SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Benj May"/1) | (@(roleclean,performerclean) "Mr Benj May")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5678 matches on Event Comments, 1309 matches on Performance Comments, 607 matches on Performance Title, 19 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit the Author of the Farce. [R. Fabian.] By Their Majesties Command. Afterpiece: a Farce of Two Acts. Intermix'd with Songs. London Daily Post and General Advertiser, 13 May: On Saturday Night last, during the Play time, one Mr Mechlin (alias Macloughlin) who lately belong'd to [DL], having had a Dispute with Mr Hallam, of the same Theatre, about a particular Wig, which the latter had from the Wardrobe, to wear in his Part that Night, in the Farce, and which he resign'd to Mr Mechlin; but reproved him for his Behaviour, and ill Language. Some time after Mr Mechlin, thrust a Crabtree Stick that was in his Hand, at the Face of Mr Hallam, which enter'd at his Left Eye, and penetrated into his brain, of which Wound he languish'd till Sunday Night 6 o'clock, when he died

Performances

Mainpiece Title: Cato

Afterpiece Title: Trick for Trick

Dance: Amorous Swain, as17350327

Event Comment: [Puff for the afterpiece]: As this Pastoral was not originally designed for the theatre, it is thought proper to give the public some account of it, and by what means it has now found its way to the stage. The Chorusses and Airs were selected from Mr Handel, and several other eminent masters, by a gentleman whose taste and knowledge in music is perhaps his least merit. Having conceived the design of a musical entertainment of this miscellaneous nature he found himself oblig'd...to connect them [the airs] by a Recitative of his own composition: This naturally produced a kind of a little drama, and the ease and elegance of the whole is the more to be admired when it is considered that the words were of necessity composed in perfect subservience to the music. The piece has been several times performed at Salisbury and greatly admired by many of the first Rank. The author, upon Mr Norris being engaged at the theatre, was applied to for leave to bring it on the stage, to which he has most obligingly given his consent. [Cast given] After an agreeable Overture, the curtain rises and discovers a rural scene, and a troop of nymphs and shepherds assembled to celebrate the Spring. Their rejoicings open with a grand cheerful chorus. We cannot say enough of the taste and execution of Mr Vernon and Miss Young in this scene. The united sprightliness and simplicity of the duet was truly admirable. [Song given, followed by a brief description of the parting of the shepherds, the announcement of Peace so they won't have to part, and special commendation for the various songs of Mr Vincent, and Mr Norris.] We will venture to prophesy that it will be more and more admired at every representation; though perhaps it may not fall in with the Taste of the Groundlings, who, like Polonius, are for a Jig or a Tale of Bawdry, or they sleep (Public Advertiser)

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Spring

Dance: II: The Irish Lilt, as17621023

Event Comment: FFreeholder's Magazine, Jan., p. 247: A Card. The frequenters of Drury Lane playhouse present their compliments to Mr Garrick, and take the liberty of reminding him, that as he has now no capital performer, besides himself, belonging to that house, to engage Mr Lee, if at liberty. As Mr Garrick's reputation as a player, and a fortune, are now established upon a basis sufficiently firm and solid, he need not entertain those jealous apprehensions of Mr Lee he formerly did. And as the Public have encouraged Mr Garrick so far, as to acquire an immense fortune, they esteem it incumbent upon him, in point of gratitude, to oblige them in whatever may contribute to their satisfaction and pleasure

Performances

Mainpiece Title: False Delicacy

Afterpiece Title: The Jubilee

Event Comment: Benefit for Brereton. Music of the Afterpiece (entirely new) composed by Dibdin. Mr Brereton-Jaffier, Much Applause. The Quaker is Mr Dibdins Production he has sold it to Mr Brereton. The Music is pretty & Novel it was very badly perform'd--when it is properly Cast & got up with care it will do very well (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] [The Reviewer for the Westminster Magazine for May gave a paragraph to Dibdin's afterpiece: "The words will not add to Mr Dibdin's reputation as a writer, nor Will the music increase his fame as a composer, the latter, however, possessed more merit than the former. The Finale was in new stile and pleased. Upon the whole this piece, like the rest of Mr Dibdin's performances, proves that this would-be author, is resolv'd in spite. Of Nature and the Stars, to write."] Receipts: #105 19s. 6d. Charges: #69 18s. Profits to Brereton: #36 1s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Quaker

Event Comment: Impartial Protestant Mercury, 2 May 1682: Mr Charles? Deering? son to Sr Edward D., and Mr Vaughan?, quarrelled in the Duke's Playhouse, and presently mounted the stage and fought, and Mr D. was dangerously wounded, and Mr V. secured lest it should prove mortal. [See also, Wilson, Theatre Notes from the Newdigate Newsletters, p. 80.

Performances

Event Comment: This Benefit was given to Mr Kennedy of a dreadful Fire that happened at Mr Youngers in King Street Covent Garden where Mr Kennedy was burnt out (Hopkins Diary). N.B. This night's salary given by part of the Company to the other sufferers #52 6s. 6d. Given by the Managers #6 18s. plus #3 12s. undercharged or 10 guineas. The Music gave this night's pay #7 17s. 6d. to Mr Kennedy, not having subscribed to him before (Treasurer's Book). [See 6 May.] Paid 1 yrs Poor's rate for Covt. Garden to Lady Day Last #2 16s. 8d.; Housekeeper's bills (4 weeks) #15 5s. 7d. (Treasurer's Book). Receipts:#128 14s. 6d. Charges: #84. Profits to Kennedy: #44 14s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: A Trip to Scotland

Entertainment: End: (By Particular Desire) Bannister's Imitations-Bannister

Event Comment: Benefit for Waldron and Mrs Greville. Farce (in 2 Acts) Never performed before, and for that night only. This Farce was written by Mr Waldron-Some Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] Paid Mr Wegg's rent half year to Lady Day last #57; Duke of Bedford ditto #164 2s. 10d.; One yrs Paving, Cleansing & Lighting to ditto #39 7s. 6d.; Mr Moody for Mr Philips #13 13s.; St Martin's Charity School, 1 year, 1774 #2 2s. (Treasurer's Book). [The Westminster Magazine for May gives the following cast for the farce: Reuben-$Waldron; Blunt-$Moody; Sharp-$Dodd; Flimsy-$LeMash; Joseph-$Burton; Mrs Reuben-$Mrs Davies; Betty-$Miss Platt. It then bluntly tells the plot and concludes: "The whole is beneath criticism."

Performances

Mainpiece Title: All For Love

Afterpiece Title: The Contrast; or, The Jew and Married Courtezan

Event Comment: L. C. 5@142, p. 38 (see also Nicoll, Restoration Drama, p. 355): Order to Mr Staggins, Master of his Majesty's Musick, and in his absence to Mr Lock, who officiates for him:--That all His Majesty's musitians doe attend to practise in the theatre at Whitehall at such tymes as Madam Le Roch and Mr Paisible shall appoint for ye practiceing of such musick as is to be in ye French comedy to be acted before His Matie [the 29 May]

Performances

Event Comment: The Duke's Company. The date of the first production is uncertain. The date of licensing was 3 Jan. 1678@9, but Wilson (Six Restoration Play-Dates, p. 222) has argued that it may well have been the first new play of the season. The Prologue refers to it as "The first Play bury'd since the Wollen Act," the Act going into effect on 1 Aug. 1678. For Sandford as Creon, see Cibber, Apology, ed. Lowe, I, 131. Downes (Roscius Anglicanus, p. 37): Oedipus King of Thebes, Wrote by Mr Nat. Lee and Mr Dryden: The last Writing the first two Acts, and the first the 3 last. This play was Admirably well Acted; especially the Parts of Oedipus and Jocasta: One by Mr Betterton, the other by Mrs Betterton; it took prodigiously being Acted 10 Days together

Performances

Mainpiece Title: Oedipus

Event Comment: London Gazette, No 2878, 8-12 June 1693: Next Saturday being the 17th of June will be perform'd in Villers-street in York-Building, for that time only, Mr Franks Consort, which will consist of English Dialogues and Songs (the Words by Mr Motteux) with Instrumental Musick proper to them, beginning exactly at 7 at Night. The Gentleman's Journal, May 1693 (issued in June 1693): We have had lately a Consort of Music, which as it hath pleased the most nice and judicious Lovers of that Art; would doubtless have had your Approbation; I only speak of the Notes which were by Mr Franck; As for the words I [Motteux] made them in haste (p. 148)

Performances

Mainpiece Title: Concert

Event Comment: Mainpiece: Written by the late Mr Addison. Note, Mr Giffard thinks it proper to inform the Gentleman who sent to him to have the Spanish Fryar play'd for next Monday, that he had not recollected a Pre-engagement of that Day to several Persons of Quality, but if the Gentleman will be pleas'd to let Mr Giffard know where he may wait on him, he wou'd be very much oblig'd to him to fix any other Day he thinks fit

Performances

Mainpiece Title: The Drummer

Afterpiece Title: Father Girard the Sorcerer

Event Comment: A New Oratorio. Tickets will be deliver'd to subscribers (on paying their Subscription money), this day, and every day following at Mr Handel's in Brook Street, near Hanover Square. Attendance will be given from 9 o'clock in the Morning till Three in the Afternoon. Pit and Boxes to be put together and no persons to be admitted without tickets, which will be deliver'd that day at the Office in Covent Garden Theatre, at Half a Guinea each, First Gallery 5s. Upper Gallery 3s. 6d. N.B. Each subscriber is to pay Six Guineas upon taking out his subscription ticket, which entitles him to three Box tickets every night of Mr Handel's first six performances in Lent; and if Mr. Handel should have any more performances after his first six nights, each subscriber may continue on the same conditions. The Gallery will be open'd at Four O'Clock. Pit and Boxes at Five. To begin at Six o'clock. [These notices concerning price, subscription, and time of performance recur regularly, but will not be recorded further here.

Performances

Mainpiece Title: Samson

Event Comment: Benefit Garrick. By particular desire 5 rows of the pit will be railed into boxes--Servants will be admitted to keep places on the stage, which for the better accomodation of the ladies will be formed into boxes--the ladies are desired to send their servants by three o'clock--to begin at 6 o'clock. Tickets to be had of Garrick at his lodgings, the last house in James St., joining the Great Piazza; at the Bedford Coffee House, Covent Garden; Mr Vaillant's, Bookseller at the Strand; Mr Harrache's, Toyman in Long Acre; and of Mr Hobson at the stage door of the theatre where places for the Boxes may be taken

Performances

Mainpiece Title: Hamlet

Dance: Muilment, Mrs Auguste

Event Comment: For the Entertainment of the Turkish Ambassadour. Benefit Phillips, in confinement in King's Bench. [Prices 3s., 2s., 1s.] Mr Phillips humbly begs leave to inform his Friends, being under Confinement in the King's Bench, He has not at present an Opportunity to wait on such Gentlemen and Ladies, as he may have hopes to esteem his well wishers. But in order to render Mrs Phillips's Entertainment as agreeable as possible to the Publick, Mr Phillips will be there on that Night. Tickets at Mrs Phillips's / Lodgings, at Mrs Norman's in Ayliffe St.; and of Mr Phillips in the King's Bench Prison, Southwark

Performances

Mainpiece Title: The Relapse

Afterpiece Title: The Intriguing Chambermaid

Dance: I: Sailor's Hornpipe-Phillips late Harlequin of Drury Lane, his first in this Kingdom for three years; II: Quaker's Sermon on Viola-Phillips; III: Drunken Peasant-Phillips

Ballet: V:Pantomime Dance call'd Harlequin and Clown. Harlequin-Phillips

Event Comment: With proper scenes, Machines, &c. [This is the Dryden-Davenant version.] Paid G. Garrick balance of his bill #6 13s.; Christmas Box to ye Beadle 3s. 6d.; Mr Norton 5 chorus #1 5s.; Xmas Jury #1 1s.; Mr Madden for an Embroidered Coat and a velvet suit of Cloaths #12 (Treasurer's Book). [This month was published A Dissertation on Comedy (by John Hippisley, Jr) in which the Rise and Progress of that Species of the Drama is particularly considered and deduced from the earliest to the present age. By a Student of Oxford. Printed for T. Lowndes (Gentleman's Magazine, Register of Books). The "Student of Oxford" seems to have been a Garrick apologist in the extreme: "But whatever reason there may have been formerly for this complaint [the immorality of the stage] since Mr Garrick's management the Stage is become the school of manners and morality: Ribaldry and Profaneness are no longer tolerated, Sense and Nature exert their influence; Pantomime daily declines, Dancers are but little encouraged; the Burletta performs to empty benches, and the British can now vie with the Athenian Drama when in its severest state of purity" (p. 15). Also, from the same source, Reflections on that Species of Dramatic Writing which it improperly call'd Serious Comedy: from the French of M Maillet du Boulley.] Receipts: #120 (Cross); #126 3s. (Treasurer's Book)

Performances

Mainpiece Title: The Tempest; Or, The Inchanted Island

Afterpiece Title: The Anatomist

Event Comment: The Play of Othello, which was performed last night at Drury Lane theatre, by some gentlemen and ladies to the most numerous and polite Audience that could be assembled, went off throughout with great approbation and applause (General Advertiser). [See A Satirical Dialogue between a Sea Captain and his friend in Town: Humble submitted to the Gentlemen who deformed the Play of Othello on Th-rs-y M- the 7th....To which is added a Prologue and Epilogue much more suitable to the occasion than their own. (London [n.d.], BM 11,795, K 31, 8pp): @'Good manners oblig'd them sometimes to applaud@Tho' they little deserv'd it...'@ The author laments the fact that the expenditure (#1,500) was not put out to charitable purposes, rather than for such entertainment.] This day is publish'd at 1s. 6d., beautifully printed, Alfred, a Masque, acting at the Theatre Royal in Drury Lane, by Mr Mallet. Printed for A. Miller, opposite Catherine St in the Strand, where may be had Alfred, a Masque, represented before their Royal Highnesses the Prince and Princess of Wales at Cliefden, on the first of August 1740. Written by Mr Thomson and Mr Mallet

Performances

Mainpiece Title: None

Event Comment: Benefit for Havard. Mainpiece: By particular desire. No building on the stage on account of the machinery for the Masque. Tho' Mr Havard's long and severe indisposition has prevented his personal solicitation, yet he hopes it will not deprive him of the preference of those Persons of Quality, &c. who used to favour his Benefits. N.B. Those ladies and gentlemen who applied for places and were disappointed the last time the Masque was performed, may have them for this night, by sending to Mr Hobson at the stage door, by whom tickets will be deliver'd; As also at the Bedford Coffee House, and at Mr Havard's in Broad Court, the upper end of Bow St., Covent Garden. Tickets hitherto deliver'd will be taken. Receipts: #200 (Cross)

Performances

Mainpiece Title: Alfred

Afterpiece Title: The Chaplet

Event Comment: On Saturday next will be performed a new dramatic entertainment call'd Taste, written by Mr Foote. Mr Woodward takes this opportunity of informing those Gentlemen and ladies who have honour'd him with Memorandums for his Night of the Entertainment, that it is fix'd for Thursday next, the 19th instant. Places may be taken at the Stage Door of the Theatre, or at Mr Woodward's Lodgings in the Great Piazza, Covent Garden. Receipts: #110 (Cross)

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: Harlequin Ranger

Event Comment: For one night only, being desired by several Persons of Quality. Benefit for Mr Arne. Done in the manner of an Oratorio. To begin at 6.30 p.m. Boxes half a guinea. Pit 5s. Gallery 3s. Upper Gallery 2s. Tickets to be had of Mr Arne near the Roe Buck in Bow St., Covent Garden, and of Mr Varney at the Stage Door where Places may be taken for the Boxes only. Published for 1s. this day Alfred the Great, a Drama for Music, as it is to be performed this evening at the Theatre Royal in Drury Lane. Printed for A. Miller in the Strand

Performances

Mainpiece Title: Alfred

Music: Will be introduceda Solemn Dirge-in honour of the Heroes who died in the service of their country; After I: a Violin Concerto-DeGiardino, who will lead the performance; II: Duetto on the Hautboys-the two Pla's

Event Comment: At the New Wells, Goodman's Fields. Mr Cibber will deliver two Dissertations on Theatrical Subjects: with a Prefatory Address to the Anti-Gallicans, for the Benefit of Mr Hallam. None to be admitted but by Tickets at 1s. 6d. each, which entitles each Person to a pint of Wine. Places in the boxes may be had of Mr Hallam at 2s. each, Wine, etc. To begin at 6:30 p.m. N.B. As I have been lame for some Time, I hope my friends will excuse my not waiting on them. W. Hallam

Performances

Mainpiece Title: Lecture

Event Comment: PPublic Advertiser: Mr Vanneschi begs leave to inform the Nobility and Gentry, that a Licence being granted to him from the Lord Chamberlain's office, with his Majesty's most gracious Approbation, for exhibiting Italian operas at the King's Theatre in the Haymarket, Subscriptions for the ensuing Season will be taken in by Mess. Drummond and Co., Bankers at Charing Cross. He humbly desires his Protectors and Subscribers, to oblige him with an early Payment of their Subscription Money, in order that he may be able to give the necessary Securities to Sga Colomba Mattei, and to Sg Pasquale Potenza, as also to the Rest of his Singers and Dancers. It being given out that Mr Vanneschi hath not engaged the Use of the Opera House for the ensuing Season of Operas, it is hereby certified, that the Proprietor thereof hath agreed with Mr Vanneschi for the same. Sign'd by order of the Proprietor. Peter Crawford, Treasurer of said Theatre

Performances

Event Comment: Benefit for Havard. By Particular Desire. Ode written by Havard, and set to music by Mr Bates. Tickets to be had at Mr Havard's in Broad Court, Bow-Street; at Tom's and the Bedford Coffee Houses; and of Mr Varney at the Stage Door, where places for the Boxes may be taken. Ode deliver'd Gratis

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Polly Honeycombe

Entertainment: End: will be perform'd a New Coronation Ode by Havard; Vocal parts-Lowe, Champness, Mrs Vincent, Miss Young

Event Comment: By Command of their Majesties. Theatrical Review, 11 March: Written by the celebrated Milton when he was very young...it would have been sufficient had he never produced anthing more considerable, to have transmitted his fame to the latest posterity. It is inimitable set to music by Mr Handel...not strictly an Oratorio, tho' perform'd as such, the subject not being taken from Holy Writ. To which was added the celebrated Te Deum, composed by Mr Handel for the peace of Utrecht...a very grand masterly piece. End of Act I, a Concerto on the French Horn by Mr Ponta, musician to his Serene Highness, the Elector of Mentz, lately arrived in England. What this gentleman executes with the horn is very surprising, but, not being suited to the genius of the instrument, it is not productive of any good effect, when considered musically; as a matter of novelty it may surprise and please, on which account it is worthy the notice of the curious

Performances

Mainpiece Title: L'allegro Ed Il Penseroso, With Handel's te Deum

Music: Concerto on French Horn-Ponta (Musician to his Serene Highness the Elector of Mentz); Solo on Violincello-Janson, his 2nd performance in England

Event Comment: Places for boxes may be had at the Stage Door of Mr Fosbrook. [Fosbrooke mentioned first time in the bills.] Paid Mrs Seddon [Siddons] by order of Mr D. G. paid to Mr Becket #20. Receipts: #267 7s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Deserter

Dance: II: The Merry Peasants, as17751018

Event Comment: A Sacred Oratorio composed and conducted by Dr Arnold at the Society of Artists Exhibition-Room in the Strand. A Benefit for repairing a Chapel Crispin St, Spittalfields. At 12:00 noon. First seats 7s. 6d. Second seats 5s. Back seats 3s. 6d. The Performers are so obligingly generous as to give their Services to promote the Charity. And Mr Leoni having obtained Leave to sing, the Public may be assured of his performing his Part in this Oratorio. A Stove is already fixed in the Great Room, and will be continued to prevent any Inconveniencies from the Coldness of the Season. Mr Fischer being ill, Mr Barthelemon will perform in his Room

Performances

Mainpiece Title: The Resurrection

Music: Hautboy-Simpson; First Violin with a Concerto-Barthelemon