SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Merchant of London"/1) | (@(roleclean,performerclean) "Merchant of London")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1176 matches on Performance Title, 954 matches on Event Comments, 478 matches on Performance Comments, 2 matches on Roles/Actors, and 0 matches on Author.
Event Comment: At the particular Desire of several Persons of Quality, and Eminent Merchants of the City of London

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: The Jovial Crew

Music: As17310727

Event Comment: At the particular Desire of several Persons of Quality and Distinction, and Eminent Merchants of the City of London

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: The What D'ye Call It

Music: TThe Cuckow-Charke, others

Song: Miss Raftor

Event Comment: At the particular Desire of several Persons of Distinction, and eminent Merchants of the City of London

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: Cephalus and Procris

Song: Miss Raftor

Music: Select Pieces-

Event Comment: At the particular Desire of several Persons of Distinction and Eminent Merchants of the City of London

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: The Devil to Pay

Dance: TThe Tambourin-Miss Robinson; English Maggot-Rainton, Mrs Walter; The Lorrain-Essex, Mrs Booth

Music: Between the Acts: Select Pieces-

Song: Miss Raftor

Event Comment: Benefit the Author. At the particular Desire of several Persons of Quality and Distinction, and Eminent Merchants of the City of London

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: Perseus and Andromeda

Event Comment: At the particular Desire of several Eminent Merchants and Citizens. Afterpiece: Written by Mr Carey. London Daily Post and General Advertiser, 9 Oct.: Yesterday, between One and Two o'Clock, died of a Haemorrage . . . Mr Charles Hulett, belonging to [GF], whose natural Qualifications to the Stage, had he the Application of many of less Merit, would have render'd him one of the most considerable Performers now alive

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: The Honest Yorkshireman

Dance: As17351006

Event Comment: At the particular Desire of several Eminent Merchants in the City of London. Benefit a Family under Misfortunes. [The last performance of the season.

Performances

Mainpiece Title: The London Merchant; Or, The History Of George Barnwell

Afterpiece Title: The Virgin Unmask'd

Song: I: If Love be a Fault-Lowe; IV: Blow Blow thou Winter Wind-Lowe

Event Comment: A New Pantomime of Mr Messinks went off with great Applause (Hopkins Diary). Music By Dibdin. New Scenes, Habits, and Machines. Nothing under Full Prices will be taken. [Repeated.] Paid 4 days salary list at #85 12s. 11d., #342 11s. 8d.; Miss Mansell on acct #5 5s.; Mr Clinch ditto, #6 6s.; Dr Arne for Mrs Bradley 2 nights per order #5 5s.; Stopages nil (Treasurer's Book). [Full description of the New Pantomime is given in the Westminster Magazine (January 1773): Harlequin born to the Pigmies comes to manhood, gets a job from the Register Office in a Nobleman's family where he meets Colombine. They love, and elope, a chase ensues through several noted places in London, which are detailed in the review. The union of the lovers is finally consended to, and all closes with dancing. "Some of the paintings in the scenery are well executed; and the generality of Mr Dibdin's music deserves equal praise." In it Mrs Wrighten gives a ludicrous imitation of Miss Catley's manner of singing. The reviewer's general thesis about the London stage of this period, given first in the preliminary number, 1 Jan. 1773 continues: "The Stage seems now buried in universal darkness...The Publick for several weeks, has been fed with the lean carcass of two villainous pantomimes."] Receipts: #162 13s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: The Pigmy Revels; or, Harlequin Foundling

Event Comment: At the particular Desire of several eminent Merchants and Citizens

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: Damon and Phillida

Event Comment: At the Desire of several Eminent Merchants and Citizens

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: The Lovers Opera

Dance: As17311104

Event Comment: At the Desire of several Eminent Merchants and Citizens

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: The Lovers Opera

Event Comment: At the Desire of several eminent Merchants and Citizens

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: The Devil to Pay

Dance: As17311209

Event Comment: At the Desire of several Eminent Merchants. Mainpiece: Written by Mr Lillo. Afterpiece: Taken from Moliere

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: Squire Basinghall

Dance: End Afterpiece: Black Joak by Mrs Charke and Miss Brett

Song: V: Roast Beef Song by Mullart

Event Comment: Never Acted before. [By George Lillo. Puffs of the play appeared in London Evening Post, 15 June, Daily Post, 16 and 21 June.

Performances

Mainpiece Title: The London Merchant; Or, The True History Of George Barnwell

Event Comment: At the Desire of several Eminent Citizens. Mainpiece: Written by Mr Lillo. Afterpiece: Taken from the French of Moliere, by H. Fielding, Esq. At Common Prices. 6:30 P.M. [Tickets for Grey, Peploe, Mrs Moor taken. The Doorkeepers are ordered not to take tickets sold by Orange Women.] London Daily Post and General Advertiser, 3 July: The Play of George Barnwell, and the Farce of the Mock Doctor . . . was perform'd to a Crowded Audience, with Great Applause . . . The Revival of the above-mentioned Play seems welltim'd, when so many fine Ladies of Pleasure make their Appearance, with unusual Equipages, and their Gallants run the most extraordinary Lengths, to their own Ruin, and Grief of their Friends

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: The Mock Doctor

Music: Select Pieces. II: A Concerto for two Hautboys performed by Woodbridge and Neale

Dance: I:Jenny come tie me; or, The Neu, Way of Wooing by Davenport and Miss Brett. III: Drunken Peasant by Le Brun. V: Pierot by Davenport and Cox. End Afterpiece: A new Comic Dance by Le Brun and Mrs Anderson

Song: IV: As17350603

Event Comment: By Desire. At Common Prices. N.B. There being an Entertainment, the After-Money will be taken. [In London Daily Post and General Advertiser, 8 Nov., The Inconstant had been advertised for this day.

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: Harlequin Shipwreck'd

Dance: IV: Delagarde, Delamayne, the first time of his appearing on this stage

Event Comment: At the New Wells, London Spaw, Clerkenwell. A concert, etc. To begin at six o'clock. Last night of performing

Performances

Mainpiece Title: The London Merchant; Or, The True And Ancient History Of George Barnwell

Afterpiece Title: The Lying Valet

Event Comment: Last Thursday morning, Mr Harrington, Prompter to the Theatre Royal, being delerious and in a high fever, in the absence of his Nurse-keeper, threw himself out of his lodging window, and was killed by the fall. [See A Full and true Account of the woeful and wonderftl apparition of Hurloe Harrington, late prompter to the Theatre Royal in Dublin (London, 1750).] Receipts: #140 (Cross)

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: The Anatomist

Song: IV: Master Mattocks

Event Comment: Benefit for one Barry a Jeweller (Cross). A Charity Play, recommended by the City of London for Barry, Jeweller in Salisbury Court (being in great distress). Tickets at Grigsby's, Shadwell's, Janeway's and Sam's Coffee Houses by the Royal Exchange; Peele's, Nando's Anderton's and Temple Exchange in Fleet St., Marsh's Coffee House in Silver St., and at the stage door. Stage will be form'd into an Amphitheatre (General Advertiser). Mr Reinhold dy'd (Cross). A man no less admired for his private character than his publick performance. He has left behind him a Wife and Four small children in great distress; for the relief of whom the Managers of Drury Lane, and the actors have agreed to perform a play Gratis, some time next week; when it is hop'd the good nature of the publick will favour the intention of the performers. Tickets to be had of Mr Beard, at his house in North St., Red Lion Square, and at the theatre (General Advertiser, 16 May). Receipts: #60 (Cross)

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: The Lying Valet

Dance: IV: Comic Dance, as17501231

Performances

Mainpiece Title: George Barnwell; Or, The London Merchant

Performance Comment: Trueman-A Gentleman (from the Theatre Royal in London [unidentified]); Thorowgood-Rivers; Uncle-Brown; Blunt-Farrel; Barnwell-Clifford; Lucy-Mrs Fowler; Milwood-Mrs Palmer.

Afterpiece Title: The Mock Doctor; or, Dumb Lady Cured

Afterpiece Title: Linco's Travels

Entertainment: Monologue.End: Comic Paraphrase on Shakespear's Seven Ages of Man-Farrel

Event Comment: [In mainpiece the playbill retains Clarke as Thoroughgood, but "Hull performed Thoroughgood instead of Clarke, who was suddenly taken ill" (London Chronicle, 15 Apr.). In afterpiece the playbill assigns Camazin to Clarke; his substitute is not named.] Receipts: #365 12s. (280.13; 82.12; 2.7)

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: Lodoiska

Event Comment: Afterpiece: noise still (Cross). [See 6 Nov.] Mainpiece: It appears that Mr Garrick is solicitous to banish vice from the theatre, by his having first omitted to exhibit that scandalous piece the London Cuckolds on the evening of the Lord Mayor's Day [9 Nov.] contray to immemorial custom, and the practice of the other house. He has also made a vigorous attempt to exclude folly but the friends of folly appeared to be so numerous, that he could not effect his purpose (Gentleman's Magazine, Nov. 1752, p. 535). Receipts: #100 (Cross)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Harlequin Ranger

Dance: As17521102

Event Comment: Benefit for Old Cole [William Cole] Citizen of London and Family, under Misfortunes, who has been a Free Mason these thirty years, and Master of several Lodges. Being the last time of performing till the Christmas Holidays

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Cheats of Scapin

Dance: As17561217

Song: By the Desire of the Friends of Old Cole we will endeavor to sing a Song at the End of the Play (Public Advertiser)

Event Comment: Benefit for London Lying In Hospital Aldersgate Street (Cross Diary)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: High Life below Stairs

Dance: III: The Wake, as17680929

Event Comment: [Macklin dismissed after this night. See the account in The Genuine Arguments of the Council, with the Opinion of the Court of the King's Bench, &c., By a Citizen of the World, (London, 1774). Extracts in E. R. Page, George Colman, the Elder (New York, 1935). See notes for 23 and 30 Oct. and the subsequent action in note for 20 Nov. He did not return until 18 May 1775. This night was aparently, except for #4 5s. which was not recorded on the books of the theatre until 18 June well after the season closed. Macklin's suit in court against the rioters was judged 24 Feb. 1775. A column and a half account of the trial appeared in the Public Advertiser, Saturday 13 May 1775, giving the testimony of the witnesses accused of starting the riot, the lawyers, and the judge. The accused were Leigh, Miles, James, Aldus, and Clarke. The first four were convicted of a conspiracy and a riot, the last of a riot only. During the Course of the Business Lord Mansfield took Occasion to observe, that the Right of Hissing, and Applauding in a theatre was an unalterable Right, but there was a wide Distinction between expressing the natural Sensations of the Mind as they arose on what was seen and heard, and executing a pre-concerted Desagn, not only to hiss an Actor when he was playing a Part in which he was universally allowed to be excellent, but also to drive him from the theatre, and effect his utter ruin." See also William W. Appleton, Charles Macklin, An Actors Life (Cambridge, Mass., 1960), Chapter X.

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a-la-Mode

Dance: III: The Merry Sailors, as17731007; IV: The Highland Reel, as17731112