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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr C F Badini"/1) | (@(roleclean,performerclean) "Mr C F Badini")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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7881 results for: Keyword - Mr C. F. Badini
We found 5454 matches on Event Comments, 2000 matches on Performance Comments, 665 matches on Performance Title, 443 matches on Author, and 0 matches on Roles/Actors.

1626
10 January 1713 @ Queen's Theatre

Performances

Mainpiece Title: Theseus

1627
29 May 1734 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Committee

Afterpiece Title: The Lottery

Dance: I: The Black and White Joke by Le Brun and Miss Mann. II: Pierrots by F. Tench and Davenport. III: English Maggot by S. Lally and Mrs Walter. IV: The Whim by F. Tench and Miss Mann. V: Revellers by Essex, Miss La tour, &c

1628
19 March 1747 @ Drury Lane Theatre

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Dragon of Wantley

Dance: New entertainments-Salomon, Sga Padouana, Salomon's son

1629
01 October 1750 @ Drury Lane Theatre

Performances

Mainpiece Title: Romeo And Juliet

1630
10 December 1748 @ Drury Lane Theatre

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Intriguing Chambermaid

1631
11 May 1791 @ Drury Lane Theatre

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Hue and Cry

1632
23 February 1798 @ Covent Garden

Performances

Mainpiece Title: The Messiah

Music: End I: concerto on the violin-Master Pinto (aged Eleven Years, Grandson to the celebrated Performer of that Name [ThomasPinto])

1633
22 April 1699 @ Drury Lane Theatre and Lincoln's Inn Fields

Performances

1634
10 June 1772 @ Drury Lane Theatre

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: Miss in Her Teens

Dance: End: Hornpipe-Walker

1635
03 March 1774 @ Drury Lane Theatre

Performances

Mainpiece Title: Sethona

Afterpiece Title: The Citizen

1636
17 October 1747 @ Drury Lane Theatre

Performances

Mainpiece Title: The Scornful Lady

Afterpiece Title: The Double Disappointment

Dance: II: Dance-Cooke

1637
10 March 1749 @ Haymarket Theatre

Performances

Mainpiece Title: None

1638
09 June 1763 @ Haymarket Theatre

Performances

Mainpiece Title: Concert

Dance: Miss Capitani, Master Rogers

1639
18 November 1752 @ Drury Lane Theatre

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Queen Mab

1640
08 October 1763 @ Drury Lane Theatre

Performances

Mainpiece Title: Philaster

Afterpiece Title: The Citizen

1641
23 February 1771 @ King's Theatre

Event Comment: A new Comic Opera. Poetry by Badini; Music entirely New, composed by Guglielmi

Performances

Mainpiece Title: Le Pazzie D'orlando

1642
23 November 1771 @ King's Theatre

Event Comment: A New comic Opera Written by Sig Badini; The Music entirely new composed by Guglielmi. With New Dances and Decorations

Performances

Mainpiece Title: Il Disertore

1643
14 January 1772 @ King's Theatre

Event Comment: New Comic Opera by Badini. The Music entirely new by Guglielmi. New Scenes painted by Bigari

Performances

Mainpiece Title: Carnovale Di Venezia

Dance: I: New DancesMlle Heinel, as17720111; II: A Venetian Dance-adapted to the Opera by Galliotti, Sga Guidi, and four other principal dancers; End Last Act: Grand Ballet, as17720111Mlle Heinel three Entrees

1644
15 May 1779 @ King's Theatre

Event Comment: Opera [1st time; COM 3, by Carlo Francesco Badini, based on The Duenna, by Richard Brinsley Sheridan]: the Music entirely new by Bertoni

Performances

Mainpiece Title: La Governante

Dance: End I: new Ballet, Les Paysans Voles-Banti, Sga Tinti, Sg and Sga Zuchelli; End II: Ballet by Fairies, as17790302End Opera: new Ballet Espagnol, La Serenade Interrompuee-Simonet, Mlle Baccelli, Sg and Sga Zuchelli, LeDet; with a Pas de Deux du Masque-Simonet, Mlle Baccelli; accompanied on the Guittar-Noferi

1645
09 May 1780 @ King's Theatre

Event Comment: A New Comic Opera [1st time; COM 3]. Written by Badini; the music entirely new composed by Bertoni

Performances

Mainpiece Title: Il Duca D'atene

Dance: End I: new ballet, Il Filosofo (composed by Zuchelli)-Sg Zuchelli, Sga Zuchelli, Sga Tantini, Slingsby; End II: La Serenata Spagnola Interrota [see17800420]-Sg and Sga Zuchelli, Sga Baccelli, Henry, Guiardele; [with a Pas de Deux-; accompanied on the guitar-Noferi; End III: New Serious Ballet (composed by Guiardele) [in which-Mme Simonet,[will dance in Men's Cloaths with Sga Baccelli, Sga Tantini, Guiardele; to conclude with: a Grand Chaconne [of Jomelli-

1646
09 April 1782 @ King's Theatre

Event Comment: A new Comic Opera in 2 acts [1st time, by Carlo Francesco Badini]; the music composed by [Tommaso] Giordani

Performances

Mainpiece Title: Il Bacio

Dance: As17820402 throughout

1647
19 December 1782 @ King's Theatre

Event Comment: A new Comic Opera [1st time; COM 2, by Carlo Francesco Badini]. The Music entirely new, composed by Anfossi

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: End of Act I New Divertisement, as17821102, but Sga Crespi in place of Sga Sala; added: Pas de Deux, as17821210 End of Act II Apelles and Campaspe, as17821102

1648
20 May 1786 @ King's Theatre

Event Comment: A new Comic Opera [1st time; COM 2], written by Charles Francis Badini, and set to music by Pasquale Anfossi. "The Author has . . . struck out ideas fit to excite the utmost powers of harmony. We do not think that he has been sufficiently seconded by Signor Anfossi. The music evidently labours under a tedious monotony" (General Advertiser, 22 May)

Performances

Mainpiece Title: L'inglese In Italia

Dance: As17860516 throughout

1649
23 December 1786 @ King's Theatre

Event Comment: A Serious Opera in 2 acts [1st time; altered by Carlo Francesco Badini from Demetrio, by Metastasio]; the music by Gresnick. By their Majesties' Command no person can be admitted behind the scenes. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. The Doors to be opened at 6:30. To begin exactly at 7:30 [see 2 June 1787]. Subscriptions are received at Messrs Ransom, Morland and Hammersley's, Bankers, No. 57, Pall-mall, who will deliver the subscription tickets. The Nobility and Gentry, subscribers to the Opera-house, are respectfully intreated to send for them, in order to prevent future mistakes, as nobody can be admitted without producing a ticket. To prevent inconvenience to the Nobility and Gentry in getting to their carriages, they are most respectfully intreated to give positive orders to their servants to set down and take up with their horses' heads towards Pall-mall. The doors in Market-lane for chairs only. [Synopsis of opera in Morning Post, 25 Dec. Mme Perignon and Goyon were from the Opera, Paris.] Receipts: #86 11s. 6d. [These receipts, and those on all other nights throughout the opera season, represent the sale of non-subscription tickets. On this night 400 tickets were delivered to Prendergrass, office-keeper at the Haymarket pit entrance; of these he sold 84 at 10s. 6d. (i.e. #44 2s.). 100 were delivered to Reynolds, office-keeper at the King's Door pit entrance; he sold 6 at 10s. 6d. (i.e. #3 3s.). 300 were delivered to Butler, office-keeper of the 1st Gallery; he sold 112 at 5s. (i.e. #28). 200 were delivered to Snelson, office-keeper of the 2nd Gallery; he sold 70 at 3s. (i.e. #10 10s.). "Difference from Gallery to Pit" (i.e. money received from persons who changed their seats from gallery to pit, 16s. 6d.). The delivery of 1,000 non-subscription tickets to be disposed of was almost invariably the case on every night of the season. If a subscriber's box was released for sale it could be had for 2 guineas (see 6 Feb. 1787).

Performances

Mainpiece Title: Alceste

Dance: End I: Divertissement-Mlle Mozon, Laborie, Henry, Gricourt, Mme Bithmer, Mme Delfevre, Mme Gervais Perignon (1st appearance in England); End Opera: La Chercheuse d'Esprit-Goyon (1st appearance in England), Laborie, Mlle Mozon, Henry, Gricourt, Sala, Mme Delfevre, Mme Bithmer, Giorgi, Mme Gervais Perignon. Scenario (Paris, 1778) lists the parts: Mme Madre, Subtil, Narquois, Nicette, Alain, L'Eveille, Finette

1650
01 May 1787 @ King's Theatre

Event Comment: A Serious Opera in 2 acts [1st time; by Carlo Francesco Badini]; the music entirely new by Venanzio Rauzzini. Receipts: #178 16s. 6d. [non-subscription]

Performances

Mainpiece Title: La Vestale; O Sia, L'amore Protetto Dal Cielo

Dance: End I: Divertissement, as17870428; End Opera: Sylvie, as17870322but Mlle _Mozon