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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Box"/1) | (@(roleclean,performerclean) "Mr Box")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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8100 results for: Keyword - Mr Box
We found 6775 matches on Event Comments, 1160 matches on Performance Comments, 555 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

1976
12 April 1768 @ Covent Garden

Event Comment: Benefit for Dyer. Tickets for the Wonder will be taken. Part of Pit will be laid into the Boxes. [The afterpiece a musical entertainment by Richard Cumberland taken from his The Summer's Tale. See 6 Dec. 1765; 28 April 1768.] Charges #64 15s. Balance to Dyer #10 5s. plus #160 5s. in tickets (Box 471; Pit 198; Gallery 128). (Account Book). Receipts: #75 (Account Book)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Amelia

Dance: III: The Provenzales, as17680301 IV: The Irish Lilt, as17670921

1977
16 April 1768 @ Covent Garden

Event Comment: Benefit for Fishar (Ballet Master) and Sga Manesiere. Charges #64 10s. Balance due to Dancers #27 1s. 6d. To Fishar #13 10s. 9d. To Sga Manesiere #13 10s. 9d. In Addition Fishar gained #39 18s. from Tickets (47 Box; 105 Pit; 124 Gallery). Sga Manesiere gained #22 3s. from Tickets (45 Box; 44 Pit; 43 Gallery) (Account Book). Receipts: #91 11s. 6d. (Account Book)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: Thomasand Sally

Dance: End I: Comic Dance-Arnauld, Miss Capon apprentice to Fishar; End Act II: By Particular Desire, The Dutch Milkmaid, as17671114; End Act III: A New Grand Ballet, that night only, call'd The Tartarians-Fishar, Sga Manesiere (with New Dresses); End Act IV: a New Pantomime Dance, call'd The Spanish Coal@Heaver-Mas. Blurton, Miss Besford, both apprentices of Fishar

Ballet: End: The Wapping Landlady. Jack in Distress-Fishar; Landlady-Miles; Milk@woman-Sga Manesiere; A Double Hornpipe-Fishar, Sga Manesiere

1978
22 April 1768 @ Covent Garden

Event Comment: Benefit for Aldridge and Miles. The Clandestine Marriage cannot be perform'd on account of Indisposition of Woodward. Charges #64 15s. 6d. Balance to Aldridge and Miles #12 12s. 6d. Paid Aldridge #6 6s. 3d. who also had from Tickets #39 13s. (Box 55; Pit 138; Gallery 52). Paid Miles #6 6s. 3d. who also had from Tickets #92 15s. (Box 140; Pit 253; Gallery 173) (Account Book). [Miles was much senior to Aldridge in serivce at cg. See note on Mrs Bulkley, 17 Nov. 1767, who had been ready in this part five months before.] Receipts: #77 8s. (Account Book)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Orpheus and Eurydice

Dance: II: The Highland Reel, as17680307 IV: The Merry Sailors, as17671009

1979
23 April 1768 @ Covent Garden

Event Comment: Benefit for Mrs Green and Mrs Vincent. Tickets for A Play will be taken. Those sold at Doors will not be admitted. Catherine and Petruchio cannot be perform'd because ff the illness of Woodward. Charges #64 5s. Balance to the nadies #17 18s. Paid Mrs Vincent #8 19s. who also had from Tickets #71 11s. (Box 110; Pit 207; Gallery 100). Paid Mrs Green #8 19s. who also had from Tickets #38 9s. (box 110; Pit 207; Gallery 130). Paid Miss Stede extra dancer for 6 nights #1 (Account Book). Receipts: #82 3s. (Account Book)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Devil to Pay

Ballet: End: The Wapping Landlady. As17680416

1980
25 April 1768 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Pritchard, being her last time of appearing on the stage. [Prices first announced: Pit and Boxes 10s. 6d. Gallery 5s. Upper Gallery 2s. 6d. but acted to usual prices. Garrick wrote farewell adress.] N.B. As all the places are taken, there will be no admittance into the Pit and Boxes, but with tickets; Mrs Pritchard entreats the Ladies and Gentlemen to avoid confusion, and for their own convenience to be at the theatre a little earlier than usual, and to send their servants at 3 o'clock

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Guardian

1981
27 April 1768 @ Covent Garden

Event Comment: Benefit for Barrington and Mrs Pitt. [Giles seems to have been played by Barnshaw. See his second appearance on that stage in that character 19 Sept.] Charges #64 10s. Balance to Barrington and Mrs Pitt #25 11s. 6d. plus Tickets (Barrington: #52 4s. from 84 Box tickets; 154 Pit; 81 Gallery); Mrs Pitt #72 15s. (Box 40; Pit 281; Gallery 206). Receipts: #90 1s. 6d. (Account Book)

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: A Duke and no Duke

Ballet: End of Opera: Wapping Landlady. As17680416

1982
30 April 1768 @ Covent Garden

Event Comment: Benefit for Mahoon. [The Young Gentlewoman who played Polly would seem to have been Miss Groce. See 25 May.] Charges 1!2 #32 2s. 6d. Mahoon to accept 1!2 Receipts. A balance due him of #25 7s. plus #39 7s. from Tickets (Box 111; Pit 42; Gallery 53) (Account Book). [Mrs Dyer seems to have shared this night, who in lieu of paying half the charges accepted only half the value of the tickets she disposed of. She received #18 17s. as one-half value of 43 Box tickets; 101 Pit; 118 Gallery.] Paid Danl Gyles [or Dancer Gyles?] in consideration of his assigning over Miss Parfett's Indentures...#78 15s. Receipts: #114 19s. (Account Book)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Lethe

Dance: II: The Irish Lilt, as17670921

1983
04 May 1768 @ Covent Garden

Event Comment: Benefit for Davis and Perry. Charges #66 5s. 6d. Balance due the actors #9 4s. Davis in addition received #97 3s. from tickets (Box 81; Pit 390; Gallery 184) and Perry receiv'd #93 16s. from tickets (Box 50; Pit 302; Gallery 360). Receipts: #57 1s. 6d. (Account Book)

Performances

Mainpiece Title: Mahomet

Afterpiece Title: The Country Wife

Dance: End: The Merry Sailors, as17671009

1984
06 May 1768 @ Covent Garden

Event Comment: Benefit for R. Smith and Gardner. Charges #64 5s. Deficit due to House from Actors #27 9s. 6d. Their income from tickets was: R. Smith #68 from 28 Box Tickets; 278 Pit; 193 Gallery. Gardner #48 12s. (40 Box; 154 Pit; 155 Gallery). Receipts: #36 15s. (Account Book)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Musical Lady

Ballet: End: The Wapping Landlady. Double Hornpipe As17680416

1985
07 May 1768 @ Covent Garden

Event Comment: Benefit for Legg, Mrs Lampe, Mrs Jones (playbill). Charges #64 15s. 6d. Balance to Legg #17 8s. 3d.; to Mrs Lampe and Mrs Jones together #17 8s. 3d. In addition Legg received #59 14s. from his tickets (Box 82; Pit 188; Gallery 110) and the two Actresses together received #55 9s. from tickets (Box 89; Pit 142; Gallery 119). Receipts: #99 12s. (Account Book)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Orpheus and Eurydice

Ballet: II: The Wapping Landlady. Double Hornpipe, As17680416

1986
10 May 1768 @ Covent Garden

Event Comment: Benefit for Wignell and Mrs Squibb. Mainpiece: Not acted this Season. Charges #16 10s. Deficit to Wignell and Mrs Squibb #22 10s. but covered by #98 4s. to Wignell from tickets (Box 89; Pit 378; Gallery 191) and #95 10s. to Mrs Squibb from her tickets (Box 172; Pit 242; Gallery 162). Receipts: #42 (Account Book)

Performances

Mainpiece Title: Zara

Afterpiece Title: The Upholsterer

Ballet: End: The Wapping Landlady, Double Hornpipe,. As17680416

1987
12 May 1768 @ Covent Garden

Event Comment: Benefit for Bennet and Stede. Every Man in His Humour oblig'd to be deferr'd on account of indisposition of a principal performer. Tickets deliver'd for Every Man will be taken. Charges #64 10s. Deficit to Bennet and Stede #23 13s. covered by #45 17s. to Bennet from his tickets (Box 6; Pit 195; Gallery 151) and by #33 14s. to Stede from his tickets (Box 16; Pit 102; Gallery 144). Receipts: #40 17s. (Account Book)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Royal Chace

Dance: IV: A Hornpipe-Miss Stede, 1st time (Scholar to Fishar)

1988
01 June 1768 @ Covent Garden

Event Comment: Benefit for Condell, Potter and Eddis (playbill). [Account Book lists only Condell and Potter.] Charges #81 10s. Deficit to Condell and Potter #49 10s. 6d. covered by #97 10s. to Condell from tickets (Box 248; Pit 194; Gallery 64) and #73 14s. to Potter from Tickets (Box 159; Pit 157; Gallery 104). Paid Richard Richardson for the Purchase of the Fee Farm of three Houses on the West Side of Bow St. subject to 40s. a year payable to the Duke of Bedford...#1800. Receipts: #31 19s. 6d. (Account Book)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Royal Chace

Dance: II: The Merry Sailors, as17671009

1989
05 November 1768 @ King's Theatre

Event Comment: The First Night of the Subscription. A new comic opera composed by Signor Buranello. Pit and Boxes together, and no Persons admitted without Tickets, which will be deliver'd this Day at the Office, at 10s. 6d. First Gallery 5s. Second Gallery 3s. The Gallery, Pit and Boxes will be open'd at Five. By their Majesties Command no persons whatsoever to be admitted behind the Scenes or into the Orchestra. 6:30 p.m. Vivant Rex et Regina. [Repeated in the bills.] The Subscription is for 50 Nights only

Performances

Mainpiece Title: Gli Amanti Ridicoli

Dance: New Dances-

1990
10 February 1769 @ Covent Garden

Performances

Mainpiece Title: Gideon

Performance Comment: Parts for five characters and a Chorus; Gideon-; Joash-; Eliakim-; a Priest of Baal-; Oreb-; Chorus of Israelites-.*m1769 2 10 cg The First Violin, a Concerto-Sga Paganini; a Concerto on the Hautboy-Fischer.*c1769 2 10 cg By Command of their Majesties. Pit and Boxes to be put together. Tickets will be deliver'd this day in the Office of the Theatre at Half a Guinea each. First Gallery 5s. Second Gallery 3s. 6d. The doors to be opened at Five o'clock. To begin at Half an Hour after Six. A New ORATORIO, the Music by Handel. Composed by Dr Morrell (Biographia Dramatica). We cannot commend this piece, it being altogether a very tedious and heavy performance (Theatrical Register). Charges: #35.
Cast
Role: a Concerto on the Hautboy Actor: Fischer.c1769 2 10 cg By Command of their Majesties. Pit and Boxes to be put together. Tickets will be deliver'd this day in the Office of the Theatre at Half a Guinea each. First Gallery 5s. Second Gallery 3s. 6d. The doors to be opened at Five o'clock. To begin at Half an Hour after Six. A New ORATORIO, the Music by Handel. Composed by Dr Morrell

1991
16 February 1769 @ Covent Garden

Event Comment: Benefit for Powell. Part of Pit laid into Boxes. Ladies desired to send servants by 4 o'clock. Tickets deliver'd for Monday the 16th will be taken. [This was a "Clear Benefit" for which Powell receiv'd #178 8s. plus #105 from sale of 420 Box tickets, and was charged nothing for the House, Wardrobe, Drums or Candles.] Receipts: #178 8s. (Account Book)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Midas

1992
13 March 1769 @ Covent Garden

Event Comment: Benefit for Mrs Yates. Mainpiece: A Tragedy (Written by Voltaire) and translated by [Dr Thomas Francklin] the Author of The Earl of Warwick. Pit and Boxes will be laid together. Ladies are desired to send their servants by 4 o'clock. Mrs Yates will be particularly oblig'd to those Ladies, and Gentlemen, who have seats in the Pit, if they will be co kind as to come as early as possible to prevent confusion in getting their places. [Genest V, 242, conjectures the following assignment of parts: Orestes-Smith; Aegisthus-Bensley; Pammenes-Clarke; Pylades-Perry; Electra-Mrs Yates; Clytemnestra-Mrs Ward; Iphisa-Mrs Bulkley.] Charges #65 7s. 6d. Balance to Mrs Yates #39 1s. plus #180 10s. from 722 Box tickets (Account Book). Total House value #284 18s. 6d. Receipts: #104 8s. 6d. (Account Book)

Performances

Mainpiece Title: Orestes

Afterpiece Title: Catherine and Petruchio

Dance: End: The Garland, as17681028

1993
14 March 1769 @ Covent Garden

Event Comment: Benefit for Smith. Part of Pit will be laid into Boxes. Send servants by 4 o'clock. Charges #69 10s. Balance to Smith #41 plus income of #158 9s. from tickets (Box 486; Pit 183; Gallery 95) (Account Book). Receipts: #110 10s. (Account Book)

Performances

Mainpiece Title: The Roman Father

Afterpiece Title: The Apprentice

Dance: End: The Tambourine-Aldridge, Sga Manesiere. [See17671119.

1994
29 March 1769 @ Covent Garden

Event Comment: Benefit for Yates. Tragedy written by R. Glover. Part of Pit will be laid into Boxes. Send servants by 4 o'clock. Charges #64 19s. Balance to Yates #52 19s. plus #151 3s. from tickets (Box 589; Pit 26) (Account Book). Neville MS Diary: Having places in the Pit at Covent Garden went to see Mrs Yates do Medea in which she is inimitably great. My strong desire to see her in this character was one reason of continuing to town so long. Read her part before the play began. Her husband is truly comic in Tim in the Knights. Receipts; #117 18s. (Account Book)

Performances

Mainpiece Title: Medea

Afterpiece Title: The Knights

Dance: End: The Tartars, as17681004

1995
08 April 1769 @ Covent Garden

Event Comment: Benefit for Fishar (ballet master) and Sga Manesiere. The Opera of Lionel and Clarissa being oblig'd to be changed to the Comedy of The Wonder, Fishar and Sga Manesiere hope those Ladies and Gentlemen who have taken places for the opera, will honour them with their commands for the above play. Charges #64 5s. Balance to Fishar and Sga Manesiere #33 19s. plus tickets income: Fishar #46 9s. (Box 67; Pit 114; Gallery 126); Sga Manesiere #28 18s. (Box 69; Pit 45; Gallery 49). Receipts: #98 4s. (Account Book)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Devil to Pay

Dance: I: A New Pantomime Dance, call'd The Florist-Mas. Blurton, Miss Besford, Miss Ford (scholars to Fishar), Arnauld, Miss Capon (Apprentice to Fishar); II: A Minuet-Fishar, Sga Manesiere; III: [By Particular Desire, The Garland[, with an Allemand, as17681028; End: The Wapping Landlady (not performed this season) [see17670427] [but Sga Manesiere impersonates an Orange@Woman instead of a Milk@woman, [with a Double Hornpipe-Fishar, Sga Manesiere; End I Afterpiece: A New Tripple Hornpipe-Mas. Blurton, Miss Besford, Miss Ford

1996
17 April 1769 @ Covent Garden

Event Comment: Benefit for Bensley. The Tragedy Altered by Dr Hawkesworth. Part of Pit will be Laid into the Boxes. [Winston MS 10, from O. Smith from the Town & Country Magazine, suggests Oroonoko--Fleetwood, son of the late manager, and brother to the gentleman who appeared about Nine years ago at dl.] Charges #66 19s. Balance to Bensley #51 15s. 6d. plus #113 15s. from tickets (Box 416; Pit 59; Gallery 9). Paid Younger for writing parts #6 3s. 4d. Receipts: #118 4s. 6d. (Account Book)

Performances

Mainpiece Title: Oroonoko; Or, The Royal Slave

Afterpiece Title: The Oxonian in Town

Dance: End: The Garland, as17681028

1997
22 April 1769 @ Covent Garden

Event Comment: Benefit for Mahon. Tickets deliver'd for Lionel and Clarissa, an Opera and Master Harris will be taken. Charges: 1!2 House charge plus 1!2 Receipts: #62 18s. 3d. Deficit to Mahon #1 6s. 9d. covered by #37 15s. from tickets (Box 77; Pit 66; Gallery 86). Mas. Harris Disposed of #40 19s. worth of tickets (Box 97; Pit 68; Gallery 65) from which he receiv'd 1!2 value. Receipts: #61 11s. 6d. (Account Book)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Upholsterer

Dance: III: Hornpipe-Mas. Harris; End: The Lamplighters, as17681101

1998
28 April 1769 @ Covent Garden

Event Comment: Benefit for Barrington and Mrs Pitt. Charges #64 15s. 6d. Deficit to the beneficiaries #24 13s. covered by Barrington's #35 from tickets (Box 58; Pit 100; Gallery 55); and Mrs Pitt's #64 1s. from tickets (Box 29; Pit 260; Gallery 178) (Account Book). Receipts: #40 2s. 6d. (Account Book)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Apprentice

Dance: II: The Wapping Landlady, as17690408

1999
03 May 1769 @ Covent Garden

Event Comment: Benefit for Morris and Lewes. Tickets for Zara will be taken. Charges #68 2s. 6d. Deficit to actors #26 18s. covered by income from tickets: Morris #81 10s. (Box 49; Pit 275; Gallery 200); Lewes #87 16s. (Box 70; Pit 326; Gallery 214) (Account Book). Receipts; #41 4s. (Account Book)

Performances

Mainpiece Title: King John

Afterpiece Title: Harlequin Dr Faustus

Dance: IV: The Wapping Landlady, Double Hornpipe, as17690408

2000
05 May 1769 @ Covent Garden

Event Comment: Benefit for Davis and Perry. Charges #64 5s. Deficit to actors #25 7s. 6d. covered by income from tickets: Davis #77 7s. (Box 80; Pit 291; Gallery 137); Perry #53 19s. (Box 27; Pit 158; Gallery 235) (Account Book). Receipts: #38 17s. 6d. (Account Book)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Miss in Her Teens

Dance: End: The Merry Sailors, as17680920