SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Bannister sen"/1) | (@(roleclean,performerclean) "Mr Bannister sen")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4486 matches on Event Comments, 3200 matches on Performance Comments, 700 matches on Performance Title, 19 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: Shylock-Macklin; Antonio-Delane; Bassanio-Havard; Gratiano-Mills; Launcelot-Neale; Morochius-Sparks; Lorenzo (with proper songs)-Lowe; Portia-Mrs Clive; Nerissa-Mrs Bennet; Jessica-Mrs Ridout; Duke-Winstone; Solanio-Berry; Salarino-Blakes; Gobbo-Ray; Tubal-Taswell; Balthasar-Simpson; Prologue [written by Samuel Johnson]-Garrick; Epilogue-Mrs Woffington [Rosenbach copy of Prologue and Epilogue. Spoken at the opening of the Theatre in Drury Lane, 1747.]Rosenbach copy of Prologue and Epilogue. Spoken at the opening of the Theatre in Drury Lane, 1747.]
Event Comment: Rehears'd...the Opera of Lucius Verus: This Drama Consists of Airs, borrow'd entirely from Mr Handel's favourite Operas; and so may (probably) be justly styled the most exquisite Composition of Harmony, ever offer'd to the Publick. Those Lovers of Musick among us, whose Ears have been charm'd with Farinello, Faustina, Senesino, Cuzzoni, and other great Performers will now have an Opportunity of Reviving their former delight, which, if not so transporting as then, may yet prove a very high Entertainment. Mr Handel is acknowledged (universally) so great a Master of the Lyre; that nothing urg'd in Favour of his Captial Performances can reasonably be consider'd as a Puff (General Advertiser, 13 Nov.)

Performances

Performances

Mainpiece Title: The Rehearsal

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Anatomist

Dance: II: New Comic Dance call'd The Savoyards-Matthews

Event Comment: CCross: There was a report, that my Lord Hubbard had made a party this night to hiss The Foundling off Stage, that ye Reason was it ran too long, & they wanted variety of Entertainments. Mr Garrick was sent for, he met 'em, & so far prevail'd that they promis'd peace 'till after the 9th night. However there was an attempt made by one Catcall, & an apple Thrown at Macklin & some other Efforts made by a few but without effect--Greatly hiss'd wn given out I believe the main cause of this anger, in spite of their Excuses, was their being refus'd admittance behind the Scenes. Receipts: #170 (Cross); #184 1s. 6d. [Powel)

Performances

Mainpiece Title: The Foundling

Performances

Mainpiece Title: The Foundling

Event Comment: Benefit for Barry. Pit and Boxes laid together, and Stage, for better accommodation of the Ladies, will be form'd into Front and Side Boxes. Tickets to be had of Barry at the corner of Bow St., and of Hobson at the Stage Door. [This month was printd The Town, a Satire by Wm. Kenrick, with especial attack upon Garrick and Garrick's plays. In Miss in her Teens, he boasts the strange pretense, To satire Coxcombs, while he murders sense." Kenrick is one of the few who criticizes Garrick (p. 21) for playing a low character Abel Drugger, rather than a king. He yields indirect praise to Janeton Auretti by blaming the town for cheering her dance, while neglecting the players: @Yet if Janeton shakes her slender feet@How loud the thunder clatters through the Pit.@ Prologue intended to have been spoken on the Revival of The Distress'd Mother, for the Benefit of Mr Barry, but omitted through some misunderstanding. Written by Mr Rolt, printed in Gentleman's Magazine, March 1748, p. 134.] Receipts: #270 (Cross); house charges, #60 (Powel); cash, #80 3s. 6d.; tickets, #118 5s. (Clay MS)

Performances

Mainpiece Title: The Distress'd Mother

Afterpiece Title: Miss in Her Teens

Dance: Cooke, Anne Auretti

Performances

Mainpiece Title: The Rover; Or, The Banish'd Cavaliers

Afterpiece Title: The Muses Looking-Glass

Performance Comment: Colax-Ryan; The Extremes of Fortitude Liberality Meekness Justice, in the Characters of Aphobus, Deilus, Anelitheurus, Asotus, Orgylus, Argus, Nimis, Nihil-Ridout, Collins, Morgan, Cibber, Bridges, Cushing, Dunstall, Rosco; their Clerks (Plus and Parum)-James, Bencraft; Mediocrity in the character of Urania-Mrs Bland; To conclude with a new masque of Music representing the Intellectual Virtues, compos'd by Lampe: Fortitude-Beard; Modesty-Mrs Storer; Truth-Mrs Lampe; Dancing-Villeneuve, Desse, Delagarde, Oates, Miss Vandersluys, Mrs Villeneuve, Mrs Gondou, Mrs LaFont, Master, Miss Granier.

Song: Singing In Italian and English-Miss Faulkner [Songs unspecified]

Performances

Mainpiece Title: The Distress'd Mother

Afterpiece Title: Miss in Her Teens

Performances

Mainpiece Title: Hamlet

Cast
Role: Rosencraus Actor: Simpson

Afterpiece Title: The Double Disappointment

Song: III: Sullivan

Dance: V: Comic Dance, as17480314

Performances

Mainpiece Title: Auction Of Pictures

Performances

Mainpiece Title: The Provoked Wife

Afterpiece Title: The Lying Valet

Dance: III: Savoyards, as17471215; IV: Pastoral Dance-Cooke, Janneton Auretti[, as17480320

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The King and Miller of Mansfield

Dance: I: Savoyards, as17471215

Performances

Mainpiece Title: Busiris, King Of Egypt

Song: IV: A Cantata-Doorsming, who never appeared in public

Dance: V: Drunken Peasant-Matthews

Performances

Mainpiece Title: She Wou'd And She Wou'd Not; Or, The Kind Imposter

Afterpiece Title: The Lottery

Music: I: Concerto on Flute-a Child five years of age (1st time of his appearing on any stage); III: Another piece of music-the Child

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Lethe

Event Comment: To be seen a Person who performs the most surprizing Things...he presents you with a common Wine bottle, which any of the Spectators may first examine; this Bottle is plac'd on a Table in the Middle of the Stage, and he (without any Equivocation) goes into it in Sight of all the Spectators, and sings in it; during his Stay in the Bottle, any Person may handle it, and see plainly that it does not exceed a common Tavern Bottle. The Performance continues about Two Hours and a Half. These Performances have been seen by most of the Crowned Heads of Asia, Africa, and Europe, and never appear'd anywhere Public but once. Stage 7s. 6d. where Masks may be worn. Boxes 5s. Pit 3s. Gallery 2s. [The famous Bottle Conjurer hoax.] Theatre was crowded...by five o'clock; at seven the house was lighted up [but not music]...a Person came before the Curtain, and, bowing, promis'd if Mr Conjurer did not arrive in half an Hour, their Money should be return'd...after near an Hour...a Gentleman in the Box snatch'd a Candle lighted, and in Violence threw it on the Stage; this was the Signal for the Onset of Battle...the Boxes, Seats, Glasses, Scenes, Chairs, Machinery, and all the Furniture of the Play House, were in less than ten Minutes carried into the Street...an excellent Bonfire was made of Mr Foote's Auction Room...it may put a [pe]riod to the Auction, till the Theatre can be refitted.--Charles Adams to John Gilbert-Cooper, Theatre Notebook, XI (1957) p. 139. [Potter was still owner of this theatre.] Those opposed to a recent late book would have been gratified had the Conjurer jumped into the bottle and proved that miracles had not yet ceased."--Daily Advertiser, 17 Jan. Last Night a numerous Audience, among whom were several Persons of Quality, was at the New Theatre in the Haymarket, in wonderful Expectation of seeing the Miraculous Man creep into a Bottle, and do several other Miracles; but the only one he perform'd was, that he render'd himself invisible (without any Equivocation) to the no small Disappointment of the gaping Multitude; who, being told from behind the Curtain that the Performer had not yet appear'd, but that if they would stay until the next Night, instead of a Quart Bottle he should creep into a Pint, immediately grew outrageous, and in a Quarter of an Hour's Time broke to Pieces all the Boxes, Benches, Scenes, and everything that was in their power to destroy, leaving only the Shell of the House remaining. Surely this will deter anyone from venturing to impose on the public in the like manner for the future.--General Advertiser, 17 Jan. [See also dl Comment 18, 19, 20, 27 Jan.

Performances

Mainpiece Title: None

Event Comment: GGeneral Advertiser: This day is publish'd at 6d. An Apology to the Town, for Himself and the Bottle. By J. Nick-all. N.B. Mr P- was mistaken in the name. To which is prefix'd an exact representation of the scene of Harlequin's Escape into the Bottlev , introduc'd into the Pantomime of Apollo and Daphne, or the Burgomaster Trick'd, the Character of Harlequin by Mr Phillips. Printed for B. Dickenson, the corner of Bell Savage Inn, Ludgate Hill

Performances

Mainpiece Title: None

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Triumph of Peace

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Triumph of Peace

Performances

Mainpiece Title: Othello

Afterpiece Title: The Devil to Pay

Dance: Cooke, the Aurettis

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Anatomist

Dance: In I: a Dutch Dance, as17481203; Savoyards, as17480920

Performances

Mainpiece Title: Don Sebastian

Afterpiece Title: The Lying Valet

Dance: J. Granier, J. Granier's sister; by Particular Desire the Drunken Peasant-Phillips

Related Works
Related Work: Troas Author(s): Seneca
Event Comment: Benefit for Sowdon. Tickets to be had of Sowdon at Mr Haymer's in James St., Covent Garden, of Hobson at the Stage Door; at Will's Coffee House, Cornhill, and of Mr Thomas Sowdon, in Blackman St., Southwark. Receipts: #160 (Cross); no house charges. N.B.: A present was made to him of the charge of the House, because he had acted this season and receiv'd no salary (Powel)

Performances

Mainpiece Title: The Distress'd Mother

Afterpiece Title: The Intriguing Chambermaid

Dance: II: Savoyards, as17480920; IV: The Gondoliers-Cooke

Music: III: Concerto on Flute-the Child

Song: V: Mad Bess-Beard