SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Moll Davis whom I never saw act be"/1) | (@(roleclean,performerclean) "Moll Davis whom I never saw act be")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4703 matches on Event Comments, 1656 matches on Performance Comments, 1492 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Never before acted [by William Havard, who inserted a long advertisement in the Daily Post with quotations from Roman history and the comment: thus much I think is necessary to be known by everybody who designs to see the play.] Last night the Tragedy of Regulus was perform'd...to a numerous and polite Audience, and met with great Applause.-London Daily Post and General Advertiser, 22 Feb

Performances

Mainpiece Title: Regulus

Performance Comment: Corvus-Delane; Decius-Havard; Metullus-Mills; Mutius-Bridges; Manlius-Berry; Quintus-Blakes; First Cartheginian Ambassador-Turbutt; 2nd Ambassador-Usher; Attilus Regulus-Taswell; Scaurus-Green; Emilius-Woodburn; Mantia-Mrs Giffard; Clelia-Miss Budgell; Regulus-Garrick; Prologue-Havard; Epilogue (by Garrick)-Miss Woffington. [From 1st edition, but listed in order of actors given in London Daily Post and General Advertiser.]From 1st edition, but listed in order of actors given in London Daily Post and General Advertiser.]
Event Comment: Never performed here before. [Prices in General Advertiser as 24 Jan.; in Daily Advertiser, 3s., 2s., 1s.

Performances

Mainpiece Title: The Funeral; Or, Grief A La Mode

Performance Comment: Lady Brumpton-Gentlewoman who never performed before; Lord Hardy-Kennedy; Campley-Cushing; Trusty-Furnival; Sable-Morgan; Puzzle-Paget; Kate Matchlock-W. Hallam; Trim-L. Hallam; Harriet-Mrs Cushing; Mlle D'Epingle-Mrs Kennedy; Tattleaid-Mrs Phillips; Charlotte-Mrs Hallam.

Afterpiece Title: The Debauchees

Event Comment: Afterpiece: Not acted these 10 years [acted 18 Feb. 1789]. With new Scenery, Dresses, and Decorations. Musick by late Mr Linley. The Scenery of First Part by Greenwood and his assistants, of Second Part by Marinari and his assistants. The Machinery and Decorations by Cabanel, Johnston, Jacobs. The Dresses by Johnston, Gay, Miss Rein. [Synopsis of plot (T. Becket, 1797).] Account-Book, 24 Dec.: Parrot bought and Cage for Robinson Crusoe #3 5s. 6d.; Paid Hunt, fireworker #2 3s. Receipts: #326 9s. (257.1; 62.13; 6.15)

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: Robinson Crusoe; or, Harlequin Friday

Performance Comment: Act I. Characters on the Desert Island. Robinson Crusoe-Palmer; Friday-Gentili; Principal Savages-Roffey, W. Banks, Whitmell, Garman; Pantaloon (the Portugese Merchant, shipwreck'd, and brought by the Savages to the Island)-Banks; Pero (his Servant)-Grimaldi; Captain of the Portugese Frigate-Sedgwick; Chorus of Sailors-Wentworth, Welsh, Fisher, Gregson; Act II. Characters at Lisbon. Robinson Crusoe (on his return to England)-Palmer; Friday , when Harlequin, remaining at Lisbon-Male; Pantaloon-Banks; Figaro , the Lover-Caulfield; Pantaloon's Servants: Sancho , the Clown-Hollingsworth; Pero-Grimaldi; Miller-Cooke; Father Paul-Denman; Lay Brother-Evans; Friars-Phillimore, Webb; Principal Witches-Maddocks, Trueman, Miss Heard; Ursula (Pantaloon's wife)-Miss Tidswell; Colombine (his daughter)-Mrs Wild , late Miss Simonet (1st appearance at this theatre); Principal Warriors Savages and Dancers , in the Indian Festival, on Friday's return to his Island-Gentili, Wells, Butler, Thompson, Nicolini, Ms Brooker, Ms Brigg, Ms Barrett, Ms Byrne, Ms Bourk, Ms Haskey.
Event Comment: By Permission of the Lord Chamberlain. Mainpiece and afterpiece: Never performed here. The Doors to be opened at 5:30. To begin at 6:30. Tickets delivered for the 9th will be admitted. The excellency of the Play and Farce are so universally acknowledged that any comment would be impertinent; but the director of the evening's entertainment entreats [sic] the publick to be assured that it shall be conducted with every possible degree of propriety and decorum; that the performers are respectable, and their abilities such as he trusts will merit their approbation

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: The Romance of an Hour

Dance: End of mainpiece a new Comic Dance, The Affrighted Dwarf, with a whimsical Transformation into Mad Moll (performers not listed)

Monologue: 1784 11 16 End of Act IV of mainpiece Bucks have at ye all by Cross

Event Comment: Benefit Lacy. Afterpiece: A new Satyrical, Allegorical, Political, Philosophical Farce, [Apparently by Lacy.] Daily Advertiser, 30 April: Yesterday I accidentally call'd in at the Theatre in the Hay-Market, and saw the Rehearsal of a new Farce call'd Fame...Which is to be acted there on Wednesday next...for the Benefit of Mr Lacy the Author. As I am neither acquainted with him, nor the Master of the Playhouse, I cannot be accus'd of Partiality, in affirming, that I think this the best Farce this Age has produc'd. It seems to be writ in Imitation of Shakespear, and entirely calculated for the present Taste. The Characters are strong, lively, majestic, and just; the incidents natural and moving; the Conduct regular; the Distresses extremely affecting; the Stile sublime; the Sentiments grand, full of Patriotism; and the Catastrophe so masterly wrought up, that, I am persuaded, no Farce whatsoever, now acting, will draw more Tears than this. But what affected me beyond all, was, the Zeal, the exemplary Zeal of a worthy Magistrate, who so strictly adheres to the very Letter of the Law, as to send a rich and honest Merchant, and Freeholder, to the House of Correction, as a sturdy Beggar, or Loiterer. I could enlarg in its Praise, but fear I may do the Author wrong, in raising your Expectations too high. See it, and I am convinc'd you will entertain the same Sentiments of it, as does Your Humble Servant, James Lacy. Alias Fustian, alias Sour-Wit, alias--But hold:--If I should be arraign'd for the Murder of this Farce, so many Alias's will half condemn me before I am heard

Performances

Mainpiece Title: Pasquin

Afterpiece Title: Fame; or, Queen Elizabeth's Trumpets; or, Never plead's Hopes of being a Lord Chancellor; or, The Lover turn'd Philosopher; or, The Miser's Resolve upon the Lowering of Interest

Performance Comment: The Characters are, Sir Hardheart Pelf, an Usurer, and Justice of the Peace-; Counsellor Pleadwell, a Man of Honour-; in love with Charlotte, the Miser's Daughter-; Counsellor Neverplead, of Brick-Court in the Temple, an Original-; Fustian turn'd Auctioneer, preparatory to a Presbyterian Parson-; Mr Jamaica, an honest Merchant, sent as a Vagrant to the House of Correction-; Mr Quidnunc, a very deep-headed Man-; a Pack of fashionable Ladies and Beaux-; Famine, the Usurer's Servant-; George, Counsellor Neverplead's chief Clerk-.
Event Comment: [Mainpiece by Charles Boyle. Premiere.] Benefit Mrs Porter, who performs a part in it she never acted before. [Since Mrs Porter is not in the cast in the edition of 1703, the meaning of this statement is not clear.] At the Desire of several Persons of Quality

Performances

Mainpiece Title: As You Find It

Afterpiece Title: Acis and Galatea

Music: From The Mad Lover-

Song: Mrs Hodgson, Cook, Davis

Dance: Mrs Elford, Fairbanch

Event Comment: "The Italian singers, male and female, whom I saw on this stage, distinguished themselves by good action, which is uncommon among the Italians. But the Italian opera would instantly be abandoned, notwithstanding the talents of the singers and the beauty of the music, if dancing were not the powerful magnet which attracts the Londoners. All Italian operas are, therefore, abridged, divertisements introduced between the acts, and the ballets considerably lengthened, in order to gratify the public taste" (Goede, p. 263)

Performances

Mainpiece Title: The 1st Act Of Le Gelosie Villane

Performance Comment: Principal Characters-Morelli, Rovedino, Viganoni, Sga Fabrizzi.

Afterpiece Title: The 1st Act of Merope

Dance: As17970715

Event Comment: Benefit for Davis, Perry, and Mad Jansolin. No Building on stage

Performances

Mainpiece Title: Hamlet

Cast
Role: Laertes Actor: Davis.

Afterpiece Title: Damon and Phillida

Dance: II: A Serious Dance-Miss Capdeville (8 years of age, first time of performing on any stage); III: The Taylors, as17620107; End: Hornpipe-Mlle Capdeville; Likewise an Epilogue-a Young Gentlewoman who never appeared on any stage

Event Comment: By Subscription. With a new Prologue and Epilogue. Admission as 14 Dec. 1703. [A Folger Library broadside appears to be a program for this concert. It lists in Act I The Druid's Song from Bonduca, two songs by Mrs Tofts, a song from The Fairy Queen, and a dance; in Act II The Frost Music from King Arthur, two dances, and a song by Mrs Tofts; in Act III an Ode on the Glorious Beginning of Her Majesty's Reign, set by Daniel Purcell and performed by Leveridge, Hughes, Mrs Lindsey, and Mrs Campion; a song by Mrs Tofts, The Sacrifice from King Arthur, and a Grand Dance.

Performances

Mainpiece Title: Concert

Music: Wherein several Songs in Italian and English-Mrs Tofts; With several select Pieces of Musick- (compos'd by the late famous Mr Henry Purcell) taken out of the Operas of The Fairy Queen, King Arthur, Dioclesian, and Bonduca; And an Ode upon the Happy Accession of Her Majesty to the Throne- set to Musick by Mr Daniel Purcell, never perform'd before

Dance: L'Abbe, DuRuell, Cherrier, Mrs Elford, Mrs Campion, Devonshire Girl

Event Comment: Benefit for Munden. 2nd Piece [1st time in London; MF 2, by Thomas John Dibdin, 1st acted at Manchester, 15 Mar. 1793. Text (Huddersfield: J. Brook [1795] gives cast for Manchester]: The Music (with a new Waltz Overture, and an accompaniment for the Tamborine & Triangle) composed by Reeve. 3rd piece [1st time; M. INT 1]. Morning Chronicle, 4 Apr.: Tickets to be had of Munden, No. 16, Clement's-inn. Receipts: #630 12s. 6d. (237.13.0; 2.10.0; tickets: 390.9.6)

Performances

Mainpiece Title: Wild Oats

Afterpiece Title: Sunshine after Rain

Performance Comment: Principal Characters by Incledon, Munden, Fawcett, Knight, Johnstone, Mrs Davenport, Mrs Atkins. Cast from Songs (J. Barker, 1799): Captain Mortimer-Incledon; Squeez'em-Munden; Doctor Scarecrow-Fawcett; Clump-Knight; Terence-Johnstone; Goody Benson-Mrs Davenport; Clarissa-Mrs Atkins.

Afterpiece Title: The Jolly Crew; or, Tars at Anchor

Performance Comment: Principal Characters-Incledon, Johnstone, Munden, Fawcett, Townsend, Linton, Street; In which: Thursday in the Morn-Incledon; Kicking up a Row-Johnstone; Four and Twenty Fidlers-Munden; The Tight [or, Snug] Little Island (written by T. Dibdin)-Townsend; Boxing the Compass-Fawcett; Catches, Glees-Incledon, Johnstone, Townsend.

Song: In Course Evening: a new Comic Song (never sung in London), A Bundle of Proverbs; or, Odds and Ends, in the Character of Ephraim Smooth-Munden; A new Comic Song (never performed), A Touch at Old Times; or, No Days better than our Own-Munden; The Barber's Petition, with a song in character, Wigs, including His Own Wig, the Lover's Wig, Doctor's Wig, Coachman's Wig, Councellor's Wig,-Fawcett

Entertainment: Monologue The Barber's Petition-Fawcett

Event Comment: For the Entertainment of Esquire Bickerstaff, who will honour Mr Penkethman with his Presence. These Performances will be done between the 1st and 4th Act, by reason Esquire Bickerstaff is oblig'd to be gone when the 3d Act is over. Altho' Mr Penkethman is at an Extraordinary Charge for these Entertainments, besides the Play, yet to oblige his Friends he lets 'em in at Common Prices [as 7 Aug.]. Note, No Subscribers Tickets will pass this Day

Performances

Mainpiece Title: The Fond Husband

Entertainment: 1st: turns upon one Foot 300 times-A Young Gentlewoman, who never appear'd on a publick Stage, and as she is turning fixes 12 Swords points about her, 2 to her Eyes, 2 to her Eye-lashes, 2 to her Eye-brows, 2 to her Nose, 2 to her Lips, and 2 to her Breasts

Dance: French Peasant-; Scaramouch-; Wooden Shoe-; Dance by Harlequin Scaramouch Cooper and his Wife-; Ladder Dance-

Event Comment: Books of the Ballets may be had at the Theatre, price 6d. Public Advertiser, 8 Dec.: As to the Dances, such exquisite perfection was never seen in England before, because there certainly never was before seen such a band of transcendent Dancers simultaneously subsisting on the same Stage . . . They were almost equally admirable. Thus, if Vestris and Theodore were most surprising, Lepicq and Rossi were more touching, Slingsby more exhibiting

Performances

Mainpiece Title: Silla

Dance: End of Act II an entirely new Dance (composed by D'Auberval; the music by Barthelemon) The Pastimes of Terpsycore, an Allegorical Ballet, by Vestris Jun. (1st appearance at this theatre these 3 years), Blake (1st appearance), Henry, Zuchelli, Monetti, Lepicq, Mme Theodore D'Auberval (1st appearance this season), Mme Simonet, Mme Rossi; End of Opera a new Anacreontic Ballet (composed by D'Auberval) Friendship leads to Love by Lepicq, Mme Rossi, Slingsby, Mme Simonet, Vestris Jun., Mme Theodore

Performances

Mainpiece Title: I Rivali Delusi

Music: The Dancers, incomparably the best Groupe in Europe, exerted themselves very successfully; D'Auberval's Drunkenness was well managed; Rossi's Fainting Fit, her Agitation preceding it, and her Revival from it; Lepicq's hovering over Rossi, when in the Swoon, and in his Separation from her, were all told very expressively indeed. Lepicq is the most graceful dancer in Europe, and excells every Competitor in the Narrative and Pathos of Gesticulation

Dance: End of Act I Le Reveil du Bonheur, as17840203, but D'Auberval in place of Slingsby; End of Opera an entirely new grand Ballet, or Tragi-Comic Dancing Pantomime, composed by D'Auberval, Le Deserteur; ou, La Clemence Royale (taken from the well-known comic opera, The Deserter). The Deserter-Lepicq; Skirmish-D'Auberval, who in that character will execute a Pas in a stile entirely new, and never before attempted in England; Louisa-Mme Rossi; other Principal Parts by Vestris [Jun.], Henry, Zuchelli, Mme Theodore, who will also dance the favourite Pas de Basque

Performance Comment: The Deserter-Lepicq; Skirmish-D'Auberval, who in that character will execute a Pas in a stile entirely new, and never before attempted in England; Louisa-Mme Rossi; other Principal Parts by Vestris [Jun.], Henry, Zuchelli, Mme Theodore, who will also dance the favourite Pas de Basque . other Principal Parts by Vestris [Jun.], Henry, Zuchelli, Mme Theodore, who will also dance the favourite Pas de Basque .

Performances

Mainpiece Title: The Twin Rivals

Afterpiece Title: The Honest Yorkshireman

Music: A New Medley Overture, never yet performed, composed by Arne. A new Set of Act Tunes, never yet performed, composed by Arne

Performance Comment: A new Set of Act Tunes, never yet performed, composed by Arne .

Song: Was ever Nymph like Rosamond, sung by Master Osborne, a Scholar of Carey. Se l'Arco, a French Horn Song out of the Opera of Admetus, sung by Master Osborne

Event Comment: MMiss Pritchard did the Lady-Oh! for Mrs Pritchard's Benefit. She advertised Jane Shore, but Mrs Cibber being ill it was changed (Cross). Benefit for Mrs Pritchard. Part of the Pit will be laid into the Boxes. Tickets delivered for Jane Shore will be taken. Mainpiece: From Shakespear. Afterpiece: Never acted there. Receipts: #280 (Cross)

Performances

Mainpiece Title: The Winter's Tale

Afterpiece Title: The Frenchified Lady never in Paris

Song: (BBy Desire,)Cymon and Iphigenia-Beard

Event Comment: Benefit for Wilson. Second Course [1st time; M. INT I, by James Cobb. Larpent MS 567; not published]: With Songs and a New Overture. Entrement [1st time: INT I, by Charles Stuart. Larpent MS 566; not published]. Desert: Never acted here; by Permission of Harris [proprietor of cg. The playbill assigns Princess Huncamunca to Mrs Kennedy, but "Huncamunca was very well performed by a Lady who resembled Mrs Kennedy in her voice" (Public Advertiser, 23 Aug.; and see 24 Aug.)]

Performances

Mainpiece Title: the Feast Of Thalia; Or, A Dramatic Olio

Performance Comment: [Bill of Fare, in which every Dish belonging to the Drama will be served up: Prelude, Tragedy, Comedy, Opera, Interlude, and Burlesque. By way of Relish: The Manager in Distress. [Principal Characters by Palmer, Aickin, R. Palmer, Egan, Bannister Jun., Mrs Cuyler, Mrs Jewell, Miss Hale, Mrs Webb. [Cast from text (T. Cadell [1780]): Bustleton-Palmer; Manager-Aickin; Easy-R. Palmer; Irishman in the Pit-Egan; Gentleman in the Balcony-Bannister Jun.; Actresses-Mrs Cuyler, Mrs Jewell, Miss Hale; Lady in Balcony-Mrs Webb.

Afterpiece Title: First Course, a substantial Dish from: Henry IV

Performance Comment: As Act I on 7 Aug., but Sir John Falstaff-Wilson (1st appearance in that character); Francis-Edwin; Poins-R. Palmer; Peto-Painter; Prince of Wales-Palmer; Hostess-Mrs Love.

Afterpiece Title: Second Courae, a Comic Dish, never serv'd up before: Kensington Gardens; or, The Walking Jockey

Performance Comment: Characters by Edwin, Blissett, Staunton, Wood, Barrett, Painter, Pierce, Miss Harper; Cast from Larpent MS: Thimble-Edwin; Sir Harry Optic-Blissett; Dick-Barrett; Toupee-Wewitzer (see17810831); Letitia-Miss Harper; unassigned-Staunton, Wood, Painter, Pierce.

Afterpiece Title: Third Course, an Operatic Dish: The Son-in-Law

Performance Comment: As17810609 but Characters-_Stevens, _Kenny, Mrs _Lefevre.

Afterpiece Title: Also by way of Entremet: Ripe Fruit; or, The Marriage Act

Performance Comment: Character by Bannister Jun.; Mrs Wilson, Miss Hitchcock. Cast from Larpent MS: William-Bannister Jun.; Sally-Mrs Wilson; Nancy-Miss Hitchcock.

Afterpiece Title: Desert: Tom Thumb

Song: In Second Course: Auld Robin Gray-Miss Harper

Event Comment: Benefit for Mrs Bannister. Mainpiece: Never acted here. The Music by Dr Arne. With a Grand Procession of the different Orders of the Knights of Chivalry. Public Advertiser, 6 Mar.: Tickets to be had of Mrs Bannister, No. 6, Great Russel-street, Covent Garden. Receipts: #252 8s. 6d. (177/14/6; tickets: 74/14/0) (charge: #105)

Performances

Mainpiece Title: Cymon

Afterpiece Title: Rosina

Dance: In Act I of mainpiece a Dance of Cupids; In Act IV a Dance of Daemons; In Act V a Grand Ballet (performers not listed)

Event Comment: Benefit for Edwin. Mainpiece: Altered from Wycherly; Never performed there [acted 24 Jan. 1743]. Afterpiece: Not acted these 15 years [acted 27 Nov. 1776]. Morning Herald, 11 Apr.: Tickets to be had of Edwin, No. 19, Piazza, Covent Garden. Receipts: #353 (226/15/6; 2/12/6; tickets: 123/12/0) (charge: #105)

Performances

Mainpiece Title: The Plain Dealer

Afterpiece Title: Duke and No Duke

Song: End of Act II of mainpiece Hogarth's March to Finchley; In Act I of afterpiece Four-and-Twenty Fidlers all on a Row, both by Edwin

Monologue: 1786 04 18 End of mainpiece Peeping Tom of Coventry's Peep into London by Edwin

Event Comment: Mainpiece: Originally Acted before King James the First with great Applause at the University of Cambridge. [Layfield performs] at the Desire of several Persons of Quality

Performances

Mainpiece Title: Ignoramus

Dance: A new Italian Scaramouch-Layfield, his first on the stage; other dances-Layfield, Miss Evans

Song: Mrs Hodgson, Cook, Davis, Miss Baldwin; A comical dialogue-Short, Mrs Willis; Song in Imitation of an Old Woman-Mrs Willis

Event Comment: Benefit for Edwin. Public Advertiser, 21 Aug.: Tickets to be had of Edwin, No. 2, Piazza, Covent Garden. Mainpiece: Never acted here. Afterpiece: Not acted these 3 years [acted 15 Aug. 1781]

Performances

Mainpiece Title: The Good-natured Man

Afterpiece Title: Midas

Performance Comment: Midas-Edwin; Pan-Bannister; Damaetas-Blissett; Sileno-Massey; Jupiter-Burton; Apollo-Brett; Nysa-Miss George (1st appearance in that character); Mysis-Mrs Love; Juno-Mrs Edwin; Daphne-Mrs Bannister (1st appearance in that character) .

Song: End of mainpiece Four-and-Twenty Fidlers all on a Row, by Edwin

Monologue: 1783 08 26 End of Act I of afterpiece A Description of the Tombs in Westminster Abbey, by Edwin

Event Comment: Benefit for Bannister Jun. Public Advertiser, 17 Apr.: Tickets to be had of Bannister Jun., No. 6, Great Russel Street, Covent Garden. Mainpiece: Not acted these 20 years [not acted since 21 Oct. 1760]. Afterpiece: For that night only; never acted here. [Miss Bannister's 1st appearance on the stage was at HAY, 27 Aug. 1783.] Receipts: #206 19s. 6d. (114/1/0; 23/7/6; 1/5/0; tickets: 68/6/0) (charge: #108 14s. 3d.)

Performances

Mainpiece Title: Cato

Performance Comment: Cato-Kemble; Juba-Bannister Jun.; Syphax-Aickin; Sempronius-Banymore; Decius-Chaplin; Lucius-Packer; Marcus-Brereton; Portius-Palmer; Lucia-Mrs Brereton; Marcia-Miss Bannister (1st appearance in that character, and 2nd appearance on any stage) .

Afterpiece Title: Tom Thumb

Dance: As17840311athi

Song: End of Act II of mainpicce Auld Robin Grey, as17840426 imitations. After the Dancing, various Imitations, Vocal and Rhetorical by Bannister Jun

Event Comment: A revived Serious Opera, with Grand Chorusses, New Dresses and Decorations; the Music by Sacchini. "In the second act [Mme Mara, who sang Andromeda] was encored in a song of Bravura . .. The amazing extent of her voice never appeared in a more conspicuous light... As to the Chorusses, we understand that they were under the immediate direction of Mme Mara, which accounts for the uncommon precision with which they were executed" (General Advertiser, 22 Mar.)

Performances

Mainpiece Title: Perseo

Performance Comment: Principal Characters by Babbini, Tasca, Bartolini, Schinotti, Simonetti (1st appearance); Sga Catenacci, Mme Mara. [Libretto (T. Cadell, 1774) lists the parts: Perseo, Barsene, Cefeo, Anfrisio; Andromeda, Tomiri.] hathi.

Dance: End of Act I Divertissement Villageois, as17860218; End of Act II Dance incidental to the Opera by Henry, Duquesney Qun.], the two Mlles Simonet; End of Opera New Divertissement, as17860311athi

Event Comment: Benefit for Kemble. Mainpiece: Not acted these 2 years. "Mrs Siddons spoke the speech on mercy as it certainly should be spoken--but as in truth we never heard it spoken--as a reply to 'On what compulsion must I?' From every other Portia it has always appeared as a recitation, prepared for the occasion" (Morning Chronicle, 8 Apr.). Morning Chronicle, 20 Mar.: Tickets to be had of Kemble, No. 19, Charles-street, Covent-garden. Receipts: #284 2s. 6d. (160/19/0; 20/17/6; 1/1/0; tickets: 101/5/0) (charge: #107 0s. 5d.)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Catherine and Petruchio

Dance: End of Act III of mainpiece The Lucky Return, as17860105; End of Act IV Minuet de la Cour, as17860116

Event Comment: Mainpiece: Never Acted before. [By Hilderbrand Jacob. Edition of 1738 refers to individuals determined to silence the first fruits of the Licensing Act.]

Performances

Mainpiece Title: The Nest Of Plays; Three New Comedies Of One Act Each

Afterpiece Title: The Prodigal Reform'd

Afterpiece Title: The Happy Constancy

Afterpiece Title: The Tryal of Conjugal Love

Afterpiece Title: The Dragon of Wantley

Dance: Glover, Mlle Roland; Je ne scai quoi-Tench, Villeneuve, Miss Oates

Event Comment: Benefit for Miss Younge. Mainpiece: Never acted here. In Act V a Grand Procession. Receipts: #275 12s. (161/4; tickets: 114/8) (charge: #105)

Performances

Mainpiece Title: The Heroine Of The Cave

Afterpiece Title: The Rival Knights

Afterpiece Title: Rosina

Song: In Act II of mainpiece an Anthem (singers not listed)