SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mons de Moliere"/1) | (@(roleclean,performerclean) "Mons de Moliere")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1027 matches on Performance Title, 481 matches on Performance Comments, 372 matches on Event Comments, 297 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Lying Valet

Song: Barlow

Dance: As17451028

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Miller of Mansfield

Dance: II: New Scotch Dance, as17490118

Performances

Mainpiece Title: Lhomme A Bonne Fortune

Afterpiece Title: La Chercheuse Desprit

Performances

Mainpiece Title: The Relapse

Afterpiece Title: The Anatomist

Dance: II: Wooden Shoe-Master Malter, two Miss Foulcades; III: Dutch Sailor-Mas. Maltere; IV: Les Fantasies de la Dance, as17500428 but-Miss Foulcade; V: Louvre & Minuet-Maltere, Miss Foulcade

Performances

Mainpiece Title: Zara

Dance: As17500926

Performances

Mainpiece Title: Mrs Midnights New Carnival Concert Or The Old Womans Oratory

Afterpiece Title: La Pantomime du Charpentier

Dance: An Extraordinary Original who will not touch the Ground either with his hands or feet-

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Mercury Harlequin

Performances

Mainpiece Title: All In The Wrong

Dance: As17610616

Performances

Mainpiece Title: He Jovial Crew

Afterpiece Title: The Merry Counterfeit or Viscount a la Mode

Dance: TThe French Country Gentleman, as17611210

Entertainment: Between play and Farce:(For this night only) A Dish of All Sorts-Shuter. As17590322

Event Comment: Mainpiece: Never acted before. Characters new dressed &c. [See Theatrical Review; or, Annals of the Drama, 1763, pp. 67-74: Bless us what a sweet consistent piece of business is a modern Tragedy." See Boswell's account of his attendance that night with two friends, With oaken cudgels in our hands and shrill sounding catcalls in our pockets," ready prepared to damn the play (London Journal), p. 154 ff.).] Critical Strictures on the New Tragedy of Elvira, published this month (Gentleman's Magazine). I then undressed for the Play. My father and I went to the Rose, in the Passage of the Playhouse, where we found Mallet, with about thirty friends. We dined together, and went from thence into the Pitt, where we took our places in a body, ready to silence all opposition. However, we had no occasion to exert ourselves. Not withstanding the malice of a party, Mallet's nation, connections and indeed imprudence, we heard nothing but applause. I think it was deserved. The play was borrowed from de la Motte, but the details and language have great merit. A fine Vein of dramatick poetry runs thro' the piece. The Scenes between the father and son awaken almost every sensation of the human breast; and the Council would have equally moved, but for the inconvenience unavoidable upon all Theatres, that of entrusting fine Speeches to indifferent Actors. The perplexity of the Catastrophe is much, and I believe justly, critisized. But another defect made a strong impression upon me. When a Poet ventures upon the dreadful situation of a father who condemns his son to death; there is no medium; the father must either be monster or a Hero. His obligations of justice, of the publick good, must be as binding, as apparent as perhaps those of the first Brutus. The cruel necessity consecrates his actions, and leaves no room for repentance. The thought is shocking, if not carried into action. In the execution of Brutus's sons I am sensible of that fatal necessity. Without such an example, the unsettled liberty of Romev would have perished the instant after its birth. But Alonzo might have pardoned his son for a rash attempt, the cause of which was a private injury, and whose consequences could never have disturbed an established government. He might have pardoned such a crime in any other subject; and the laws could exact only a equal rigor for a son; a Vain appetite for glory, and a mad affectation of Heroism, could only influence him to exert an unequal & superior severity (Gibbon's Journal, ed. D. M. Low [New York, n.d.], pp. 202-4)

Performances

Mainpiece Title: Elvira

Afterpiece Title: The Male Coquette

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: Polly Honeycombe

Dance: II: A New Comic Dance call'd The Vintage-Sga Giorgi, Sg Guidetti (his first appearance in England); End: A New Entertainment of Dancing call'd The Italian Bakers-Guidetti, Mrs King

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Thomasand Sally

Performances

Mainpiece Title: Braganza

Afterpiece Title: The Anatomist

Performances

Mainpiece Title: The Orators

Afterpiece Title: The Mayor of Garratt

Dance: Tambourine Dance-

Performances

Mainpiece Title: Telemaco

Dance: End I: Serious Ballet, as17770225; End Act II: Les Chasseurs, as17771112, but Mme _Vallouy, Mme Simonet; End Opera: a new Ballet Demi-caractere, +La Clochette-Simonet, Mlle Baccelli, Vallouy, Mme Simonet, Sg Zuchelli, Sga Zuchelli, Vallouy@le@cadet

Performances

Mainpiece Title: Annette And Lubin

Afterpiece Title: The Busy Body

Afterpiece Title: Cross Purposes

Performances

Mainpiece Title: Enea E Lavinia

Dance: End I: a new Ballet, Hippomene et Atalante. Hippomene-Simonet, Atalante- Mlle Baccelli, Sg and Sga Zuchelli, Mlle Vidini, Slingsby; End II: a new Ballet, connected with the Opera, +Les Forges de Vulcain. Venus-Mme Simonet, the 3 Graces- Sga Zuchelli, Sga Tinti, Miss Rose, +Cupid- young Miss Simonet, +the 3 Cyclopes- Banti, Zuchelli, LeDet, +Vulcain- Slingsby; With a grand Chorus of the Cyclopes by $Sacchini-

Ballet: End Opera: a new Serious Ballet, La Fete du Ciel. Apollo-Mme Simonet; Flora-Sga Tinti; Zephir-Banti; Iris-Mlle Baccelli; To conclude with a grand Chaconne, in which-Mme Simonet will dance in a Man's Dress

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Farmers Return from London

Afterpiece Title: Gallic Gratitude or The Frenchman in India

Song: In 3rd piece: the Vocal Parts-Reinhold, Miss Thornton, Mrs Wrighten

Performances

Mainpiece Title: The Chapter Of Accidents

Afterpiece Title: Miss in her Teens

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Whos the Dupe

Dance: I: Country Dance- incident to the piece; [This was included in all subsequent performances.] End II: The Butterfly, as17800921; End I afterpiece: Minuet de la Cour, as17800919

Performances

Mainpiece Title: The Islanders

Afterpiece Title: The Apprentice

Performances

Mainpiece Title: Ricimero

Dance: End I: The Fortunate Escape, as17801125, but Mme _Simonet, Henry; End II: +Grand Serious Ballet (composed by Simonet)-Sg and Sga Zuchelli, Henry, Sga Crespi, Mlle Baccelli; to conclude with: Grand Chaconne-Vestris? Jun.; End III new ballet, Les Amans Surpris (composed by Simonet)-Sg and Sga Zuchelli, Henry, Mlle Baccelli, Vestris? Jun

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Robinson Crusoe or Harlequin Friday

Dance: Afterpiece: To conclude with a Dance by Henry, Miss Armstrong, the Miss Stageldoirs, &c. [This was danced, as here assigned, in all subsequent performances, but beginning with 1 Dec. Henry is omitted.]

Performances

Mainpiece Title: The Fair Circassian

Afterpiece Title: The Quaker

Music: In Act III of mainpiece an Epithalamium [performers not listed; music by ThomasLinley Sen. (see text). This was included in all subsequent performances]

Performances

Mainpiece Title: The Carnival Of Venice

Afterpiece Title: The Apprentice