SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Miss Hitchcock"/1) | (@(roleclean,performerclean) "Miss Hitchcock")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 13769 matches on Performance Comments, 4403 matches on Performance Title, 1726 matches on Event Comments, 20 matches on Roles/Actors, and 1 matches on Author.
Event Comment: Tickets delivered for this Evening [Account-Book: by Alfred, Benson, Kirk, Maddocks, Walker, Whittow, Whitmell, Mrs Booth, Miss Daniels, Mrs Davies, Mrs Edwin, Mrs Gaudry, Mrs Jones] will be admitted. Receipts: #69 9s. (47.0; 19.12; 2.17; tickets: none listed)

Performances

Mainpiece Title: The Belle's Stratagem

Cast
Role: Mrs Racket Actor: Miss Pope
Role: Miss Ogle Actor: Miss Tidswell
Role: Kitty Willis Actor: Miss Barnes
Role: Maid Actor: Miss Palmer.

Afterpiece Title: The Padlock

Performance Comment: Don Diego-Williames; Leander-Dignum; Mungo-Suett; Leonora-Miss Daniels (1st appearance in that character); Ursula-Mrs Hopkins.
Cast
Role: Leonora Actor: Miss Daniels

Song: In IV: Italian Air-Miss Daniels

Dance: End I afterpiece: Hornpipe-a Young Lady

Event Comment: Mainpiece [1st time; T 5, by William Henry Ireland; incidental music by William Linley. Prologue by Sir James Bland Burges; Epilogue by Robert Merry (see text)]: With new Scenes, Dresses & Decorations. The Scenes designed and excuted by Greenwood and Capon. The Dresses by Johnston, Gay & Miss Rein. Printed slip attached to Kemble playbill: A malevolent and impotent attack on the Shakspeare MSS. [i.e. those forged by W. H. Ireland, of which this play was one] having appeared, on the Eve of representation of Vortigern, evidently intended to injure the interest of the Proprietor of the MSS., Mr Samuel? Ireland [W. H. Ireland's father] feels it impossible, within the short space of time that intervenes between the publishing and the representation, to produce an answer to the most illiberal and unfounded assertions in Mr Malone's enquiry [i.e. Edmond Malone, An Inquiry into the Authenticity of certain Papers attributed to Shakspeare, Queen Elizabeth, and Henry, Earl of Southampton, 1796]. He is therefore induced to request that Vortigern may be heard With that Candour that has ever distinguished a British Audience. The Play is now at the Press, and will in a very few days be laid before the Public. [But it was not issued until 1799 (see below). See also Bernard Grebanier, The Great Shakespeare Forgery, London, 1966.] 4 Apr., states that the first three acts were listened to with patience, but beginning with the fourth act the play was damned, when "one tremendous yell of indignation from the pit burst simultaneously." "At four o'clock the doors of the theatre were besieged; and, a few minutes after they were opened, the pit was crowded solely with gentlemen. Before six not a place was to be found in the boxes, and the passages were filled...The audience betrayed symptoms of impatience early in the representation; but, finding its taste insulted by bloated terms, which heightened the general insipidity, its reason puzzled by discordant images, false ornaments, and abortive efforts to elevate and astonish, pronounced its sentence of condemnation at the conclusion of the play" (Gentleman's Magazine, Apr. 1795, pp. 346-47). "Irelands play of Vortigern I went to. Prologue spoken at 35 minutes past 6 [see 29 Mar.]: Play over at 10. A strong party was evidently made to support it, which clapped without opposition frequently through near 3 acts, when some ridiculous passages caused a laugh, mixed with groans-Kemble requested the audience t o hear the play out abt. the end of 4th act and prevailed.-The Epilogue was spoken by Mrs Jordan who skipped over some lines which claimed the play as Shakespeares. Barrymore attempted to give the Play out for Monday next but was hooted off the stage. Kemble then came on, & after some time, was permitted to say that "School for Scandal would be given," which the House approved by clapping. Sturt of Dorsetshire was in a Stage Box drunk, & exposed himself indecently to support the Play, and when one of the stage attendants attempted to take up the green cloth [i.e. a carpet which, by custom, was laid on the stage during the concluding scene of a tragedy], Sturt seized him roughly by the head. He was slightly pelted with oranges" (Joseph Farington, Diary, 1922, I, 145). Account-Book, 4 Apr.: Paid Ireland his share for the 1st Night of Vortigern #102 13s. 3d. Morning Chronicle, 29 Mar. 1799: This Day is published Vortigern and Henry the Second (4s.). Receipts: #555 6s. 6d. (528.6.0; 26.9.6; 0.11.0)

Performances

Mainpiece Title: Vortigern

Performance Comment: Characters-Bensley, Barrymore, Caulfield, Kemble, Whitfield, Trueman, C. Kemble, Benson, Phillimore, King, Dignum, Packer, Cooke, Banks, Evans, Russell, Wentworth, Maddocks, Webb, Master Gregson, Master DeCamp, Mrs Powell, Mrs Jordan, Miss Miller, Miss Tidswell, Miss Heard, Miss Leak; [Cast from text (J. Barker, 1799): Constantius-Bensley; Aurelius-Barrymore; Uter-Caulfield; Vortigern-Kemble; Wortimerus-Whitfield; Catagrines-Trueman; Pascentius-C. Kemble; Hengist-Benson; Horsus-Phillimore; Fool-King; Page-Master Gregson; Servant-Master DeCamp; Edmunda-Mrs Powell; Flavia-Mrs Jordan; Rowena-Miss Miller; Attendants on Edmunda-Miss Tidswell, Miss Heard, Miss Leak; Dignum, Packer, Cooke, Banks, Evans, Russell, Wentworth, Maddocks, Webb are unassigned.] Prologue [actually, read (Boaden, Jordan, I, 297)]-Whitfield; Epilogue-Mrs Jordan.

Afterpiece Title: My Grandmother

Cast
Role: Peggy Actor: Miss Mellon.
Role: Charlotte Actor: Miss DeCamp

Song: In: Last Whitsunday they brought me-Miss Leak; She sung whilst from her eye ran down-Mrs Jordan [neither one listed in playbill (see BUC, 622)]

Event Comment: Tickets delivered for this Evening [by Wm. Banks, Dale Sen., Chippendale, Gregson, Jacobs, Wells, Thompson, Whitmell, Mrs Byrne, Mrs Butler, Miss Jackson (Account-Book)] will be admitted. Receipts: #305 4s. (17.4.6; 22.0.0; 1.7.0; tickets: 264.12.6)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Cast
Role: Mrs Prim Actor: Miss Pope
Role: Nancy Actor: Miss Mellon
Role: Betty Actor: Miss Tidswell

Afterpiece Title: No Song No Supper

Performance Comment: As17970504, but Nelly-Miss Granger.
Cast
Role: Nelly Actor: Miss Granger.
Role: Louisa Actor: Miss Wentworth
Role: Margaretta Actor: Miss Leak

Dance: End: A Country Dance and Scotch Reel-Thompson, Whitfield, Wells, Banks, Garman, Miss Bourk, Mrs Haskey, Mrs Brigg, Mrs Byrne, Mrs Barrett; The Minuet de la Cour and Gavot-Roffey, Mrs Wild; A Hornpipe-Sga Bossi DelCaro

Event Comment: Benefit for Hill, Rees and Miss Sims. Morning Chronicle, 6 June: Tickets to be had of Hill, No. 24, Bow-street, opposite the Pit Door. [Others not listed.] 2nd piece [1st time: M. INT 1]. Receipts: #287 7s. (50.17.6; 4.0.6; tickets: 232.9.0)

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: Shylock (for that night only)-Rees; Bassanio-Pope; Launcelot-Munden; Gratiano-Knight; Lorenzo (with songs; 1st time)-Hill; Solarino-Claremont; Salanio-Klanert; Old Gobbo-Wilde; Duke-Davenport; Tubal-Thompson; Balthazar-Curties; Antonio-Holman; Jessica (with a song; 1st time)-Mrs Atkins; Nerissa (1st time)-Miss Sims; Portia-Miss Betterton.
Cast
Role: Nerissa Actor: Miss Sims
Role: Portia Actor: Miss Betterton.

Afterpiece Title: The Brilliants

Afterpiece Title: Comus

Performance Comment: Comus-Holman; Principal Bacchanal-Hill; Bacchanals-Townsend, Linton, Street, Thomas, Oddwell; 1st Spirit-Thompson; Brothers-Farley, Claremont; 2nd Spirit (with a song)-Miss Sims; The Lady-Miss Chapman; Principal Bacchant-Mrs Chapman; Bacchants-Ms Wheatley, Ms Follett, Ms Castelle, Ms Leserve, Ms Norton; Sabrina=-Mrs Atkins; Pastoral Nymph-Mrs Atkins; Sweet Echo-Mrs Atkins; accompanied on the oboe-W. Parke; Euphrosyne-Mrs Martyr.
Cast
Role: 2nd Spirit Actor: Miss Sims
Role: The Lady Actor: Miss Chapman

Dance: In II 3rd piece: a Dance-Naiads

Song: In: Maria; or, The Beggar Girl-Mrs Atkins; Young William-Incledon; a new song, The Negro Boy (written by Rees, and composed by Attwood)-Miss Sims (in character)

Event Comment: Mainpiece [1st time; C 4, by George Colman elder. Prologue by the author (Morning Chronicle, 13 Oct.). Scenery by Rooker (ibid. 1 Sept.). Larpent MS 490; not published; synopsis of plot in London Magazine, Sept. 1779, pp. 405-7]. "The first three acts want business, and the denouement is rather suddenly brought about...The greatness of the task of performing a character of which Mrs Abington had been announced as the intended representative seemed to inspire [Miss Farren] with additional zeal, and helped her to gain additional credit" (Morning Chronicle, 1 Sept.)

Performances

Mainpiece Title: The Separate Maintenance

Performance Comment: Principal Characters-Palmer, Dimond, Aickin, Gardner, Stevens, Kenny, Jackson, Edwin, Parsons, Mrs Webb, Mrs Hitchcock, Mrs Lloyd, Mrs Poussin, Miss Wood, Mrs Lefevre, Miss Hale, Miss Twist, Mrs Cuyler, Miss Farren. [Cast from Gazetteer, 1 Sept.: Leveret-Palmer; Lord Newbery-Dimond; Touchwood-Aickin; Fraction-Gardner; Jacky Minim-Edwin; Lord Oldcastle-Parsons; Lady Oldcastle-Mrs Webb; Miss English-Mrs Hitchcock; Mrs Frankly-Mrs Lloyd; Lady Didapper-Mrs Poussin; Grace-Miss Wood; Mrs Fustian-Mrs Lefevre; Mrs Revel-Mrs Cuyler; Lady Newbery-Miss Farren; Stevens, Kenny, Jackson, Miss Hale, Miss Twist; [Larpent MS 490 lists the parts as above, and adds: Buckle, Varnish, Mons Epingle, Mrs Coiff. Prologue-Palmer. [This was spoken, as here assigned at all subsequent performances.]This was spoken, as here assigned at all subsequent performances.]

Afterpiece Title: The Mayor of Garratt

Dance: As17790818

Event Comment: [This was Mrs Hitchcock's 1st appearance in London. Miss Farren was from the Manchester theatre. Miss Twist is identified in playbill of 14 July.] Because of Foote's acting scarcely anything but his own plays "a relaxation of discipline has been fallen into at the Haymarket... The audience last night, however, were not less surprized than pleased at the very regular manner in which the Comedy and the Burletta were exhibited. All the business of the stage perfect, all the little parts smoothly given, and the whole rather superior than inferior to a performance at either of the Winter Theatres" (Morning Chronicle, 10 June)

Performances

Mainpiece Title: She Stoops To Conquer

Performance Comment: Young Marlow-Palmer; Hastings (with a song)-DuBellamy; Sir Charles Marlow-Fearon; Diggory-Massey; Landlord-Griffiths; Tony Lumpkin-Jackson; Hardcastle-Edwin; Miss Neville-Mrs Hitchcock [from the Theatre Royal, Bath (on playbill of 6 June)]; Mrs Hardcastle-Mrs Gardner; Betty-Mrs Poussin; Miss Hardcastle-Miss Farren (1st appearance in London).

Afterpiece Title: Midas

Performance Comment: Midas-Edwin; Apollo-Du-Bellamy; Sileno-Massey; Jupiter-Griffiths; Damaetas-Blissett; Pan-Bannister; Juno-Mrs Poussin; Mysis-Mrs Love; Daphne-Mrs Hitchcock; Nysa-A Young Gentlewoman (1st appearance on any stage [Miss Twist]).Miss Twist]).
Cast
Role: Daphne Actor: Mrs Hitchcock
Event Comment: Mainpiece [1st time; CO 3, by James Cobb. Text: T. N. Longman and O. Rees, 1800. Miss Waters is identified in the Songs]: The Scenes, Music, Machinery, Dresses, and Decorations are all entirely new. The Music composed by Mazzinghi and Reeve. The Scenery painted by Richards, Phillips, Lupino, Hollogan, Backmore, &c. [based on drawings of Indian scenery by Thomas Daniell]. The Machinery and Decorations by Cresswell, Sloper, Goostree, &c. The Dresses by Dick and Mrs Egan. Books of the Songs, also describing the Scenes and Spectacle of the Return from the Tiger Hunt, to be had at the Theatre, price six pence. "The whole [forms] an exhibition of the utmost grandeur...The expense attending the decoration must have been immense...The dailogue is certainly not of the first description of writing, but it forms, on the whole, a very safe vehicle for some of the best music the English stage has for some time been able to boast"(Morning Herald, 13 Nov.). Account-Book, 27 Dec.: Paid Cuthbert for Wheels, &c. for the Elephants #13 18s. Receipts: #364 7s. 6d. (363.19.6; 0.8.0)

Performances

Mainpiece Title: Ramah Droog; Or, Wine Does Wonders

Performance Comment: Europeans- Incledon, Johnstone, Bologna Jun., Claremont, Clarke, Wilde, Gray, Curties, Whitmore, Blurton, Silvester,Little, Fairclough, Linton Jun., Smith, Hitchcock, Sawyer, Master Little, Master Ramage, Master Bernard, Master Platt [Miss Mitchell, Mrs Mills; Indians- [H. Johnson, Munden, Townsend, Emery, Hill, Farley, Klanert, Abbot, Thompson, Street, Russel, Tett, Linton, Everett, Oddwell, ThomasKenrick, Master Sawyer, Master Speare, Master Slape, Master Goodwin, Master Standen [Mrs Chapman, Miss Sims, Miss Gray, Miss Wheatley, Miss Walcup, Mrs Wybrow, Mrs Watts, Mrs Bologna, Mrs Iliff, Mrs Castelle, Miss Leserve, Mrs Masters, Mrs Norton, Mrs Gilbert, Mrs Whitmore, Mrs Lloyd, Miss Burnett, Mrs Blurton, A Young Lady (1st appearance on any stage [Miss Waters]); [Cast from Songs (T. Rickaby, 1798), and playbill of 24 Oct. 1799: [Europeans. Sidney-Incledon; Liffey-Johnstone; Officers-Bologna Jun., Clarke, Curties, Whitmore, Blurton, Silvester; English Prisoners-Claremont, Wilde, Gray; Eliza-Miss Mitchell; Margaret-Mrs Mills; [Indians. Zemaun-H. Johnston; Chellingoe-Munden; Holkar-Townsend; Rajah-Emery; Govinda-Hill; Officer-Farley; Guards and Attendants-Klanert, Abbot, Thompson; Soldiers-Street, Russel, Tett, Everett, Oddwell, Thomas; Indian Officer-Linton; Alminah-Mrs Chapman; Agra-Miss Sims; Orsana-Miss Gray; Women of the Zenana-Miss Wheatley, Miss Walcup, Mrs Wybrow, Mrs Watts, Mrs Bologna, Mrs Iliff, Mrs Castelle, Miss Leserve, Mrs Masters, Mrs Norton, Mrs Gilbert, Mrs Whitmore, Mrs Lloyd, Miss Burnett, Mrs Blurton; Zelma-Miss Waters. [Little-Master Platt, Kenrick-Master Standen are unassigned.]

Afterpiece Title: The Ghost

Entertainment: Procession. End II: A Return from a Tiger Hunt- [, to the Rajah's Palace, representing the Rajah on an Elephant, returning from Hunting the Tiger, preceded by his Hircarrahs, or military Messengers, and his State Palanquin-the Vizier on another Elephant-the Princess in a Gaurie, drawn by Buffaloes-the Rajah is attended by his Fakeer, or Soothsayer, his Officers of State, and by an Ambassador from Tippoo Sultaun in a Palanquin; also by Nairs (or Soldiers from the South of India), Poligars (or Inhabitants of the Hilly Districts), with their Hunting-dogs, other Indians carrying a dead Tiger, and young Tigers in a Cage; a number of Seapoys-Musicians on Camels and on Foot-Dancing Girls. [This was included in all subsequent performances.

Performances

Mainpiece Title: The English Merchant

Afterpiece Title: Lilliput

Performance Comment: The Lilliputians-Master Edwin, Master Harrison, Miss Morris, Miss P. Farren (see17770718, also Master Hitchcock, Master Pulley, Miss Besford, Miss Francis, Miss Hitchcock (Peake, II, 2).
Event Comment: AfterPiece: Never performed here. [Miss Hemet is identified in Westminster Magazine, July 1780, p. 396.

Performances

Mainpiece Title: The Spanish Barber; Or, The Fruitless Precaution

Performance Comment: Characters-Palmer, Wilson, Blissett, Wewitzer, R. Palmer, Egan, Stevens, Edwin, Miss Farren. [Cast adjusted from London Chronicle, 1 Sept. 1777: Count Almaviva-Palmer; Dr Bartholo-Wilson; Basil-Blissett; Argus-Wewitzer; Tall Boy-R. Palmer; Alcade-Egan; Notary-Stevens; Lazarillo-Edwin; Rosina-Miss Farren.]

Afterpiece Title: Comus

Performance Comment: Comus-Palmer; Singing Spirit-Du-Bellamy; Brothers-Lamash, Wood; 1st Spirit-R. Palmer; Principal Bacchanal-Bannister; Lady (with the song of Sweet Echo, accompanied on the hautboy by Sharp)-Miss Harper; Sabrina, Pastoral Nymph-Miss Twist; Bacchants-Mrs Hitchcock; Eurphosyne, Principal Bacchant-A Young Lady (who never appeared on any stage [Miss Hemet]).Miss Hemet]).
Cast
Role: Lady Actor: Miss Harper
Role: Pastoral Nymph Actor: Miss Twist
Role: Bacchants Actor: Mrs Hitchcock

Music: With a Fandango Overture-. [This was performed in all subsequent performances.

Event Comment: "[Henderson] appears to have cultivated the gifts of nature, with great industry; he promises better to attain the character of a player of consummate judgment than a great player, properly so called. Edwin, in spite of his thin voice and disgusting articulation, is at least equal to half his London contemporaries; and exhibited proofs that neither his conception, nor style of playing, is limited to a particular cast of parts, or mode of acting" (London Magazine, June 1777, p. 288). [ Miss Barsanti was from the Crow Street Theatre, Dublin.

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: Shylock-Henderson (from the Theatre Royal, Bath; 1st appearance in London); Antonio-Younger; Bassanio-Davies; Salanio-Egan; Solarino-T. Davis; Lorenzo (with songs)-Du-Bellamy; Old Gobbo-Blissett; Tubal-Massey; Launcelot-Edwin; Duke-Fearon; Gratiano-Palmer; Nerissa-Mrs Hunter; Jessica (with a song)-Mrs Hitchcock; Portia-Miss Barsanti (1st appearance on this stage).
Cast
Role: Jessica Actor: Mrs Hitchcock
Role: Portia Actor: Miss Barsanti

Afterpiece Title: Piety in Pattens