SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Moll Davis whom I never saw act be"/1) | (@(roleclean,performerclean) "Moll Davis whom I never saw act be")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4703 matches on Event Comments, 1656 matches on Performance Comments, 1492 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: As17470228, but Myrtle-Cashell; In Act II a Concerto on a German Flute-Mr Balicourt.

Afterpiece Title: The Lying Valet

Dance: As17461231

Event Comment: Benefit for Bencraft and Mrs Hale. Mainpiece: Not acted these 9 years. [See 4 Dec. 1740.] N.B.: A parcel of tickets having been lost, none sold at the doors of the theatre will be admitted. Tickets to be had and places taken of Page at the Stage Door of the Theatre. [Inserted in the General Advertiser this day is Buskin's Apology]: @Enur'd to ills of various kinds,@By ancestors undone;@The Author has severely paid@For failings not his own.@From Disappointments Buskin writes,@Confesses 'tis for gain@Yet scorns all profits which arise@From giving others pain.@No private character he sneers,@No venom taints his mind;@His sole ambition is to please,@Not satyrise Mankind.@ On Wednesday last the Tragedy of Othello was acted at Covent Garden towards the relief of the unhappy sufferers by the late Fire; and on Saturday the sum of #218 12s. 4d. was paid into the hands of Messrs Ironside and Belchier; the company of comedians and the band of musick having generously given their performances (General Advertiser)

Performances

Mainpiece Title: Wit Without Money

Afterpiece Title: Apollo and Daphne

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: Young Beville-Delane; Myrtle-Ryan; Tom-Anderson; Sir John-Bridgwater; Cimberton-Arthur; Humphrey-Marten; Sealand-Sparks; Daniel-Collins; Phillis-Mrs Woffington; Lucinda-Mrs Hale; Mrs Sealand-Mrs Bambridge; Indiana-Mrs Bellamy; Song in Act II-Lowe.
Cast
Role: Song in Act II Actor: Lowe.

Afterpiece Title: Damon and Phillida

Event Comment: Published at 1s. 6d. Romeo and Juliet, revised by Theo. Cibber, first rev[ived] in Sept. 1744 at the Theatre in the Haymarket. Now acted at the Theatre Royal in Drury Lane. Great objects only strike the Gen'rous Heart@Praise the Sublime, o'er look the Mortal Part@Be there your judgment, Here your Candor shown@Small is our Portion-and we wish 'Twere none.-Prologue to Comus alter'd, &c. To which is added a Serio-Comic Apology for part of the life of Theophilus Cibber, Comedian, written by himself. Interspers'd with Memoirs and Anecdotes relating to the Stage managements, Theatrical Resolutions, &c., also Cursory Observations on some Pribcipal players. Particularly, Mr Quin, Ryan, Delane, Mrs Woffington, Mrs Ward, Miss Bellamy, Mr Garrick, Barry, Mrs Cibber, Mrs Clive, Mrs Pritchard and others. Likewise Original Letters that passed between the late Sir Thomas deVeil and Mr Theophilus Cibber relating to the Stage Act. "Each Puny Critic can Objections raise@The Greatest still is Knowing when to praise,"-Buckingham. Concluding with a Copy of Verses called The Contrite Comedian's Confession. Printed for C. Corbett &c. (General Advertiser). [This pamphlet details Cibber's troubles with Fleetwood during the years 1743-46.] Receipts: #160 (Cross); #151 11s. (Powel)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Intriguing Chambermaid

Event Comment: Mainpiece: Not acted these 10 Years. Afterpiece: Not acted these 20 years. Music, Dances and Other Decorations for afterpiece entirely new. [In a letter to John Gilbert-Cooper, the actor Charles Adams states that "the Prompter gave me a little Part in the Emperor of the Moon...I appear'd in it thrice." He was "paid Twenty Shilling Pr Week." See Theatre Notebook, XI (1957), p. 136. The only male parts left were Baliardo's servant Peter and the figures in the tableau of the final scene.] Receipts: #160 (Cross); #158 11s. (Powel)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Emperour of the Moon

Music: A Piece of Music-the Child

Dance: TThe Sailors Revels-Mathews

Event Comment: Mainpiece: Not acted these 10 Years. Afterpiece: Acted for the last time these Holidays. Receipts: #140 (Cross); #137 6d. 6d. (Powel)

Performances

Mainpiece Title: The Squire Of Alsatia

Afterpiece Title: Emperour of the Moon

Music: As17481226

Dance: SSailors Revels,as17481227; Black Joke, as17481227

Event Comment: This farce of Lethe was wrote some years ago and play'd with Success, & was reviv'd this Night with great Alterations, & was but indifferently receiv'd by the Audience (Cross). The Poet, Frenchman, & Sot Mr Garrick perform'd most inimitably (Charles Adams to John Gilbert-Cooper, Theatre Notebook, XI (1957) p. 138). No After Money will be taken, and no Persons will be Admitted behind the Scenes (General Advertiser). Receipts: #180 (Cross); #186 7s. (Powel). N.B.: Mr G-k is the author of Lethe and did receive #36 8s. 6d. for this night which is the overplus after the charge of #63 for the House is paid, and which I must subtract from the rest (Powel). [A letter appeared in the General Advertiser this day giving advance notice and approval of a performance of Cato to be put on at Leicester House 7 Jan. by members of the Royal Family. The author noted that "proper Habits are absolutely in the making," and that the Princes would learn the principles of liberty from the lines of the play.

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: As17481031, but in Act II Singing-Beard; Scotch Cantata-_.
Cast
Role: in Act II Singing Actor: Beard

Afterpiece Title: Lethe

Performances

Mainpiece Title: The London Merchant; Or, The History Of George Barnwell

Performance Comment: George-King (1st time); Thoroughgood-Berry; Truman-Blakes; Uncle-Bridges; Blunt-Palmer; Maria-Miss Cole; Lucy-Mrs Green; Millwood-Mrs Pritchard; In Act I singing-Master Mattocks.

Afterpiece Title: The Devil to Pay

Song: IV: Master Mattocks

Event Comment: Afterpiece: Not acted in 10 years. With Proper Decorations. [See 28 May 1742.] Paid Tallow Chandler #19 6s. 5d.; Paid Mr Beard on order of Lacy #10 10s.; Paid to Supers for practice of Rehearsal 4s. (Treasurer's Book). Receipts: #100 (Cross); #105 (Treasurer's Book)

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: A Duke and no Duke; or, The Power of Magick

Dance: Sailor's Hornpipe-Mathews; Comic Dance-Mathews, Mrs Addison

Event Comment: Not acted in 30 years. Principal Characters new Dress'd. Written by Otway (General Advertiser). Mr Woodward did ye part of Malagene in which he took off Mr Foote & would have many of ye Actors but the Audience grew so outragious, that he was forc'd to desist ye 4th & 5th Acts were much hooted, Mr Havard in a part where he says Whir was severely treated, nor could he ever appear after in ye play, but the whole Audience echoed that Word--it was given out again, wch so enrag'd the Audience yt they call'd loudly for Garrick, but as he was not this Night at the House, they pull'd up the Benches, tore down ye King's Arms, & wou'd have done much more mischief had not Mr Lacy qone into the Pit, & talk'd to 'em, what they resented was giving out a piece again after they had damn'd it--the Gallery resented ye Guards being sent in--Mr Lacy was oblig'd to go upon the Stage after & tell 'em I had given out the play again, as ne'er a Manager was present to give other Directions--In his Argument Mr Lacy call'd a Witness in ye pit, saying that Gent: next to ye painter knows I was in ye pit when ye Guards went into the Gallery, so I cou'd not send 'em this painter after ye rout came behind the scenes & was angry for being call'd painter (his name was Hudson) but at length he as well as ye rest was pacified--and we gave out Provok'd Husband (Cross). [See Foote's retaliation in Daily Advertiser, 26 Jan.] Paid Capt. Turber 1!2 year's rent #11 3s. 4d. (Treasurer's Book). Receipts: #140 (Cross); #137 12s. (Treasurer's Book)

Performances

Mainpiece Title: Friendship In Fashion (reviv'd)

Event Comment: A new musical entertainment compos'd & wrote by Mr Arne--it was much hiss'd but suffer'd to be given out again (Cross). No latter account will be taken. Books of the Entertainment to be had at the theatre. [Pages covering this date missing from Treasurer's Book. Larpent MS 85 indicates the Character Capt. Sancho-Blakes, deleted.] Receipts: #100 ($Cross)

Performances

Mainpiece Title: The London Merchant

Performance Comment: As17490922, but singing-_in Act I not listed.

Afterpiece Title: Don Saverio

Event Comment: Benefit for Mrs Woffington. Mainpiece: Not acted these 30 years. Afterpiece: Not acted these 5 years. For the better accommodation of the ladies, the stage will be enclosed and formed into Front and Side Boxes, where servants will be allowed to keep Places. Ladies are desired to send Servants by 3 o'clock. Charges: #60

Performances

Mainpiece Title: Virtue Betrayed; Or, Anna Bullen

Afterpiece Title: The Stage Coach

Event Comment: Benefit for one Monett master of ye French Comedians (Cross). [174th and positively the last night.] Receipts: #120 (Cross). Account of Disbursements made by Mr Monnet for his Stage, as well in Ready Money as in Notes of Hand. @Names of Actors and Actresses Their Contracts with Mr Monnet Paid in Money Paid in Notes Whole sum of the Expence, as well in Money as in Notes@Desormes #227 7s. 6d. #65 17s. 9d. #131 5s. #197 2s. 9d.@Mauly & Hamond #301 8s. 9d. #175 #63 #238@Bureau #257 8s. 7d. #122 11s. 3d. #52 10s. #175 1s. 3d.@Toscano #289 7s. 10d. #123 16s. 7d. #66 1s. 3d. #189 7s. 10d.@Durancy and Wife #361 17s. 1d. #147 7s. #210 #357 7s.@Parant #218 15s. #108 10s. 10d. .... #108 10s. 10d.@Terodat #52 10s. #39 2s. .... #39 2s.@Kelly #30 18s. #30 18s. .... #30 18s.@Villiers #32 15s. #32 15s. .... #32 15s.@Chateauneuf #43 15s. #15 17s. .... #15 17s.@Dujoncel #36 15s. #24 13s. 6d. #12 1s. 6d. #36 15s.@Champville #87 10s. #52 10s. .... #52 10s.@StAmand #78 15s. #26 5s. #17 10s. #43 15s.@Totals #1,919 2s. 9d. #965 4s. 3d. #552 7s. 9d.@ @Other Expences@For the Play-House's Rent #110@For the Stage's Taylor #35 14s.@For the Expences of Four Representations acted #65 12s. 6d.@For the traveling Expences of Mr Monnet, and his Residence of twenty Months at London or Paris and the Expences for the Custom-House, Law, Prison #328 12s. 8d.@Whole Sum of the Expence #2,157 1s.@ @RECEIPTS@For Fifty-six Subscriptions, at Five Guineas each #294@Received from Four Representations acted at the Little Theatre in the Hay-Market #188 18s. 4d.@From a Subscription, by Mr Arthur, Master of White's Chocolate-House #367 10s.@Whole Sum of the Receipts #850 8s. 4d. @ Therefore the Expence exceeds the Money received by #1,306 12s. 8d. which Mr Monnet is entirely out of Pocket, besides two Years and a half of his Time spent for it. N.B. The Contracts are all made for Livres Turnois, and this Account is made upon a Calculation of 3 Livres Tournois for 31 1!2d. Sterling.--And the Contracts and Receipts are ready to be produced. [This account is by courtesy of Miss Sybil Rosenfeld from a photostat of the original (which is printed in both French and English) in the Bibliotheque National. See also British Magazine, August 1750, p. 322.

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Anatomist

Dance: III: Grand Scotch Dance, as17491031

Event Comment: Nothing said abour ye prolog: (Cross). The Music of the Funeral Procession compos'd by Dr Boyce. [See "William Boyce's 'Solemn Dirge' in Garrick's Romeo and Juliet Production of 1750," by Charles Haywood, Shakespeare Quarterly, Spring, 1960.] This day is Publish'd at 1s. 6d. Romeo and Juliet a Tragedy, revised and alter'd from Shakespear by Theophilus Cibber, First revised in September 1744, at the Theatre in the Haymarket; now acted at the Theatre Royal in Drury Lane. To which is added a Serio-Comic Apology for Part of the Life of Mr Theophilus Cibber, Comedian, written by himself. Interspers'd with memoirs and anecdotes relating to the Stage Managements, Theatrical Resolutions, &c. also cursory Observations on principal Players: particularly Mr Quin, Mr Ryan, Mrs Woffington, Mrs Ward, and Miss Bellamy; Mr Garrick, Mr Barry, Mrs Cibber, Mrs Clive, Mrs Pritchard, &c. Likewise Original Letters that passed between the late Sir Thomas DeVeil and Mr Theophilus Cibber relating to the Stage Act, Concluding with a copy of Verses, call'd the Contrite Comedian's Confession. Printed for C. Corbett, the Publisher, at Addison's Head, facing St Dunstan's Church, Fleet St; G. Woodfall, at the King's Arms, the corner of Craig's Court, Charing Cross. [See 11 Oct.] Receipts: #170 (Cross)

Performances

Mainpiece Title: Romeo And Juliet

Performances

Mainpiece Title: The Way Of The World

Performance Comment: As17501221, but Comic Dance-Harvey, Mad Camargo replaces that of McNeil and Mad Camargo in Act IV.

Afterpiece Title: Queen Mab

Dance: III: Hornpipe-the Little Swiss

Event Comment: A great deal of Hissing by some Gentlemen in the Pit--at ye beginning of the 4th Act an apple thrown at Mrs Pritchard, Mr Garrick call'd for by ye pit--one Gent: got up, & said they insisted upon another play for Monday--Mr Garrick said as they had met with no obstruction since ye first Night, the Author's property was concern'd & desir'd it might be play'd Monday and Tuesday, the last being ye Author's night, & wou'd give out another play for Wednesday--Several in ye House approving this--they consented & at ye end of ye play, Mr Garrick gave out Gil Blas for Monday & Tuesday & Romeo & Juliet for Wed.:--before this at ye end of ye 1st Act, & beginning of ye Second the performance, that Night had been interrupted with Groans, Hisses etc. from ye Pit (Cross). Receipts: #140 (Cross)

Performances

Mainpiece Title: Gil Blas

Event Comment: We hear that some Gentlemen and Ladies who intended to act a private play for their own amusement, at the Little Theatre in the Haymarket; but having been much importuned by their friends and acquaintances for tickets, they found a larger house would be necessary. They applied therefore to the Author of the Masque now performing at Drury Lane, who, without hesitation, agreed that the run of Alfred should be interrupted for one night to oblige them. The tragedy of Othello, we are told is the play the Gentlemen have pitched on. The theatre being engaged to some Gentlemen and ladies for a private play tomorrow, the Masque of Alfred is oblig'd to be deferr'd till Saturday next. Some Persons, it seems, continue still under a Mistake that this Masque [Alfred] is the same with the first draught of one formerly written under the same title: they need only, to be undeceived, look into the advertisement prefixed to that performance just now printed for A. Miller, in the Strand. The Ladies and Gentlemen who distributed Tickets for the Play Othello which was to have been acted in the Haymarket, intend to perform it tomorrow at Drury Lane: No person will be admitted without a ticket, and no tickets will be taken at the stage door (General Advertiser)

Performances

Mainpiece Title: None

Event Comment: Benefit for Mrs Clive. Part of Pit will be rail'd into the Boxes. Servants allow'd to keep places. Send servants by 3 o'clock. Tickets and places to be had of Mrs Clive at the Naked Boy in Henrietta St., Covent Garden. Mainpiece: Not acted these 7 years [see 18 Nov. 1754]. Afterpiece: With alterations and an additional scene. Mr Havard's benefit play, which should have been acted some day this month, is deferr'd on account of his Indisposition, to the 12th of April, when the new Masque of Alfred will be perform'd, with its proper Scenes, Dances, Music, and Machinery. Receipts: #230 (Cross)

Performances

Mainpiece Title: The Inconstant; Or, The Way To Keep Him

Afterpiece Title: The Rehearsal; or, Bayes in Petticoats

Dance: Devisse, Mad Auretti, Harvey, Mad Camargo

Performances

Mainpiece Title: The Revenge

Performance Comment: Zanga-Mossop; Alonzo-Havard; Carlos-Ross; Leonora-Miss Bellamy; Don Alvarez-Burton; Don Manuel-Mozeen; Isabella-Mrs Mills.*a1751 10 10 dl The Anatomist.*c1751 10 10 dl Mainpiece: Not acted these 20 Years. Mr Mossop (Zanga ) Havard (Alonzo ) play'd well, but ye appear'd as it is wrote, Dull (Cross). The Comedy call'd Sir Courtly Nice, or It Cannot Be, is now reviving at Drury Lane, and will be played there in a few days. Receipts: #140 (Cross).
Event Comment: MMr Harris James dy'd at 8 in ye Morn (Cross). Mainpiece: Acted there but once these 20 years. Receipts: #120 (Cross)

Performances

Afterpiece Title: The Chaplet

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: As17510920, but Masquerade Dance in Act I-Mathews, Mad Janeton Auretti, etc.

Afterpiece Title: The Lottery

Event Comment: Publish'd, A Treatise of the Passions so far as they regard the stage &c., by Mr Foote. 1s. [First pub. 1747, it contains an interesting comment on Garrick's Lear.] Romeo and Juliet which was bespoke, and was to have been acted last Monday at Drury Lane, will be acted there next Monday, Miss Bellamy being recovered from her late indisposition. Receipts: #190 (Cross)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Shepherd's Lottery

Performances

Mainpiece Title: The Old Woman's Oratory

Performance Comment: As17520211, but Cymballo act-.
Cast
Role: Cymballo act Actor: .

Performances

Mainpiece Title: The Old Woman's Oratory

Performance Comment: See17520211, but a new Cantata composed by Phillipo Ruge (organist of St. Peter's in Rome)-; likewise a Solo in a new Taste-Sig Piantofugo; introduce Jew's Harp-; Salt@Box-; between the Acts a humorous Solo on the French Horn-Mrs Midnight's Daughter (just arrived from Padua); Epilogue-Hallet (in the character of Cupid).
Event Comment: Benefit for Macklin. Afterpiece: A New Dramtic Satire in two acts. N.B. As several of the Town have prejudged the Pit the Boxes and Galleries acting their own parts themselves for their diversion, to be of the same species of the Lick at the Town last year; and that it can mean only the ordinary Approbation or Disapprobation of the Audience, Signor Pasquin thinks it incumbent on himself to assure to Publick that all those conjectures are groundless; And farther, he assures them that the Pit, &c. acting their parts has no other meaning than the common literal sense; and that the Audience are really interwoven in the piece; and are to be bona fide part of the Dramatis Personae; and he makes no doubt but that he shall make them perform their parts to a numerous and polite audience, and with universal Applause. But he begs that those Ladies and Gentlemen who intend to perform in the Pit and Galleries will be at the Theatre betimes, for particular reasons; and those who are to act in the Boxes are requested to send their servants to keep their places by three o'clock. Signor Pasquin has received the letters sent by the Town and the Village, and they may depend upon having Places kept for them upon the Stage. The Hiss concerning the Robin Hood Society will be complied with (General Advertiser). [The parts were: Pasquin, Marforio, Sir Eternal Grinn, Sir Conjecture Positive, Sir Roger Ringwood, Bob Smart, Soloman Common Sense; Count Hunt Bubble, Sir John Ketch, hic and Hac (Scribblers), Hydra, Lady Lucy Loveit, Miss Diana Singlelife, Miss Brilliant, Miss Bashfull (Larpent MS 96).

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: Covent Garden Theatre; or, Pasquin turn'd Drawcansir, Censor of Great Britain

Performance Comment: The parts of the Pit, Boxes, Galleries, Stage, and Town to be performed by themselves, for their diversion; the parts of several Dull, disorderly characters, in and about St Jame's to be performed by certain persons, for example; And the part of Pasquin@Drawcansir to be performed by his Censorial Highness;, for his interest. The Satire to be introduced by an Exordium;, and to conclude by a satirical@panegyrical@ironical@comical@original Peroration upon the Virtues, Vices, Wisdom and Folly, Judgment and Power of the Town. Both to be spoken from the Rostrum-Signor Pasquin.

Dance: GGrand Comic Ballet, as17511216