Event Comment: Written by Shakespear. Garrick to Peter Garrick (Dec. 1741): You perhaps would be glad to know what parts I have play'd, King Richd-+Jack Smatter in Pamela-Clody fop's fortune-Lothario fair Penitent-Chamont Orphan-Ghost Hamlet-& Shall soon be ready in Bays in ye Rehearsal-and in ye part of Othello-Both of which I believe will do Me and Cibber">Giffard great Service-I have had great Success in all, & 'tis not yet determin'd whether I play Trajedy or Comedy best-$Old Cibber has spoke with ye Greatest Commendation of my Acting, as to playing a Harlequin 'tis quite false-Yates last Season was taken very ill & was not able to begin ye Entertainment so I put on ye Dress & did 2 or three Scenes for him, but Nobody knew it but him & Giffard; I know it has been Said I play'd Harlequin at Covent Garden but it is quite false.-Little, Pineapples, pp. 28-29

Event Comment: A new Musical Drama, compos'd by Mr Handel. Libretto by Thomas Broughton. [Mrs Cibber was scheduled to sing the part of Lichas, but was indisposed.

Event Comment: A letter in Daily Advertiser 4 March complains of Mrs Cibber's absence from this revival

Event Comment: MMrs Cibber to Garrick, 26 Feb. 1746: I despise your vanity when you imagine my danger was as great from Mrs Copin, as yours from Perkin Warbeck; my rival met with disgrace the first night of her appearance; and my not naming her when I writ you about Perkin Jan. 1746] was a piece of generosity scarcely to be met with in the female sex, for my rival was then dismissed the house.--Boaden, Private Correspondence of Garrick, I, 39

Event Comment: Benefit for Beard. Afterpiece: A Masque of Music, reviv'd, in two Interludes, preform'd at the end of the 3rd and 5th Acts. Written by Colley Cibber. Servants will be allow'd to keep Places on the stage, which (for the better accommodation of the Ladies) will be form'd into an Amphitheatre, illuminated and enclos'd, as at an Oratorio. Tickets for Boxes and Stage to be had of Beard at his house in Red Lyon Square, and of Page at the Stage Door. Ladies desired to send servants to keep Places by three o'clock (General Advertiser)

Event Comment: MMr Barry flew from his articles & engag'd with Rich; Mrs Cibber (who did not play last season) is also engag'd there--Y: King went to Ireland--Macklin and Wife came from thence to Mr Rich (Cross). Passage open'd from Russel St. into the boxes where Ladies and Gentlemen may be set down from their coaches, and there is likewise a better accommodation made for Chairs to come up to the House, and be kept in waiting, at the end of the Passage from Bridges St. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Hobson at the stage door of the Theatre. [The notice about the Passage was continued through 20 Sept. The notice about prices was customary throughout the season. Neither will be repeated further here.] Receipts: #110 (Cross)

Event Comment: A Quarrel in ye Green room between old Cibber & Mrs Clive occasioned by his saying, the stage wanted a handsome Woman, &c. (Cross). Receipts: #70 (Cross)

Event Comment: Mainpiece: Not acted in 5 years. [See 12 March 1747.] This day publish'd The Oracle, a comedy of one act as it is acted at Covent Garden. By Mrs Cibber

Event Comment: MMiss Haughton did second Constantia-Mrs Cibber gave it up-some days ago ($Cross). [Early in the next year was published The Devil upon Crutches in England; or, Night Scenes in London. By a Gentleman of Oxford. Chapter V gives a Short View of the Theatres including sharp criticism of 'the most barefaced bawdry Farce...that ever disgraced the stage, in which the Manager, who has caused it to be reviv'd, is to perform the principal part. The Play, Sir, is call'd the Chances...and this is the tenth night of its representation to crowded houses...Your fair country women...are fond of the most fulsome obscenity on the stage."] Receipts: #150 (Cross)

Event Comment: Last time of performing Mainpiece this season. Benefit for Pritchard, treasurer. Tickets at his house in York St., and at Pritchard's Warehouse, Tavistock St. Mrs Cibber went sick to Bath in Passion Week, & plays no more this season (Cross). Receipts: #190 (Cross)

Event Comment: Benefit for Mrs Cibber. Part of Pit laid into Boxes. Receipts: #213 (Cross)

Event Comment: Benefit for Mrs Yates. Garrick's first appearance in Chamont in 4 years. Mrs Yates in Monimia for first time. Mrs Cibber's illness has oblig'd Mrs Yates to change her Play from Jane Shore to The Orphan. The Afterpiece (for one night only): A Burlesque Opera of two acts

Event Comment: Mr Moody Dr Cantwell 1st time--very bad (Hopkins Diary). Theatrical Review, 27 Nov.: Dr Cantwell was, this evening, played by Mr Moody on account of Mr King's illness, and, as we apprehend, it was undertaken on a short notice, we think he executed it with great propriety and justness. [Potter interprets the moral impact of the play considering it an improvement over Cibber's Non-Juror, its source.] Receipts: #108 14s. (Treasurer's Book)

Event Comment: Mainpiece: Written by Colley Cibber; With Alterations. Not Acted these 12 years [acted 10 May 1784]. With new Scenes, Dresses and Decorations. Receipts: #275 19s. 6d. (194.3.6; 78.19.0; 2.17.0)

Event Comment: The United Company. The date of the first production is not known, but Part II seems to have followed rather closely upon Part I. The Gentleman's Journal, June 1694 (which apparently appeared in mid-June) states: The first Part of Mr Durfey's Don Quixote was so well received, that we have had a second Part of that Comical History acted lately, which doubtless must be thought as entertaining as the first; since in this hot season it could bring such a numerous audience (p. 170). The Songs were advertised in the London Gazette, 5 July 1694, and Part II advertised in the same periodical 19-23 July 1694. The songs as listed in the separately printed Songs are as follows: Genius of England, the music by Henry Purcell, sung by Freeman and Mrs Cibber. I burn, I burn, the music by John Eccles, sung by Mrs Bracegirdle. Since times are so bad, the music by Henry Purcell, sung by Reading and Mrs Ayliff. Damon, let a friend, the music by Pack, sung by Mrs Hudson. Ye nymphs and sylvan gods, the music by John Eccles sung by Mrs Ayliff. If you will love me, composer and singer not named. In addition, Thesaurus Musicus, 1695, published Lads and lasses, blithe and gay, the music by Henry Purcell, sung by Mrs Hudson. Purcell also wrote the music for other songs for which the singer is not known. Preface, edition of 1694: The good success, which both the Parts of Don Quixote have had, either from their Natural Merit, or the Indulgence of my Friends, or both, ought sufficiently to satisfie me, that I have no reason to value tne little Malice of some weak Heads, that make it their business to be simply Criticizing....I think I have given some additional Diversion in the Continuance of the character of Marcella, which is wholly new in this Part, and my own Invention, the design finishing with more pleasure to the Audience by punishing that coy Creature by an extravagant Passion here, that was so inexorable and cruel in the first Part, and ending with a Song so incomparably well sung, and acted by Mrs Bracegirdle, that the most envious do allow, as well as the most ingenious affirm, that 'tis the best of that kind ever done before....I deserve some acknowledgment for drawing that Character of Mary the Buxom, which was intirely my own,...by making the Character humorous, and the extraordinary well acting of Mrs Verbruggen, it is by the best Judges allowed a Masterpiece of humour

Event Comment: Rich's Company. The evidence for this date as the premiere of The Relapse is Jennens' report on 19 Nov. 1696 that Drury Lane expected to produce a new play on this date, coupled with the fact that Lady Morley saw this play on 25 Nov. 1696. The play was advertised in the Post Boy, 26-29 Dec. 1696. Preface, Edition of 1697: One word more about the Bawdy, and I have done. I own the first Night this thing was acted, some indecencies had like to have happen'd, but 'twas not my Fault. The fine Gentleman of the Play, drinking his Mistress's Health in Nants Brandy, from six in the Morning, to the time he wadled upon the Stage in the Evening, had toasted himself up, to such a pitch of Vigor, I confess I once gave Amanda for gone, and am since (with all due Respect to Mrs Rogers) very sorry she scap'd; for I am confident a certain Lady (let no one take it to herself that is handsome) who highly blames the Play, for the barenness of the conclusion, wou'd then have allowed it, a very natural Close. Gildon, English Dramatick Poets, p. 145: This Play was received with mighty applause. Cibber, Apology, I, 216: This Play (the Relapse) from its new and easy Turn of Wit, had great Success, and gave me, as a Comedian, a second Flight of Reputation along with it

Event Comment: Rich's Company. The date of the first performance is not certain, but the Preface refers to the Long Vacation and a thin house, suggesting a late summer production. As the play was advertised in the Post Boy, 16-18 Nov. 1697, a first performance in October 1697 is probably the latest date for this play, and September seems more likely. Among the songs are several for whom the composer and singer are named: Happy we who free from love, and How calm Eliza are these groves, the music set by Morgan and both sung by Mrs Lindsey. She comes my goddess comes, set by Morgan and sung by Mrs Cibber. Sleep shepherd sleep, the music set by Morgan and sung by Mrs Cross. All four are in A Collection of New Songs, 1697. Preface, Edition of 1698: To serve the wants of a thin Playhouse, and Long Vacation...This hasty Brat...had the Honor of keeping the Stage for five Days Reign. Animadversions on Mr Congreve's late Answer to Mr Collier (1698), pp. 34-35: The mighty Man of Wit [Congreve]...at the Representation of this Play...was seen very gravely with his Hat over his Eyes among his chief Actors, and Actresses, together with the two She Things, call'd Poetesses, which Write for his House, as 'tis nobly call'd; thus seated in State among those and some other of his Ingenious critical Friends, they fell all together upon a full cry of Damnation, but when they found the malicious Hiss would not take, this very generous, obliging Mr Congreve was heard to say, We'll find out a New way for this Spark, take my word there is a way of clapping of a Play down

Event Comment: Benefit Cibber

Event Comment: [By Richard Steele. Date of premiere unknown. Published 20 Dec.] Colley Cibber: I remember [Rich] once paid us nine Days in one Week: This happen'd when the Funeral...was first acted, with more than expected Success.-Apology, I, 263

Event Comment: Benefit Cibber

Event Comment: Benefit Cibber. At the Desire of several Ladies of Quality. [Receipts: probably #115 1s. 1 1!2d., according to Baggs.

Event Comment: Benefit Mrs Oldfield. At the Desire of several Ladies of Quality. Afterpiece: a comical Tragedy [a burlesque of Lee's The Rival Queens by Cibber]

Event Comment: [By Joseph Addison.] Never Acted before. G. Berkeley to Sir John Percival, 16 April: On Tuesday last...Cato was acted the first time. I am informed the front boxes were all bespoke for nine days, a fortnight before the play was acted. I was present with Mr Addison, and two or three more friends in a side box, where we had a table and two or three flasks of burgundy and champagne, with which the author (who is a very sober man) thought it necessary to support his spirits in the concern he was then under, and indeed it was a pleasant refreshment to us all between the acts....The actors were at the expence of new habits, which were very magnificent. (Rand, p. 113. See also Victor, II, 29-31, and Cibber, I, 122-23, II, 127-33)

Event Comment: Not Acted these Twelve Years [but see 2 May 1709]. Written by the late Mr Dryden. All the Habits being entirely new. With Decorations proper to the Play. Steele wrote a Prologue for this play, possibly for this run; it was not used but appeared in The Theatre, 2 Feb. 1720. See also The Works of John Dennis, Hooker, ed., II, 162-65. Cibber states that #600 was expended on the habits, scenes, and decorations

Event Comment: Mainpiece: Written by Shakespear. Egerton 2320: Receipts: #80. A quarrel betwixt Mr Quin and Mrs Cibber about dressing in ye Green Room