SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Master Woodward"/1) | (@(roleclean,performerclean) "Master Woodward")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2610 matches on Performance Comments, 1066 matches on Performance Title, 925 matches on Author, 549 matches on Event Comments, and 29 matches on Roles/Actors.
Event Comment: TThe Tempest oblig'd to be deferr'd on account of Woodward's indisposition. Receipts: #160 (Cross)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Devil to Pay

Dance: TThe Italian Peasants, as17571004

Event Comment: N.B. This was Mr Packer's first appearance at Drury Lane Theatre. He had acted one night at Covent Garden in the preceding season, Johnson, in the Rehearsal and the Frenchman in Lethe, which pieces were perform'd for Mr Lee's Benefit. Mr Garrick was there, and engag'd Mr Packer, who was going to Ireland, with Mr Barry, and Mr Woodward, into the Drury Lane Company. I am writing this on the sixth of April 1801--tonight Mr Packer told me the above Particulars at Drury Lane Playhouse, where he has always remained since his first being engaged there (J. P. Kemble's note on Huntington bill). Receipts: #100 (Cross); #107 1s. 6d. (Winston MS 8)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Virgin Unmaskd

Dance: TThe German Hunters, as17580916

Event Comment: Benefit for Costollo, Miss Pitt, Stede. No Building on Stage. N.B. The Farce oblig'd to be alter'd on account of the Indisposition of Woodward. [The Citizen had been advertised.] Afterpiece: Not acted this Season

Performances

Mainpiece Title: The Jovial Crew

Dance: II: Comic Dance-Granier, Miss Pitt

Event Comment: NNeville MS Diary: The last three he [Foote] has not done for some time. I like Woodward better in young Philpot. Both add some crochets of their own. I don't think he took off Mr Whitefield well. Cole, Shift and Smirk he does inimitably. He has a great command of features in the ludicrous way, not such as that of Garrick

Performances

Mainpiece Title: The Minor

Afterpiece Title: The Citizen

Dance: II: New Serious Dance-; End: New Comic Dance, The Gallant Peasant-Miss Froment

Event Comment: Benefit for Aldridge and Miles. The Clandestine Marriage cannot be perform'd on account of Indisposition of Woodward. Charges #64 15s. 6d. Balance to Aldridge and Miles #12 12s. 6d. Paid Aldridge #6 6s. 3d. who also had from Tickets #39 13s. (Box 55; Pit 138; Gallery 52). Paid Miles #6 6s. 3d. who also had from Tickets #92 15s. (Box 140; Pit 253; Gallery 173) (Account Book). [Miles was much senior to Aldridge in serivce at cg. See note on Mrs Bulkley, 17 Nov. 1767, who had been ready in this part five months before.] Receipts: #77 8s. (Account Book)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Orpheus and Eurydice

Dance: II: The Highland Reel, as17680307 IV: The Merry Sailors, as17671009

Event Comment: Benefit for Mrs Green and Mrs Vincent. Tickets for A Play will be taken. Those sold at Doors will not be admitted. Catherine and Petruchio cannot be perform'd because ff the illness of Woodward. Charges #64 5s. Balance to the nadies #17 18s. Paid Mrs Vincent #8 19s. who also had from Tickets #71 11s. (Box 110; Pit 207; Gallery 100). Paid Mrs Green #8 19s. who also had from Tickets #38 9s. (box 110; Pit 207; Gallery 130). Paid Miss Stede extra dancer for 6 nights #1 (Account Book). Receipts: #82 3s. (Account Book)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Devil to Pay

Ballet: End: The Wapping Landlady. As17680416

Event Comment: Rec'd of Condell for Fruit Rent #20 (Account Book). [The advance notice of Woodward's Benefit this day omits mention of Bucephalus (see 4 March) and lists only Cymbeline and a "farce."] Receipts: #224 5s. (Account Book)

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: Harlequin Skeleton

Event Comment: Benefit for Mrs Ward. Mrs Ward is extremely sorry she is oblig'd to change the Night's Entertainment advertised for her Benefit, but the severe illness of Mrs Mattocks and Mrs Baker, makes it impossible to perform the Opera of Love in a Village, as does Mr Woodward's indisposition the Farce of the Citizen. The Managers have therefore kindly granted her the above tragedy and pantomime. Charges #65 15s. Balance to Mrs Ward #55 5s. plus #53 2s. from tickets (Box 58; Pit 158; Gallery 149). Receipts: #121 (Account Book)

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: Harlequin Dr Faustus

Event Comment: Benefit for Shuter. Charges #64 15s. 6d. Balance to Shuter #109 8s., plus #85 17s. from tickets (Box 200; Pit 239). Woodward, Mrs Yates and Smith paid their balances (Account Book). Receipts: #174 3s. 6d

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Man and Wife

Dance: II: The Lamplighters, as17691005; II of the Comedy: The Dutch Milkmaid Dance=, as17691111

Entertainment: End: The Cries of London-; Epilogue Riding upon an Ass-Shuter

Event Comment: Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. No Persons to be admitted behind the scenes, nor any money returned after the Curtain is Drawn up. Places for the boxes to be had (only) of Mr Sarjant at the Stage Door. The Doors to be opened at Five o'clock. To begin exactly at Six o'clock. Vivant Rex & Regina! [Customary note for each bill. Only significant changes will be further noted. The company was weakened by the loss of Woodward (see 23 Oct.) who accompanied Foote to Edinburgh, and of Mrs Bellamy who was not engaged. Miss Catley, however, returned from Ireland after an absence of 9 years. And Ross returned after four years.

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: The Chaplet

Dance: The Dutch Milkmaid-Mas. Burton, Miss Besford. [See17691111.

Event Comment: Mainpiece: Not acted these two years. [See 31 Dec. 1768.] Afterpiece: A Musical Entertainment [by Isaac Bickerstaffe] never acted there. [Letter from Henry Woodward, Clement's Inn, says he fulfilled his seven years engagement and is now going to Scotland with Foote and next to the Hay Market. No direct application was made to re-engage him at Covent Garden or he was ready to meet it (Winston MS 10)

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: The Padlock

Dance: End: A Comic Dance, as17701017

Event Comment: By Particular Desire. [During this year appeared Miscellanies in Prose and Verse by Catherine Jemmat containing numerous tributes in verse to various actors--Woodward, Sowdon, Mrs Woffington, Barry--when they were in Ireland.

Performances

Mainpiece Title: tis Well Its No Worse

Afterpiece Title: The Jubilee

Related Works
Related Work: Harlequin's Jubilee Author(s): Henry Woodward
Event Comment: Afterpiece: By Desire. About this time papers say inside of Foote's theatre with Dressing Room Green Room &c. is entirely pulled down to enlarge the stage which is to be nearly twice the size it was. Woodward is to exhibit two new pantomimes next summer. (Winston MS 10). Paid Printer's Bill #9 6s. (Treasurer's Book). [Treasurer's Book also indicates that this night #30 4s. of Orders were given out.] Paid 2 Clarinets 6 nights (18th incl.) #9 9s. (Treasurer's Book). Receipts: #173 2s. 6d. Ordinary charges #84. Extra for Invasion #10 10s. Profit for Author #78 12s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Timon Of Athens

Cast
Role: Varro Actor: Master Cape

Afterpiece Title: Harlequins Invasion

Event Comment: G[arrick] This Night was advertis'd for Mr Barry's Benefit but he being ill his Benefit was deferr'd (Hopkins Diary). Garrick is removed from Southampton St. to Adelphi Terrace (Winston MS 10). This day is publish'd Theatrical Biography; or, Memoirs of the principal performers of the three Theatres Royal. Drury Lane: Garrick, Barry, Reddish, Aickin, King, Moody, Dodd, Love, Vernon, Parsons, Baddeley, Mrs Barry, Mrs Abington, Miss Younger, Miss Hayward, Mrs Baddeley, Miss Pope, Mrs Egerton, Mrs W. Barry and Mrs Jefferson. Covent Garden: Ross, Smith, Savigny, Woodward, Yates, Shuter, Bensley, Dyer, Mattocks, Clark, Mrs Yates, Mrs Mattocks, Miss Macklin, Mrs Bulkley, Mrs Green, and Mrs Thompson. Haymarket: Foote, Weston, Aikin, Didier, Davies, Mrs Gardner, Mrs Jewell, and Mrs Didier. Together with critical and impartial remarks on their respective professional merits. Printed for S. Bladon. Receipts: #265 18s. (Treasurer's Book)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Lyar

Dance: V: The Sailors Revels, as17711008

Event Comment: Benefit for Miss Macklin. Mainpiece: Not acted these 3 years. [See 27 Jan. 1770.] Afterpiece: For this night only this season (playbill). Charges #64 5s. Profit to Miss Macklin #19 4s., plus #43 from 172 Box tickets. Paid Whitefield one fourth year's salary due Lady Day last #25. Paid Mr Barber for a suit of regimentals embroider'd with gold, #12 12s. Paid Lowe and Lucas (linnen drapers) #13 19s.; Paid Evans for Spermecita candles as per bill #12. Paid Barrett (wax chandler) #3 4s. (Account Book). [Miss Macklin considered this a poor benefit, and on 6 May 1772 wrote to her father about the troubles she met in getting it underway. Woodward would not play in the farce since it did not belong to the theatre and since he had not be asked before she put his name in the bills. Kniveton labored hard and did quite well as Sir Archy. Ann Pitt so ill she could not do Lady Wrangle, but Mrs Hull sat up two nights, learned the part and acted it creditably (Harvard, Memoirs of Charles Macklin, Vol. II, pt. 2, after p. 55).] Receipts: #83 9s. (Account Book)

Performances

Mainpiece Title: The Refusal Or The Ladys Philosophy

Afterpiece Title: Love a la Mode

Dance: End: A Dance in which will be an Allemande,-Hamoir, Miss Hamoir

Event Comment: The New Comedy, The Man of Business is still deferr'd on account of Woodward's Illness. Paid Pattinson (tallow chandler) #49 13s. Paid Cooper (printer) #42 8s. (Account Book). Receipts: #202 2s

Performances

Mainpiece Title: She Stoops To Conquer

Afterpiece Title: The Sylphs

Cast
Role: Dances Actor: Master Blurton.
Event Comment: Benefit for Mrs Baker. The Citizen oblig'd to be deferr'd, on account of the Indisposition of Woodward. Charges #66 6s. 6d. Profit to Mrs Baker #21 12s., plus #112 11s. from tickets (Box 172; Pit 359; Gallery 157). Paid Buxton & Enderby (oyl merchants) #238 1s.; Bellamy & Settree (mercers) #36 10s. Receipts: #87 18s. 6d. (Account Book)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Commissary

Monologue: Interlude.True Blue. As 12 April

Event Comment: Benefit for Brown, Mainpiece: Acted but once these 20 years. Charges: #64 10s. Deficit to Brown #17 5s. 6d., cover'd by #38 12s. from tickets (Box 53; Pit 127; Gallery 63). Paid Woodward for a sage Green suit trim'd with Silver Olives &c. #13. Paid Hewson (turner) 14s.; Paid Farrington & Scarr (haberdashers) #17 15s.; Paid Mrs Paddick for cleaning feathers 12s. Receipts: #47 4s. 6d. (Account Book)

Performances

Mainpiece Title: The Revenge

Afterpiece Title: The Commissary

Dance: End: The Pilgrim, as17740416

Entertainment: Recital.End I Farce: Ode upon the Passions-Mr Brown will deliver, as17740418

Event Comment: Catherine and Petruchio is oblig'd to be deferr'd on Account of Woodward's hoarseness

Performances

Mainpiece Title: The Duenna

Afterpiece Title: The Guardian

Dance: End Opera: Rural Merriment-Aldridge, Miss Besford. [See17741209.

Event Comment: [The playbill announces Caractacus and Harlequin's Frolicks, but "Clarke being suddenly taken extremely ill, Caractacus is obliged to be changed to The Busy Body. Marplot by Woodward. After which, Comus [with full cast listed]" (printed slip attached to BM playbill 937. b. 4).] Receipts: #151 0s. 6d. (149.8.0; 1.12.6)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Comus

Song: In afterpiece: Nor on Beds of fading Flowers-Mrs Farrell

Event Comment: [In mainpiece the playbill omits Anna, but "Mrs Rock was a wretched Anna" (Thespian Magazine, Feb. 1793, p. 195). Miss Morris is identified in European Magazine, Jan. 1793, p. 69; and see 14, 16 Nov.] Afterpiece [1st time; P 2(?), author unknown. Text (i.e. synopsis of action), For the Booksellers, 1793. Larpent MS 964 contains Songs only]: Partly New, and partly a Selection of Scenery, Machinery, Tricks, and Business, from the most approved Pantomimic Productions of Lunn, Rich, Woodward, Messink, Rosamond [i.e. Rosoman], Lalauze, &c. The Music chiefly compiled [by Thomas Goodwin] from Pepusch, Galliard, Dr Arne, Vincent, Dibdin, Dr Arnold, Fisher, the rest by Shield. The selected Scenery and Machinery re-painted, and the several new ones designed and executed by Hodgins, Pugh, Walmsley, Lupino, &c. The Dances by Byrn, who will for the first time introduce a Burlesque Pas de Russe. With new Dresses, Machinery and Decorations. Books of the Songs to be had at the Theatre. [In afterpiece the playbill lists Follett, but he "having received an injury at the morning's rehearsal, afforded that excellent actor, Munden, the opportunity of giving the Public an additional proof of the versatility of his talents: -he undertook the part of the Clown [i.e. Clodpole ], and performed it so well that he will probably be obliged to retain it" (Morning Herald, 21 Dec.). He was probably omitted from the Vocal Characters (see 21 Dec.).] Receipts: #258 10s. 6d

Performances

Mainpiece Title: Douglas

Afterpiece Title: Harlequins Museum or Mother Shipton Triumphant

Event Comment: Evelyn, Diary: I saw in Southwark at St Margarites faire...we saw also Monkyes & Apes daunce, & do other feates of activity on the high-rope, to admiration: They were galantly clad alamode, went upright, saluted the Company, bowing & pulling-off their hatts: They saluted one another with as good grace as if instructed by a Dauncing Master. They turned heales over head, with a bucket of Eggs in it, without breaking any: also with Candles (lighted) their their hands, & on their head, without extinguishing them, & with vessells of water, without spilling a drop; I also saw an Italian Wench daunce to admiration, & performe all the Tricks of agility on the high rope, all the Court went to see her: (likewise here was her Father) who tooke up a piece of Yron Canon of above 400 pounds weight, with the haires of his head onely

Performances

Mainpiece Title: Entertainments

Event Comment: Pepys, Diary: And then out to the red bull (where I had not been since plays come up again)...where I was led by a seaman that knew me, but is here as a servant, up to the tireing-room, where strange the confusion and disorder that there is among them in fitting themselves, especially here, where the clothes are very poor, and the actors but common fellows. At last into the pitt, where I think there was not above ten more than myself, and not one hundred in the whole house. And the play, which is called All's lost by Lust, poorly done; and with so much disorder, among others, that in the musique-room the boy that was to sing a song, not singing it right, his master fell about his ears and beat him so, that it put the whole house in an uprore. Nicoll (Restoration Drama, p. 309) argues that George Jolly probably occupied the red bull in St John's Street, Clerkenwell. When Richard Walden saw the red bull players at Oxford in July 1661, Anne Gibbs acted Dionysia in All's Lost by Lust. It is possible that she played that role on this day. See Walden's Io Ruminans, 1662

Performances

Mainpiece Title: Alls Lost By Lust

Event Comment: At Oxford in the morning A Mad World My Masters was played; in the afternoon, The Merry Milkmaids of Islington. According to Richard Walden (Io Ruminans, 1662) Anne Gibbs played Harebrain's Wife in the former, A Lady in the latter

Performances

Mainpiece Title: The Siege Of Rhodes Part I

Event Comment: The King's Company. It is difficult to determine the run of the play, as all the known performances fall on Mondays, Wednesdays, and Fridays, but, except for 30 January, a Fast Day, it may well have been performed daily. L. C. 5@138, f. 15: A Warrant to the Master of the Great Wardrobe to prouide and deliuer to Thomas Killigrew Esq. to the value of forty pounds in silkes for to cloath the Musick for the play called the Indian Queen to be acted before their Maties Jan. 25th 1663 (Nicoll, Restoration Drama, p. 354)

Performances

Mainpiece Title: The Indian Queen