SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Morrel instead of Jeptha Carr"/1) | (@(roleclean,performerclean) "Morrel instead of Jeptha Carr")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 109 matches on Performance Comments, 95 matches on Event Comments, 20 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: Brazen-Cibber; Balance-Metteer; Worthy-Parker; Plume-Quelch; Appletree-Carr; Costar Pearmain-Pittard; Kite-Marshall; Welsh Collier-Blakey; Collier's Wife-Mrs Midnight; Bullock-Pinner; Constable-Venables; Melinda-Mrs Quelch; Rose-Miss Cowslade; Lucy-Mrs Chetwood; Sylvia-Miss Barton her first appearance in boys's clothes.

Afterpiece Title: The Devil to Pay

Dance: II: Hornpipe-Walker; III: Pierots Dance-; IV: Hornpipe-a small jolly Tar but seven years old, who never appeared on any Stage before; End: La Dance du Village-

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Cibber; Johnson-Parker; Amith-Metteer; Kings of Brentford-Pleaseaway, Turner; Volscius-Mrs Charke; Prettyman-Miss Barton; Drawcansir-Carr; Cordelio-Venables; Tom-Pittard; Fisherman-Pinner; Usher-Quelch; Physcian-Blakey; Thunder-Pinner; Lighting-Miss Carey; Amarillis-Miss Cowslade; Clovis-Mrs Quelch; Parthenope-Mrs Chetwood; Pallas-Mrs Midnight; Sun-Mrs Price; Moon-Miss Davies; World-Davies.

Afterpiece Title: Lethe

Performance Comment: Aesop-Pinner; Mercury-Miss Davies; Charon-Carr; Gentleman-Parker; Tatoo-Turner; Drunken Man-Quelch; Old Man-Pittard; Frenchman-Blakey; Taylor-Paget; Servant-May; Mrs Tattoo-Miss Barton; Mrs Rist-Miss Carey; Lord MaYor, Cardinals, Judges, Players, Soldiers (Horse and Foot)-the rest of the Comedians.

Song: Tymms

Dance: PPierots Dance-Settree, Walker, Sga Fiorentina; Hornpipe-small jolly Tar (seven years old); La Dance de Village-Settree, Sga Fiorentina

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Cibber; Johnson-Parker; Smith-Metteer; Kings of Brentford-Pleaseaway, Turner; Volscius-Mrs Charke; Prettyman-Miss Barton; Drawcansir-Carr; Cordelio-Venables; Tom-Pittard; Fisherman-Pinner; Usher-Quelch; Physician-Blakey; Thunder-Pinner; Lightening-Miss Carey; Armarillis-Miss Cowslade; Clovis-Mrs Quelch; Parthenope-Mrs Chetwood; Pallas-Mrs Midnight; Sun-Mrs Price; Moon-Miss Davies; World-Davies.

Afterpiece Title: Lethe

Performance Comment: Aesop-Pinner; Mercury-Miss Davies; Charon-Carr; Gentleman-Parker; Tatoo-Turner; Drunken Man-Quelch; Old Man-Pittard; Frenchman-Blakey; Taylor-Paget; Servant-May; Mrs Tattoo-Miss Barton; Mrs Rist-Miss Carey; Lord Mayor, Cardinals, Judges, Players, Soldiers (horse and foot)-the rest of the Comedians.

Dance: PPierrots Dance-Settree, Walker, Sga Fiorentina; Hornpipe-a small jolly Tar, seven years old; La Dance de Village-Settree, Sga Fiorentina

Event Comment: Benefit for LaLauze. Mainpiece: By Particular Desire. Tickets delivered by Miss Haughton will be taken. This Day Publish'd the last New Oratorio Jeptha, in Score, composed by Mr Handel at 10s. 6d

Performances

Mainpiece Title: Siege Of Damascus

Afterpiece Title: Royal Chace

Dance: I: Two Pierrots-Dennison, Settree (Scholars of LaLauze); II: Shepherd's Dance-Settree; III: Pigmalion, as17510925; IV: Le je ne scay quois-Dennison, Madem Camargo, Settree; V: "By Desire"Louvre, Minuet-Settree, Miss Hillyard

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 81. See also Nicoll, Restoration Drama, p. 348. There is no certainty as to whether this is the date of the first performance. Downes (Roscius Anglicanus, p. 35): Then the Conquest of China by the Tartars, by Mr Settle; in this Play Mr Jevon Acting a Chinese Prince and Commander in it, and being in the Battle, Vanquisht by the Tartars; he was by his Part to fall upon the point of his Sword and Kill himself, rather than be a Prisoner by the Tartars: Mr Jevon instead of falling on the point of his Sword, laid it in the Scabbard at length upon the Ground and fell upon't, saying, now I am Dead; which put the Author into such a Fret, it made him speak Treble instead of Double Jevons answer was; did not you bid me fall upon my Sword

Performances

Mainpiece Title: The Conquest Of China By The Tartars

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: As17520312 but Daniel-_; the Singing-Miss Falkner instead of by Lowe; Occasional Epilogue-Miss Falkner.

Afterpiece Title: The What Dye Call It

Dance: GGrand Comic Ballet, as17511216; Grand Dutch Dance, as17511021

Performances

Mainpiece Title: The Old Womans Oratory

Performance Comment: As17520414 but a solo-Hallet, in the character of Cupid instead of the one by Mrs Midnight's daughter; Bombasto, Bombaseno; Solo of Humour on French Horn-_.

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: As17521031, but Lucinda-Mrs Ridout; singing-Mrs Chambers instead of by Lowe.

Afterpiece Title: The Fair

Performances

Mainpiece Title: Douglas

Afterpiece Title: Queen Mab

Performance Comment: As17681109 (Public Advertiser). [The playbill is shortened by omission of Puck and Queen Mab. Silvio-Wright instead of Baddeley.]

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: True Blue

Performance Comment: As17701112, but Principal Parts-Mrs _Mattocks, Mrs Baker; and the +Dance-Fishar instead of Aldridge.

Afterpiece Title: Harlequin Skeleton

Performances

Mainpiece Title: The Fair Quaker

Performance Comment: As17731110, but Rule Brittania-Davies instead of Vernon.

Afterpiece Title: The Genii

Performances

Mainpiece Title: The Winters Tale

Performance Comment: Leontes-Smith; Polixines-Bensley; Florizel-Lewis; Camillo-Hull; Autolicus-Quick; Old Shepherd-Kniveton; Clown-Woodward; Perdita (with Sheep Shearing Ballad)-Miss Dayes; Paulina-Mrs P. Green; Hermione-Mrs Hartley; The Vocal Parts-Fox, Mrs Thompson, Mrs Baker; In Act II, a Dance-Aldridge, Miss Twist (playbill). [The Public Advertiser lists Reinhold instead of Fox as vocalist.]The Public Advertiser lists Reinhold instead of Fox as vocalist.]

Afterpiece Title: The Citizen

Afterpiece Title: The Sylphs

Event Comment: [Advertised as performed but once, but see 18 Jan. Sheridan in Preface to Edition of 1775 (2nd) refers to withdrawing the piece to remove those imperfections in the first representation which were too obvious to escape reprehension, and too numerous to admit of hasty correction." He blames his inexperience and want of judgment in theatrical effects, the extreme length of the play act by act, and haste in writing. From the Westminster Magazine Feb., which outlined the plot in five columns: The present state of the Rivals is widely different from that in which we found it on the first night's representation. Sir Lucius O'Trigger being re-touched, has now the appearance of a character; and his assigning Beverley's reflection on his country as the grounds for his desire to quarrel with him, is a reasonable pretence, and wipes off the former stigma undeservedly thrown on the sister Kingdom. An alteration of a principal incident gave a very favorable turn to the fable and the whole piece: that where young Acres now delivers his challenge to his friend Absolute, begging him to carry it to his Rival Beverly, not knowing the two characters composed but one man; its being at first given to Sir Lucius, the person who indited it, was highly inconsistent...we should be induced from many evident traits of literary genius to pronounce the Rivals a good comedy."

Performances

Mainpiece Title: The Rivals

Performance Comment: (With Alterations.) As17750117, but Sir Lucius-Clinch instead of Lee.

Afterpiece Title: Thomasand Sally

Dance: End Epilogue: The Frolick, as17741214

Performances

Mainpiece Title: The Cabinet Of Fancy Or Evening Exhibition

Performance Comment: [Consisting of variety of Paintings, serious and comic; Satirical, Portrait and Caricature Designs; Emblematical, Pantomimical, Farcical and Puppet-showical Representations, mostly Transparency. Instead of delivering a Catalogue, the Designs will be explained by at present an unknown Artist see I Nov.]. As the Time of viewing the Exhibition is limited, and as it is the wish to render it as amusing as possible, an excellent band of Music will be provided for the entertainment of the Spectators. In the course of the explanation of the Pictures several Songs will be introduced.. As the Time of viewing the Exhibition is limited, and as it is the wish to render it as amusing as possible, an excellent band of Music will be provided for the entertainment of the Spectators. In the course of the explanation of the Pictures several Songs will be introduced.
Event Comment: Benefit Bencraft, James, Ridout, and Carr

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: The Rape of Proserpine

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Rape of Proserpine

Dance: LLouvre, Minuet-Villeneuve, Sga Campioni

Event Comment: [Benefit on one-half value of tickets basis to nine ticket holders. The General Advertiser notice lists beneficiaries as Harrington (Prompter); Stede, Carr, Mrs Bland, Mrs Rowley.] Tickets deliver'd by Mrs Daniel, Mrs Dumont, &c will be taken. /For Box Pit Gallery Value Half-Value/Harrington 7 29 22 #8 6s. #4 3s./Stede 7 52 59 #15 9s. #7 14s. 6d./Carr 6 53 46 #14 1s. #7 0s. 6d./Mrs Rowley 27 77 44 #22 14s. #11 7s./Mrs Dumont 36 31 32 #16 17s. #8 8s. 6d./Mrs Bland 9 56 91 #19 15s. #9 17s. 6d./Mrs Dupre 5 33 42 #10 8s. #5 4s./Mrs Daniel .. 45 109 #17 13s. #8 16s. 6d./Mrs Hitchcock 34 58 31 #20 6s. ........./Totals 131 434 476 #145 9s. #62 11s. 6d./ [Mrs Hitchcock seems to have received the full value of her tickets.] This Day is Publish'd A Treatis on the Passions so far as they regard the stage, with a critical inquiry into the Theatrical Merit of Mr G k, Mr Q n, and Mr B y, the first considered in the part of Lear, the last two oppos'd in Othello. By S. Foote, Esq

Performances

Mainpiece Title: The Committee

Afterpiece Title: Phebe

Dance: The English Boy, English Girl

Event Comment: By desire. Paid Powney (Stationer) #6 7s.; Smart (Laceman) #49 7s; Cole (Turner) #8 18s.; Carr & Company #29 8s.; Potter (Hatter) 15s.; Clutterbuck [financier] #72 10s.; Fryar (Hosier) #10 9s.; Norton for Music #4 1s.; for Printing 400 card tickets 4s.; Burton for writing #1 2s. 3d.; Cross for writing 4s. (Treasurer's Book). Receipts: #160 (Cross); #151 9s. (Treasurer's Book)

Performances

Mainpiece Title: Othello

Afterpiece Title: The Intriguing Chambermaid

Event Comment: Pepys, Diary: And there took up my wife and Ashwell to the Theatre Royall, being the second day of its being opened. The house is made with extraordinary good contrivance, and yet hath some faults, as the narrowness of the passages in and out of the pitt, and the distance from the stage to the boxes, which I am confident cannot hear; but for all other things it is well, only, above all, the musique being below, and most of it sounding under the very stage, there is no hearing of the bases at all, nor very well of the trebles, which sure must be mended. The play was The Humerous Lieutenant, a play that hath little good in it, nor much in the very part which, by the King's command, Lacy now acts instead of Clun. In the dance, the tall devil's actions was very pretty....I am resolved to deny myself the liberty of two plays at court, which are in arreare to me for the months of March and April, which will more than countervail this excess, so that this month of May is the first that I must claim a liberty of going to a Court play according to my oath

Performances

Mainpiece Title: The Humorous Lieutenant

Event Comment: This play was presumably acted by the Duke's Company. In the preface to Heraclius, Emperour of the East, published in 1664, the author, Lodowick Carlell, complains that he had submitted his translation of Corneille, only to have it returned the very day that this version appeared on the stage. See also the letter by Katherine Philips, under Pompey the Great, Jan. 1663@4. Pepys, Diary: We made no long stay at dinner; for Heraclius being acted, which my wife and I have a mighty mind to see, we do resolve, though not exactly agreeing with the letter of my vowe, yet altogether with the sense, to see another this month, by coming hither instead of that at court, there having ueen none conveniently since I made my vowe for us to see there, nor like to be this Lent, and besides we did walk home on purpose to make this going as cheap as that would have been, to have seen one at Court, and my conscience knows that it is only the saving of money and the time also that I intend by my oaths....The play hath one very good passage well managed in it, about two persons pretending, and yet denying themselves, to be son to the tyrant Phocas, and yet heire of Mauricius to the crowne. The garments like Romans very well. The little girle is come to act very prettily, and spoke the epilogue most admirably. But at the beginning, at the drawing up of the curtaine, there was the finest scene of the Emperor and his people about him, standing in their fixed and different postures in their Roman habitts, above all that ever I yet saw at any of the theatres

Performances

Mainpiece Title: Heraclius

Event Comment: Pepys, on 1 Feb., refers to the acting of The Heiress for the first time Saturday last," i.e., 30 Jan., but he must have mistakenly put down "Saturday" instead of "Friday"

Performances

Mainpiece Title: A Fast Day For The Martyrdom Of Charles I

Performances

Mainpiece Title: The Virtuous Wife Or Good Luck At Last

Performance Comment: Edition of 1680: Prologue-Mrs Barrer [and Tony Leigh]; Epilogue-Mr Nokes [representing my Lady Beardly; Beverly-Harris; Beauford-Smith; Sir Frolack Whimsey-Jevon; Sir Lubbery Widgeon-Lee; Brainworm-[no one listed for this role, but Cave Underhill seems a likely actor for it]; Amble-Underhill [perhaps Underhill was erroneously listed for this instead of Brainworm]; Crotchett-Bowman; Olivia-Mrs Barrer; Lady Beardly-Nokes; Jenny Wheedle-Mrs Currer; Lidia-Mrs Seymour; Tissick-Mrs Norrice.
Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 68. See also Nicoll, Restoration Drama, p. 350. This play was also reprinted in 1686. Memoirs of the Life of William Wycherley, Esq; With a Character of his Writings [by George, Lord Lansdowne, but part possibly by Charles Gildon (1718)], pp. 7-8: [After the death of Wycherley's wife, he was committed to Newgate for debt.] From hence he remov'd himself by a Habeas Corpus to the Fleet, where he continued seven Years in a close Imprisonment, almost forgot by his old Friends, till in the Reign of King James the Second, some of them bespeaking the Plain-Dealer, got the King to the Play, who declaring his Approbation of the Poet's Performance, they improv'd his liking so far as to get him to deliver him from his long Confinement. But here the Modesty of the Man did him a considerable Prejudice, for instead of giving in a full List of his Debts, he only mention'd those, the discharge of which wou'd set him at Liberty, which was done with this additional Bounty, that the same King allow'd him Two hundred Pounds a Years as long as he Reign'd; and this was the reason that made Mr Wycherley always a Jacobite

Performances

Mainpiece Title: The Plain Dealer

Event Comment: The United Company. The date of the first performance is not known, but Lord Granville, writing on 5 May 1688, refers to the King's presence on the third day, and since The Squire of Alsatia may have begun its run about 2 May 1688, Crowne's play must have been produced by the end of April. Lord Granville to Sir William Leveson, 5 May 1688: The town is as empty of news as the Court; we have had a new play called The Fall of Darius (written by Crown), by which the poet, though he could get no fame, yet had a most extraordinary third day by reason the King's presence at it; the first day of its acting Mrs Bower [Barry] was taken so violently ill in the midst of her part that she was forced to be carried off, and instead of dying in jest was in danger of doing it in earnest. Mrs Cook is dead and Mrs Boute...is again come upon the stage, where she appears with great applause. We are promised this week another new play of Shadwell's called the Alsatia Bully, which is very much commended by those who have had the private perusal of it (HMC, 5th Report, Part II, pP. 197-98). Dedication, Edition of 1688: A misfortune fell upon this Play, that might very well dizzy the Judgments of the Audience. Just before the Play began, Mrs Barry was struck with a very violent Fever, that took all Spirit from her, by consequence from the Play; the Scenes She acted fell dead from her; and in the 4th Act her distemper grew so much upon her, She cou'd go on no further, but all her part in that Act was wholly cut out and neither Spoke nor Read; that the People went away without Knowning the contexture of the Play, yet thought they knew all....[My] Thanks to His Majesty for the Honor of his Presence, on the Day which was to be for my Advantage; which He was pleased to Grant me. [See L. C. 5@148, p. 195--in Nicoll, Restoration Drama, p. 356--for a grant of #20 as a gift from the King to Crowne for this play.

Performances

Mainpiece Title: Darius King Of Persia

Event Comment: [By Charles Johnson. Date of premiere unknown. Published 15 Jan. 1702.] Preface: It stole into the Theatre in the very Heat of last Summer (as if it would cunningly avoid the Critics, who instead of carping here were at Tunbridge, Bath, etc) was study'd in a Hurry, and play'd by what they call the Young Company

Performances

Mainpiece Title: The Gentleman Cully