SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Moll Davis whom I never saw act be"/1) | (@(roleclean,performerclean) "Moll Davis whom I never saw act be")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4703 matches on Event Comments, 1656 matches on Performance Comments, 1492 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: John Vanbrugh to the Earl of Manchester, 25 Dec. 1699: Miss Evans the dancer at the New Playhouse is dead too; a feaver Slew her in eight and forty hours. She's much lamented by the Towne as well as the House, who can't well bare her loss; Matters running very low with 'em this Winter; if Congreve's Play [The Way of the World] don't help 'em they are undone. 'Tis a Comedy and will be play'd about Six weeks hence, nobody has seen it yet. Liveridge is in Ireland, he Owes so much money he dare not come over, so for want of him we han't had one Opera play'd this Winter; tho' Purcell has set one New One and Fingar another. We have got the Woman from the Chesire Cheese upon the Stage, who has the best Voyce for't by much that has been there at any time. We have the Emperors Crooaed Eunuch here, Francisco. They give him a hundred and twenty Guineas for five times. He has sung Once and was well likt. Dogget was here last Week, they gave him thirty pound to act Six times, which he did and fill'd the house every time (The Complete Works of Sir John Vanbrugh [Bloomsbury: Nonesuch Press, 1928], IV, 4)

Performances

Event Comment: Betterton's Company. This performance was probably the first day of this revival, for Matthew Prior wrote to Abraham Stanyan, 8 Jan. 1699@1700: To-morrow night Betterton acts Falstaff, and to encourage that poor house the Kit Katters have taken one side-box and the Knights of the Toast have taken the other (HMC, Bath MSS. [London, 1908], III, 394). See also 28 Jan. 1699@1700. The play was advertised in the London Gazette, No. 3601, 13-16 May 1700, and the title page states: Reviv'd, with Alterations. Written Originally by Mr Shakespear

Performances

Mainpiece Title: King Henry The Fourth; With The Humours Of Sir John Falstaff

Event Comment: Rich's Company. Lady Morley attended this performance: Lady Morley and one in the Box at the Grove an Opera. 10s. See Hotson, Commonwealth and Restoration Drama, p. 378. It is not known whether this performance was the premiere, but the publication of this work on 16 March 1699@1700 (Post Man, 14-16 March 1699@1700) suggests that if the usual month between premiere and publication intervened for this work, the premiere may have been in mid-February. On the other hand, a letter-see 20 Jan. 1699@1700-may refer to this work. The music was composed by Daniel Purcell. In Songs in the New Opera Called The Grove or Love's Paradice (1700) the following singers are listed: Mrs Irwin, Freeman, The Boy, Hughes, Mrs Lindsey, Pate, and Mrs Shaw. The Preface implies that the opera was a failure: As for the Persons who were not so generous...who thought the Catastrophe was not enough prepar'd, and that the discovery in the last Act was huddled and in confusion, they will now see if what he had writ had been spoken, every thing would have appear's clear and natural, which, to shorten the Entertainment had been before broken and disorder'd

Performances

Mainpiece Title: The Grove; Or, Love's Paradice

Event Comment: John Dryden to Mrs Steward, 11 April 1700: Within this Moneth there will be played for my Profit, an old play of Fletcher s, called the Pilgrim, corrected by my good friend Mr Vanbrook; to which I have added A New Masque, & am to write a New Prologue & Epilogue. Southern s tragedy, called the Revolt of Capoua, will be played At Bettertons House within this fortnight. I am out with that Company, & therefore if I can help it, will not read it before tis Acted; though the Authour much disires I shou'd (The Letters of John Dryden, p. 136)

Performances

Event Comment: Post Boy, 14-16 May 1700: Great Preparations have been making, for some Months past, for a New Opera to be acted next Term at the Theatre Royal, which, for Grandeur, Decorations, Movements of Scenes &c. will be infinitely superior to Dioclesian, which hitherto has been the greatest that the English Stage has produced, that probably 'twill equal the greatest Performance of the Kind, in any of the foreign Theatres. The Musick is compso'd by the Ingenious Mr Finger, and the Paintings made by Mr Robinson

Performances

Event Comment: Rich's Company. Post Boy, 28-30 May 1700: This Day at the King's Play-house, will be Acted the Tempest, or the Enchanted Island, with some Additional Entertainments, at the Request of several Seafaring Men

Performances

Mainpiece Title: The Tempest; Or, The Enchanted Island

Event Comment: Luttrell, A Brief Relation, IV, 674: The lord chamberlain has ordered that no playes be acted for 6 weeks while the mourning [for the Duke of Gloucester] continues

Performances

Event Comment: London Post, 13-16 Dec.: There being a French Scaramouch Dance betwixt the second and third Acts, a certain Person went in a Frolick, Incognito, up into the upper Gallery, and so pelted the Dancers with Oranges, that they were forced to quit the Stage, and the Play-house was all in an Uproar; but some of the Auditory perceiving who threw them, cryed out, fling him down into the Pit, which so startled him, that he was forced to make the best of his way down Stairs; however, a Constable having been sent for in the mean time, he was secured. Preface to Ximena (1719): The Fop's Fortune lagg'd on the Fourth Day and only held up its Head by the Heels of the French Tumblers

Performances

Mainpiece Title: Love Makes A Man

Dance: End II: a French Scaramouch-

Event Comment: Benefit for Pinkethman, [but] no plays being Allow'd to be Acted at either Theatre the Friday or Saturday before Whitsunday next,...Love makes a Man...is deferr'd till Friday the 13th of June

Performances

Mainpiece Title: Love Makes A Man

Event Comment: An excellent Comedy, (not Acted these 18 Years)...Written by the Ingenious Mrs Ann Behn. [This performance was presumably a part of a summer season at dl. The presentation of The Gentleman Cully at lif implies a similar season there.

Performances

Mainpiece Title: The City Heiress; Or, Sir Timothy Treatall

Event Comment: Not acted these 25 years. As it was several times presented at court by persons of Quality, for the Entertainment of his late Majesty King Charles the 2d. The Company will continue Acting three times a week, during the term of Bartholomew Fair. [No further performances at Drury Lane during the summer are known.

Performances

Mainpiece Title: The Empress Of Morocco

Music: With the original Mask set to new Musick-

Event Comment: [By Richard Steele. Date of premiere unknown. Published 20 Dec.] Colley Cibber: I remember [Rich] once paid us nine Days in one Week: This happen'd when the Funeral...was first acted, with more than expected Success.-Apology, I, 263

Performances

Mainpiece Title: The Funeral; Or, Grief A La Mode

Event Comment: [By Bevil Higgons. Date of premiere unknown. Published 15 Jan. 1702.] Dedicatory essay:...the short Time of its being Acted

Performances

Mainpiece Title: The Generous Conqueror; Or, The Timely Discovery

Event Comment: [King William died on Sunday 8, and the playhouses were forbidden to act until after the Coronation, 23 April.

Performances

Event Comment: [By John Dennis. Date of premiere unknown. Published 19 May.] Dedication: Falstaffe 's part...was by no means acted to the satisfaction of the Audience, upon which several fell from disliking the Action to disapproving the Play

Performances

Mainpiece Title: The Comical Gallant; Or, The Amours Of Sir John Falstaffe

Performance Comment: Edition of 1702 lists none of the actors. Epilogue written by Burnaby-Sir John Falstaffe.

Performances

Mainpiece Title: Bartholomew Fair

Performance Comment: All the Parts Acted to the best Advantage.
Event Comment: Benefit Mrs Hodgson. [Tamerlane intended, but cannot be acted.

Performances

Mainpiece Title: Oedipus

Event Comment: Benefit Pinkeman. Common Prices. All Persons that come behind the Scenes are desired to pay their Money to none but Mr Pinkeman. [This benefit had originally been advertised for 24 Oct. but deferred, the offerings for that day being a medley of The Death of King Henry VI, a Tragical Interlude of one Act only; Aesop, "several select Scenes" only; and The School-Boy; or, The Comical Rivals.

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Entertainment: Several pretty Entertainments-

Event Comment: Not Acted there these Ten Years. Admission: 5s., 3s., 2s., 1s

Performances

Mainpiece Title: The Rover; Or, The Banished Cavaliers

Dance: The Famous Monsieur DuRuel, Madamoiselle StLeger , who perform'd together at the Opera at Paris

Event Comment: Not Acted these Fifteen Years. [After this performance the dl at Oxford, where Betterton spoke a prologue written by Joseph Trapp. It appeared as a broadside and in The Players Turn'd Academicks and has been reprinted by Wiley. p. 124.

Performances

Mainpiece Title: The Fool's Preferment; Or, The Three Dukes Of Dunstable

Event Comment: Not acted these five years

Performances

Mainpiece Title: Sir Mannerly; Or, The Country Wit

Event Comment: Not Acted these Twenty-eight Years. Written by the Ingenious Mr Shadwell, late Poet Laureat

Performances

Mainpiece Title: The Sullen Lovers; Or, The Impertinents, With The Humours Of Sir Positive At-all

Performance Comment: Sir Positive-Powell; With a new Prologue by way of Elegy on the Death of the Royal Oak Lottery-Powell; And an Epilogue on the Life and Character of Maister Observator-Powell.
Event Comment: Not Acted these Twenty Years....a Revis'd Tragedy. [Nicoll, p. 289, has entry from LC 7/3: 6 Nov. 1703 Upon a false surmise (?) of Mr Congreve s at 3 in the afternoon our Reviv'd Play stopt so yt the best part of the Audience was lost."

Performances

Mainpiece Title: Love And Danger; Or, The Mistaken Jealousie

Event Comment: Not Acted these Twelve Years

Performances

Mainpiece Title: The Squire Of Alsatia

Dance: Some Extraordinary Entertainments-

Event Comment: Benefit Wilks [but see 2 Feb.]. Not acted there these 12 Years

Performances

Mainpiece Title: The Maid's Tragedy

Music: A Masque set to Musick by the late Mr Henry Purcell-

Dance: duRuel, others