SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Moll Davis whom I never saw act be"/1) | (@(roleclean,performerclean) "Moll Davis whom I never saw act be")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 4703 matches on Event Comments, 1656 matches on Performance Comments, 1492 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Mrs Cibber. Tickets delivered for The Orphan will be taken. No building on stage. [Goldsmith, in his Bee (Vol. 1759, p. 56), commenting on Mad Clairon s' excellent preservation of character on stage, glances at Mrs Cibber, perhaps in this night's performance: 'I can never pardon a lady on the stage who, when she draws the admriation of the whole audience, turns about to make them a low courtesy for their applause. Such a figure no longer continues Belvidera , but at once drops into Mrs Cibber." See comment upon her deportment as Ophelia , 29 April 1763.

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: High Life Below Stairs

Dance: TThe Cow Keepers, as17600313

Event Comment: Benefit for Yates. Tickets at the Parrot in Tavistock Street and at the Stage Door, Afterpiece: A new Comedy, never performed before. [Anonymous alteration of Boden's Modish Couple.

Performances

Mainpiece Title: The Busy Body

Performance Comment: Busy Body-Garrick; Sir George-Palmer; Sir Grancis-Yates; Sir Jealous-Phillips; Charles-Holland; Isabinda-Mrs Davies; Patch-Mrs Clive; Miranda-Miss Macklin; Epilogue in character-Garrick.

Afterpiece Title: Marriage a-la-Mode

Event Comment: Calculated for the use and entertainment of the town in general, but particularly the admirers of The Minor, and more especially those who have been present at the humorous representations of that piece. 'The plain roast and boiled of the theatres will never do at this table. We must have huge seasoned ragouts, and rich sauces.' Perhaps I may produce something that may hit your palate--What think you of a Mimick? Vide the Introduction of The Minor. Nothing will be taken under full prices. No admittance behind the scenes. Care will be taken to keep the house cool. To begin exactly at Seven

Performances

Mainpiece Title: Comic Lectures

Event Comment: Afterpiece: A New Musical Entertainment never perform'd before. The Music composed by Dr Arne. Full Prices. Boxes #53 (Account Book). [About 212 persons in Boxes. A profitable and popular afterpiece for Rich, but it cost him each night this season 10s. 6d. for Mr Wrexell for the Clarinet, and 5s. to Dell for the French Horn.] Receipts. #181 8s. (Account Book)

Performances

Mainpiece Title: The Minor

Afterpiece Title: Thomasand Sally; or, The Sailor's Return

Performance Comment: Actors only:-Beard, Mattocks, Miss Brent, Mrs Vernon; Dancing-Maranesi, Poitier Jr, Mrs Vernon; Thomas-Beard; Squire-Mattocks; Sally-Miss Brent; Dorcas-Mrs Vernon (Genest, IV, 622). [But see17610423 and 1761 Edn., apparently the parts of Beard and Mattocks were reversed for those indicated by Genest.]But see17610423 and 1761 Edn., apparently the parts of Beard and Mattocks were reversed for those indicated by Genest.]
Event Comment: An Oratorio in two Parts never perform'd before. 7 p.m. By Charles Barbandt. Boxes 10s. 6d. Pit 3s. Gallery 2s. By Subscription. N.B. Ladies are desired to send servants to take places

Performances

Mainpiece Title: David And Jonathan

Music: Solo on Violin-Jackson; Solo on German Flute-Kolowiky; Solo Violincello-Paxton; Solo Hautboy-Barbandt

Event Comment: Mainpiece: ay Desire. Dance Entertainments never performed before. Boxes #65 10s. Macklin's fifth above charges came to #22 19s. 5d. Bought from Voelcher 3 yds black Cypra for a veil for Mrs Burden 6s. 3d. (Account Book). Receipts: #177 17s. (Account Book)

Performances

Mainpiece Title: The Refusal

Afterpiece Title: Love a-la-Mode

Dance: Spanish Dance,%The Serenade-; The Waggoners (Comic Dance)-Poitier Jr, Mrs Vernon

Event Comment: The Music for the afterpiece compos'd by Mr Stanley, with a Hunting Song (never perform'd before) by the late Mr Handel. Books of the Entertainment to be sold at the Theatre at 6d. each. [Afterpiece: a short simple compliment to their Majesties on their nuptials (Biographia Dramatica). MacMillan suggests parts for afterpiece: Dametas-$Champness; Damon-$Lowe; Priest-$Fawcett; Phebe, Delia-$Miss Young; Sylvia-$Mrs Vincent.

Performances

Mainpiece Title: Douglas

Afterpiece Title: Arcadia; or, The Shepherd's Wedding

Performance Comment: Principal characters-Lowe, Champnes, Fawcett, Miss Young, Mrs Vincent; In which will be introduc'd Dancing-Grimaldi, Giorgi, Vincent, Sga Giorgi, Miss Baker, others; The whole to conclude with a Pastoral Processionto the Wedding of Thyrsis-; The Arcadians-the Comedians, Singers, Dancers.
Event Comment: Afterpiece: Never perform'd before

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Musical Lady

Performance Comment: Actors: Yates, King, Packer, Fox, Watkins, Champness, Mrs Vincent, Miss Young, Mrs Bennet, Mrs Bradshaw, Miss Pope; Prologue-upon Prologues, written by Garrick, King; Mask-King; Old Mask-Yates; Freeman-Packer; Rosin-Fox; Sophy-Miss Pope; Lady Scrape-Mrs Bennet; Laundress-Mrs Bradshaw; Servant-Watkins; Singers-Champness, Mrs Vincent, Miss Young (Edition of 1762).

Performances

Mainpiece Title: Songs From Artaxerxes

Performance Comment: by permission of Dr Arne, The favorite songs-Sg Peretti (who performed the part of Artaxerxes at Covent Garden), Tenducci, others; comic songs in Italian-Leopoldo Micheli (who never appeared on the English stage before); A Concerto on German Flute-Florio; Concerto on Violincello-Siprutini; (By Particular Desire) a new song by Dr Arne on the Taking of Martinico-Peretti.
Event Comment: Afterpiece: A pastoral never performed on any Stage, Words set to the music of eminent masters. Books of the Pastoral to be sold at the Theatre. [See Theatrical Review; or, Annals of the Drama, 1763, pp. 20-22.

Performances

Mainpiece Title: Lady Jane Gray

Afterpiece Title: The Spring

Dance: IV: (By Desire) Hearts of Oak, as17620925

Event Comment: [Note in the Public Advertiser to the effect that Crawford never advertises in any Papers but this and the Daily Advertiser.

Performances

Mainpiece Title: La Calamita Di Cuori

Event Comment: Benefit for Mrs Clive. Mainpiece: By Particular Desire.Afterpiece: Never perform'd before. Ladies and Servants by 3 o'clock. Part of Pit laid into boxes; No Building on Stage. [See Theatrical Review; or, Annals of the Drama, 1763, 1 April, pp. 142-46, for critique of the Sketch of a Fine Lady's Return from a Rout. Rather damns the writing and the performance on all counts, Moody's part being so bad, to save his face he commenced Hibernian in his dialogue" to amuse the ears of his audience. The parts are listed in Larpent MS 220: Sir Gregory Jenkings, Mr Nettle (a Lawyer), 1st Clerk, 2nd Clerk, Porter, Footmen, Lady Jenkings, Nancy Jenkings, Fanny Jenkings, Jane (Lady's Maid).

Performances

Mainpiece Title: The School For Lovers

Performance Comment: Principal characters-Garrick, Palmer, O'Brien, Mrs Cibber, Mrs Yates, Mrs Clive.

Afterpiece Title: Sketch of a Fine Lady's Return from a Rout

Performance Comment: Characters-Love, Moody, Mrs Clive, King, Ackman, Mrs Bradshaw, Miss Rogers, Miss Heath.

Song: End of Farce: A Mimic Comic Italian Song from the Opera of Il Filosopho di Campagna-Mrs Clive

Dance: End of Play: The Cow@Keepers, as17630315

Event Comment: Benefit for Vernon. Tickets deliver'd by Blakes wil be taken. Afterpiece, with Music composed by Dr Arne, never perform'd there

Performances

Mainpiece Title: The Alchymist

Afterpiece Title: Thomasand Sally

Song: II: By desire, The Tempest of War-Vernon

Dance: TThe Camp Alarm'd, as17630326

Event Comment: Afterpiece: A New Pantomime, the Overture and Comic Tunes compos'd by Potter, the Airs and Chorusses by Batishall. Nothing under Full Prices will be taken. The Words of the Airs and Chorusses in the Entertainment will be given away at the theatre (playbill). At the end of the Play a great Noise & many cry'd out, the whole! the whole, &c. Mr Holland told 'em there never was any more play'd, which a little appeas'd em; but some noise continued till the Curtain was drawn up for the Pantomime & then all was quiet. The Pantomime got great applause; the Tunes were very bad, & a great want of Business & Incidents thro' the whole. The Scenery is very Pretty & well Executed. The Elephant is excellent & has a Fine Effect (Hopkins). Machinery Pleas'd. Business so, so (Cross Diary). [Wording in comment from Hopkins Diary-MacMillan, differs only slightly.] Receipts: #269 13s

Performances

Mainpiece Title: The London Merchant; Or, The History Of George Barnwell

Afterpiece Title: The Rites of Hecate; or, Harlequin from the Moon

Performance Comment: Harlequin-Rooker; Other characters-Vernon, Champnes, Parsons, Clough, Ackman, Vaughan, Stevens, Fox, J. Palmer, Miss Young, Mrs Vincent, Miss Williams, Mrs Love; Colombine-Miss Baker; The Dances-Grimaldi, Aldridge, Lauchery, Miss Dawson, Miss Hilliard.
Event Comment: [Writer of letter to Public Advertiser states that it is not fashionable to attend on Tuesdays. On Tuesday, he continues, there were probably not more than twenty subscribers or a hundred who had paid. But the Upper Gallery never fails to do Honour to Opera. If not more than 20 people of Fashion in the House there are at least 300 in Upper Gallery." His suggestion is that reduction of cost to 2s. 6d. would induce whole musical families to attend and ultimately be beneficial for this form of entertainment.

Performances

Mainpiece Title: Senocrita

Dance: I: The Turkish Coffee House-; II: Le Tamborine-Fischar; and a new Terzetto-Duvall, Berardi, Miss Tetley; III: As17640221

Event Comment: Benefit for Love. Mr Love Hiss'd in the Scotchman. Dumont by Mr Powell (Hopkins). Characters Dress'd in Habits of Times. Mr Love was hissed very much in the Scotchman, and the Farce hissed at the end (Hopkins Diary-MacMillan). No building on stage. On Saturday Othello with a New Burletta call'd Music A-La-Mode, or Bayes in Chromatics For the Benefit of Vernon. [The principal characters were to have been played by King, Vernon, Packer, Fox, Mrs Mrs Dorman, and Miss Young (Public Advertiser, 13 April). But it was deferred at the last minute and seems never to have been performed. Larpent MS 237 lists the parts: Dr Crochet, Player-Packer; Squire, Justice; Damon; Daphne, Chorus of Shepherds and Nymphs. $J. P. Kemble thought it a burlesque at the expense of Dr Arne (professor of nonharmonic music). The Player wants in it to banish all but four plays (Tamerlane, London Cuckolds, George Barnwell, and Twelfth Night) and fill stage performance with music.] Receipts: #208 14s. 6d. (MacMillan); charges: #64 4s. [Profit to Love: #144 10s. 6d.

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Register Office

Dance: End: The Irish Lilt, as17630922; End I Farce: Hornpipe-Miss Baker

Event Comment: Benefit for Mrs Vincent. No building on the Stage. Mr Havard sent word that his Wife dy'd this morning. Mr Lee read his part. Imogen by Mrs Palmer (Hopkins). Charges: #64 4s. (MacMillan). Mrs Havard died this morning, on which account Mr Lee read Bellarius, and introduc'd two long speeches that were never spoke before. Miss Bride, being with child, cou'd (not) go into breeches, Mrs Palmer-Imogen (Hopkins Diary-MacMillan)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Contrivances

Song: III: The song of Sweet Bird-Mrs Vincent; accompanied on the Violin-Mr Pinto

Dance: The Provancalle, as17631014

Event Comment: A Serious English Opera never performed before, by Mr Rolt. Music by Mr Michel Arne and Mr Battishall. Though it met with a favourable reception was preformed but six nights to thin audiences (Victor, History of the Theatres, III, 58)

Performances

Mainpiece Title: Almena

Dance: II: New Dance, The Tartar's Festival-Aldridge, Berardi, Giorgi, Lauchry, Sga Giorgi, Miss Baker

Event Comment: Benefit for Mrs Pritchard. [The Mourning Bride in Rich's Register.] Part of Pit laid into Boxes. No admittance behind Scenes. Mainpiece: Never performed there

Performances

Mainpiece Title: Mariamne

Afterpiece Title: High Life below Stairs

Dance: End: The Irish Lilt, as17641011

Event Comment: Benefit for Mrs Mattocks. Mainpiece: By Particular Desire. Afterpiece: Never perform'd there. Tickets delivered by Barrington will be taken

Performances

Mainpiece Title: Comus

Afterpiece Title: The Musical Lady

Entertainment: After Masque: (this night only) his Serious, Comic, Post-haste Observations in his Journey to Paris, as17650411

Event Comment: Afterpiece: A comic opera [by Bickerstaffe never performed before. Books of the opera at the Theatre. The music by the most eminent composers

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: Daphne and Amintor

Event Comment: At the Little Theatre in James Street near the Haymarket. Doors to be opened at 5:00. To begin exactly at 6:00. Boxes 4s. Pit 2s. 6d. Gallery 1s. 6d. to the public. After several of our Lords and Masters, the Men, have with various success made wry faces for the amusement of the town; permit a woman to attempt the arduous task of laughing the men out of their follies; declaring, however, that while she attempts the ridicule of vices peculiar to the other sex, she will by no means spare the slightest foible of her own (Public Advertiser). The Theatre is fitted up in an elegant manner, and constant fires are kept to make the house agreeably warm (Gazetteer & New Daily Advertiser). [This Lecture continued to 6 March.

Performances

Mainpiece Title: Lecture On Heads

Performance Comment: Delivered by a Young Lady who never appeared in Public.
Event Comment: New Comedy Never Perform'd. [Attributed to Mrs Griffith. For Contemporary account see Gentleman's Magazine, January 1766, p 19.

Performances

Mainpiece Title: The Double Mistake

Dance: III: The Village Romps, as17651019

Event Comment: Author's Day. [Publication of the play announced in the Public Advertiser this day, along with the following "puff" by Censor Dramaticus: "Sir: I have just given the new comedy, the Double Mistake, its first reading, and must confess I never was better pleased at a first reading than at present: It is chaste, sententious and genteel in its dialogue, interesting in its plot, the characters all of consequence, strongly marked and happily kept up, and even the virtuoso entertaining without being tiresome. I heartily wish it success, and congratulate the author on such a production, which shows that virtuous principles in high life render the persons that possess them doubly charming, and add real grace and dignity to their appearance in public life....I hope I may be believed when I say I have not the most distant knowledge of the author, and that impartiality shall ever be, and ever was my constant plan in observations of this kind."

Performances

Mainpiece Title: The Double Mistake

Event Comment: Tomorrow, a New Comedy (never perform'd) call'd the Clandestine Marriage

Performances

Mainpiece Title: Almena

Afterpiece Title: The Hermit

Dance: I: A Comic Dance-Sg Giorgi, Sga Giorgi; II: Hearts of Oak-Aldridge, Miss Baker