SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Burn"/1) | (@(roleclean,performerclean) "Mr Burn")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4240 matches on Event Comments, 1164 matches on Performance Comments, 543 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Heiress

Afterpiece Title: No Song No Supper

Entertainment: Monologue. End: The Picture of a Play@House, or, Bucks have at ye all-R. Palmer

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: No Song No Supper

Performances

Mainpiece Title: I'll Tell You What

Afterpiece Title: The Agreeable Surprise

Performances

Mainpiece Title: The Young Quaker

Afterpiece Title: The Minor

Performances

Mainpiece Title: Poor Old Drury

Afterpiece Title: As You Like It

Afterpiece Title: The Critic

Song: V 2nd piece: song-Miss Hagley

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: Taste; or, Diversion in the Morning

Dance: I afterpiece: Mock Minuet-Alderman, Lady Pentweazel

Song: End: The Tobacco Box-Johnson, Miss Chatterley

Entertainment: Monologues After Singing: British Loyalty[; or, A Squeeze to St. Paul's-Wilkinson; End II afterpiece: Bucks have at Ye All-a Gentleman (1st appearance on any stage [unidentified])

Music: Between Acts: several pieces of Martial Music-his Royal Highness the Duke of Gloucester's Band(, in full uniform, by Permission)

Performances

Mainpiece Title: The School For Fathers

Afterpiece Title: Katharine and Petruchio

Performances

Mainpiece Title: The Provok'd Husband; Or, A Journey To London

Afterpiece Title: Richard Coeur de Lion

Event Comment: Mainpiece: In 5 Acts, altered from the Dramatic Romance by David Garrick, Esq. With a new Overture and new additional Musick by Storace [on 2 Jan. 1792 and thereafter, added: Shaw] and other Eminent Masters. Entirely new Scenery by Greenwood, and new Dresses, Decorations and Machinery. To conclude with a Grand Procession of the Hundred Knights of Chivalry, and the Representation of an Ancient Tournament. [These were included in all subsequent performances.] Books of the Songs to be had at the Theatre. Morning Post, 3 Jan. 1792, prints a full description of the Procession of over 100 persons: 1st, Anglo-Saxon Knights and banners; then ancient British knights, Norman knights, Indians, Turks, Scythians, Romans, a dwarf, a giant; at end, "soldiers drawing a superb picture of St. George, knights in chain mail, a cupid leading a knight covered with a silver net, Hymen, piping fauns, bands of cupids drawing an altar--flame burning, cupids hovering over it, and others feeding doves below, a troop of Arcadian shepherds drawing the car of Cymon and Sylvia, characters of the drama, and chorus." "At the conclusion of the procession, a tournament took place of both horse and foot, between several combatants in armour, who fought with lances, swords and battle-axes: three of Hughes' horses [from the Royal Circus] were introduced, and managed with much dexterity; the Prince of Wales' Highlander made one of the procession, and entered the lists as a champion, fighting with an enormous club; against him a small female warrior was opposed, by whom he was subdued. It was by far the grandest spectacle ever seen upon the stage. Many of the characters were taken from Sir Philip Sydney's Arcadia, in which the scene of the piece was laid; and the dresses of the knights, armour, &c. from the drawings and descriptions of the best antiquarians" (Oulton, 1796, II, 215). [This was Edmund Kean's 1st appearance on the stage; he was about four years old. He personated a cupid lying in Cymon and Sylvia's car (Kelly, Reminiscences, II, 21-22).] Account-Book, 13 Jan. 1792: Paid Hughes for his Horses #16 19s. 10d.; 23 Jan.: Paid Gough for his Greyhounds in Cymon #5 19s. 6d. Receipts: #420 6s. (385.0; 35.5; 0.1)

Performances

Mainpiece Title: Cymon

Afterpiece Title: All the World's a Stage

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Waterman

Performances

Mainpiece Title: Fashionable Levities

Afterpiece Title: A Peep behind the Curtain; or, The New Rehearsal

Performance Comment: Glib (the Author)-Lewis; Sir Toby Fuz-Wilson; Sir Macaroni Virtu-Fawcett; Wilson-Macready; Patent-Powel; Mervin-Evatt; Prompter-Farley; Carpenter-Rock; Lady Fuz-Mrs Webb; Sweepers-Mrs Powell, Mrs Davenett; Miss Fuz-Mrs Davis; Characters in the Burletta: Orpheus-Davies; Shepherds-Powel, Follett, Linton, Cross, Rees, Noble, Letteney, Rowson, Blurton, Milburne, Simmons, Coombes; Old Shepherd-Munden; Rhodope-Mrs Martyr.

Afterpiece Title: Robin Hood

Related Works
Related Work: Robin Hood Author(s): Charles Burney

Performances

Mainpiece Title: Richard Iii

Afterpiece Title: The Citizen

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: The Soldier's Festival; or, The Night before the Battle

Afterpiece Title: The Intrigues of a Morning; or, An Hour in Paris

Afterpiece Title: The Wives Revenged

Performances

Mainpiece Title: The Fugitive

Afterpiece Title: High Life below Stairs

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: Oscar and Malvina

Music: As17920125

Performances

Mainpiece Title: The Winter's Tale

Afterpiece Title: The Irishman in London

Afterpiece Title: The Golden Pippin

Song: In 2nd piece: As17920421; End II: a Selection of the most favourite Catches and Glees from Harrison and Knyvett's Vocal Concert-; O let the merry peal go on-(Danby); When Arthur first in Court began-(Callcott); Tweedside What beauties does Flora-(Corfe); Come let us all a Maying go-(Hilton)

Performances

Mainpiece Title: I'll Tell You What

Afterpiece Title: Young Men, and Old Women

Performances

Mainpiece Title: Hail Fellows Well Met

Afterpiece Title: Ways and Means

Afterpiece Title: The Rehearsal

Afterpiece Title: The Rights of Women

Performances

Mainpiece Title: Cross Partners

Afterpiece Title: The Family Compact

Performances

Mainpiece Title: At King's The Inconstant; Or, The Way To Win Him

Afterpiece Title: The Waterman

Performances

Mainpiece Title: At King's The Heiress

Afterpiece Title: The Cave of Trophonius

Song: II: a song-Mrs Crouch

Performances

Mainpiece Title: The Gentle Shepherd; Or, Patie And Roger

Afterpiece Title: Wit's Last Stake

Dance: End III: a new dance The Caledonian Cottagers; or, Scotch Wedding-Allison, Allison's Pupils

Song: End IV: The Cries of Edinburgh-Shaw

Entertainment: Monologue Probably end: An Occasional Address-Walker

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: Harlequin's Museum [and see17921220]

Dance: In afterpiece: the Burlesque Pas de Russe-Byrn, Miss Smith; Hornpipe-Holland; rest of the Dances-Byrn, Ratchford, Cranfield, Rayner, Platt, Jackson, Wilde, Mrs Watts, Miss Francis, Mrs Ratchford, Mrs Lloyd, Mrs Crowe, Mrs Bayzand, Mme Rossi

Performances

Mainpiece Title: At King's Much Ado About Nothing

Afterpiece Title: Harlequin's Invasion

Song: As17921102

Dance: As17921102; In afterpiece: Dances-the D'Egvilles, Menage, Chatterley, Webb, Melvin, Phillips, Bourk, Bidotti, Whitmell, Walker, Nokes, Keys, Miss Menage, the Miss D'Egvilles, Miss Phillips, Miss A. DeCamp, Miss Menage Jun., Miss Smith, Miss Haskey, Miss Whitmell, Mrs Brooker, Mrs Haskey, Mrs Brigg, Mrs Harris, Mrs Barrett, Mrs Bourk

Performances

Mainpiece Title: At King's Cymon

Afterpiece Title: The Deaf Lover