SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Box"/1) | (@(roleclean,performerclean) "Mr Box")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 6775 matches on Event Comments, 1160 matches on Performance Comments, 555 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Sethona

Afterpiece Title: High Life below Stairs

Performances

Mainpiece Title: The Tempest

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Dragon of Wantley

Dance: New entertainments-Salomon, Sga Padouana, Salomon's son

Performances

Mainpiece Title: The Prophetess

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Witches

Performances

Mainpiece Title: The Duel

Afterpiece Title: The Old Maid

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Irish Widow

Dance: As17780919

Event Comment: The King's Company. Pepys, Diary: Being full of my desire of seeing my Lord Orrery's new play this afternoon at the King's house, The Black Prince, the first time it is acted; where though we come by two o'clock, yet there was no room in the pit, but we were forced to go into one of the upper boxes, at 4s. a piece, which is the first time I ever sat in a box in my life. And in the same box come, by and by, behind me, my Lord Barkeley and his lady; but I did not turn my face to them to be known, so that I was excused from giving them my seat; and this pleasure I had, that from this place the scenes do appear very fine indeed, and much better than in the pit. The house infinite full, and the King and Duke of York was there. By and by the play begun, and in it nothing Particular but a very fine dance for variety of figures, but a little too long. But, as to the contrivance, and all that was witty (which, indeed, was much, and very witty), was almost the same that had been in his two former plays of Henry the 5th and Mustapha, and the same points and turns of wit in both, and in this very same play often repeated, but in excellent language, and were so excellent that the whole house was mightily pleased with it all along till towards the end he comes to discover the chief of the plot of the play by the reading of a long letter, which was so long and some things (the people being set already to think too long) so unnecessary that they frequently begun to laugh, and to hiss twenty times, that, had it not been for the King's being there, they had certainly hissed it off the stage. But I must confess that, as my Lord Barkeley says behind me, the having of that long letter was a thing so absurd, that he could not imagine how a man of his parts could possibly fall into it; or, if he did, if he had but let any friend read it, the friend would have told him of it; and, I must confess, it is one of the most remarkable instances that ever I did or expect to meet with in my life of a wise man's not being wise at all times, and in all things, for nothing could be more ridiculous than this, though the letter of itself at another time would be thought an excellent letter, and indeed an excellent Romance, but at the end of the play, when every body was weary of sitting, and were already possessed with the effect of the whole letter, to trouble them with a letter a quarter of an hour long was a most absurd thing. After the play done, and nothing pleasing them from the time of the letter to the end of the play, people being put into a bad humour of disliking (which is another thing worth the noting), I home by coach, and could not forbear laughing almost all the way home, and all the evening to my going to bed, at the ridiculousness of the letter, and the more because my wife was angry with me, and the world, for laughing, because the King was there, though she cannot defend the length of the letter

Performances

Mainpiece Title: The Black Prince

Event Comment: [Text by P. A. Motteux. Music adapted by Pepusch.] A new Opera. By Subscription. The Front Boxes and Side Boxes to be laid open into the Pit; where none are to be admitted but by the Subscribers' Tickets. And the Stage Boxes, Balconies, and Galleries are for the Benefit of the House

Performances

Mainpiece Title: Thomyris

Event Comment: Admission: boxes 8s., pit 5s., first gallery 2s. 6d., upper gallery 1s. 6d., stage boxes half guinea. Two Benches in the Pit Rail'd in, at the Price of the Boxes

Performances

Mainpiece Title: Hydaspes

Dance: delaGarde, Mrs delaGarde

Event Comment: Pit and Boxes put together by tickets only at half a guinea. Stage Boxes 15s. Gallery 2s. 6d. Servants will be allow'd to keep Places in the Boxes

Performances

Mainpiece Title: Cleartes

Event Comment: [Text by N. F. Haym. Music by G. F. Handel.] By Command Pit and Boxes at half a guinea. Gallery 5s. At 6:30 p.m. When the Tickets are dispos'd of, No Persons will be admitted for Money. The Diary of Mary Countess Cowper, p. 154: At Night, Radamistus, a fine Opera of Handel's Making. The King there with his Ladies. The Prince in the Stage-box. Great Crowd. Mainwaring, Handel, pp. 98-99: If the persons who are now living, and who were present at that performance may be credited, the applause it received was almost as extravagant as his Agrippina had excited; the crowds and tumults of the house at Venice were hardly equal to those at London. In so splendid and fashionable an assembly of Ladies (to the excellence of their taste we must impute it) there was no shadow of form, or ceremony, scarce inoeed any appearance of order or regularity, politeness, or decency. Many, who had forc'd their way into the house with an impetuosity but ill-suited to their rank and sex, actually Fainted through the heat and closeness of it. Several Gentlemen were turned back, who had offered forty shillings for a seat in the gallery, after having despaired of getting any in the pit or boxes

Performances

Mainpiece Title: Radamistus

Event Comment: By Command of Their Royal Highnesses the Prince and Princess of Wales. Pit and Boxes put together. London Daily Post and General Advertiser, 6 May: There was an exceeding great Audience, and great Numbers of Quality both in the Boxes and Pit. Their Highnesses' Box was handsomely ornamented with white Damask, adorn'd with Silver Laces and Fringes; over the Canopy was the Figure of Hymen, with a Label on which was this Motto: Concordia Cordium. Daily Journal, 6 May: The House was so full about Five o'Clock, that several Gentlemen and Ladies, unable to go to their Seats, was obliged to depart

Performances

Mainpiece Title: King Henry The Eighth

Afterpiece Title: The Fall of Phaeton

Dance: I: Tambourine by Mlle Roland. II: Russian Sailor by Denoyer, &c. IV: French Peasants by Poitier, Mlle Roland, &c

Event Comment: Benefit Mrs Porter. By Command of Their Royal Highnesses the Prince and Princess of Wales. None to be admitted into the Boxes or upon the Stage but by Printed Box-Tickets. N.B. Pit and Boxes will be separated for the Conveniency of Servants Keeping Places

Performances

Mainpiece Title: The Distrest Mother

Dance: I: Tambourine-Master Ferg, Miss Wright; II: Maggot-Haughton, Mrs Walter; III: Punch-Master Ferg; IV: La Pieraite-Livier, Miss Thompson

Song: V: The Lady's Lamentation for the Loss of Senesino-Mrs Clive

Event Comment: By Command of Their Royal Highnesses the Prince and Princess of Wales. Mainpiece: Written by Shakespear. N.B. The Boxes, not being equal to the great Demand for Places, by particular Desire, two Rowes of the Pit will be Rail'd into the Boxes; and two large Side-Boxes will be form'd on the Stage for the Accommodation of Ladies only

Performances

Mainpiece Title: King Henry The Fourth, Part Ii

Afterpiece Title: The Mock Doctor

Event Comment: Whereas divers Complaints have been made, that Numbers...shift from Box to Box, to the great Annoyance of the Ladies...which Inconvenience appears on Enquiry to be caus'd by many not Paying...an Office is erected in the Lobby to the Boxes, where all Persons (the Ladies Excepted) are asked to take Tickets before they go in. Receipts: #64 19s. (Account Book); #100 (Rylands MS.). Rylands MS.: Cibber ill

Performances

Mainpiece Title: The Way Of The World

Dance: Desnoyer, Signiora Barberini; Also Mechell, Mlle Mechell

Event Comment: Benefit Sga Barberina. Mainpiece: By His Majesty's Command. Pit and Boxes put together, and none admitted without Tickets, which will be deliver'd at the Office at the Box Doors, at 5s. Gallery 2s. The Gallery doors will be open'd at three o'clock, and the Box Doors at Five o'clock. Servants will be allow'd to keep places on the stage. To begin exactly at six o'clock

Performances

Mainpiece Title: The Way Of The World

Dance: TTyrolean Dance, as17420206; A New Dance call'd Les Amants Heureux-Desnoyer, Sga Barberina

Ballet: RRural Assembly. As17420121

Event Comment: Benefit for Miles, Mrs Baker, Miss Young. Receipts: #47 0s. 6d. Charges: #63. Deficiency of #5 6s. 6d. apiece covered by income from tickets: Miles #51 3s. (boxes 79; pit 161; gallery 71); Mrs Baker, #36 16s. (boxes 60; pit 99; gallery 62); Miss Younger, #28 19s. (boxes 17; pit 112; gallery 79). Rec'd #16 8s. 3d. being overcharge for Taxes, &c. (Account Book)

Performances

Mainpiece Title: The Funeral

Afterpiece Title: Harlequin Statue

Dance: II: Hornpipe-Miles; IV: Drunken Peasant with Peasant-Miles; Clown-Bennet

Song: III: A new song composed by Arne, Miss Young

Event Comment: Benefit for Mattocks, Mrs Pitt, Mrs Chambers. No Building on Stage. Tickets sold at door not taken. Receipts: #50 9s. 6d. Charges #63. Deficit of #4 3s. 6d. apiece convered by income from tickets: Mattocks, #34 3s. (boxes 48; pit 91; gallery 85); Mrs Pitt, #55 15s. (boxes 14; pit 177; gallery 257); Mrs Chambers, #42 18s. (boxes 70; pit 116; gallery 80 ) (Account Book)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Chaplet

Dance: The Provincial Sailors, as17580408 a Comic Ballet-

Event Comment: By Particular Desire. Benefit for Mattocks, Mrs Pitt, Mrs Green. Tickets delivered out for Mrs Stephens and for The Tender Husband will be taken. No building on Stage. Receipts: #53 10s. 6d. in cash. Charges #64 5s. Deficit to each beneficiary #3 11s. 6d. covered by income from tickets. @Mattock Box 25@Pit 176@Gallery 100@Value #14 13s.@Mrs Green Box 28@Pit 90@Gallery 83@Value #28 16s.@Mrs Pit Box 14@Pit 149@Gallery 216@Value #47 9s.

Performances

Mainpiece Title: The Jovial Crew

Afterpiece Title: The Country House

Dance: I: The Dutch Skipper, as17591017; II: The Lamp Lighters, as17600318 End Opera: By Desire, a Minuet-Leppie, a Young Lady, who never appeared on any stage before

Event Comment: Benefit for Marten, Anderson, R. Smith. Receipts: #32 7s. 6d. in cash. Charges #64 5s. Deficit to each #10 4s. 2d. covered by income from tickets: Marten #80 1s. (Boxes 55; Pit 306; Gallery 204); Anderson #56 12s. (Boxes 21; Pit 280; Gallery 92); R. Smith #57 15s. (Boxes 30; Pit 208; Gallery 192). Total income #226 15s. 6d

Performances

Mainpiece Title: King Henry V

Afterpiece Title: A Duke and no Duke

Dance: II: The Drunken Peasant-Miles; Clown-Bennet; III: The Fingalian Dance, as17591102; End: The Lamp Lighters, as17600318

Event Comment: Benefit for Vaughan, Condell, Green (boxkeepers). Receipts: #18 18s. in cash. Charges #64 5s. Deficit to each #17 0s. 8d. covered by tickets: Condell #74 12s. (Boxes 132; Pit 212; Gallery 98); Vaughan #71 2s. (Boxes 151; Pit 147; Gallery 113); Green #73 13s. (Boxes 206; Pit 119; Gallery 456). Total income #238 9s. Paid Kemp #8 6s.; Paid Pattinson (Tallow chandler) 6 bills to 8 May #100 14s. 6d.; Advanced to Barrington #21. [The house is now, according to the books, showing a deficit of #634 14s. 6d.

Performances

Mainpiece Title: King Henry Iv, Part I

Afterpiece Title: The Devil to Pay

Dance: II: The Fingalian Dance, as17591102; End: The Knife Sharpeners, as17600417

Event Comment: Benefit for Marten, Anderson, R. Smith. Receipts: #27 2s. plus income from tickets: Marten #83 7s. (Box 59; Pit 326; Gallery 197); Anderson #64 3s. (Box 14; Pit 343; Gallery 92); Richard Smith #50 3s. (Box 13; Pit 206; Gallery 160) (Account Book). Charges: #63 (Account Book)

Performances

Mainpiece Title: The Royal Merchant

Afterpiece Title: The Devil to Pay

Dance: The Last New Comic Dance-Maranesi, Mlle Capdeville

Event Comment: Benefit for Cresswick, Desse, Mrs Jansolin. Last time of performing till Whitsun holidays. Receipts: #25 plus #173 7s. 6d. from tickets: Cresswick #30 17s. (Box 53; Pit 106; Gallery 17); Desse #80 12s. (Box 146; Pit 186; Gallery 162); Mrs Jansoline #61 17s. (Box 105; Pit 130; Gallery 161). Rec'd from John Rich #200 by the hand of Mrs Rich. [The House is now showing a deficit of #727 5s. 11d. (Account Book).] Charges: #63 (Account Book)

Performances

Mainpiece Title: The Recruiting Office

Afterpiece Title: Miss in Her Teens

Entertainment: I: The Cries of London-Shuter

Dance: II: A Hornpipe-Mlle Capdeville, 1st time; a Minuet-a young Gentleman, a Young Lady (a Child of 5 years) scholar of Desse Jr; III: The Provincial Sailors-Maranesi, Miss Twist; IV: The Painter in Love with his Picture-Balthazar, Hussey, Mad Marianne; End: The Last New Comic Dance-Maranesi, Mlle Capdeville