SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Miss Style"/1) | (@(roleclean,performerclean) "Miss Style")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 13756 matches on Performance Comments, 4410 matches on Performance Title, 1743 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: As You Like It

Performance Comment: Duke-Aickin; Frederick-Maddocks; Amiens-Dignum; Jaques-Kemble; Le Beau-Surmont; Oliver-Clarke; Jaques de Boys-Holland; Orlando-Barrymore; Adam-Packer; Touchstone-Bannister Jun.; Corin-Hollingsworth; Sylvius-Trueman; Rosalind-Miss Biggs; Celia-Miss Mellon; Phebe-Miss Heard; Audrey-Miss Pope.
Cast
Role: Rosalind Actor: Miss Biggs
Role: Celia Actor: Miss Mellon
Role: Phebe Actor: Miss Heard
Role: Audrey Actor: Miss Pope.

Afterpiece Title: High Life below Stairs

Performance Comment: Lovel-C. Kemble; Freeman-Trueman; Philip-Hollingsworth; Duke's Servant-Palmer; Sir Harry's Servant-Surmont; Kitty-Miss Pope; Cook-Mrs Maddocks; Cloe-Mrs Roffey; Lady Bab's Maid-Miss Tidswell; Lady Charlotte's Maid-Miss Heard.

Dance: II afterpiece: Mock Minuet-Palmer, Miss Pope

Song: In V: song-Mrs Bland

Performances

Mainpiece Title: Isabella Or The Fatal Marriage

Afterpiece Title: The Apprentice

Cast
Role: Charlotte Actor: Miss Mellon.

Song: In III: Epithalamium Vocal Parts-Mrs Bland, Miss Leak

Performances

Mainpiece Title: Pizarro

Cast
Role: Cora Actor: Miss Biggs

Afterpiece Title: The Apprentice

Cast
Role: Charlotte Actor: Miss Mellon.

Song: Vocal Parts, as17991211, but added: Miss Stephens

Performances

Mainpiece Title: Joanna

Performance Comment: As18000116, but Vocal Parts-Miss _Waters.
Cast
Role: Vocal Parts Actor: Miss _Waters.
Role: Page Actor: Miss Waters
Role: Girl Actor: Miss Cox
Role: unassigned Actor: Miss Gilbert

Afterpiece Title: The Prisoner at Large

Performance Comment: Muns-Fawcett; Jack Connor-Betterton; Lord Edmond-Mansel; Father Frank-Waddy; Dowdle-Munden; Rachael-Miss Sims; Mary-Mrs Litchfield; Adelaide-Miss Chapman.
Cast
Role: Rachael Actor: Miss Sims
Role: Adelaide Actor: Miss Chapman.

Song: Chorusses, as18000116, but Miss Leserve

Performances

Mainpiece Title: The Stranger

Afterpiece Title: Of Age To morrow

Cast
Role: Sophia Actor: Miss Stephens
Role: Maria Actor: Miss DeCamp

Music: Vocal Parts, as17991127, but Mrs _Bland, Mrs Roffey; +To welcome mirth and harmless glee-Mrs Roffey, Miss Leak; I have a silent sorrow here-Mrs Roffey

Dance: As17991127

Performances

Mainpiece Title: Speed The Plough

Afterpiece Title: Oscar and Malvina

Song: I am a jolly gay Pedlar, as18000304O ever in my bosom live, as18000304Come every jovial fellow-Simmons, Mrs Sydney, Miss Wheatley

Performances

Mainpiece Title: Grand Selection 0 Of Sacred Music From The Works Of handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: Part II 5th Grand Concerto-; Return O God-Miss Crosby (Samson); The smiling dawn-Miss Capper (Jephtha); Softly rise-Incledon; with fagotto obligato-Parkinson; Ye southern breezes-Chorus (Solomon, by Boyce); Pious orgies-Mrs Dussek (Judas Maccabaeus); God preserve the Emperor-Chorus (Haydn); I feel the deity within, Arm arm ye brave-Denman; +We come we come-Chorus; From mighty Kings-Mrs Second (Judas Maccabaeus); Gird on thy sword-Chorus (Saul).

Afterpiece Title: Grand Selection 3

Performance Comment: Part III Overture and March- (Scipio); Tune your harps-Miss Tennant (Esther); Sin not O King-Dignum (Saul); Flush'd with conquest-Chorus (Alexander Balus); What passion cannot music-Mrs Second; accompanied on the violoncello-C. Ashley (Dryden's Ode); See the conquering hero-Chorus; March (Judas Maccabaeus)-; Vo sol cando-Mrs Dussek (Vinci); Together let us range-Incledon, Mrs Second (Solomon, by Boyce); Gloria Patri-Chorus (Jubilate).
Cast
Role: Tune your harps Actor: Miss Tennant

Music: End I: sonata on the Grand Piano Forte-Miss Reinagle (1st appearance in public); with accompaniment for flute and violoncello obligata-Woidner, C. Ashley; End II: concerto on violin-G. Ashley

Performances

Mainpiece Title: As You Like It

Cast
Role: Celia Actor: Miss Mellon
Role: Phebe Actor: Miss Heard
Role: Audrey Actor: Miss Pope.

Afterpiece Title: Of Age To morrow

Cast
Role: Sophia Actor: Miss Stephens
Role: Maria Actor: Miss DeCamp

Song: V: song-Miss Leak

Performances

Mainpiece Title: Love For Love

Performance Comment: As18000322but Valentine-Powell (1st appearance in that character); Jeremy-Trueman; Trapland-Webb; Angelica-Miss Heard (1st appearance in that character).
Cast
Role: Angelica Actor: Miss Heard
Role: Miss Prue Actor: Mrs Jordan.
Role: Mrs Frail Actor: Miss Pope

Afterpiece Title: The Follies of a Day

Cast
Role: Page Actor: Miss DeCamp
Role: The Countess Actor: Miss Heard
Role: Agnes Actor: Miss Wentworth
Role: Susan Actor: Miss Mellon.

Song: In course evening: The Soldier tir'd of War's alarms-Miss Stephens; End I afterpiece: Crazy Jane-Mrs Bland

Performances

Mainpiece Title: The Country Innocence Or The Chamber maid Turnd Quaker

Performance Comment: Edition of 1677: Prologue-Mr Clark; Sir Oliver Bellingham-Lydell; Sir Robert Malory-Coysh; Captain Mullineux-Goodman; Plush-Wiltshire; Rash-Griffin; Gregory Dwindle-Haynes; Mr William-Powell; Old Thrashard-Watson; Abraham-Styles; Lady Lovely-Mrs Marshal; Lady Malory-Mrs Rutter; Margaret-Mrs Baker; Gillian-Sarah Cook; Barbara-Mrs Knep; Old Gentlewoman-Perrin; Epilogue-.
Cast
Role: Abraham Actor: Styles
Event Comment: An unidentified letter, 22 March 1693@4. There is hardly anything now to make it acceptable to you, but an account of our winter diversions, and chiefly of the new plays which have been the entertainment of the town. The first that was acted was Mr Congreve's, called The Double Dealer [see October 1693]. It has fared with that play, as it generally does with beauties officiously cried up: the mighty expectation which was raised of it made it sink, even beneath its own merit. The character of The Double Dealer is artfully writt, but the action being but single, and confined within the rules of true comedy, it could not please the generality of our audience, who relish nothing but variety, and think any thing dull and heavy which does not border upon farce.--The criticks were severe upon this play, which gave the author occasion to lash 'em in his Epistle Dedicatory, in so defying or hectoring a style, that it was counted rude even by his best friends; so that 'tis generally thought he has done his business, and lost himself: a thing he owes to Mr Dryden's treacherous friendship, who being jealous of the applause he had gott by his Old Batchelour, deluded him into a foolish imitation of his own way of writing angry prefaces. The 2d play is Mr Dryden's, called Love Triumphant, or Nature will prevail [see 15 January 1694]. It is a tragi-comedy, but in my opinion one of the worst he ever writt, if not the very worst: the comical part descends beneath the style and shew of a Bartholomew-fair droll. It was damn'd by the universal cry of the town, nemine contradicente, but the conceited poet. He says in his prologue, that this is the last the town must expect from him; he had done himself a kindness had he taken his leave before. The 3d is Mr Southern's call'd The Fatal Marriage, or the Innocent Adultery [see February 1693@4]. It is not only the best that author ever writt, but is generally admired for one of the greatest ornaments of the stage, and the most entertaining play has appeared upon it these 7 years. The plot is taken from Mrs Behn's novel, called the Unhappy Vow-Breaker. I never saw Mrs Barry act with so much passion as she does in it; I could not forbear being moved even to tears to see her act. Never was poet better rewarded or incouraged by the town; for besides an extraordinary full house, which brought him about 140 #. 50 noblemen, among whom my Lord Winchelsea, was one, give him guineas apiece, and the printer 36 #. for his copy. This kind usage will encourage desponding minor poets, and vex huffing Dryden and Congreve to madness. [For the fourth play, see 21 March 1693@4; Edmond Malone, Plays and Poems of William Shakespeare (London, 1821), III, 162-64.

Performances

Performances

Mainpiece Title: Il Dilettante

Performance Comment: Parts by Reinhold, Bannister, Mrs Thompson. In which will introduce the German, French, Italian style of singing-Bannister; Crotchet-Reinhold; Col. Cockade-Bannister; Widow Wishful-Mrs Thompson (Edition of 1772).

Music: Between the Acts: Concerto on Piano Forte-Hook (by Particular Desire); The Ode-Hook for the opening of the New Exhibition Room of the Royal Incorporated Artists of Great Britain. Chorusses will be supported by a number of Capital singers and young gentlemen of St Paul's Choir; The principal vocal parts-Reinhold, Bannister, Mrs Cartwright, Mrs Thompson

Event Comment: Mainpiece: Not acted these two years. [See 4 April 1749.] Miss Jane Cibber play'd Alicia-quite in old style, not lik'd at all, tho' not hiss'd-given out again and great hiss'd & so not done ($Cross). [The Author of the Midwife (No 1, final Page) reported]: Now I am speaking of Miss Cibber, I must do her the justice to observe that she play'd the part much better than cou'd be expected from one of her years and practice; and if a proper regard is paid to her modesty and Merit, I make no doubt she will become an exceeding good player. Receipts: #130 (Cross)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Chaplet

Cast
Role: Laura Actor: Miss Norris

Entertainment: EEpilogue upon Two Prologues-Mrs Clive

Event Comment: Sun: 29th Dr Barrowby dy'd suddenly a good friend to ye Actors in Sickness (Cross). [Inspector No 259 appears in Daily Advertiser and London Gazette with a long comparison between actors and various styles of famous painters, Garrick, Barry, Miss Bellamy, Mrs Cibber, Mrs Pritchard, Woodward and Macklin are treated.] Receipts: #160 (Cross)

Performances

Mainpiece Title: Il Dilletante

Performance Comment: Parts-Reinhold, DuBellamy, Miss Wewitzer; with Imitations of the German, French, and Italian style of singing-Reinhold.
Event Comment: Benefit Leveridge. Afterpiece: [By Richard Leveridge.] A Comic Masque, compos'd in the high Style of Italy. N.B. The Books of the Masque are just printed for W. Mears...and sold by him, and at Mr Leveridge's in Tavistock-street. Receipts: #37 10s. 6d. and tickets #75 4s

Performances

Mainpiece Title: The Island Princess

Afterpiece Title: Pyramus and Thisbe Lyon Moonshine and Wall

Music: With all New Musick (for that Night) both Vocal and Instrumental Musick-

Performances

Mainpiece Title: Orpheus Seeking After Eurydice

Performance Comment: Vocal Parts-Palma, Rochetti, Fratestanti; who sing some song composed in Italy in Comic Style; for the first time in publick, the famous Cantata by the late Sig. Pergolesi-.
Event Comment: Containing an account of that notorious Pretender in the Reign of Henry VIII. Aith a short account of Lambert Simnel, a Pretender to the Crown, fostered in like manner by Richard Simon, a Priest of Oxfordshire, with many other Historical passages, similar to the present times [and a synoptic account of the play follows]. A reviv'd Historical Play (not acted in the Memory of Man, and written by an anonymous author, in Shakespeare's Style).--Daily Advertiser, 18 Dec. Prices, Boxes 2s. 6d. Pit 2s. First Gallery 1s. 6d. Upper Gallery 1s. [These prices continue.

Performances

Mainpiece Title: Perkin Warbeck

Afterpiece Title: The Debauchees

Event Comment: Rehears'd...the Opera of Lucius Verus: This Drama Consists of Airs, borrow'd entirely from Mr Handel's favourite Operas; and so may (probably) be justly styled the most exquisite Composition of Harmony, ever offer'd to the Publick. Those Lovers of Musick among us, whose Ears have been charm'd with Farinello, Faustina, Senesino, Cuzzoni, and other great Performers will now have an Opportunity of Reviving their former delight, which, if not so transporting as then, may yet prove a very high Entertainment. Mr Handel is acknowledged (universally) so great a Master of the Lyre; that nothing urg'd in Favour of his Captial Performances can reasonably be consider'd as a Puff (General Advertiser, 13 Nov.)

Performances

Event Comment: Oratorio By Particular Desire. Charges: #35 (Account Book). Theatrical Review: His [Duport's] execution is truly masterly, his tone very brilliant, and his taste pleasingly delicate and chaste. What he performs on this instrument is wonderful, when the genius of it is considered. As this celebrated Lady [Sga Sirmen] has been in England some time, her abilities are pretty generally known. Her tone and style of playing is very pleasing, and her execution truly chaste, without any of those unnecessary and extravagant liberties, which the generality of solo players on the Violin too frequently give in to

Performances

Mainpiece Title: Judas Macchabeus

Music: End Part I: Solo on Violincello-Mr Duport; End Part II: Concerto on Violin, as17720306-Sga Sirmen

Event Comment: Music composed by Mr Arnold...a very noble Piece of Composition; the airs are pleasing, and the chorusses majestically grand; upon the whole this is the most capital Performance in the Oratorio style Mr Arnold has produced (Theatrical Review, p. 218). Charges: #35 (Account Book)

Performances

Mainpiece Title: The Resurrection

Music: End Part I: Concerto on French Horn, as17720306 End Part II: A New Concerto on Violin by Cirri-Sga Sirmen (Theatrical Review, p. 218)

Event Comment: For the Author of Sethona 3rd night (Treasurer's Book). ["This play may be properly styled a faggot of utter improbabilities, connected by a band of the strongest Northern fustian. Overawed by Scottish influence, Mr Garrick prevailed on himself to receive it. But though his theatre was apparently full several times during its nine nights' run, it brought so little cash into the treasury, that he would not have lamented its earlier condemnation. It expired on his premises, but hardly left enough behind it to defray expenses of its funeral."--Biographia Dramatica. A glance at the box receipts from the Treasurer's Book hardly bears out the Biographia Dramatica statement as to its financial failure.] Paid half years Poor's rate for St Martin's to Xmas last #32 8s. (Treasurer's Book). [The author's profit was reduced by #10 10s. on 26 March when it was found he had not been charged for use of a new farce.] Receipts: #194 19s. Charges: #73 10s. Profit to Author: #121 9s. (Treasurer's Book)

Performances

Mainpiece Title: Sethona

Afterpiece Title: The Note of Hand

Event Comment: A Serious Opera, altered [by Carlo Francesco Badini] from Metastasio; the Music by Anfossi [a pasticcio, with additions by Sacchini, Piccinni, Gazzaniga, Schuster, Mortellari]. [This was Mme Mara's 1st appearance on the English operatic stage. She had 1st sung in London, in concerts at the Pantheon, in 1784.] "It is with the utmost astonishment we remarked that she unites the talents of an excellent actress with the merit of the most enchanting singer that ever perhaps came forth on any stage" (Morning Herald, 15 Feb.). "Mme Mara delivered the recitatives with a force of expression that produced the strongest interest of character, and the woes of Dido as powerfully engaged the sympathy, as the rich and varied melody of the airs, the admiration of the audience" (Morning Chronicle, 16 Feb.). "The [second] opera was Didone, a pasticcio, for which Mara had made a very judicious selection of songs, introducing four of very different characters, by Sacchini, Piccinni, and other composers, all of which were so much and so equally admired, that two were encored every night, each of them receiving that mark of approbation in its turn. Mara's talents as a singer (for she was no actress and had a bad person for the stage) were of the very first order. Her voice, clear, sweet, distinct, was sufficiently powerful, though rather thin, and its agility and flexibility rendered her a most excellent bravura singer, in which style she was unrivalled" (Mount-Edgcumbe, 59)

Performances

Mainpiece Title: Didone Abbandonata

Dance: As17860124 throughout

Event Comment: A new Comic Opera [1st time; COM 2, librettist unknown]; the Music composed by Storace. "Signor Storace does not appear to have studied that art [of music] much in Italy; for he has entirely deviated from the usual plan of Italian authors...The overture anneunces entirely a French author, and the finales are in the German style of Gluck, loaded with harsh, terrifying music of trumpeting and drumming" (Public Advertiser, 6 Mar.). Receipts: !162 [non-subscription]

Performances

Mainpiece Title: La Cameriera Astuta

Dance: End Opera: Les Fetes de Tempe, as17880301End I: New Dance, as17880226; Pas de Bernois, as17880226; Pas de Trois, as17880226; Pas Seul, as17880226; Pas de Russe, as17880226; Pas de Cinq, as17880226; Pas de Sept, as17880226; General Dance, as17880226

Performances

Mainpiece Title: A New Kind Of Concert

Performance Comment: PART I A New Divertisement-Mlle Dorival, Mlle St.Amand, Mlle Provert, other Dancers; [to introduce the Animated Pictures-; [A new Hunting Song, Chorusses (composed by Philidor)-Albertarelli; A Hunting Symphony by Haydn-; [some favourite Airs with Variations on the Piano Forte-Master Hummel; Italian Song-Sga Sestini; Concerto on the Violin-Master Clement; [at the Harpsichord [the new Song [by Haydn (composed for his Benefit) [see17910512]-Davide; A Divertisement-all the Principal Dancers; [with the charming Pas de Deux-Vestris? Jun, Mlle Hilligsberg; the Pas Russe-Vestris? Jun, Mlle Hilligsberg; [PART II A Comic Duetto-Albertarelli, Sga Sestini; A new Overture [in the Tragic Style, with an entire new Cantata (both composed by Federici,)-Davide; Catches and Glees-the best English Singers; Orpheus and Eurydice-[see17910331.see17910331.