SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Moll Davis whom I never saw act before dancing and singing"/1) | (@(roleclean,performerclean) "Moll Davis whom I never saw act before dancing and singing")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5182 matches on Event Comments, 2242 matches on Performance Title, 1938 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: [The afterpiece] An Arabian Night's Entertainment produc'd in two parts with New Scenes, Habits, Music & Decorations. Full Prices. Went off with great applause (Cross). It is hop'd no Gentlemen will take it ill that they cannot possibly be admitted behind the Scenes or into the Orchestra, the Entertainment depending chiefly upon the Machinery and Music. [Repeated on all Genii Bills this season.] This new entertainment...hath fully decided the controversy and fix'd the superiority of Pantomime to Drury Lane Theatre, as it had before had of almost everything else;...for beauty of scenery, elegance of dress, propriety of music, and regularity of designs, it exceeds all the boasted grandeur of Harlequin Sorcerer, or of any I have seen either separate or collective. The last scene beggars all description; the most romantic Eastern account of sumptuous palaces are but faint to this display of beauty, this glow of light, this profusion of glittering gems, which adorn the whole, and much exceeds all expectations. I rejoice and congratulate myself that I am not of that modern way of thinking (or rather seeming to think) that nothing can deserve the epithet good from their superior taste, but while I am pleased will own it, and not endeavor to gain the character of a critick, ar the expense of violation of my senses (Scourge No. 14, quoted in the Gentleman's Magazine, Dec. 1752, p. 582). Receipts: #200 (Cross)

Performances

Mainpiece Title: As You Like It

Cast
Role: Orlando Actor: Palmer

Afterpiece Title: The Genii Arabian Nights Entertainment

Event Comment: Benefit for Mrs Cibber. No part of the Pit will be rail'd into the Boxes; but for the better accommodation of the Ladies, the Stage will be enclos'd in form of an Amphitheatre, where servants will be allowed to keep places. Ladies desired to send servants by 3 o'clock. Afterpiece: By Particular Desire. A letter from Paris informs us of a very singular entertainment exhibited at the Fair of St Germains, consisting of a Concert of Music executed by a band of Animal musicians. A number of Cats, clothed uniformly, were placed on stools, with music books before them, and a Monkey in the middle who beat time. On a signal given by the Monkey, the cast set up a mewing, and were accompanied by some violins; which form'd a very diverting dissonance. The whole Fair flock'd to it; and some of the gravest people of Paris could not forbear laughing heartily

Performances

Mainpiece Title: All For Love Or The World Well Lost

Afterpiece Title: The Oracle

Dance: IIl Pastore, as17521219; Les Charboniers, as17521028

Event Comment: [C$Cross suggested Harlequin Sorcerer as afterpiece.] Maranesi was to have danc'd, but broke his arm in ye practise, ye night before (Cross)

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: As17530912, but Mrs Coaxer-_; Mrs Vixen-_; Jenny Diver-_; Sukey Tawdry-_; Molly Brazen-_; Mrs Slammekin-_; Betty Doxy-_; Dolly Trull-_.

Afterpiece Title: The King and the Miller

Cast
Role: Dick Actor: Anderson

Dance: Cooke, Miss Hilliard

Event Comment: Benefit for Signora Nicolina Giordani [By Command of] the Duke and Princess Amelia (Cross). The Manager of Covent Garden being under a necessity of interrupting the run of the new Tragedy of Philoclea by a Command, and a Benefit for Sga Nicolina Giordini (which was settled before the coming out of that play) has been so obliging as to give the Author the choice of a day for his second benefit; and many of his friends having taken places for Tuesday, as that would have been his sixth night in course, the Author, lest they should be disappointed, has chosen Tuesday for his second benefit

Performances

Mainpiece Title: Gli Amanti Gelosi

Dance: As17531217

Event Comment: Nusquam hodie effugies, veniam quocumque vocaris. Rare Words. I wonder where he stole 'em. Swift. To begin at 7 p.m. Boxes 3s. Pit 2s. Gallery 1s. [A contest was in the making. This night Macklin advertised at his Great Room in Hart St.; At the request of most of the Wits, Witlings, Scorners, Laughers, Jokers, Sneers, and other Choice Spirits of this Metropolis...will come on before the Inquisitor General, the Trial of the egregius Sam. Smatter, alias Woud'be, alias Mimic, alias Buffon, alias Critt, alias Wit, alias Beau, alias fine Gentleman, and vulgarly call'd Esquire, for a public cheat and Imposter. The whole public are summoned to be on the Jury. Common Sense their Forman. Nusquam hodie effugies, veniam quocumque vagaris. Rare words, I wonder where he stole 'em. Swift. Out of Mr--'s Portmanteau; the particulars of which Sam Smatter can inform any person of who shall ask him that favour."

Performances

Mainpiece Title: A Writ Of Inquiry Will Be Executed On The Inquisitor General

Event Comment: Benefit for myself and Wife (Cross). Tickets at the Stage Door. N.B. At the desire of several Ladies and Gentlemen, Mr Cross has changed Virginia, which he had before advertised, to the above Play. Tickets delivered out for Virginia will be taken. Receipts: #147 (Cross)

Performances

Mainpiece Title: The Mistake

Related Works
Related Work: The Perplex’d Couple: or, Mistake upon Mistake Author(s): Chalres Molloy

Afterpiece Title: The Devil to Pay

Dance: As17550203

Event Comment: VVernon was not suffer'd to sing in the Chaplet, but hiss'd as before (Cross). Receipts: #170 (Cross)

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Chaplet

Event Comment: Mainpiece: By Desire. A great Noise, the whole House against us-When Garrick appear'd one from the Slips cry'd out Monsieur, & great Numbers Hiss'd-the play went on-wch done, the Mutiny began, amazing noise-no plating, except one Apple; ye pit to ye Boxes cry'd-now draw yr Swords, wch makes us think, the Riot was occasion'd by the Box people being so busy & turning some out of the pit & Gall: before. Some benches were pull'd up, & Mr Lacy gave up the Dance to appease 'em-being Sat: our friends were at ye Opera, & the common people had leisure to do Mischief (Cross). [Lynham in The Chevalier Noverre, quotes from the Journal Etranger of 25 Nov. 1775: 'The blackguards...tore up the benches and threw them into the Pit on the opposing party; they broke all the mirrors, the chandeliers, &c., and tried to climb onto the stage to masacre everybody; but, as there is a magnificent organization in this theatre, in three minutes all the decor had been removed, all the traps were ready to come into play to swallow up those who might venture up, all the wings were filled with men armed with sticks, swords, halberds, &c., and behind the scenes the great reservoir was ready to be opened to drown those who might fall on the stage itself."Cross lists no Receipts.

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Chinese Festival

Event Comment: This night the Chinese Festival was hotly call'd for by the Boxes, & strongly oppks'd by a few in the Pit, the Gentlemen came out, & insisted upon its being given out, wch at last Mr Garrick did; but not before it seem'd agreed that it shou'd be done 3 times a week for the Boxes, & other Entertainments the other 3 Days for the Pit, all Parties seem'd satisfied-but the Consequence prov'd otherways (Cross). Receipts: #170 (Cross)

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Lying Valet

Dance: LLilliputian Sailors, as17551104

Event Comment: Notice is hereby Given that the Annual Feast of the Shakespeare Society will be held on Wednesday the 10th of March next, at the Shakespeare's Head Tavern, Covent Garden, and that tickets are left with the Master of that House to be disposed of to the Gentlemen who subscrib'd for tickets for the last Feast, and who are to call for them on or before the 7th of February. Such Tickets as are not call'd for by that day will be delivered to the Steward to be otherwise disposed of; The person's name to whom a ticket is deliver'd, will be indorsed thereon, and no other person admitted thereby. E.B. Secreatary (Public Advertiser). Receitps: #170 (Cross)

Performances

Mainpiece Title: The Winters Tale

Cast
Role: Florizel Actor: Holland

Afterpiece Title: Catherine and Petruchio

Event Comment: MMr Foote Play'd (Cross). Receipts: #120 (Cross). [The Theatrical Review, 1757-58, p. 48, comments on the afterpiece]: I read the farce before I could see it performed; the judgment I then passed on it was not in its favor, and the exhibition did not make any material alteration in my way of thinking. I laughed indeed much more than I had done in reading it, but on recollection I was not a little displeased to find that I was laughing at an individual not at a species

Performances

Mainpiece Title: Merope

Performance Comment: Dorilas-Holland; Ismene-Miss Hippisley; High Priest-Bransby; Polyphontes-Havard; Narbas-Berry; Merope-Mrs Pritchard; Euricles-Blakes; Erox-Burton. With a Procession and a Sacrifice.

Afterpiece Title: The Author

Event Comment: Benefit for Mossop. Mainpiece: By Particular Desire. Farce wrote by Mr Murphy. Went off Indiff (Cross). [It was sent to Licenser one year before, 16 March 1757 (Larpent MS 131).] Garrick first announced for Ghost [Hamlet] which he afterwards declined having new part in the farce. Part of Pit into Boxes. Amphitheatre on stage (Winston MS 9). Receipts: #280 (Cross)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Upholsterer

Performance Comment: Actors only in Public Advertiser. Genest, IV, 516, lists: Quidnunc-Yates; Razor-Woodward; Pamphlet-Garrick; Bellmour-Palmer; Rovewell-Usher; Codicil-Taswell; Feeble-Blakes; Brisk-Vernon; Slipslop-Mrs Clive; Harriet-Mrs Yates; but MacMillan suggests: Rovewell-Palmer; Bellmour-Usher; Termagant-Mrs Clive.; Prologue-Mossop.
Event Comment: There are Places inclosed for the Ladies to sit, and it is humbly hoped that the Gentlemen will not be offended, as it is impossible to accommodate everyone with Seats. To begin at Six. Public Advertiser, 12 and 13 June: Sga Seratina and Mr Reinhold distinguished themselves beyond expectation and the Company was pleas'd to say that Sga Seratina was in no way inferior to the famous Spiletta. Performed before a very genteel and numerous audience with great applause. It will continue to be performed Tuesdays, Thursdays, and Saturdays

Performances

Mainpiece Title: La Serva Padrona

Event Comment: [Not listed in Public Advertiser, but notice of continuation at admission price of 1s. is given.] Before the performance Sga Seratina and Mr Reinhold and others will sing several new songs

Performances

Mainpiece Title: La Serva Padrona

Event Comment: Imitations as before (Cross). Receipts: #130 (Cross); #154 9s. 6d. (Winston MS 8)

Performances

Mainpiece Title: Comus

Cast
Role: Elder Brother Actor: Holland

Afterpiece Title: The Diversions of the Morning

Event Comment: Imitations as before (Cross). Receipts: #100 (Cross); #143 18s. (Winston MS 8)

Performances

Mainpiece Title: King Henry The Eighth

Afterpiece Title: The Diversions of the Morning

Event Comment: BBenefit for Mr Arne and Mr Arne Jr. Boxes Half a Guinea. First Gallery 3s. Upper Gallery 2s. To begin exactly at Half an Hour after Six o'clock. Tickets to be had of Mr Arne Sr next door to the Passage in Charles St., Covent Garden; and of Mr Arne Jr at his Chambers, No 4. in Garden Court, Temple. [N.B. This Benefit had been advertised the Wednesday before; With the New Songs perform'd at the Charity for Decay'd Musicians, the Principal Parts by Lowe, Mattocks, Miss Brent, Miss Frederica, Miss Pliemess, Miss Carter, and the Gentlemen of the Choir.

Performances

Mainpiece Title: Alfred The Great

Music: I: Concerto on Hautboy-Vincent; II: Concerto on Organ-Arne Jr

Event Comment: Mainpiece: By Particular Desire. I slept [?] at Drury Lane before the play & was at my Office, it was a cold frostly night (Hailey, "Brietzcke Diary," Vol. 197, p. 69). Receipts: #200 (Cross)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: High Life Below Stairs

Event Comment: Receipts: #142 4s. Paid Kemp for 5 nights #8; Mr Dall at work upon scenes of Oratorios, for which his salary is stopp'd from 28 Jan. 60; Paid Meares 6s.; Heaford (plaisterer) #78 10s.; Pearce (bricklayer) #79 18s.; Martin (wardrobe keeper) on acct of his salary #5. [I] was in both the Galleries both before and after the plays, met Mr Ware going into Covent Garden Gallery who said his sisters were there but I did see them (Hailey, "Brietzcke Diary," Vol. 197, p.71)

Performances

Mainpiece Title: Comus

Event Comment: [The following puff appeared in the Public Advertiser: "Yesterday about twelve the Races began on the Bowling Green, Southwark. There were several started for the Plate called Public Approbation, amongst the Rest was a celebrated Theatrical Horse, and two or Three Racers belonging to the same Stable, and some young Colts and Fillies, lately bred in the Stud of an eminent Sportsman in the Haymarket. The dispute laid principally between the noted Don Quixote and the Little Female Minor. The contest was warm, and several Heats were ran [a number of performances during the day?] before it could be decided; which at length was given by a small Majority of the Subscribers and the Clerk of the Course, in favor of the latter. However, her Antagonists being Bloed, they have challenged her to run again, play or pay, for three Days sucessively; and she will start This Day, tomorrow and Monday next, exactly at Twelve. Bets are laid, the Little Minor against the Field; and Eight to Six that in the end she distances the famous Old Horse, and beats him absolutely hollow."
Event Comment: I slept [sic. q: step?] in at Drury Lane before the Play began, which was the first time of being in the Play House this season. Miss Allen was there & Pocock with some girls (Hailey, Brietzcke Diary, N & Q, Vol, 199, p. 260)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Harlequin Ranger

Event Comment: By Command of His Majesty. At fifteen Minutes past six, His Majesty went D-L-House, attended by several great Officers of State, to see the Rehearsal, but about ten o'clock a message was sent, signifying his Majesty's pleasure to have the new dramatic novel of Polly Honeycombe added to it; upon which fresh Bills were printed and pasted up...In consequence of a strict order from the managers not a single person was admitted into tne House before the doors were opened; nevertheless the Pit was filled in the space of four minutes (Gazetteer & London Daily Advertiser, 13 Dec.)

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: Polly Honeycombe

Dance: II: The Mad Doctor, as17601014; End: The Itahian Gardiners, as17601203

Event Comment: Benefit for a Clergyman's Widow under misfortunes. [Receipts: #88 2s. 6d. plus #87 19s. from tickets (Box 251; Pit 136; Gallery 48). Profits to Mrs Seede, the clergyman's widow, #90 15s. 6d.] Paid Mr J. Rich on account #531 (Account Book). [The profitable balance on the treasurer's books this night before deducting expenses and Rich's #500, withdrawal was #996 4s. 2d.] Charges: #85 5s. (Account Book)

Performances

Mainpiece Title: The Orphan

Cast
Role: Chaplain Actor: Anderson

Afterpiece Title: Lethe

Dance: LLes Charboniers, as17601215

Event Comment: By Authority. 7 p.m. Boxes 5s. Pit 3s. Gallery 2s. The little Theatre was at this time enlargening, it being very small before the alteration, and having but one gallery with the way into the pit at each angle of the front boxes (Memoirs of the Life and Writings of Samuel Foote, Esq. [London, 1777]. Printed for J. Brew)

Performances

Mainpiece Title: Patie And Roger

Event Comment: Both pieces By Command. Ladies and Gentlemen who have taken places are desired to send their servants before 3 o'clock. No persons can possibly be admitted behind the scenes or into the Orchestra. Present their Majesties the Duke of York, Prince William Henry, Prince Henry Frederick, and Lady Augusta. [The Winston Theatrical Record lists the customary night's expenses as follows]: @Renters #12 1s.@Barber 5s. 4d.@Music #4 19s. 5d.@Tallow Candles #2 10s.@Wax Candles #1 6s.@Coals 10s.@Lamps #1 12s. 3d.@1 days Billstickers 11s. 6d.@1 days Bills #1 7s.@1 days Advertising 5s.@Wardrobe Bill (a day) #1 7s.@Property Bill (a day) #1 6d.@Extras (for Opera and Rape) #1 6s. 6d.@J. Rich #5 5s.@C. Rich #1@Guards (18) and a Serjeant #1@#36 6s. 5d.@ Extras that night: @Yeomen of His Majesties' guard #1 1s.@Yeomen of Her Majesties' guard #1 1s.@His Majesties' Footmen #1 1s.@Her Majesties' Footmen #1 1s.@Princess of Wales' Attendant #1 1s.@Their Majesties' Coachman 6s.@Total #5 11s.

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: As17610907, but Player-Anderson.

Afterpiece Title: The Rape of Proserpine

Dance: As17610907