SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Morrel instead of Jeptha Carr"/1) | (@(roleclean,performerclean) "Morrel instead of Jeptha Carr")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 109 matches on Performance Comments, 95 matches on Event Comments, 20 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: King Richard Iii

Performance Comment: Richard-Quin; King Henry-Bridgwater; Richmond-Havard; Buckingham-Cashell; Tressel-Chapman; Prince Edward-Miss Hippisley; Duke of York-Miss Morrison; Duchess of York-Mrs James; Stanley-Davies; Norfolk-Ridout; Catesby-Gibson; Tyrrel-Carr; Lord Mayor-Marten; Ratcliff-Anderson; Lieutenant-Arthur; Oxford-Bencraft; Lady Anne-Mrs Horton; Queen Elizabeth-Mrs Pritchard.

Afterpiece Title: The Virgin Unmasked

Performances

Mainpiece Title: The London Cuckolds

Afterpiece Title: Duke and no Duke

Performance Comment: Lavinio-Gibson; Brunetto-Anderson; Barbarino-Rosco; Puritan-Hippisley; Alberto-Carr; Officer-Bencraft; Mago-Arthur; Isabella-Mrs Bland; Prudentia-Mrs Vincent; Flametta-Mrs Hale; Trappolin-Chapman.

Performances

Mainpiece Title: Tamerlane

Performance Comment: Tamerlane-Ryan; Bajazet-Quin; Moneses-Havard; Axalla-Gibson; Omar-Rosco; Prince of Tanais-Carr; Zama-Anderson; Dervise-Bridgwater; Stratocles-Ridout; Haly-Bencraft; Selima-Mrs Vincent; Arpasia-Mrs Pritchard; With the Usual Prologue-; and a New Epilogue on the suppression of the Rebellion-Mrs Pritchard in the Character of the Comic Muse; The Song To thee Oh Gentle Sleep originally designed for the play-Mrs Lampe.

Afterpiece Title: The Mock Doctor

Performances

Mainpiece Title: 1 Henry Iv; With The Humours Of Sir John Falstaff

Performance Comment: Hotspur-Garrick 1st time; Falstaff-Quin; King-Cashell; Wales-Ryan; Francis-Hippisley; Worcester-Rosco; Westmorland-Hayman; Vernon-Gibson; Northumberland-Carr; Douglas-Anderson; Poins-Chapman; Bardolph-Marten; Blunt-Ridout; Carriers-Arthur, Woodward; Lady Piercy-Mrs Vincent; Hostess-Mrs James.
Cast
Role: Carriers Actor: Arthur, Woodward

Performances

Mainpiece Title: The Siege Of Damascus

Performance Comment: Caled-Quin; Phocyas-Ryan; Abudah-Havard; Daran-Cashell; Eumenes-Rosco; Herbis-Gibson; Artamon-Ridout; Sergius-Carr; Eudocia-Mrs Cibber.

Afterpiece Title: Miss in Her Teens

Performances

Mainpiece Title: The Double Gallant; Or, The Sick Lady's Cure

Performance Comment: Double Gallant-Chapman; Sir Soloman-Hippisley; Careless-Havard; Lady Dainty-Mrs Horton; Sylvia-Mrs Hale; Clarinda-Mrs Vincent; Clerimont-Cashell; Old Willful-Marten; Old Atall-Dunstall; Dr Bolus-Ridout; Rhubarb-Carr; Capt Strut-Stoppelaer; Finder-James; Supple-Vaughan; Wishwell-Mrs Bland; Situp-Mrs Vaughan; Lady Sadlife-Mrs Pritchard.

Afterpiece Title: Miss in Her Teens

Performances

Mainpiece Title: The Royal Merchant; Or, The Beggar's Bush

Performance Comment: Clause-Quin; Royal Merchant-Ryan; Hubert-Havard; Hemskirk-Cashell; Prigg-Chapman; Higgen-Woodward; Woolfort-Rosco; Vandunk-Marten; Gertrude-Mrs Hale; Jaqueline-Mrs Vincent; 1st Merchant-Carr; 2nd Merchant-Gibson; 3rd Merchant-Anderson; 4th Merchant-Ridout; Boor-James; Ferret-Stoppelaer; Ginks-Bencraft; Snap-Vaughan.

Afterpiece Title: Orpheus and Eurydice

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Performance Comment: As17470204, but Flora-Mrs Dunstall; Philip-Carr.

Song: I: Freedom and Ease a song in the Anacreontic Style-Leveridge; II: A Cantata call'd Who will buy my Heart by Stanley-Beard; IV: Mirth gives Courage-Leveridge; V: A Gratulatory Epilogue-Leveridge

Dance: III: As17461231; V: The English Boy and Girl [LaLauze's scholars; see17470423

Performances

Mainpiece Title: Love's Last Shift

Performance Comment: As17470131, but Young Worthy-Anderson; Elder Worthy-Carr; Snap-James; Sly-Marten; Mrs Anne-Miss Ferguson.

Afterpiece Title: Phebe

Performances

Mainpiece Title: Othello

Performance Comment: Othello-Hacket first time on any stage; Cassio-Quelch; Brabantio-Marshall; Roderigo-Charles; Iago-Cibber first time in that part; Duke-Carr; Montano-Parker; Lodovico-Metteer; Emilia-Mrs Price; Desdemona-Miss Barton first time in a Tragedy.

Afterpiece Title: The Lying Valet

Dance: LLa Dance du Village-Settree, Sga Fiorentina, Walker

Performances

Mainpiece Title: Othello

Afterpiece Title: The Honest Yorkshireman

Performance Comment: Gaylove-Charles; Sapscull-Quelch; Blunder-Carr; Muckworm-Pinner; Slango-Metteer; Combrush-Mrs Quelch; Arabella-Miss Davies.

Dance: TThe Drunken Peasant-; Peasant-Settree; Clown-Hussey

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: Brazen-Cibber; Balance-Metteer; Worthy-Parker; Plume-Quelch; Appletree-Carr; Costar Pearmain-Pittard; Kite-Marshall; Welsh Collier-Blakey; Collier's Wife-Mrs Midnight; Bullock-Pinner; Constable-Venables; Melinda-Mrs Quelch; Rose-Miss Cowslade; Lucy-Mrs Chetwood; Sylvia-Miss Barton her first appearance in boys's clothes.

Afterpiece Title: The Devil to Pay

Dance: II: Hornpipe-Walker; III: Pierots Dance-; IV: Hornpipe-a small jolly Tar but seven years old, who never appeared on any Stage before; End: La Dance du Village-

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Cibber; Johnson-Parker; Amith-Metteer; Kings of Brentford-Pleaseaway, Turner; Volscius-Mrs Charke; Prettyman-Miss Barton; Drawcansir-Carr; Cordelio-Venables; Tom-Pittard; Fisherman-Pinner; Usher-Quelch; Physcian-Blakey; Thunder-Pinner; Lighting-Miss Carey; Amarillis-Miss Cowslade; Clovis-Mrs Quelch; Parthenope-Mrs Chetwood; Pallas-Mrs Midnight; Sun-Mrs Price; Moon-Miss Davies; World-Davies.

Afterpiece Title: Lethe

Performance Comment: Aesop-Pinner; Mercury-Miss Davies; Charon-Carr; Gentleman-Parker; Tatoo-Turner; Drunken Man-Quelch; Old Man-Pittard; Frenchman-Blakey; Taylor-Paget; Servant-May; Mrs Tattoo-Miss Barton; Mrs Rist-Miss Carey; Lord MaYor, Cardinals, Judges, Players, Soldiers (Horse and Foot)-the rest of the Comedians.

Song: Tymms

Dance: PPierots Dance-Settree, Walker, Sga Fiorentina; Hornpipe-small jolly Tar (seven years old); La Dance de Village-Settree, Sga Fiorentina

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Cibber; Johnson-Parker; Smith-Metteer; Kings of Brentford-Pleaseaway, Turner; Volscius-Mrs Charke; Prettyman-Miss Barton; Drawcansir-Carr; Cordelio-Venables; Tom-Pittard; Fisherman-Pinner; Usher-Quelch; Physician-Blakey; Thunder-Pinner; Lightening-Miss Carey; Armarillis-Miss Cowslade; Clovis-Mrs Quelch; Parthenope-Mrs Chetwood; Pallas-Mrs Midnight; Sun-Mrs Price; Moon-Miss Davies; World-Davies.

Afterpiece Title: Lethe

Performance Comment: Aesop-Pinner; Mercury-Miss Davies; Charon-Carr; Gentleman-Parker; Tatoo-Turner; Drunken Man-Quelch; Old Man-Pittard; Frenchman-Blakey; Taylor-Paget; Servant-May; Mrs Tattoo-Miss Barton; Mrs Rist-Miss Carey; Lord Mayor, Cardinals, Judges, Players, Soldiers (horse and foot)-the rest of the Comedians.

Dance: PPierrots Dance-Settree, Walker, Sga Fiorentina; Hornpipe-a small jolly Tar, seven years old; La Dance de Village-Settree, Sga Fiorentina

Event Comment: Pepys, Diary: And there took up my wife and Ashwell to the Theatre Royall, being the second day of its being opened. The house is made with extraordinary good contrivance, and yet hath some faults, as the narrowness of the passages in and out of the pitt, and the distance from the stage to the boxes, which I am confident cannot hear; but for all other things it is well, only, above all, the musique being below, and most of it sounding under the very stage, there is no hearing of the bases at all, nor very well of the trebles, which sure must be mended. The play was The Humerous Lieutenant, a play that hath little good in it, nor much in the very part which, by the King's command, Lacy now acts instead of Clun. In the dance, the tall devil's actions was very pretty....I am resolved to deny myself the liberty of two plays at court, which are in arreare to me for the months of March and April, which will more than countervail this excess, so that this month of May is the first that I must claim a liberty of going to a Court play according to my oath

Performances

Mainpiece Title: The Humorous Lieutenant

Event Comment: This play was presumably acted by the Duke's Company. In the preface to Heraclius, Emperour of the East, published in 1664, the author, Lodowick Carlell, complains that he had submitted his translation of Corneille, only to have it returned the very day that this version appeared on the stage. See also the letter by Katherine Philips, under Pompey the Great, Jan. 1663@4. Pepys, Diary: We made no long stay at dinner; for Heraclius being acted, which my wife and I have a mighty mind to see, we do resolve, though not exactly agreeing with the letter of my vowe, yet altogether with the sense, to see another this month, by coming hither instead of that at court, there having ueen none conveniently since I made my vowe for us to see there, nor like to be this Lent, and besides we did walk home on purpose to make this going as cheap as that would have been, to have seen one at Court, and my conscience knows that it is only the saving of money and the time also that I intend by my oaths....The play hath one very good passage well managed in it, about two persons pretending, and yet denying themselves, to be son to the tyrant Phocas, and yet heire of Mauricius to the crowne. The garments like Romans very well. The little girle is come to act very prettily, and spoke the epilogue most admirably. But at the beginning, at the drawing up of the curtaine, there was the finest scene of the Emperor and his people about him, standing in their fixed and different postures in their Roman habitts, above all that ever I yet saw at any of the theatres

Performances

Mainpiece Title: Heraclius

Event Comment: Pepys, on 1 Feb., refers to the acting of The Heiress for the first time Saturday last," i.e., 30 Jan., but he must have mistakenly put down "Saturday" instead of "Friday"

Performances

Mainpiece Title: A Fast Day For The Martyrdom Of Charles I

Performances

Mainpiece Title: The Virtuous Wife; Or, Good Luck At Last

Performance Comment: Edition of 1680: Prologue-Mrs Barrer [and Tony Leigh]; Epilogue-Mr Nokes [representing my Lady Beardly; Beverly-Harris; Beauford-Smith; Sir Frolack Whimsey-Jevon; Sir Lubbery Widgeon-Lee; Brainworm-[no one listed for this role, but Cave Underhill seems a likely actor for it]; Amble-Underhill [perhaps Underhill was erroneously listed for this instead of Brainworm]; Crotchett-Bowman; Olivia-Mrs Barrer; Lady Beardly-Nokes; Jenny Wheedle-Mrs Currer; Lidia-Mrs Seymour; Tissick-Mrs Norrice.
Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 68. See also Nicoll, Restoration Drama, p. 350. This play was also reprinted in 1686. Memoirs of the Life of William Wycherley, Esq; With a Character of his Writings [by George, Lord Lansdowne, but part possibly by Charles Gildon (1718)], pp. 7-8: [After the death of Wycherley's wife, he was committed to Newgate for debt.] From hence he remov'd himself by a Habeas Corpus to the Fleet, where he continued seven Years in a close Imprisonment, almost forgot by his old Friends, till in the Reign of King James the Second, some of them bespeaking the Plain-Dealer, got the King to the Play, who declaring his Approbation of the Poet's Performance, they improv'd his liking so far as to get him to deliver him from his long Confinement. But here the Modesty of the Man did him a considerable Prejudice, for instead of giving in a full List of his Debts, he only mention'd those, the discharge of which wou'd set him at Liberty, which was done with this additional Bounty, that the same King allow'd him Two hundred Pounds a Years as long as he Reign'd; and this was the reason that made Mr Wycherley always a Jacobite

Performances

Mainpiece Title: The Plain Dealer

Event Comment: The United Company. The date of the first performance is not known, but Lord Granville, writing on 5 May 1688, refers to the King's presence on the third day, and since The Squire of Alsatia may have begun its run about 2 May 1688, Crowne's play must have been produced by the end of April. Lord Granville to Sir William Leveson, 5 May 1688: The town is as empty of news as the Court; we have had a new play called The Fall of Darius (written by Crown), by which the poet, though he could get no fame, yet had a most extraordinary third day by reason the King's presence at it; the first day of its acting Mrs Bower [Barry] was taken so violently ill in the midst of her part that she was forced to be carried off, and instead of dying in jest was in danger of doing it in earnest. Mrs Cook is dead and Mrs Boute...is again come upon the stage, where she appears with great applause. We are promised this week another new play of Shadwell's called the Alsatia Bully, which is very much commended by those who have had the private perusal of it (HMC, 5th Report, Part II, pP. 197-98). Dedication, Edition of 1688: A misfortune fell upon this Play, that might very well dizzy the Judgments of the Audience. Just before the Play began, Mrs Barry was struck with a very violent Fever, that took all Spirit from her, by consequence from the Play; the Scenes She acted fell dead from her; and in the 4th Act her distemper grew so much upon her, She cou'd go on no further, but all her part in that Act was wholly cut out and neither Spoke nor Read; that the People went away without Knowning the contexture of the Play, yet thought they knew all....[My] Thanks to His Majesty for the Honor of his Presence, on the Day which was to be for my Advantage; which He was pleased to Grant me. [See L. C. 5@148, p. 195--in Nicoll, Restoration Drama, p. 356--for a grant of #20 as a gift from the King to Crowne for this play.

Performances

Mainpiece Title: Darius, King Of Persia

Event Comment: [By Charles Johnson. Date of premiere unknown. Published 15 Jan. 1702.] Preface: It stole into the Theatre in the very Heat of last Summer (as if it would cunningly avoid the Critics, who instead of carping here were at Tunbridge, Bath, etc) was study'd in a Hurry, and play'd by what they call the Young Company

Performances

Mainpiece Title: The Gentleman Cully

Event Comment: Benefit Robinson and Turner. Mainpiece: Written by the late Mr Dryden. Afterpiece: At the Desire of several Ladies of Quality, we are oblig'd (instead of The What D'Ye Call It) to Act...The Country Wake

Performances

Mainpiece Title: An Evening's Love; Or, The Mock Astrologer

Afterpiece Title: The Country Wake

Song: Mad Song, Mad Dialogue (composed by $Purcell)-Turner, Mrs Willis in their proper Habits

Dance: As17151122; Harlequin-Mrs Santlow; Mimic Song and Dance-Mrs Willis

Event Comment: Receipts: #69 4s. 6d. Mrs Pendarves to Mrs Ann Granville, 12 Dec. (Delany, Autobiography, I, 101-2): I was to see the opera of Dioclesian, and was very much disappointed, for instead of Purcell's musick which I expected, we had Pepusch's, and very humdrum it was; indeed I never was so tired with anything in my life

Performances

Mainpiece Title: The Prophetess

Music: As17241128

Dance: As17241128

Event Comment: By Command of their Highnesses the Princess Amelia and Princess Caroline. [Daily Advertiser lists Granier instead of the Gentleman in The Frolick.]

Performances

Mainpiece Title: Arlequin Balourd

Afterpiece Title: La Serenade

Dance: The Frolick, as17341226. L'Allemande by Miss Chateauneuf

Event Comment: According to the newspapers, the Prince and Princess were present, but Deutsch, Handel, p. 408, thinks that they may have been at CG instead

Performances

Mainpiece Title: The Feast Of Hymen