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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Carnevale"/1) | (@(roleclean,performerclean) "Mr Carnevale")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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5633 results for: Keyword - Mr Carnevale
We found 4228 matches on Event Comments, 1144 matches on Performance Comments, 528 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

826
27 May 1800 @ Covent Garden

Performances

Mainpiece Title: Wild Oats

Afterpiece Title: The Deserter of Naples

Dance: After Singing at end: A New Dance- (By Permission of the Proprietors of the Royal Circus) composed by Byrne, in which Mr Byrne, Mrs Byrne, will make their 1st appearance on this stage these 4 years, assisted by the three Miss Adams', Master Byrne (Their 1st appearance on this stage), Blurton, Platt, Wilde, L. Bologna, Lewiss, Klanert, Mrs Watts, Mrs Follett, Mrs Bologna, Miss Cox, Miss Bologna, Miss Dibdin

Song: End II: Black Ey'd Susan-Incledon; End IV: The Anchor Smiths-Townsend; End: Boxing the Compass-Fawcett; Old Towler-Incledon

827
29 August 1800 @ Haymarket Theatre

Performances

Mainpiece Title: Cambro-britons

Afterpiece Title: The Agreeable Surprise

Song: End: Paddy's Description of Pizarro; or, Mr Paddy O'Doody and his Cousin Shaun Shaugnessy's Treat to the One Shilling Gallery-Johnstone

828
07 January 1783 @ King's Theatre

Performances

Mainpiece Title: Cimene

Performance Comment: Principal Characters by Pacchierotti, Scovelli, Bartolini, Schinotti; Sga Pollone, Mme Carnevale (1st appearance). [Cast from libretto (H. Reynell, 1783): Rodrigo-Pacchierotti; Fernando-Scovelli; Duarte-Bartolini; Armindo-Schinotti; Elvira-Sga Pollone; Cimene-Mme Carnevale.] hathi. hathi.
Cast
Role: Cimene Actor: Mme Carnevale.

Dance: As17821212 throughout

829
29 April 1783 @ King's Theatre

Performances

Mainpiece Title: Creusa In Delfo

Performance Comment: Principal Characters by Pacchierotti, Scovelli, Bartolini, Schinotti; Sga Gherardi, Sga Carnevale. [Cast from libretto (H. Reynell, 1783): Iono-Pacchierotti; Suto-Scovelli; Filaco-Bartolini; Minerva-Schinotti; Laodamia-Sga Gherardi; Creusa-Sga Carnevale.] hathi. hathi.
Cast
Role: Creusa Actor: Sga Carnevale.

Dance: End of Act I La Begucule, as17830320End of Act II Le Tuteur Trompe, as17830426

830
14 June 1783 @ King's Theatre

Performances

Mainpiece Title: L'avaro

Performance Comment: Principal Characters by Viganoni, Morigi, Bartolini, Schinotti; Sga Gherardi, Sga Pollone, Sga Carnevale. [Cast from libretto (H. Reynell, 1783): Stefanello-Viganoni; Orgasmo-Morigi; Felicino-Bartolini; Macrobio-Schinotti; Rosalinda-Sga Gherardi; Tortora-Sga Pollone; Laurina-Sga Carnevale.] hathi. hathi.
Cast
Role: Laurina Actor: Sga Carnevale.

Dance: End of Act I La Begueule, as17830531; End of Act II Le Tuteur Trompe, as17830111, but omitted: Slingsby, Mlle Theodore

831
18 March 1784 @ King's Theatre

Performances

Mainpiece Title: La Regina Di Golconda

Performance Comment: Alberto-Rauzzini (1st appearance [this season]); Usbeck-Bartolini; Osmin-Franchi; Zelia-Sga Schinotti; Queen of Golconda-Sga Carnevale (1st appearance this season) .
Cast
Role: Queen of Golconda Actor: Sga Carnevale

Dance: Three new ballets composed by D'Aubcrval. End of Act I Ballet [of Warriors] by Lepicq, Henry, Zuchelli, the two Miss Simonets, Mme Theodore; End of Act II Dance [of Shepherds] by Lepicq, Mme Simonet, D'Aubcrval (1st appearance), Mme Rossi, Vestris [Jun.], Mme Theodore; End of Opera The Four Ages of Man, in which a Pas de Trois of Chinese by Henry, Zuchelli, Blake. Childhood-the two Miss Simonets; Youth-Slingsby and Mme Theodore; Manhood-Lepicq, Mme Rossi, Vestris [Jun.]; Old Age-D'Auberval and Mme Simonet, who will dance to the celebrated Musette of Handel. To conclude with a Pas de Huit, in a stile entirely new, by the Couples who represent the Four Ages

832
03 June 1783 @ King's Theatre

Performances

Mainpiece Title: La Buona Figliuola

Performance Comment: Principal Characters by Viganoni, Morigi, Bartolini, Micheli; Sga Pollone, Sga Gherardi, Sga Carnevale, Sga Sestini. [Libretto (T. Cadell, 1777) lists the parts: Il Cavalicre Armidoro, Il Carchese della Conchiglia, Tagliaferro, Mengotto; La Marchcsa Lucinda, Paoluccia, Cecchina, Sandrina.] hathi.

Dance: End of Act I Il Riposo del Campo, as17830313but omitted: Slingsby, Mlle Theodore, La Recrue par Force; End of Act III he Tuteur Trompe, as17830506, with a Pas de Deux by Slingsby and Mme Simonet

833
01 June 1786 @ King's Theatre

Event Comment: Benefit for Carnevale, deputy manager

Performances

Mainpiece Title: Armida

Dance: End of Act I Les Amans Surpris (not performed these 4 years [not since 30 June 1781]) by Vestris, Rochfort (1st appearance in England), Fabiani, Mlle Mozon, Mlle Baccelli; End of Opera Ninette a la Cour (not performed these 4 years [not since 3 July 1781]) by Vestris, Rochfort, Fabiani, Mlle Mozon, Mlle Baccelli. In the course of the ballet The Minuet de la Cour, with a favourite Gavotte, by Fabiani and Mlle Carolina, and a Pas de Deux of a particular Invention (the music newly composed by Mortellari) by Mlle Baccelli and Vestris

834
01 March 1787 @ King's Theatre

Event Comment: A Serious Opera in 2 acts; the music entirely by Handel, and selected from the various Operas set by that admirable composer, under the direction of [i.e. arranged and added to by] Dr Arnold. Benefit for Carnevale, deputy manager. No receipts listed. "In order to induce the king to visit the theatre called his own [see 17 Mar.], but which he seldom frequented, the Giulio Cesare of Handel was revived, or rather a medley from his Italian works, for little of the original music was retained, and many of his most favorite songs from other operas were introduced, Verdi prati [from Alcina], Dove sei [from Rodelinda], Rendi sereno il ciglio [from Sosarme], and others. This ancient music was particularly suited to Rubinelli, and was familiar to Mara, both of whom sung it incomparably well" (Mount-Edgcumbe, 61)

Performances

Mainpiece Title: Giulio Cesare In Egitto

Dance: End I: a new ballet, representing The Muses on Mount Parnassus-; End Opera: a new ballet, The Triumph of Julius Caesar-

835
29 May 1788 @ King's Theatre

Event Comment: Benefit for Carnevale. Receipts not listed

Performances

Mainpiece Title: L'olimpiade

Dance: End I: Divertissement-[see17871208]

Song: In Opera: an additional songby Mortellari-Marchesi; a new duet of his own composing-Marchesi; accompanied on the tenor obligato-Cramer

Ballet: End Opera: The Deserter (composed by D'Auberval). The Deserter-Vestris; Skirmish-Miss Simonet; Louisa-Mlle Hilligsberg; other characters-Didelot, Simonet, Mlle Coulon; a Pas Seulto the favourite air of Je suis Lindor-Mlle Coulon

836
02 June 1774 @ Drury Lane Theatre

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Register Office

Dance: II: The Haymakers-Giorgi's Scholars; End Opera: Hornpipe-Master Burn

Entertainment: End Opera: Bannister's Imitations-Bannister

837
16 May 1749 @ Drury Lane Theatre

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Intriguing Chambermaid

Dance: Cook, Anne Auretti, Mathews, Mrs Addison

838
27 May 1775 @ Drury Lane Theatre

Performances

Mainpiece Title: Matilda

Afterpiece Title: Bon Ton

839
24 October 1768 @ Covent Garden

Performances

Mainpiece Title: Mahomet

Afterpiece Title: Harlequin Dr Faustus

840
10 June 1776 @ Drury Lane Theatre

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Waterman

Dance: I: The Grand Garland Dance as17760410 but-Slingsby, Sga Crespi, Mrs Sutton

841
11 January 1752 @ Drury Lane Theatre

Performances

Mainpiece Title: The Revenge

Afterpiece Title: Taste

842
June 1697 @ Dorset Garden Theatre

Performances

Mainpiece Title: The World In The Moon

843
March 1693 @ Drury Lane Theatre

Performances

Mainpiece Title: The Old Batchelor

844
18 April 1707 @ York Buildings

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-the best Masters; viz. A full Piece of Music of the famous Signior Pepusch-Mr Banister, Mr Dean, Mr Lamour; A set of Airs for the Arch/Lute and Violin-the Two Mr Deans, composed on purpose by Mr Dean Jun; A Sonata for the Arch/Lute and Flute Alleman-Mr Dean Jun, Mr Latour; Singing to the Arch/Lute-Mr Hughes; A Solo of the famous Archangelo Corelli-Mr Dean Sen; A Cantata to the Arch/Lute-Mr Newbury; Singing to the Arch/Lute-a Gentleman come on purpose from Worchester

845
03 June 1782 @ Haymarket Theatre

Performances

Mainpiece Title: A Preludio

Afterpiece Title: The Beggar's Opera

Afterpiece Title: Medea and Jason

Dance: In Act III of mainpiece a Hornpipe by Master Byrn. [This was danced, as here assigned, in all subsequent performances.]

846
20 June 1783 @ Haymarket Theatre

Performances

Mainpiece Title: A Preludio

Afterpiece Title: The Beggar's Opera

Afterpiece Title: Medea and Jason

Dance: In Act III of 2nd piece Hornpipe by Byrn

847
07 April 1764 @ Drury Lane Theatre

Performances

Mainpiece Title: The Orphan

Afterpiece Title: High Life below Stairs

Dance: End: The Irish Lilt, as17630922

848
27 October 1775 @ Drury Lane Theatre

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: Bon Ton

Dance: End: The Merry Peasants, as17751018

849
08 August 1781 @ Haymarket Theatre

Performances

Mainpiece Title: A Preludio

Afterpiece Title: The Beggar's Opera

Afterpiece Title: Medea and Jason

Dance: III 2nd piece: a Hornpipe-Master Byrn, in girl's clothes (London Chronicle, 9 Aug., and see17810810) This was danced, as here assigned, in all subsequent performances

850
16 September 1758 @ Drury Lane Theatre

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Anatomist

Dance: I: A comic Dance call'd The German Hunters-Master Settree, Miss Twist