SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Moll Davis whom I never saw act before "/1) | (@(roleclean,performerclean) "Moll Davis whom I never saw act before ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5005 matches on Event Comments, 1701 matches on Performance Comments, 1664 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Cocq du Village, as17840226, but omitted: Slingsby, Mme Rossi; End of Opera Le Deserteur, as17840520

Performances

Mainpiece Title: Issipile

Dance: End of Act I Le Cocq du Pillage, as17840601 End of Opera Simiramis, as17840529

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Reveil du Bonheur, as17840513; End of Opera Le Deserteur, as17840608

Performances

Mainpiece Title: Le Gemelle

Dance: End of Act I New Divertissement, as17840424, but omitted: Mme Rossi; End of Opera Le Deserteur, as17840608

Performances

Mainpiece Title: Seeing Is Believing

Afterpiece Title: Fatal Curiosity

Performance Comment: Principal Characters by Palmer, Bannister Jun., R. Palmer, Bensley; Mrs Bates (1st appearance on this stage), Miss Hooke, Mrs Bulkley. [Cast adjusted from text (T. Cadell, 1783): Young Wilmot-Palmer; Randal-Bannister Jun.; Eustace-R. Palmer; Old Wilmot-Bensley; Agnes-Mrs Bates; Maria-Miss Hooke; Charlotte-Mrs Bulkley.] Occasional Prologue spoken by Palmer . Occasional Prologue spoken by Palmer .

Afterpiece Title: Gretna Green

Song: In Act I of mainpiece a song in character by Miss Hooke

Performances

Mainpiece Title: Issipile

Dance: End of Act I Le Cocq du Village, as17840601 End of Opera Le Deserteur, as17840608

Performances

Mainpiece Title: Le Gemelle

Dance: End of Act I Nem Divertissement, as17840615 End of Opera Le Deserteur, as17840513, but omitted: Henry, Pas de Basque

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Tuteur Trompe, as17840511; End of Opera Le Deserteur, as17840626

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Tuteur Trompe, as17840511, but with the favourite Pas de Deux from Le Reveil du Bonheur by Vestris [Jun.] and Mme Theodore; End of Opera Le Deserteur, as17840626

Performances

Mainpiece Title: Summer Amusement

Afterpiece Title: The Genius of Nonsense

Dance: End of Act I of mainpiece, as17840727

Song: In the Temple of Health [in afterpiece] (1st time, and for this night only) a new, shocking Electrical Caleb, set to Medical Music by Dr Arnold, sung by Edwin, Bannister, Davies, Brett. imitations. End of mainpiece Various Imitations, Vocal and Rhetorical, by Bannister Jun

Performances

Mainpiece Title: The Good naturd Man

Afterpiece Title: The Deserter

Song: End of Act I of afterpiece Four-and-Twenty Fiddlers all on a Row by Edwin

Monologue: 1784 08 24 End of mainpiece A Description of the Curiosities of the Tomer of London by Edwin, in the Character of a Warden

Performances

Mainpiece Title: The Manager In Distress

Performance Comment: As17840728 but Gentleman in the Balcony (with a Variety of Imitations')-Kean (2nd appearance); Easy-R. Palmer; Lady in the Balcony-Mrs Webb; omitted: Actresses . omitted: Actresses .

Afterpiece Title: The Beggars Opera

Afterpiece Title: Foote Weston and Shuter in the Shades

Afterpiece Title: Medea and Jason

Performance Comment: Creon (in the Character of Punch)-Swords; Prince de la Cour (as a Running Footman)-Byrne; Captain of the Guard-Master Sestini; Jason (in the Character of Pierrot)-Delpini; Creusa (en dishabille Francoise)-Mrs Goodwin; Nurse-Mr Painter; Medea (in the Character of Mother Shipton)-Mme Dagueville .

Dance: In Act III of 2nd piece Hornpipe by Byrne

Monologue: 1784 08 26 As 10 Aug

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Cross Purposes

Dance: End of Act I of mainpiece The Belle of tbe Village by Harris and Miss Matthews

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Apprentice

Song: End of Act I of afterpiece Four-and-Twenty Fiddlers all on a Row by a Gentleman [unidentified]; End of afterpiece a Mad Song in character by Lyons. imitations. End of mainpiece George Saville Carey has voluntarily offered to go through the following Imitations: The Examination of a Stage Candidate (in the manner of the immortal Garrick), Juno in her Cups, Etiquette, No Flower that blows, Widow Lovett, The Roundelay (in the manner of a late much-lamented Syren [probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes

Performance Comment: imitations. End of mainpiece George Saville Carey has voluntarily offered to go through the following Imitations: The Examination of a Stage Candidate (in the manner of the immortal Garrick), Juno in her Cups, Etiquette, No Flower that blows, Widow Lovett, The Roundelay (in the manner of a late much-lamented Syren [probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes .probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes .

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Irish Widow

Dance: End of Act I of afterpiece The Irish Fair by Williamson and Miss M. Stageldoir. [This was danced, as here assigned, at all subsequent performances.]

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Positive Man

Dance: End of Act II of mainpiece Pastoral Sports by Harris, Miss Matthews, &c

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: Young Bevil-Farren; Myrtle-Wroughton; Sealand-Clarke; Sir John Bevil-Fearon; Cimberton-Quick; Humphry Thompson; Daniel-Wewitzer; Tom-Lewis (1st appearance in that character); Phillis (1st time)-Mrs Bates; Luanda-Mrs Morton; Mrs Sealand-Mrs Pitt; Isabella-Mrs Poussin; Indiana-Miss Younge .

Afterpiece Title: The Musical Lady

Dance: End of mainpiece Pastoral Sports, as17840922

Song: In Act II of mainpiece a song by Brett

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Harlequin Junior

Dance: End of Act II of mainpiece The Sportsmen's Return, as17840916

Performances

Mainpiece Title: Isabella Or The Fatal Marriage

Afterpiece Title: The Apprentice

Song: In Act III of mainpiece an Epithalamium by Miss Stageldoir and Miss Field. [This was sung, as here assigned, in all subsequent performances.]

Performances

Mainpiece Title: The Hypocrite

Afterpiece Title: The Positive Man

Dance: End of Act II of mainpiece, as17841006; End of mainpiece, as17841008

Performances

Mainpiece Title: The Hypocrite

Afterpiece Title: The Poor Soldier

Dance: End of Act III of mainpiece The Charms of a Camp, as17841008

Performances

Mainpiece Title: Deception

Performance Comment: Principal Characters by Palmer, Dodd, Bensley, Brereton, Aickin, Parsons; Miss Pope, Mrs Wilson, Miss Farren. [Cast from European Magazine, Oct. 1784, p. 328: Wharton-Palmer; Vainlove-Dodd; Sir Henry Lofty-Bensley; Henry-Brereton; Lord Courtly-Aickin; Mr Salter-Parsons; Lady Betty Friendly-Miss Pope; Miss Salter-Mrs Wilson; Clarissa-Miss Farren.] Prologue spoken by Bannister Jun. Epilogue spoken by Miss Farren . Prologue spoken by Bannister Jun. Epilogue spoken by Miss Farren .

Afterpiece Title: The Padlock

Dance: End of Act IV of mainpiece a New Dance incident to the Piece by Mr and Miss Hamoir

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Spanish Rivals

Performance Comment: Principal Characters by Parsons, Baddeley, Barrymore, R. Palmer, Dodd; Mrs Wrighten, Miss Phillips. [Cast from text (J. Almon, 1784): Don Narcisso de Medicis-Parsons; Don Gomez-Baddeley; Don Fernandez-Barrymore; Basto-R. Palmer; Peter-Dodd; Lucett-Mrs Wrighten; Roxella-Miss Phillips.] Prologue spoken by Bannister Jun. [This was spoken, as here assigned, at all subsequent performances.] hathi. Prologue spoken by Bannister Jun. [This was spoken, as here assigned, at all subsequent performances.] hathi.

Song: In Act II of mainpiece a song by Miss Stageldoir

Performances

Mainpiece Title: The Hypocrite

Afterpiece Title: Tom Thumb

Dance: End of Act III of mainpiece The Belle of the Village, as17840917

Performances

Mainpiece Title: The Hypocrite

Afterpiece Title: The Poor Soldier

Dance: End of Act III of mainpiece Leap Year, as17841022