SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mme Gondou"/1) | (@(roleclean,performerclean) "Mme Gondou")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 390 matches on Performance Comments, 243 matches on Performance Title, 107 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Elfrida

Dance: End I: Peggy's Love, as17980428

Ballet: End Opera: Le Deserteur. composed by Gallet; Morning Chronicle, 18 June: Henry-Didelot; Louisa-Mme Laborie; Jenny-Mme Hilligsberg; Skirmish-Laborie

Performance Comment: composed by Gallet; Morning Chronicle, 18 June: Henry-Didelot; Louisa-Mme Laborie; Jenny-Mme Hilligsberg; Skirmish-Laborie.
Cast
Role: Louisa Actor: Mme Laborie
Role: Jenny Actor: Mme Hilligsberg

Performances

Mainpiece Title: Antigona

Performance Comment: Principal Characters-Viganoni, Benelli, Mme Banti. [Cast adjusted from libretto (W. Glindon, 1796): Creonte-Viganoni; Emone-Benelli; Adrasto-Braghetti; Nearco-DeGiovanni; Antigona-Mme Banti; Ismene-Sga Pastorelli.]

Dance: As17980614

Ballet: Le Deserteur. As17980614

Cast
Role: Louisa Actor: Mme Laborie
Role: Jenny Actor: Mme Hilligsberg

Performances

Mainpiece Title: Elfrida

Performance Comment: [Principal Characters by Viganoni, Rovedino, Benelli, Mme Banti. Cast from libretto (E. Jackson [1798]): Adelvolto-Viganoni; Orgando-Rovedino; Egardo-Benelli; Siveno-Braghetti; Osmondo-DeGiovanni; Elfrida-Mme Banti; Evelina-Sga Pastorelli.
Cast
Role: Elfrida Actor: Mme Banti

Dance: As17981226

Performances

Mainpiece Title: Ines De Castro

Performance Comment: [Principal Characters by Rovedino, Viganoni, Mme Banti. Cast from libretto (Da Ponte [1799]: Rodrigo-Rovedino; Don Pietro-Viganoni; Alfonso-Benelli; Fernando-DeGiovanni; Ines-Mme Banti; La Regina-Sga Pastorelli.
Cast
Role: Ines Actor: Mme Banti

Dance: As17990101

Event Comment: 2nd ballet: 1st time; composed by Barre; the Music by Bossi. "Mme Hilligsberg, who possesses the first rank among the dancers of London, is a woman of distinguished merit: she succeeds with peculiar happiness in sportive and jocose expressions, and she is bewitchingly graceful as a Welch or Scotch country girl. Her figure is very handsome; but her arms are somewhat long and thin. The third dancer is Mme Laborie; she possesses an agreeable figure, much animation and native gracefulness. She might become a first-rate dancer [if] she did not trust too much to her natural talents, and bestowed more attention on the art" (Goede, 265). "Les Deux Jumelles, ou la Meprise, pouvoient tres bien faire le sujet d'unjoli divertissement; mais pour un grand ballet, il a fallu y appeller le secours des dieux, & faire descendre ce que nous appelons une gloire de nuages qui se developpent assez mal: c'est la faute du machiniste ou du charpentier. D'ailleurs, cette gloire ne sert a rien, puisque l'Amour vient dans un assez mauvais cabriolet, pousse par des hommes qu'on voit un peu trop distinctement, & s'en retourne de meme a reculons. Nous avons vu souvent le char de l'Amour aller en avant; mais il est rare qu'on le voie reculer, & cette meme gloire eprouve autant de difficulte pour remonter qu'elle en avout eue pour descendre, laissant le spectateur tres convaincu de son inutilite" (Anthony LeTexier, L'Ami des Meres, 1799, I, 192-93). The subscribers are most respectfully intreated to be careful to whom they give their Tickets, as many improper persons have lately presented themselves for admission into the Theatre with those Tickets; and the subscribers are requested to observe that, in future, persons of this description will be conducted directly to the identical Boxes to which such Tickets belong, instead of being admitted into any other part of the Theatre. And the public are intreated to understand that neither Ladies in Undress Hats or Bonnets, nor Gentlemen in Boots will be admitted into the Pit of the Opera

Performances

Mainpiece Title: Ines De Castro

Cast
Role: Ines Actor: Mme Banti

Dance: End I: Peggy's Love, as17981211; End Opera: Les Deux Jumelles; ou, La Meprise-["The pas de deux of Didelot and Rose was particulary admired, and Madames Laborie and Hilligsberg, who appeared as the Twin Sisters, were most happily successful" (Morning Chronicle, 30 Jan.)]

Performances

Mainpiece Title: The Messiah; Grand Selection 0

Afterpiece Title: Messiah 1

Performance Comment: He was despised-Mme Mara; Morning Chronicle, 14 Feb. also refers to Comfort ye my people-Incledon; The trumpet shall sound-Bartleman; I know that my Redeemer liveth-Mme Mara.

Music: End II: concerto on the Grand Piano Forte-Dussek

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music, From The Works Of handel

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Occasional Oratorio)-; Shall I in Mamre's-Sale; For all these mercies-Chorus (Joshua); Wise men flattering-Miss Capper; Sound an alarm-Incledon; We hear-Chorus; Pious orgies-Mme Mara (Judas Maccabaeus); Fix'd in his everlasting seat-Chorus (Samson).
Cast
Role: Pious orgies Actor: Mme Mara

Afterpiece Title: Grand Selection 2

Performance Comment: Fifth Grand Concerto-; The morning lark-Mrs Atkins (Semele); In sweetest harmony-Mme Mara; O fatal day-Chorus (Saul); O liberty-Incledon; accompanied on the violoncello-C. Ashley (Judas Maccabaeus); It must be so, Pour forth no more-Bartleman; No more to Ammon's God-Chorus (Jephtha); Lord remember David-Mme Mara (Sosarme); He gave them hailstones-Chorus (Israel in Egypt).

Afterpiece Title: Grand Selection 3

Performance Comment: Ye sons of Israel-Chorus (Joshua); He was eyes unto the blind-Master Elliot (Redemption); How willing my paternal love-Bartleman (Samson); Fallen is the foe-Chorus; Tune your harps-Mrs Atkins, Master Elliot (Judas Maccabaeus); Agitata-Mme Mara; Zadock the Priest-Chorus (Coronation Anthems); God save the King-.
Cast
Role: Agitata Actor: Mme Mara

Music: End II: Bach's concertante for violin oboe viola and violoncello-Messrs [G., R. and C.] Ashley, W. Parke

Performances

Mainpiece Title: Grand Selection 0 Of Music, From The Works Of handel, boyce, arne, And purcell

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Samson)-; Come, come, all noble souls-Incledon, Page, Sale (Rogers); Tune your harps-Mrs Atkins; Every day will I give thanks-Incledon (Chandos Anthems); The Mighty power-Chorus; Rejoice O Judah-Sale (Athalia); Let the bright Seraphim-Mme Mara; Let their celestial concerts-Chorus (Samson).

Afterpiece Title: Grand Selection 2

Performance Comment: Fourth Concerto, opera quarto (Avison)-; Come ever smiling liberty-Miss Capper; The Lord worketh wonders-Bartleman (Judas Maccabaeus); The many rend the skies-Chorus (Alexander's Feast); Return, O God of hosts-Miss Waters (Samson); Sweet bird-Mme Mara; accompanied on the violin-G. Ashley (L'Allegro); May no rash intruder-Chorus (Solomon); Scene from Joshua: The Falling of the Walls of Jericho-; 'Tis well, six times-Incledon; Glory to God-Incledon; Grand March-; The strong cemented walls-Chorus.
Cast
Role: Sweet bird Actor: Mme Mara

Afterpiece Title: Grand Selection 3

Performance Comment: Overture (Berenice)-; Together let us range the fields-Mme Mara, Incledon (Boyce's Solomon); From mighty kings-Mrs Atkins (Judas Maccabaeus); Come if you dare-Incledon, Chorus (Purcell); Oh had I Jubal's lyre-Miss Waters (Joshua); The soldier tired-Mme Mara (Arne's Artaxerxes); Fixed in his everlasting seat-Chorus (Samson).

Music: End II: concerto on the violoncello-Charles Ashley

Performances

Mainpiece Title: A Grand Selection 0 Of Music, From The Works Of handel, boyce And purcell

Performance Comment: Principal Vocal Performers-Incledon, Sale, Denman, Page, Bartleman, Mme Mara, Miss Capper, Miss Waters, Miss Poole.

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Occasional Oratorio)-; My cup is full, Shall I in Mamre's-Sale; For all these mercies-Chorus (Joshua); Ye men of Gaza-Miss Poole; Hear Jacob's God-Chorus; Honour and arms-Bartleman (Samson); What though I trace-Mme Mara (Solomon); Sound an alarm-Chorus (Judas Maccabaeus).
Cast
Role: What though I trace Actor: Mme Mara

Afterpiece Title: Grand Selection 2

Performance Comment: Raimondi's celebrated Piece descriptive of a Battle-; concluding with God save the King-full Chorus; Thou shalt bring them in-Miss Waters (Israel in Egypt); Dulce Domum (by desire of several Wykehamists)-Mme Mara, with a grand Chorus , composed by J. Reading, 1680; Wise men flattering-Miss Capper (Judas Maccabaeus); Tears such as-Bartleman (Deborah); Agitata-Mme Mara; He gave them hailstones-Chorus (Israel in Egypt).

Afterpiece Title: Grand Selection 3

Performance Comment: The Water Music-; Together let us range the fields-Mme Mara, Incledon (Boyce's Solomon); He was eyes unto the blind-Miss Poole (Siroe); Total eclipse-Incledon; O first created beam-Chorus (Samson); Mad Bess-Mme Mara (Purcell); Gird on thy sword-Chorus (Saul).

Music: As17990306

Performances

Mainpiece Title: A Grand Selection 0 Of Music, From The Works Of handel

Afterpiece Title: Grand Selection 1

Performance Comment: Overture and March (Scipio)-; Come ever smiling liberty-Miss Capper (Judas Maccabaeus); Lord of eternity-Chorus; Behold the nations-Sale; O Baal-Chorus (Deborah); Mirth admit me-Bartleman; Haste thee nymph-Incledon, Chorus (L'Allegro); My faith and truth-Miss Poole, Master Elliot (Samson); Lord, remember David-Mme Mara (Sosarme); For unto us a child is born-Chorus (The Messiah).
Cast
Role: remember David Actor: Mme Mara

Afterpiece Title: Grand Selection 2

Performance Comment: Fifth Fifth Concerto (Martini)-; In sweetest harmony-Mme Mara; O fatal day-Chorus (Saul); Softly sweet-Master Elliot; accompanied on the violoncello-C. Ashley (Alexander's Feast); He was despised-Sga Galli, who is in her 77th year and in the greatest distress, and most humbly hopes for the protection of the Public on the occasion (The Messiah); Disdainful of danger-Incledon, Page, Bartleman (Judas Maccabaeus); Oft on a plat-Incledon; Let me wander-Mme Mara; Or let the merry bells-Chorus (L'Allegro).
Cast
Role: In sweetest harmony Actor: Mme Mara
Role: Let me wander Actor: Mme Mara

Afterpiece Title: Grand Selection 3

Performance Comment: Overture (Ariadne)-; The prince unable-Miss Poole (Alexander's Feast); Return O God-Miss Waters; Justly these evils, Why does the God of Israel-Incledon (Samson); Dulce Domum-Mme Mara, Chorus (Reading); The soldier tired-Mme Mara (Arne's Artaxerxes); How willing-Bartleman (Samson); Hallelujah-Chorus (The Messiah).
Cast
Role: Dulce Domum Actor: Mme Mara, Chorus
Role: The soldier tired Actor: Mme Mara

Music: As17990215

Performances

Mainpiece Title: An Act Of Elfrida

Afterpiece Title: I Due Svizzeri

Performance Comment: [Principal Parts by Morelli, Viganoni, Rovedino, Mme Banti. Cast from libretto (Da Ponte [1799]): Lanzman-Morelli; Brunello-Viganoni; Frans-Rovedino; Giletta-Mme Banti.
Cast
Role: Giletta Actor: Mme Banti.

Dance: As17990330

Performances

Mainpiece Title: I Due Svizzeri

Afterpiece Title: La Serva Padrona

Performance Comment: Principal Parts-Morelli, Mme Banti. [Cast from libretto (C. Clarke [1794]): Uberto-Morelli; +Serpina-Mme Banti. Also listed, here unassigned, a mute character, +Vespone.]
Cast
Role: Principal Parts Actor: Morelli, Mme Banti.
Role: Serpina Actor:

Dance: As17990617

Performances

Mainpiece Title: Semiramide

Performance Comment: [Principal Characters by Rovedino, Roselli (1st appearance these 4 years; Mme Banti. Cast from libretto (Da Ponte [1800]: Seleuco-Rovedino; Arsace-Roselli; Mitrane-DeGiovanni; Oroe-Braghetti; Semiramide-Mme Banti; Azema-Sga Clara.
Cast
Role: Semiramide Actor: Mme Banti

Dance: End I: A New Divertisement, as18000204; End Opera: Hylas et Temire, as18000128

Performances

Mainpiece Title: Ines De Castro

Performance Comment: [Principal Characters by Viganoni, Rovedino, Benelli, Mme Banti. Cast from libretto (Da Ponte [1800]: Don Pietro-Viganoni; Rodrigo-Rovedino; Alfonso-Benelli; Fernando-DeGiovanni; Ines-Mme Banti; La Regina-Sga Pastorelli.
Cast
Role: Ines Actor: Mme Banti

Dance: As18000304

Cast
Role: Zelie Actor: Mme Laborie
Role: Clitie Actor: Mme Hilligsberg

Performances

Mainpiece Title: Elfrida

Performance Comment: Principal Characters-Benelli, Rovedino, Viganoni, Mme Banti. [Cast adjusted from libretto (E. Jackson 1798]): Egardo-Benelli; +Orgando-Rovedino; +Adelvolto-Viganoni; +Siveno-Braghetti; +Osmondo-DeGiovanni; +Elfrida-Mme Banti; +Evelina-Sga Rovedino.

Dance: End I: Le Mariage Mexicain, as18000225; End Opera: Telemaque, as18000619 but in which also D'Egville, Mlle +Guiardele (+Morning Herald, 23 June)

Event Comment: Benefit Mrs Walter and Miss Bennett. Tickets to be had of Mrs Walter at the Three Queens in New-Street, Covent Garden, and places for the boxes of Mr Hobson at the stage door of the theatre. Tickets of Miss Bennett opposite Salisbury St., Strand. Tickets deliver'd out by Rector and Mlle Gondou will be taken

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Lying Valet

Dance: I: A French Peasant-Froment, Mlle Gondeau; III: A New Serious Dance-Desse, Mrs Walter; V: La Florana, as17430408

Song: II: Stella and Flavia-Beard; IV: Bumper Squire Jones-Beard, Lowe

Event Comment: Benefit Jones, Mrs Bland, Mrs Gondou, Miss Ferguson, Miss Morrison (General Advertiser). Benefit Charles Jones, son of the late Jere Jones who formerly kept the Selectation Tavern at Billingsgate (Daily Advertiser)

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: The Devil to Pay

Dance: Cooke, Sga Campioni; also Scotch Dance, as17441012

Event Comment: Benefit Rector, Mrs Gondou, and Miss Vandersluys. Tickets deliver'd for Miss Ferguson and others will be taken

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Orpheus and Eurydice

Dance: DDrunken Tyrolese-Sodi, Miss Vandersluys; The Peasants-Mathews, Miss Vandersluys

Event Comment: Benefit for Miss Copen, Miss Haughton, Mrs Gondou, and Madem Contair. Tickets deliver'd out for the support of the two orphan children of the late Mr Mullart will be taken

Performances

Mainpiece Title: The Relapse

Afterpiece Title: Apollo and Daphne

Dance: Villeneuve, Madem. Contair, her 1st appearance on the English Stage

Event Comment: Benefit for Anderson, Miles, Mrs Gondou. Afterpiece: With the Scene of the Drawing in the Guildhallv

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Lottery

Dance: II: The Characters of Dancing, as17510426 III: Hornpipe-Atkins; IV: Drunken Peasant-Miles; V: The Gondoliers, as17510117

Performances

Mainpiece Title: The Beggar's Opera

Cast
Role: Mrs Slammekin Actor: Miss Pitt

Afterpiece Title: Merlin's Cave; or, Harlequin Skeleton

Performance Comment: Chasseur Royal-Lowe; Merlin-Howard; Diana-Miss Davis; Aerial Spirits-Cooke, Villeneuve, Desse, Christian, Gardner; Madam Cointrie, Mrs Villeneuve, Mrs Gondou, Miss Batchelor; Jupiter in the character of Harlequin-Miles; Mercury-Vincent; Doctor-Bencraft; Colombine-Miss Haughton; Pierrot-Lalauze.
Event Comment: Benefit for Anderson, Miles, Mrs Gondou. There will be no Building on the stage. Tickets sold at the door will not be admitted

Performances

Mainpiece Title: The Twin Rivals

Afterpiece Title: Flora

Dance: I: Hornpipe-Miles; IV: Drunken Peasant-Miles, with Clown Bennet

Event Comment: Benefit for Anderson, Miles, Mrs Gondou. Afterpiece: By Particular Desire. There will be no Building on the Stage. Tickets sold at the door will not be taken

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: Harlequin Statue

Dance: II: Drunken Peasant-Miles; III: Les Charboniers, as17521028

Event Comment: Benefit for Anderson, Wignell, and Mrs Gondou. Tickets sold at the doors will not be admitted

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: The Cheats of Scapin

Dance: IItalian Peasants, as17550414

Event Comment: Benefit for Anderson, Wignel, and Mrs Gondou. Mainpiece: Written by Shakespear

Performances

Mainpiece Title: As You Like It

Afterpiece Title: A Duke and no Duke

Dance: I: Pantomime Dance, as17560511; III: Fingalian Dance, as17551126; V: Italian Peasants, as17551126

Entertainment: IV: Cries of Dublin-Barrington