SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Moll Davis whom I never saw act be"/1) | (@(roleclean,performerclean) "Moll Davis whom I never saw act be")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4703 matches on Event Comments, 1656 matches on Performance Comments, 1492 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: King Richard Iii

Performance Comment: Richard-Mr Richard, who never appeared on any stage before; King Henry-Ryan; Richmond-Ridout; Buckingham-Sparks; Stanley-Redman; Catesby-Gibson; Ratcliff-Anderson; Tressel-Cushing; Norfolk-Bransby; Lord Mayor-Marten; Tirrel-Dunstall; Lieutenant-Usher; Prince Edward-Miss Morrison; Duke of York-Miss Mullart; Lady Anne-Mrs Barrington; Duchess of York-Miss Pitt; Queen-Mrs Vincent.

Afterpiece Title: The Necromancer

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Harlequin Ranger

Performance Comment: As17521114, but With a Scene of Fountains- never perform'd before.

Dance: I: Le Matelot Basque, as17521005

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Barry; Capulet-Sparks; Montague-Bridgwater; Escalus-Gibson; Benvolio-Usher; Paris-Anderson; Lady Capulet-Mrs Barrington; Friar Lawrence-Ridout; Gregory-Bennett; Sampson-Collins; Abram-Dunstall; Balthazar-White; Mercutio-Dyer; Tibalt-Cushing; Nurse-Mrs Pitt; Juliet-aYoung Gentlewoman (who never appeared on any stage before); [With a Masquerade Dance- [proper to the play; [and an Additional Scene introduced representing the Funeral Procession of Juliet-; [which will be accompanied with a Solemn Dirge-; the vocal parts-Lowe, Howard, Legg, Baker, Roberts, Mrs Lampe, Miss Young, Mrs Chambers; [With an Occasional Prologue-Barry.*c1753 10 10 cg A Prologue by Barry to introduce a young gentlewoman in Juliet (Miss Nossiter) who never appear'd upon any stage. Great Applause. The Prologue about Mrs Cibber's Leaving Rich (Cross). Romeo was perform'd by Barry and Juliet by Miss Nossiter, being the first time of her appearing on any theatre. The delicacy of her figure, and her gracefull distress, obtained for her the warmest applause; and as she grew more animated in the progress, she frequently alarmed the audience with the most striking attitudes. If this young actress studies the management of her voice, and attains a more simple elocution--she will prove a shining ornament to the stage (Gentleman's Magazine, Oct., p. 493, from Grays' Inn Journal, 13 Oct.). [The Occasional Prologue was printed in the Public Advertiser, 20 Nov.: @Who could have thought that Juliet could e'er prove@False to her Romeo, faithless to her Love?@She Mrs Cibber? on whose voice the raptured audience hung,@Caught with th'angelic music of her tongue;@Whose native tenderness so oft has charm'd;@Whose grief afflicted, and whose Rage alarm'd,@Deaf to her vows, and to her Romeo's calls,@Has fled alas from our Verona's walls!@In such a plight what cou'd poor Romeo do?@Why, Faith, like modern lovers, seek anew;@And happy shall I think me in my Choice,@If 'tis approv'd of by the public voice.@ Twenty three more lines present the qualifications for Miss Nossiter to play the part, and plead for an encouraging round of applause for her.] and as she grew more animated in the progress, she frequently alarmed the audience with the most striking attitudes. If this young actress studies the management of her voice, and attains a more simple elocution--she will prove a shining ornament to the stage (Gentleman's Magazine, Oct., p. 493, from Grays' Inn Journal, 13 Oct.). [The Occasional Prologue was printed in the Public Advertiser, 20 Nov.: @Who could have thought that Juliet could e'er prove@False to her Romeo, faithless to her Love?@She Mrs Cibber? on whose voice the raptured audience hung,@Caught with th'angelic music of her tongue;@Whose native tenderness so oft has charm'd;@Whose grief afflicted, and whose Rage alarm'd,@Deaf to her vows, and to her Romeo's calls,@Has fled alas from our Verona's walls!@In such a plight what cou'd poor Romeo do?@Why, Faith, like modern lovers, seek anew;@And happy shall I think me in my Choice,@If 'tis approv'd of by the public voice.@ Twenty three more lines present the qualifications for Miss Nossiter to play the part, and plead for an encouraging round of applause for her.]

Performances

Mainpiece Title: King Henry V

Afterpiece Title: Miss in Her Teens

Performance Comment: Biddy-a Young Gentlewoman who never appear'd upon any stage; Flash-Dyer; Puff-Dunstall; Tag-Mrs Vincent; Fribble-Shuter, with a song in character.

Entertainment: I: Cries of London-Shuter

Music: II: A Trio taken out of Florizel and Perdita,-Shuter, Mrs Lampe, Miss Young

Dance: IV: Italian Peasants, as17531120; End: Epilogue in Florizel and Perdita-Shuter, by Desire, in character of a Pedlar

Performances

Mainpiece Title: Othello, Moor Of Venice

Performance Comment: Othello-a Gentleman who never appeared on any stage before; Iago-Ryan; Brabantio-Sparks; Cassio-Ridout; Roderigo-Dyer; Lodovico-Anderson; Gratiano-Redman; Duke-Marten; Montano-White; Emilia-Mrs Hamilton; Desdemona-Mrs Bellamy; Occasional Prologue-.

Afterpiece Title: The Contrivances

Performances

Mainpiece Title: King Richard Iii

Performance Comment: As17540920, but Richard-Sheridan; King Henry-Ryan; Richmond-Ridout; Catesby-Wignell; Tressel-a Gentleman who never appeared before; Norfolk-Gibson; Oxford-_.

Afterpiece Title: The Double Disappointment

Performances

Mainpiece Title: The Earl Of Essex

Performance Comment: Essex-Smith; Burleigh-Sparks; Southampton-Dyer; Queen-Mrs Hamilton; Raleigh-Anderson; Nottingham-Mrs Vincent; Rutland-Gentlewoman , who never appeared on any stage; Occasional Prologue-.

Afterpiece Title: Orpheus and Eurydice

Performances

Mainpiece Title: Zara

Performance Comment: As17551030, but Osman-Clarke; Zara-a Young Gentlewoman, who never appeared on any stage.

Afterpiece Title: The Lying Valet

Dance: As17551114

Event Comment: Afterpiece: A new farce by Doctor Heffinal [sic] for his benefit. O Sad! (Cross). Tickets at Forrest Coffee House, The Bedford, and Randall's, and author's lodgings at Mew's Coffee House. To the Printer of the Public Advertiser, 24 April: Sir, Let this suffice for a general answer to all unfriendly whispers or paragraphs against the new farce to be performed tonight at Drury Lane -its author never previously Caballed, never published his sentiments of any stage performance till after the run -then neither the writer nor manager could be injured -its principal characters are Lady Protea, a coquet alarmed at the apprehension of dying amid; Lord Epigram Strainwit, a pert coxcomical witling; Dr Matho, a Virtuoso, Antiquarian, and in love; Dreadnought Broadside, a sea-officer and strenuous Antigallican. I am &c. Receipts: #90 (Cross)

Performances

Mainpiece Title: The Drummer

Afterpiece Title: The Maiden Whim; or, The Critical Minute

Performances

Mainpiece Title: The Committee

Afterpiece Title: Lethe

Performance Comment: Old Man, last new character of Lord Chalkstone-Shuter; Fine Gentleman-a Person who never appeared on the stage before; Fine Lady-Mrs Green.

Dance: By Desire aHornpipe-Poitier Jr

Entertainment: The Cries of London with Additions-Shuter

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: Young Bevil-Smith 1st time; Myrlte-Ryan; Sir John-Anderson; Cimberton-Arthur; Humphrey-Wignel; Daniel-Collins; Tom (with a song in character)-Dyer; Sealand-Sparks; Mrs Sealand-Mrs Stephens; Isabella-Miss Ferguson; Lucinda-Mrs Baker; Phillis-Mrs Green; Indiana-Mrs Hamilton; In Act II Song-Mrs Chambers.
Cast
Role: In Act II Song Actor: Mrs Chambers.

Afterpiece Title: Lethe

Performance Comment: As17570418 but Fine Gentleman-Haughton, who never appeared on that stage; Aesop-Wignell; Frenchman-Holtom; Drunken Man-Dunstall.

Dance: I: Dutch Peasant, as17570512; IV: Country Lass, as17570512; V: Lamplighters, as17570429

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: As17571013, but Macheath-Mattocks, who never appeared on that stage or any other these 6 years.

Afterpiece Title: The Cheats of Scapin

Dance: FFingalian Dance, as17571013

Performances

Mainpiece Title: Zara

Afterpiece Title: The Rout

Performance Comment: Actors only in bill, but Feeble-Yates; Felix-Obrien; Sir William Wheedle-Palmer; Mrs Furbelow-Mrs Bennet; Rhodamintha-Miss Barton; Lady Never Settle-Miss Pritchard; Blunderbuss-Bransby; Balloon-Blakes; Friendly-Packer (Genest, IV, 542-43).

Performances

Mainpiece Title: Theodosius

Cast
Role: Aranthes Actor: Davis

Afterpiece Title: Lethe

Performance Comment: As17590425 but Old Man-Shuter; Lord Chalkstone-Shuter; Drunken Man-Cresswick; Frenchman (that night only)-a Gentleman who never performed of any stage.

Song: II: A Song-Roberts; III: A Piece on the Welch Harp-Evans

Dance: V: Fingalian Dance, as17581111

Event Comment: Receipts: #115 3s. [The Weekly Magazine; or, Gentleman and Lady's Polite Companion (1760), pp. 61-63, deplores the lack of new plays and lack of competition for the Patent houses. "Our theatres seem now to aim at glorious opposition: Harlequin is set against Harlequin, one dancing master opposes another; the scene shifters, the singers, and even the drummers figure at each house by turns, and it is to be hoped soon that the mere actor will become useless....The Fair has scarce even pantomime probability...for instance Harlequin should never exercise his magical power without reason, and should never make escapes without being pursued, but here he conjures, leaps, runs and waggles without any apparent design; and the whole seems destitute of plot, a if contrived by a dancing master. Harlequin's Invasion at the other House is still rather more absurd." The author expected a speaking Harlequin, Pantaloon, Pierot, Mezzetin, &c. but found the customary figures banished for the substitution of a "stupid Taylor and his more stupid wife." Regrets the sinking of stage performance to such absurdity.

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: The Fair

Cast
Role: Song in Character Actor: Beard
Event Comment: Box #43 17s. 6d. Paid Mr Blackmore a Bill for sundries and expenses in taking the inventory of the Men's Wardrobe #26 2s. 6d. Bought three men's outfits #68. Gave the King's footmen and Chairmen #4 4s., and Prince of Wales' Footmen and Chairmen #2 2s. Gave the Porters of the several Inns #3 14s. (Account Book). [The Gentlewoman who played Bertha was Miss Fielding. See notation of payment to her for acting this part, 10 Jan.] Receipts: #176 16s

Performances

Mainpiece Title: The Royal Merchant; Or, The Beggar's Bush

Performance Comment: Florez-Ross; Clause-Ridout; Woolfort-Sparks; Hubert-Clarke; Orator Higgen-Dunstall; Vandunck-Marten; Prince Prigg-Shuter; Boor-Collins; Sailor-Bennet; Jaqueline-Mrs Dyer; Bertha-A Gentlewoman who never appeared on any stage before.

Afterpiece Title: The Rape of Proserpine

Performances

Mainpiece Title: The Minor

Performance Comment: As17601122, but Lucy-a Young gentlewoman who never appeared on any Stage.

Afterpiece Title: The Enchanter

Dance: II: The Fingalian Dance, as17610416

Event Comment: Young Gentlewoman-Miss E. Miller, marryed since to Mr Thomas Baker, an actor of cg, and a singing master. Mrs Baker is at present separated from her husband (1792) and performs only at Sadler's Wells in Pantomimes &c! Qu: Count Haslang and Mrs Baker (Hopkins MS Notes). Income from Boxes #27 2s. 6d. Nightly expense as usual #32 16s. 11d. Receipts: #74 7s. 6d. (Winston Theatrical Record)

Performances

Mainpiece Title: Cleone

Afterpiece Title: The Contrivances

Performance Comment: Rovewell-Mattocks; Argus-Collins; Hearty-Redman; Robin-Dunstall; Betty-Mrs Pitt; Arethusa-A Young Gentlewoman who never appeared on any stage Miss Miller.

Dance: TThe Pedlar Trick'd, as17611001

Performances

Mainpiece Title: Grand Concert Of Vocal And Instrumental Music

Performance Comment: Overture by Cocchi-; Song Che Legge Spietata-Zonca; Disperata in Van m'affano-Sartori; Concerto on Violin-Pinto; Padre conquesto Amplesso-Elizi; Nel pensare al gran cimento-Sga Mattei; Part II:Concerto on Bassoon-Baumgarten; Song Mi dona mi Vende-Sga Eberardi; Sperai Vicino al lido-Sga Curioni; Concerto on Violincello-Gordon; Song La Speme Amabile-Sga Mattei; La Bella mia Tiranna-Elizi; Part. III:Concerto on Oboe-Simpson; Song-Sga Sartori; Odo il suo no de quendiaccenti-Zonca; a New Duet Tuo voi che viva O Cara (Hasse) never performed in England-Sga Mattei, Elizi; Coronation Anthem-(Handel).

Performances

Mainpiece Title: Venice Preserved

Performance Comment: Jaffier-Ross; Priuli-Gibson; Renault-Hull; Bedamar-Anderson; Duke-Marten; Eliot-Perry; Spinoza-Wignel; Theodore-Mrs Young; Officer-Buck; Pierre-a Gentleman, never appearance any stage; Belvidera-Mrs Ward.

Afterpiece Title: Harlequin Sorcerer

Performances

Mainpiece Title: Artaxerxes

Performance Comment: Principal Parts-Beard, Tenducci, Mattocks, Gentleman who never appeared on any stage, Miss Miller, Miss Brent. [See17640510.]See17640510.]

Dance: I: Blind Man's Buff, as17641003; II: The Sicilian Peasants, as17641001

Performances

Mainpiece Title: Artaxerxes

Performance Comment: As17641123, but Principal Parts-Mrs Baker, Miss _Miller, _Gentleman who never appeared before identifies as, +Squibb.
Cast
Role: Principal Parts Actor:

Dance: I: The Tyrolese Peasants, as17641212; II: Rural Love, as17641212

Performances

Mainpiece Title: A Variety Show

Performance Comment: Singing-; slack rope-. Sg Placido's Company will exhibit. Singing by Keen, Mrs Lampe, vaulting on slack rope by Sg Spinacuta. Dancing by Miss Ferci, and Miss Casaia. Tumbling by Sg Placido, Mr Williams, Sturpesi and Pedro. Dancing on the tight rope by Miss Ferci, Mas Placido, Spinacuta, Sga Placido, Sg Ferci, and Placido. Ferci will jump backwards and forwards over a cane, and put on and take off his hat. With several feats of activity never seen in England before. And Variety of Exhibitions. The most surprising and diverting performance on the tight rope by the Monkey. He walks and dances on the tight rope with a pole; he walks, and balances various equilibres on the wire, with and without the pole; he vaults and turns the Catharine wheel on the slack rope with admiration. This animal is the most astonishing of the kind ever beheld, and has given general satisfaction wherever has he exhibited. The whole to conclude with a hornpipe by Miss Casaia. he walks, and balances various equilibres on the wire, with and without the pole; he vaults and turns the Catharine wheel on the slack rope with admiration. This animal is the most astonishing of the kind ever beheld, and has given general satisfaction wherever has he exhibited. The whole to conclude with a hornpipe by Miss Casaia.

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: Thomasand Sally

Performance Comment: As17690405 but Sally-a Young Gentlewoman never on any Stage before.

Dance: End: The Irish Lilt, as17680930

Performances

Mainpiece Title: The Orphan

Performance Comment: Castalio-Smith, first time; Polydore-Wroughton[, first time; Chamont-Bensley[, first time; Acasto-Gibson; Chaplain-Hull; Serina-Mrs DuBellamy; Florella-Mrs Pitt; Monimia-A Young Gentlewoman[, never on any stage before [Miss Miller, according to Kemble note on the playbill]., never on any stage before [Miss Miller, according to Kemble note on the playbill].

Afterpiece Title: The Oxonian in Town

Dance: End: The Merry Sailors-Aldridge. [See17691009, 1767.