance Comment: As17761001, but Jarvis-Lamash; Sir Charles Seymour (1st time)-Davies; Mr Hargrave-Waldron; Susan-Mrs Davies (1st appearance in that character); Clerk-Carpenter.
Cast
Role: Clerk Actor: Carpenter.
Role: unassigned Actor: Carpenter

Afterpiece Title: Bon Ton

Dance: As17761128

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: St Helena; or, The Isle of Love

Performance Comment: Principal Characters-Jefferson, Davies, Waldron, Legg, Kear, Follett, Carpenter, Holcroft, Barrett, Mrs Bradshaw, Miss Collett, Mrs Smith, A Lady (1st appearance) [Mrs LeBlanc] (London Magazine, July 1777, p. 377, which states that she acted the part of Emma); [Larpent MS 412 lists the parts: Capt. Haleyard, Mr Trinket, Ned Raymonde, Sam Scupper, Jack Jeers, Mrs Trinket, Leda, Emma, Priscilla.] Prologue-Barrett (in the character of a sailor).

Dance: End II: a Hornpipe, as17770430

Performances

Mainpiece Title: The Distress'd Mother

Afterpiece Title: Harlequin's Invasion

Performance Comment: Harlequin-Wright; Mercury-Davies; Snip-Parsons; Simon-Moody; Gasconade-Baddeley; Corporal Bounce-Carpenter; Abram-Waldron; Justice-Wrighten; Forge-Griffiths; Bogg-Barrett; Taffy-Burton; Old Woman-Mr Davies [i.e. doubled Mercury]; Mrs Snip-Mrs Bradshaw; Sukey Chitterlin-Mrs Davies; Dolly Snip-Miss Pope.
Cast
Role: Corporal Bounce Actor: Carpenter

Performances

Mainpiece Title: The Battle Of Hastings

Afterpiece Title: Harlequin's Invasion

Performance Comment: Harlequin-Wright; Mercury-Davies; Snip-Parsons; Simon-Moody; Gasconade-Baddeley; Corporal Bounce-Carpenter; Abram-Waldron; Justice-Wrighten; Forge-Griffiths; Bogg-Holcroft; Taffy-Burton; Old Woman-Mr Davies [i.e. doubled Mercury]; Mrs Snip-Mrs Bradshaw; Sukey Chitterlin-Mrs Davies; Dolly Snip-Miss Pope.
Cast
Role: Corporal Bounce Actor: Carpenter

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: Harlequin's Chaplet

Performance Comment: As17900225, but Men Milliners-Lee, Whitmell, Jackson, Painter; Bricklayer-Rock; Female Milliners-Mrs Gray, Mrs Masters, Miss M'George, Miss Rowson; Female Porter-Mr Letteney; Serjeant-_; Recruit-_; Bricklayers-_; Carpenter-_. Sportsmen-_.
Cast
Role: Carpenter Actor: _. Sportsmen-_.

Dance: As17900129

Event Comment: Benefit Mrs Walter and Mrs Pelling. Mainpiece: Written by the late Mr Congreve. [Tickets of Mrs Walter at Mr Hook's, Carpenter, in Stanhope Street; of Mrs Pelling at Mr Dagley's, Silversmith, near Castle Tavern, DL.]

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: Colombine Courtezan

Dance: I: Minuet in Modern Habits by Rector and Mrs Anderson. II: Tambourine by Mlle Roland. III: Grand Ballet by Essex, Mrs Walter, &c. IV: The Amorous Clowns; or, The Courtezan: Clowns-Pelling, Davenport; Wives-Miss Mann, Miss Brett; Courtezan-Mrs Pelling. V: Rover by Essex, Mrs Walter, Mrs Pelling, Miss Mann, &c

Event Comment: Benefit for Mrs James and Miss Minors. No building on stage. Tickets of Mrs James at her lodgings at Mr Saunder's Carpenter, in Little Wild St., Lincoln's Inn Fields; Miss Minors' at Mr Nicholl, a Baker in Catherine St., and at stage door. An Information was given to Henry Fielding, Esq; that a Set of Barber's apprentices, journeymen staymakers, maid-servants, &c. had taken a large Room at the Black Horse in the Strand, to act the tragedy of The Orphan; the Price of Admittance One Shilling. About eight o'clock the said Justice issued his warrant, directed to Mr Welch, High Constable, who apprehended the said actors, and brought them before the said Justice, who, out of compassion to their youth, only bound them over to their good behavior. They were all conducted through the streets in their Tragedy Dresses, to the no small Diversion of the Populace. (General Advertiser). Receipts: #138 (Cross)

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: Miss in Her Teens

Dance: IV: Sg Piettro, Janeton Auretti, Master Piettro

Event Comment: Receipts: #138 10s. 6d. Paid three days salary at #85 1s. 11d. per diem, #255 5s. 9d. [Paid the following items which occur regularly each Saturday pay day during the 37 weeks of the 1773-74 season: Lampmen #2 12s.; Billstickers #3 12s.; Handbills 8s.; Candlemen #3 18s.; Carpenter's Bills #8 14s. 6d.; Taylor's Bill #8 11s. 8d.; Mantua Maker's Bill #5 6s.; J. Stevens 18s; Mrs Abington's Cloaths #1; Mr Carver 11 days #11; Mr Royer 2 weeks #9; Mr J. French on act #8 8s.; Supernumeraries and Kettle Drummers #3 14s. (Treasurer's Book). N.B. This pay day was based on a three-day acting week. The average paid out for each of these items over the season, and the total for each computed on this average was as follows. [No further mention will be made of these items this season.] @ Average per week Total for season@Lampmen #3 2s. #113 14s.@Billstickers #2 14s. #99 18s.@Handbills 12s. #22 4s.@Carpenter's #5 10s. #203 10s.@Taylor's #10 2s. #373 14s.@Mantua Maker's #2 10s. #92 10s.@J. Stevens 18s. #33 6s.@Mrs Abington Cloaths #1 12s. 4d. #60@Carver at 1 per diem #189@Royer #4 10s. #166 10s.@Sups and Kettle Drum at #3 10s. per diem #661@Candlemen #7 14s. #277 4s.

Performances

Mainpiece Title: The Gamesters

Afterpiece Title: The Pigmy Revels

Event Comment: House. Mr Reddish Still continuing a little Mad or So--Mr Cautherly plaid the Duke & very well was applauded (Hopkins Diary). Last time but one of performing before Easter. Paid Carpenter's Dinners &c. at Black Lyon #6 6s.; Tabor & Pipe 10 nights (1st inst. incl.) #5 5s.; Rec'd of Mr Rowland 1 yrs. rent to Lady Day last (#1 16s. Land tax deducted) #41 4s. Receipts: #180 3s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Braganza

Afterpiece Title: Harlequin's Jacket

Dance: II: The Grand Garland Dance-Slingsby, Sga Hidou

Performances

Mainpiece Title: A Trip To Scarborough

Performance Comment: Loveless-Smith; Young Fashion-Palmer; Sir Tunbelly Clumsey-Moody; Col. Townly-Brereton; Probe-Parsons; Lory-Baddeley; Lord Foppington-Dodd; Berinthia-Miss Farren (1st appearance in that character); Amanda-Mrs Robinson; Nurse-Mrs Bradshaw; Mrs Coupler-Mrs Booth; Miss Hoyden-Mrs Abington; Edition of 1781 (G. Wilkie) adds: La Varole-Burton; Shoemaker-Carpenter; Hosier-Norris; Jeweller-Lamash.
Cast
Role: Shoemaker Actor: Carpenter

Afterpiece Title: A Peep behind the Curtain

Performance Comment: Glib-King; Old Shepherd-Dodd; Sir Macaroni Virtu-Lamash; Patent-Packer; Sir Toby Fuz-Hurst; Wilson-R. Palmer; Mirvan-Norris; Carpenter-Carpenter [sic]; Prompter-Wright; Orpheus-Vernon; Rhodope-Mrs Wrighten; Miss Fuz-Mrs Davies; Lady Fuz-Mrs Hopkins; other parts-Philimore, Nash, Fawcett, Chaplin, Holcroft, Kenny, Mrs Love, Mrs Bradshaw.
Cast
Role: Carpenter Actor: Carpenter
Event Comment: Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. [Note repeated in subsequent bills. Larpent MS 337 casts the Prelude as follows: Manager-Carpenter-$Davis; Mr Reinhold-$Mr Lewes; Chairmen-$Saunders, $Fox">Dyer; Prompter-$Younger; Author-$Kniveton; Carpenter-$Davis; Mr Reinhold-$Mr Lewes; Chairmen-$Saunders, $Fox; Young Lady, her first appearance; servant.] Receipts: #199 5s

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Deuce Is in Him

Dance: End: The Fingalian Dance with Double Hornpipe-Mas. Blurton, Miss Besford

Monologue: Preceded: New Occasional Prelude. The Principal characters-Dyer, Kniveton, Younger, Davis, Cushing, Wignell, Saunders, Fox, a Young Lady Miss Barsanti her first appearance on any stage

Event Comment: Paid 3 day's salary list at #76 14s. 1s. per diem, #230 2d. 3d.; Mrs Greville on note #21; Tallow chandler's 1st bill #24 8s. 5d.; Lampmen #2; Bill stickers #3 12s.; Handbills 8s.; Carpenter's Bill #13 3s. 10d.; Taylor's Bill #6 13s. 6d.; Mantua maker's Bill #4 6s. 2d.; J. Stevens 18s.; Mr King's extra salary #1 10s.; Mrs Abington's Cloaths #1; Painters salaries #14 2s.; Mr J. French on Acct #15 5s.; Hire of Violin &c. 7s.; candlemen #1 13s. (Treasurer's Book). [The following items of those listed among the above Saturday expenditures were constant. The averages and total payments for them will be given in the following table, and no further itemization of them will be made]: @Item: Weekly Average Total Season Payment@Lampmen #4 8s. #162 16s.@Billstickersers #2 14s. #99 18s.@Handbills 12s. #22 4s.@Carpenters #9 10s. #351 10s.@Taylors #9 5s. #342 10s.@Mantua Makers #3 #111@J. Stevens 18s. #33 6s.@Mr King (extra as a deputy Manager?) #3 #111@Mrs Abingtons Clothes #1 12s. 4d. #60@Painter's Bills #10 10s. #388 10s.@Candlemen & extras #8 14s. #313 4s.@ Neither Carver or Royee is listed this season, but the amount customarily paid them for the two preceding seasons is made this season as a constant outlay, but "To Painters." DeLoutherbourg receives his first payment 14 Oct.

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Meeting of the Company

Afterpiece Title: The Padlock

Performances

Mainpiece Title: Braganza

Afterpiece Title: A Peep behind the Curtain

Performance Comment: Glib-King; Sir Macaroni Virtue-Dodd; Sir Toby Fuz-Usher; Carpenter-Moody; Orpheus-Vernon; Miss Fuz-Mrs Davies; Rhodope-Mrs Smith, first time; Lady Fuz-Mrs Hopkins; Other characters-Packer, Brereton, Lamash, Wright, Johnston, Legg, Fawcett, Griffiths, Carpenter, Blanchard, Mrs Love, Mrs Bradshaw.
Event Comment: Benefit for Lamash, Griffiths, Kear, and Carpenter. Tickets deliver'd by Stevens and for The Gamesters will be taken. The Gamesters cannot be performed on account of Parsons's indisposition. Carpenter only acted (Winston MS 11). Receipts: #194 12s. Charges: #66 8s. 6d.Profits to beneficiaries: #128 3s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: Tom Thumb

Cast
Role: Doodle Actor: Carpenter

Dance: V: The Sailors Revels, as17740920

Performances

Mainpiece Title: The Maid Of The Oaks

Afterpiece Title: The Spanish Lady

Performance Comment: Parts-Vernon, Bannister, Fawcett, Carpenter, Cubitt, Wright, a Young Lady (first appearance on any stage), Mrs Love, Mrs Smith. [Worthy (?)-Vernon; Hearty (?)-Bannister; Fawcett; Carpenter; Cubitt; Wright; Anna (?)-A Young Lady, first appearance on any stage; Duenna (?)-Mrs Love; Elvira (?)-Mrs Smith (MacMillan).]

Performances

Mainpiece Title: New Brooms

Performance Comment: Principal Characters by King, Moody, Palmer, Parsons, Bannister, Baddeley, Wrighten, Carpenter, Griffiths, Wright, Burton, R. Palmer, Dodd, Mrs Bradshaw, Mrs Love, Miss Platt, Miss Stageldoir, Mrs Wrighten. [Cast from text (T. Becket. 1776): Sprightly-King; Phelim-Moody; Catcall-Palmer; Sir Dulcimer Dunder-Parsons; Sailor-Bannister; Mezzetin-Baddeley; Furrow-Wrighten; Dripping-Griffiths; Musician-Wright; Frank Furrow-Burton; Lad-R. Palmer; Crotchet-Dodd; Mrs Dripping-Mrs Bradshaw; Mrs Furrow-Mrs Love; Doxy-Miss Platt; Miss Dripping-Miss Stageldoir; Miss Quaver-Mrs Wrighten; unassigned-Carpenter; Prologue[, not listed on playbill,-King [; it was presumably, spoken at all subsequent performances].; it was presumably, spoken at all subsequent performances].
Cast
Role: unassigned Actor: Carpenter

Afterpiece Title: Twelfth Night

Performance Comment: Malvolio-Yates (1st appearance in that character these 1O years); Sir Andrew Ague@Cheek-Dodd; Sir Toby Belch-Palmer; Orsino-Jefferson; Sebastian-Davies; Fabian-Lamash; Antonio-Wrighten; Captain-Wright; Officer-Carpenter; Priest-Griffiths; Valentine-Norris; Curio-Everard; Clown-Vernon; with the original Epilogue song-Vernon; Olivia (with a song)-Mrs Baddeley; Maria-Mrs Hopkins; Viola-Miss Younge.
Cast
Role: Officer Actor: Carpenter

Afterpiece Title: Miss in her Teens

Performances

Mainpiece Title: The Tempest

Performance Comment: Prospero-Bensley; Stephano-Moody; Trincalo-Baddeley; Caliban-Bannister; with songs-Bannister; Gonzalez-Aickin; Alonzo-Bransby; Sebastian-Farren; Francisco-Norris; Boatswain-Carpenter; Antonio-Hurst; Master of the Ship-Wrighten; Ferdinand-Vernon; Ariel-A Young Lady (A Scholar of Linley; 1st appearance upon any stage [Miss Field]); Miranda-A Young Lady (1st appearance upon any stage [Mrs Cuyler]); Chorus of Spirits-Gaudry, Legg, Fawcett, Kear, Carpenter, Chaplin, Holcroft, Follett, Mrs Scott, Miss Abrams, Miss Collett, Miss Jarratt, Miss Boyd, Mrs Love, Mrs Booth, Mrs Pitt, Mrs Smith.

Afterpiece Title: Harlequin's Invasion

Cast
Role: Jailor Actor: Carpenter

Dance: I: a Dance of Spirits (composed by Gallet)-Mlle Dupre; III: [a Fantastic Dance-Grimaldi; [Both these dances, as here assigned, except on 14, 25 Apr. and 0 May, were included in all subsequent performances.] End IV: The Double Festival, as17761107, but Giorgi, +Blurton

Performances

Mainpiece Title: A Trip To Scarborough

Performance Comment: Loveless-Smith; Lord Foppington-Dodd; Sir Tunbelly Clumsey-Moody; Col. Townly-Brereton; Probe-Parsons; Lory-Baddeley; Young Fashion-Reddish; Miss Hoyden-Mrs Abington; Amanda-Mrs Robinson; Berinthia-Mrs Yates; The other parts-Burton, Lamash, Carpenter, Wrighten, Norris, Nash, Everard, Mrs Bradshaw, Mrs Booth, Miss Platt, Mrs Smith; Edition of 1781 (G. Wilkie) specifies: La Varole-Burton; +Jewelle-Lamash; +Shoemaker-Carpenter; +Hosier-Norris; +Taylor-Baker (see17770225); +Nurse-Mrs Bradshaw; +Mrs Coupler-Mrs Booth; New +Prologue-King.

Afterpiece Title: The Waterman

Dance: End III: The Triumph of Love, as17761107:

Performances

Mainpiece Title: The Way Of The World

Cast
Role: Servants Actor: Carpenter, Everard

Afterpiece Title: All the World's a Stage

Performance Comment: Principal Characters by Palmer, Parsons, Farren, Lamash, Burton, Griffiths, Carpenter, Baddeley, Miss P. Hopkins, Mrs Hopkins. Cast from text (J. Wilkie, 1777): Harry Stukely-Palmer; Diggery-Parsons; Charles Stanley-Farren; Waiter-Lamash; Cymon-Burton; Wat-Griffiths; Hostler-Carpenter; Sir Gilbert Pumpkin-Baddeley; William-Everard; Miss Kitty Sprightly-Miss P. Hopkins; Miss Bridget Pumpkin-Mrs Hopkins; New Prologue-King.
Cast
Role: Hostler Actor: Carpenter

Dance: End V: The Triumph of Love, as17761107

Performances

Mainpiece Title: Braganza

Afterpiece Title: The Camp

Performance Comment: Principal Characters by Webster, Moody, Parsons, Bannister, Baddeley, Carpenter, Wrighten, Burton, Fawcett, Dodd; Mrs Robinson, Mrs Cuyler, Miss Farren, Mrs Love, Mrs Bradshaw, Mrs Booth, Miss Kirby, Mrs Wrighten, Miss Walpole. Prologue-Palmer; [This was spoken, as here assigned, at the first 46 performances, except on 9, 10, 17, 18 Nov. (see17790209).] [Cast from Morning Chronicle, 16 Oct.: Corporal [later called William]-Webster; O'Daub-Moody; Gage-Parsons; Serjeant-Bannister; Mons Bluard-Baddeley; Recruits-Carpenter, Fawcett, Holcroft, Chaplin; Countrymen-Wrighten, Burton, Waldron; Sir Charles Plume [later called Sir Harry Bouquet]-Dodd; Commander@in@Chief at the Camp-Farren; Officers of Regiments-R. Palmer, Lamash, Kenny; Lady Plume-Mrs Robinson; Lady Gorget-Mrs Cuyler; Lady Sash-Miss Farren; Countrywomen-Mrs Love, Mrs Bradshaw, Mrs Booth, Miss Kirby; Nell-Mrs Wrighten; Nancy-Miss Walpole.

Performances

Mainpiece Title: A Quarter Of An Hour Before Dinner

Afterpiece Title: The Surrender of Calais

Performance Comment: King Edward-C. Kemble (1st appearance in that character); Harcourt-Bland; Sir Walter Manny-Usher; John de Vienne-Aickin; Ribbomont-Barrymore; Eustache de St. Pierre-Bensley; Officer-Palmer Jun.; John d' Aire-Benson; Old Man-Waldron; Crier-Cross; Citizens-Waldron Jun., Cooke, Abbot; O'Carrol-Caulfield (1st appearance in that character); Serjeant-Fawcett (1st appearance in that character); La Gloire-Bannister Jun.; 1st Carpenter-Suett (1st appearance in that character); 2nd Carpenter-Burton; Queen-Mrs Harlowe; Julia-Mrs Kemble; Madelon-Mrs Bland.
Cast
Role: 1st Carpenter Actor: Suett
Role: 2nd Carpenter Actor: Burton

Afterpiece Title: New Hay at the Old Market

Cast
Role: Carpenter Actor: Benson

Song: 2nd piece: Vocal Parts-Cooke, Lyons, Aylmer, Boyce, Brown, Dibble, Dorion, Kenrick, Linton, Little, Walker, Miss Leak, Miss DeCamp, Mrs Gaudry, Mrs Hale, Mrs Butler, Mrs Norton, Miss Menage, Miss Granger

Event Comment: Benefit Miss Norsa. Tickets at her Lodgings, Nassau Street, near Gerrard Street. Receipts: money #12 14s. 6d.; tickets #101 9s. London Daily Post and General Advertiser, 29 April: We hear Mr Handel has compos'd a new Opera, on the Occasion of his Royal Highness's Marriage to the Prince[S] of Saxe Gotha, and as the Wedding was solemnized sooner than was expected, great Numbers of Artificers, as Carpenters, Painters, Engineers, &c. are employed to forward the same

Performances

Mainpiece Title: The Relapse

Afterpiece Title: Flora

Dance: Two Pierrots by Lalauze and Nivelon. The Peasants by Lalauze, Mlle D'Hervigni, &c. Sailors (from orestes) by Glover, Tench, Desse, Delagarde, Livier, Richardson

Event Comment: t foot of Bill]: Whenever a Pantomime or Farce shall be advertised, the advanced prices shall be returned to those who do not choose to stay; and on Thursday next will be published the Manager's reasons for his conduct in the present dispute. Winston MS.: Fleetwood, the manager, and servants driven from doors & all rushed in. Genest, IV, 137-38: A country gentleman was taken from an upper box and carried before a magistrate. This step when known by the audience occasioned much mischief. Acting the play not allowed. General Advertiser, 22 Nov.: An Address to the Public, dl Theatre 20 November. As the extraordinary disturbances which have lately happened at this theatre greatly affect the diversions of the publick, as well as the property of the manager, he thinks it incumbent on him to justify his conduct by giving a fair statement of the case....The reasons of complaint assigned, he apprehends, are the exhibition of Pantomimes, Advanced Prices, and Insults on the audience--as to the first, he submits it to be considered that however distasteful such pieces may be to the delicacy of some judgments, yet there are others to whose taste they are suited; as the playhouse may be considered as the general mart of pleasure, it is only from the variety of entertainment, the different tastes of the public can be supplied--of this the receipts of the house are a sufficient evidence, it being notorius, how necessary the addition of such pieces is towards procuring the best play a numerous audience. With regard to the advanced prices, the Manager hoped he should in some measure be justified by the great increase of the charges of the theatre which, notwithstanding any reduction that has been made, are still at least a fourth part greater than usual--but as in this point he has already submitted, he conceives it can no longer remain the subject of their displeasure, especially as by an advertisement handed about the theatre it was said that every objection would cease, when the manager consented to return the advanced prices to those, who did not choose to be tortured with entertainments. As to insults on the audience...last week upon some persons flinging the sconces and candles on the stage a quarrel arose, in the confusion of which a Gentleman was secured, but by whom the Manager knows not, nor ever gave any order, or was any acquainted with the affair till after he was discharged, for the truth of which he refers to the affidavit annexed. As to the accusation of several bruisers (as they are termed) being employed on Saturday night to insult Gentlemen, the Manager declares, that there was none but the Peace Officers, Carpenters, and Scene-men (which on account of the Entertainments are very numerous) and other servants belonging to the theatre; nor did they appear till urged by the tumult, by tearing up benches and threat'ning to come on the stage and demolish the scenes; nor could the Manager apprehend this legal precaution to prevent mischief and defend his property would ever be construed as an infringement on the liberty of an audience, especially when it is considered, what great damages he sustained some years ago on an attempt of the like nature--if any such persons appeared in the pit, the Manager presumes, they must have come in with the multitude, after his doorkeepers were drove from their posts, and the house was open to all; which was evident from several hundred persons more being present at the disturbance than were at the performance that night, who then came to a determination to prevent any performance on the Monday. After this impartial account of his conduct, the manager appeals to the judgment of the publick what foundation he has given for the outrageous disturbance on Monday night; and cannot help thinking, the real injuries he has sustained, too severe a punishment for an imaginary offence, having lost several hundred pounds already, by people being terrified from frequenting the theatre. A total exclusion is now insisted on, the Manager to resign his property, the Publick to be deprived of their diversions and the players of their subsistence; And all this after every concession, becoming one gentleman to ask, or another to make, has been submitted to. [Affidavit of Constable followed. See Genest, IV, 139-40.] The following three pamphlets came out expressing points of view concerning Fleetwood and his policy and management: I. The Disputes between the Director of d.l. and the Pit Potentates, 20 Nov. As a Letter to a Friend it tells the resolution: not to have old Pantomimes (so execrably bad that they were damn'd when new) imposed on them, unless the manager would take no more than common prices; reports how Fleetwood stocked the pit with Men of doughty valor...disguised in the habits of Gentlemen, to throw out all who protested; protests the system of casting employed whereby 2nd rate actors appeared in good parts; discusses hardship cases of certain actors (Mrs Roberts, Mrs Horton, Mrs Mills) and asks why Theophilus Cibber is not on the stage. 2. An Impartial Examen of the Present Contests, by Mr Neitherside, 1744: harks back to Fleetwood's finacial policies of the previous year, deploring his relations with the actors and with manager of cg; scourges him for miscasting his plays around one prominent actor, rather than giving a balanced performance; deplores his paying Mrs Cibber, Mrs Clive so much; revives the 1743 dispute which led to secession; dislikes the casting for 2 Nov. of Love's Last Shift; suggests better casts for many plays; scores the Licensing Act for reducing players to slavery; hopes for resumption of balanced performances. 3. Stage Policy Detected, or some Selcet Pieces of Theatrical Secret History Laid Open, in a Letter to a Certain Manager, 1744: takes apart Fleetwood's Defense, statement by statement, giving him the lie at each point. Suggests the real money from the house comes from Pit and Box, which are protesting his pantomimes; shows full attendance at Rehearsal and Macbeth with no afterpieces. Especially dislikes the hired bruisers, and the cast of the Alchemist for 6 Nov

Performances

Mainpiece Title: The Provoked Wife

Dance: Muilment