SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Miss Rogers for first "/1) | (@(roleclean,performerclean) "Miss Rogers for first ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 14926 matches on Performance Comments, 4992 matches on Performance Title, 3521 matches on Event Comments, 183 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Pit and Boxes to be put together, and no person to be admitted without Tickets, which will be deliver'd that day at the office at cg theatre, at half a Guinea each. First Gallery 5s. Second Gallery 3s. 6d. Galleries to be opened at half an hour after Four o'clock. Pit and Boxes at Five. To begin at half an hour after Six. The Subscribers who favoured Mr Handel last season with their subscription, are desired to send to the office at cg on the day of the performance, where two tickets shall be deliver'd to each Gratis, in order to make good the Number of Performances subscrib'd to last season. [Recitative and chorus. Words taken from Milton and Spenser (Edition of 1746). Rehearsed at Handel's lodgings on 7 Feb. Burney and DeFesch in orchestra. (Deutsch, Handel, pp. 629-30.) Librettist not known, possibly Thomas Morell.

Performances

Mainpiece Title: The New Occasional Oratorio

Performance Comment: [No characters.] First soprano-Signora Francesina; Tenor-Beard; Bass-Reinhold (Deutsch, Handel, pp. 629-30.); With a newConcerto on the Organ-.
Event Comment: Written by Shakespear (Daily Post). The Whole concluding with an Epilogue of Thanks wrote by Mr Paget, and spoken by him and the two children (Daily Post). Benefit Paget. Stage and Front Boxes 3s. Pit and First Gallery 2s. Upper Gallery 1s

Performances

Mainpiece Title: Henry Iv

Performance Comment: Falstaff-Paget; Falstaff's Page-Paget's son first time on any stage.

Afterpiece Title: The Tragedy of Tragedies or The Life an Death of Tom Thumb the Great

Performance Comment: Tom Thumb-Paget's/other/son first time on any stage.

Dance: As17461126, but Hornpipe-Williams

Event Comment: Pit and Boxes to be put together, and no Person to be admitted without Tickets, which will be deliver'd this Day, at the Office in Covent Garden Theatre, at Half a Guinea each. First Galley, 5s. Upper Gallery, 3s. 6d. The Galleries, to be open'd at Four, Pit and Boxes at Five. To Begin at Half an Hour after Six. [Customary notice for oratorios. It will not be repeated further.

Performances

Mainpiece Title: Judas Maccabaeus

Performance Comment: Parts were: Judas-; Israelite Man-; Israelite Woman-; Chorus-; Simon- (brother to Judas); Messenger-; Eupolemus- (Jewish Ambassador to Rome). (Larpent MS) [Winton Dean in Handel's Dramatic Oratorios, pp. 471-72, adds Second Israelite Woman and Priest, noting that Madam Frasi sang the part of the first Israelite woman.]Winton Dean in Handel's Dramatic Oratorios, pp. 471-72, adds Second Israelite Woman and Priest, noting that Madam Frasi sang the part of the first Israelite woman.]

Afterpiece Title: a Ca Concerto

Event Comment: At Hickford's Room, Brewer St. Benefit for Mme Cuzzoni. Burney, II, 848-49: [Giardini's] first performance in public was at a benefit concert for Cuzzoni, May the 18th...where, as this was her third arrival in this country, and she was grown old, poor, and almost deprived of voice, by age and infirmities, there was but little company; yet, when Giardini played a solo of Martini of Milan's composition, the applause was so long and loud, that I never remember to have heard such hearty and unequivocal marks of approbation at any other musical performance

Performances

Mainpiece Title: A Concert

Performance Comment: Violin solo-Felice de Giardini first appearance in London (Deutsch, Handel, p. 691); Vocal parts-Sga Cuzzoni.
Event Comment: MMr Ross from Ireland play'd Y. Bevil & was receiv'd with great applause (Cross). Person engaging; voice musical; countenance expressive; judgment correct in general, but he lacks a certain easiness of carriage, and gracefulness of deportment...appeared better his second night than his first (Inspector No 184, in Daily Advertiser and Literary Gazette). Receipts: #100 (Cross)

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: Young Bevil-Ross first time on English stage; Tom-Woodward; Myrtle-Palmer; Indiana-Mrs Pritchard; Phillis-Mrs Clive; Daniel-Vaughan; Cimberton-Taswell; Sealand-Berry; Mrs Sealand-Mrs Cross; Isabella-Mrs Bennet; Lucinda-Mrs Mills; Sir John Bevil-Winstone; Humphrey-Blakes.

Afterpiece Title: The Chaplet

Cast
Role: Laura Actor: Miss Norris

Dance: II: Mattocks

Event Comment: Benefit for Ridout. No Building on Stage. [The printer of the Public Advertiser seems to have kept his form for the old notices of the cast for the mainpiece, for although changing Bayes to Shuter, with the appropriate remark about his first appearance in the character, he also lists Gentleman Usher as Shuter.

Performances

Mainpiece Title: The Rehearsal

Performance Comment: As17541230. but Bayes-Shuter first time.

Afterpiece Title: The Lottery

Dance: IItalian Peasants-Granier, Mrs Granier

Event Comment: An Oratorio composed by Sg Gio. Adol. Hasse, With Additions by Sg Giardini. End of the first Act a Concerto on the Organ by Mr Burton, In Act the third a Hautboy Concerto by the two Signori Besozzi, lately come from abroad. Pit and boxes 10s. 6d. First Gallery 5s. Upper Gallery 3s. 6d. Tickets and Places to be had of Mr Varney, at the stage-door of the Theatre. The profits of this performance will be given to A Public Charity. [No receipts recorded by Cross.

Performances

Mainpiece Title: I Pellegrini

Performance Comment: The vocal parts-Signora Mingotti, Signora Passerini, Ricciarelli, Pazzagli, Cox, others; First violin, a solo-Giardini.
Event Comment: The Prince of Wales by Obrien (first time) very well (Hopkins). Receipts: #147 (MacMillan)

Performances

Mainpiece Title: King Henry Iv Part I

Performance Comment: Falstaff-Love; King-Havard; Prince of Wales-Obrien, first time; Sir Richard Vernon-Jackson; Worcester-Bransby; Hostess-Mrs Bradshaw; Northumberland-Burton; Glendower-Lee; Douglas-Parsons; Blunt-J. Palmer; Poins-Packer; Carriers-Moody, Weston; Sheriff-Stevens; Bardolf-Clough; Westmorland-Ackman; Francis-Vaughan; Mortimer-Castle; Hotspur-Holland; Lady Percy-Mrs Palmer.

Afterpiece Title: The Deuce Is in Him

Dance: End: The Provancalle, as17631014

Event Comment: LLusignan by Mr Powell (first time) (Hopkins). Mr Powell played Lusignan with great Feeling, but spoke much too low, and cryed too much (Hopkins Diary-MacMillan). Full Prices. Receipts: #241 7s. (MacMillan)

Performances

Mainpiece Title: Zara

Performance Comment: Lusignan-Powell, first time; Osman-Holland; Nerestan-Packer; Chatilion-Castle; Orasmin-Burton; Melidor-Fox; Selima-Mrs Davies; Zara-Mrs Yates.
Cast
Role: Lusignan Actor: Powell, first time

Afterpiece Title: The Rites of Hecate

Event Comment: Benefit for Dickinson (first gallery keeper). Ghost-Mr Powell ($Hopkins)

Performances

Mainpiece Title: Hamlet

Performance Comment: As17640211, but Ghost-Powell, first time; Rosencraus-Fox; Bernardo-Strange; Polonius-Baddeley.
Cast
Role: Ghost Actor: Powell, first time

Afterpiece Title: High Life below Stairs

Dance: End: The Irish Lilt, as17630922

Event Comment: [This is the first playbill to assign parts to actors in The Brothers, or to suggest parts in the Spanish Lady.] Receipts: #185 3s. 6d

Performances

Mainpiece Title: The Brothers

Performance Comment: As17700116, but Lucy-Mrs Gardner; Sophia-Mrs Mattocks, first time. [The bill corresponds with listing for 2 Dec. 1769.]The bill corresponds with listing for 2 Dec. 1769.]
Cast
Role: Sophia Actor: Mrs Mattocks, first time.
Role: Fanny Goodwin Actor: Miss Ward
Role: Kitty Actor: Miss Valois
Related Works
Related Work: Fatal Love; or, The Degenerate Brother Author(s): Osborne Sidney Wandesford

Afterpiece Title: The Spanish Lady

Performance Comment: As17691211, but Worthy-DuBellamy, first time; Spanish Lady-Mrs Mattocks; the principal Parts-_Mattocks, _Lewes, _Fox, R. _Smith, The Young Lady who performed in Man and _Wife.

Dance: End: The Whim, as17691123

Event Comment: Mrs Barry--Imogen (first time) not so well as was expected (Hopkins Diary). Mrs Barry, Imogen (Cross Diary)

Performances

Mainpiece Title: Cymbeline

Performance Comment: As17700922, but Belarius-J. Aickin; Imogen-Mrs Barry, first time; dancing-Sga Daigville, Sga _Giorgi.
Cast
Role: Imogen Actor: Mrs Barry, first time

Afterpiece Title: The Elopement

Dance: III: Comic Dance, as17701025

Event Comment: A serious opera composed by Vento and other celebrated composers. Prices: Pit and Boxes, 10s. 6d. First Gallery 5s. 2nd Gallery 3s. 6:30 p.m. By their Majesties Command, no persons can be admitted behind the Scenes or into the Orchestra. Vivant Rex et Regina. [Manager's plea for subscribers to pay up to Bankers Drummond and Co. or to Mr Crawford (treasurer) at his dwelling adjacent to the Theatre. Repeated.

Performances

Mainpiece Title: Sofonisba

Performance Comment: Syphax-Millico; Sofonisba-Sga Girelli, first appearance in England.

Dance: I: Slingsby, Mlle Grenier; II: A New Serious Ballet-Fierville, scholar of Lepy Sen; Last Act: A New Grand Ballet-all the principal dancers

Event Comment: New Overture and Pieces of Music Between the Acts. Music by Barthelemon. New Scenes, Habits and Decorations. The Scenes designed by DeLoutherberg, and painted by Messrs French, Royer, and Greenwood. Books of the songs and Chorusses to be had at the Theatre. This piece is got up in a most Superb manner. The Scenery is beyond description fine -& the whole Performance tho' the most complicated upon the stage went off with uncommon Applause. Mrs Abington played finely--Mr Slingsby & Sga Hidou danc'd for the first time & were Amazingly well Rec'ed. The Ballets are very Grand (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] Rec'd stopages #17 18s.; Paid salary list #567 16s.; J. French on Acct #5 5s. (Treasurer's Book). Mainpiece: Never performed before, by John Burgoyne. [The review in the Westminster Magazine, Nov. 1774, tells the plot, and concludes: "After some superb exhibitions of transparent scenery, several characteristic airs, and elegant dances, Mr Oldworth...proclaims Maria his only daughter and gives her to Sir Harry. After a dance of Cupids, Hymen, &c....offering them eternal wreaths, the Druid of the Oaks, freed by the present powers of Beauty from that sequestered habitation to which by mystic spells he had long been doomed, appears to ratify their union, and astonishes the spectators by his magic influence, in a glorious vision of that felicity the virtues of the happy pair had so justly insured. An admirable vaudeville, and a grand dance, conclude the dramatic entertainment....Had it not appeared obvious that the whole was intended as a mere vehicle for the splendid spectacle, we do not suppose, in spite of the managers Orders and Puffs, that the author's labors would have been tolerated. The very excellent scenery, however, of the ingenious Mr Loutherbourg preserved this piece from that damnation, which as a dramatic production, it justly merited."] Receipts: #263 14s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Maid Of The Oaks

Performance Comment: Parts by King, Dodd, Weston, Moody, Aickin, Brereton, Bannister, Lamash, Burton, Wright, Messink, Mrs Baddeley, Mrs Bradshaw, Mrs Abington. Dupely-Dodd; Old Groveby-King; Sir Harry Groveby-Brereton; Hurry-Weston; Oldworth-Aickin; Painter-Moody; Druid-Bannister; Maria-Mrs Baddeley; Lady Bab-Mrs Abington; Shepherds and Shepherdesses-Lamash, Burton, Wright, Messink, Mrs Bradshaw; (Genest, V, 442) In the Course of the Piece will be introduced a Fete Champetre-; Vocal parts-Vernon, Davies, Legg, Kear, Fawcett, Carpenter, Master Blanchard, Mrs Wrighten, Mrs Scott, Mrs Smith; The Dances-Slingsby (first appearance here in 7 years), Atkins, Como, Giorgi, Sga Crespi, Mrs Sutton, Sga Hidou (first appearance on English Stage); The Ballets-M. Larevier; Prologue-; Epilogue-.

Afterpiece Title: The Miller of Mansfield

Cast
Role: Peggy Actor: Miss Platt
Event Comment: Paid salary list #630 1s. 6d. (Treasurer's Book). Tuesday Next, not acted these 2 years. George Barnwell, to which will be added, first time these 6 years, The Jubilee, in honor of Shakespeare. Receipts: #247 17s. (Treasurer's Book)

Performances

Mainpiece Title: The Stratagem

Performance Comment: As17751201, but Scrub-Dodd, first time.
Cast
Role: Scrub Actor: Dodd, first time.
Role: Cherry Actor: Miss Jarratt, first time
Role: Dorinda Actor: Miss Sherry

Afterpiece Title: The Padlock

Dance: IV: The Irish Fair, as17751003

Event Comment: Rich's Company. The date of the premiere is not known, but the fact that the play was advertised in the Post Boy, 28-30 April 1698, suggests a first performance in late March. The Songs, published separately, include: Come all ye shepherds, set by Daniel Purcell and sung by Freeman. Let every shepherd bring his lass, set by Daniel Purcell and sung by Magnus. Life is but a little span, set by Daniel Purcell and sung by Young Bowin and Mrs Campion. Fond shepherd, set by Daniel Purcell and sung by Pate. To pensive years resign your pining, set by Daniel Purcell and sung by Young Bowen. Look down, set by Daniel Purcell and sung by Pate. Dedication, edition of 1698: I have no Reason to complain of the Success it had on the Stage. A Comparison Between the Two Stages (1702), p. 20: Damn'd

Performances

Mainpiece Title: Phaeton Or The Fatal Divorce

Performance Comment: Edition of 1698: The Prologue-Mr Powel, Mrs Cross [including Miss Chock]; Merops-Mills; Phaeton-Powel; Epaphus-Williams; Clymene-Mrs Powel; Alithea-Mrs Knight; Cassiope-Mrs Temple; Merope-Mrs Kent; The Epilogue by a Friend-Mr Mills.
Event Comment: Announced only as A New Sacred Oratorio. [First London Performance.] See Universal Spectator, 19 March, for emphatic objection against performing oratorios in theatres

Performances

Mainpiece Title: Messiah

Performance Comment: . Sopranos-Signora Avogli (or Miss Edwards), Mrs Clive; Contralto-Mrs Cibber; Tenor-Beard; Bass-Reinhold. (Deutsch, p. 564.)

Music: Concerto on Organ-; Violin Solo-DuBourg

Event Comment: At Yeates' Theatrical Booth, Greyhound Inn, during the time of Bartholomew Fair. The whole to be decorated with decency, and propriety, together with a grand Band of Music, consisting of French Horns, Violins, Trumpets, Hautboys, &c. N.B. There is a convenient Way to the theatre in Cow Lane for coaches, where Ladies and Gentlemen may have admittance without interruption. Boxes 2s. 6d. Pit 2s. First Gallery 1s. Upper 6d. [Several persons had provided booths in the Inns at Smithfield to perform Drolls and Interludes, as had been customary for many years, and were preparing to exhibit accordingly; but the City Marshall and other officers, by order of the Lord Mayor oblig'd them to take down their Shew Cloths and decamp (Morley, Memoirs of Bartholemew Fair).

Performances

Mainpiece Title: Trial Scenes Of The Cock Lane Ghost

Afterpiece Title: Tars of Old England

Entertainment: Exhortation of the Little Lilliputian Squire Hum, a child of five years old. TheGrand Hornpipical Balletin the taste and after the manner of Mrs Vernon and Miss Nancy Dawson,-a young lady

Performance Comment: TheGrand Hornpipical Balletin the taste and after the manner of Mrs Vernon and Miss Nancy Dawson,-a young lady.
Event Comment: Benefit for Mrs Scott. No building on Stage. Mrs Hopkins Mandane Mrs Yates being Ill (Hopkins). Benefit for Miss Young (playbill). Afterpiece: Not acted these two years. [See 10 Feb. 1762.] Charges: #64 4s. (MacMillan)

Performances

Mainpiece Title: The Orphan Of China

Performance Comment: As17640402 but Mandane-Mrs Hopkins (first time); Mirvan-Packer; Original Epilogue-_.

Afterpiece Title: The Chaplet

Performance Comment: Pastora-Mrs Dorman; Palmon-Fox; Damon-Vernon; Laura-Miss Young.
Cast
Role: Laura Actor: Miss Young.

Dance: The Irish Lilt, as17630922

Event Comment: Benefit for Mr and Master Burton. Tickets deliver'd by W. Yates and Miss Berkley will be taken. Afterpiece: Not acted these two years. [See 9 May 1764.

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Catherine and Petruchio

Performance Comment: Petruchio-King; Grumio-Yates; Tailor-Master Burton; Biondello-Baddeley; Baptista-Burton; Catherine-Mrs Abington (first time).

Dance: End: New Tambourine, as17660123

Event Comment: Benefit for Younger. Mainpiece: Not acted these 2 years. [See 18 May 1772.] Tickets delivered by Miss Helme will be taken. Charges: #66 17s. 6d. Profit to Younger #52 1s., plus #130 1s. from tickets (Box 201; Pit 344; Gallery 382) Receipts: #118 18s. 6d. (Account Book)

Performances

Mainpiece Title: Cyrus

Performance Comment: Cyrus-a Gentleman [Brunton] first appearance any stage; Cambyses-Smith; Astyages-Clarke; Harpagus-Hull; Mithranes-Bensley; Aspasia-Mrs Mattocks; Mandane-Mrs Melmoth.

Afterpiece Title: Mother Shipton with Stockwell Scenes

Performance Comment: Harlequin-Lewes; Clown-Cushing; Farmer-Fox; Mother Shipton-Baker; Ballad Singer-Dunstall; Others-Rayner, Banks, Wild, Hamilton, Thompson, Hollingsworth, Holtom, Mrs Helme, Mrs White; Colombine-Miss Twist; The Dances-Fishar, Miss Valois, Blurton, Miss Besford.
Event Comment: Benefit for Reinhold. Part of Pit laid into Boxes. Ladies send Servants by 4 o'clock. The Englishman in Paris oblig'd to be deferr'd on account of Indisposition of Miss Macklin

Performances

Mainpiece Title: Artaxerxes

Performance Comment: As17741129, but Arbaces-Leoni (for that night only), first appearance; Mandane-Mrs Mattocks, 2nd time in that character.

Afterpiece Title: The Upholsterer

Cast
Role: Harriet Actor: Miss Valois

Dance: End Opera: The Merry Sailors, as17741026

Event Comment: Principal Instrumental Performers as 4 Mar. Morning Herald, 12 Mar.: Mrs Hindmarsh made her first appearance with much success

Performances

Mainpiece Title: The Messiah

Performance Comment: Principal Vocal Performers-Master Elliot, Kelly, Nield, Burdon (from Salisbury), Gray, Bartleman, Miss Parke, Mrs Hindmarsh. For partial list of individual selections, and singers thereof, see17950327 .
Event Comment: The Duke's Company. The date of the premiere is not known, but the play was entered in the Stationers' Register, 18 Nov. 1670, and was probably performed not long before that date. Preface: The misfortune it had in having some of the Parts ill and imperfectly performed, as also the laying down of it, the sixth day of its being presented, when the Audience was very near as considerable, as the first day it was Acted, as also an intermission hitherto occasioned by the long absence of some principal Actresses, could not but prejudice the esteem it gain'd

Performances

Mainpiece Title: The Womens Conquest

Performance Comment: Edition of 1671: The First Prologue. Enter-Angel, Underhill, . Enter Noakes; The Second Prologue-personated like Ben Johnson rising from below.; The Third Prologue-; Tysamnes-Harris; Bassanes-Young; Foscaris-William? Smith; Andrages-Crosby; Toxaris-Standford; Alvanes-Cademan; Araxis-Norris; Draxanes-Adams; Eumenes-Westwood; Parisatis-Mrs Betterton; Mandana-Mrs Long; Statyra-Mrs Johnson; Clarina-Mrs Shadwell; Melvissa-Mrs Dixon; Doranthe-Mrs Lee; Cydanene-Mrs Lilborne; Renone-Mrs Wright; Epilogue-the Queen of Amazons.
Cast
Role: Toxaris Actor: Standford

Performances

Mainpiece Title: Concert

Music: First Violin-Dubourg; Concert-Kytch; Solo-J. Festing