SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Master Vernon"/1) | (@(roleclean,performerclean) "Master Vernon")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1877 matches on Performance Comments, 1096 matches on Performance Title, 483 matches on Event Comments, 36 matches on Roles/Actors, and 13 matches on Author.
Event Comment: Benefit Master Arne. To begin at 6:30 p.m. Pit and Boxes will be laid together at Half a Guinea. Gallery 5s

Performances

Mainpiece Title: A Pasticcio

Performance Comment: Vocal Parts-Signora Frasi, Signora Galli, Lowe, Mrs Arne, Master Arne; To be divided into three Interludes. After the first a new Concerto on the Organ by Arne-Master Arne; The second Interlude to conclude with a new Pastoral Scene-; the Words selected from Shakespear and composed by Mr Arne. After the third Interlude a Serenata- written by Congreve and set to music by Arne.

Afterpiece Title: The Judgement of Paris

Performance Comment: Paris-Master Arne; Mercury-Lowe; Venus-Signora Frasi; Pallas-Sga Galli; Juno-Mrs Arne.
Cast
Role: Paris Actor: Master Arne
Event Comment: Mainpiece: Not acted here these 6 years. Afterpiece: Taken from [the same, by Henry? Fielding, and prepared for the stage by the Author of Midas, &c. [Kane O'Hara; 1st time; BURL 2. Text 1st published by J. Barker [1805]]. With a new Overture, Dresses, and Decorations. The Overture, Songs, Duets and Chorusses composed and compiled by J. Markordt. Books of the Burletta to be had at the Theatre (on playbill of 10 Nov.). Account-Book, 1 Feb. 1781: Paid Mackordt [sic] for music of Tom Thumb #20. [Mrs Inchbald was from the York theatre. Master Edwin had spoken a Prologue at cg on 22 Apr. 1780.] Receipts: #152 1s. 6d. (149.2.0; 2.19.6)

Performances

Mainpiece Title: Philaster

Afterpiece Title: Tom Thumb

Performance Comment: [Principal Characters by Master Edwin (1st appearance on this stage i.e. in a play]), Edwin, Reinhold, Robson, Davies, Quick, Mrs Kennedy, Mrs Webb, Miss Catley. [Cast from playbill of 30 Oct. 1781: Tom Thumb-Master Edwin; Lord Grizzle-Edwin; Ghost-Reinhold; Noodle-Robson; Doodle-Davies; King-Quick; Huncamunca-Mrs Kennedy; Glumdalca-Mrs Webb; Queen Dollalolla-Miss Catley.
Cast
Role: Tom Thumb Actor: Master Edwin

Dance: End II: The Shepherd's Wedding-Harris, Miss Matthews; End III: The Humours of Leixlip, as17800927

Event Comment: Mainpiece: In 5 Acts, altered from the Dramatic Romance by David Garrick, Esq. With a new Overture and new additional Musick by Storace [on 2 Jan. 1792 and thereafter, added: Shaw] and other Eminent Masters. Entirely new Scenery by Greenwood, and new Dresses, Decorations and Machinery. To conclude with a Grand Procession of the Hundred Knights of Chivalry, and the Representation of an Ancient Tournament. [These were included in all subsequent performances.] Books of the Songs to be had at the Theatre. Morning Post, 3 Jan. 1792, prints a full description of the Procession of over 100 persons: 1st, Anglo-Saxon Knights and banners; then ancient British knights, Norman knights, Indians, Turks, Scythians, Romans, a dwarf, a giant; at end, "soldiers drawing a superb picture of St. George, knights in chain mail, a cupid leading a knight covered with a silver net, Hymen, piping fauns, bands of cupids drawing an altar--flame burning, cupids hovering over it, and others feeding doves below, a troop of Arcadian shepherds drawing the car of Cymon and Sylvia, characters of the drama, and chorus." "At the conclusion of the procession, a tournament took place of both horse and foot, between several combatants in armour, who fought with lances, swords and battle-axes: three of Hughes' horses [from the Royal Circus] were introduced, and managed with much dexterity; the Prince of Wales' Highlander made one of the procession, and entered the lists as a champion, fighting with an enormous club; against him a small female warrior was opposed, by whom he was subdued. It was by far the grandest spectacle ever seen upon the stage. Many of the characters were taken from Sir Philip Sydney's Arcadia, in which the scene of the piece was laid; and the dresses of the knights, armour, &c. from the drawings and descriptions of the best antiquarians" (Oulton, 1796, II, 215). [This was Edmund Kean's 1st appearance on the stage; he was about four years old. He personated a cupid lying in Cymon and Sylvia's car (Kelly, Reminiscences, II, 21-22).] Account-Book, 13 Jan. 1792: Paid Hughes for his Horses #16 19s. 10d.; 23 Jan.: Paid Gough for his Greyhounds in Cymon #5 19s. 6d. Receipts: #420 6s. (385.0; 35.5; 0.1)

Performances

Mainpiece Title: Cymon

Performance Comment: Merlin-Bannister; Cymon (1st time)-Kelly; Dorus-Parsons; Linco (1st time)-Bannister Jun.; Damon-Dignum; Dorilas-Cooke; Cupid-Master Gregson; Daemon of Revenge-Sedgwick; Urganda (1st time)-Mrs Crouch; Sylvia (1st time)-Miss Hagley; Fatima (1st time)-Mrs Jordan; Phebe-Miss DeCamp; Daphne-Mrs Bland; Dorcas (1st time)-Mr Suett; Spirits-Master D'Egville, Miss D'Egville, Miss Gawdry, Miss Edwin; In Tournament: Knights-Duranci (1st appearance), Fairbrother, Bourk, Giani; Queen of the Amazons-Miss Blanchet.

Afterpiece Title: All the World's a Stage

Event Comment: Afterpiece: The Musick composed by Storace. Powell: Englishman in Paris rehearsed at 10; Children in the Wood at 11 (Master Welsh absent; rehearsal dismissed); Love a-la-Mode at 12 (Suett and Miss Heard, one scene). Receipts: #416 3s. (343/7/6; 61/19/0; 10/7/6; tickets not come in: 0/9/0)

Performances

Mainpiece Title: The Jew

Afterpiece Title: THE PRIZE; or, 2

Performance Comment: 5.3.8. Lenitive-Bannister Jun.; Mr Caddy-Benson; Heartwell-Whitfield; Label-Suett; Juba-Master Welsh; Servant-Webb; Boy-Master Gregson//Mrs Caddy-Mrs Booth; Caroline-Sga Storace .
Event Comment: 3rd piece [1st time; P 2, by John Fawcett. Text 1st published by Duncombe and Moon, c. 1825]: With entire new Scenes, Dresses, and Decorations. The Overture and most of the Musick composed by Dr Arnold. The Selections from eminent Masters, and the whole adapted by him to the Action of the Drama. The Scenery, comprehending a display of Views in the Island of Jamaicav, designed and painted [on playbill of 1 July: from Views taken on the Spot, and documents of undoubted authority] by S. Whitmore. The Machinery by Ronaldson, Sylvester, &c. The Dresses [on playbill of 1 July: made for the purpose by Persons acquainted with the spot where the Scene of Action lyes] by Gay, Mrs Egan, &c. A Prospectus of the Action with the Songs annexed, Price Six-pence, to be had at the Theatre [and reprinted in Dramatic Censor, III, 21-29]

Performances

Mainpiece Title: Blue Devils

Afterpiece Title: The Jew and the Doctor

Afterpiece Title: Obi; or, Three-Finger'd Jack

Performance Comment: Three@Finger'd Jack-C. Kemble; Captain Orford-Farley; Planter-Caulfield; Quashee-Emery; Sam-J. Palmer; Overseer-Trueman; Tuckey-Master Menage; Planter's Servants-Atkins, Wilkins, Nigh, Gell; Negro Robbers-Klanert, Chippendale, Wilde, Goostree, Gauron, Howell; Officers of Government-Stokes, Knights, Hawkins; Chorus of Negro Men-Linton, Fisher, Little, Kenrick, Caulfield Jun., Dibble, Aylmer, Willoughby; Rosa-Miss DeCamp; Quashee's Wife-Mrs Mountain; Sam's Wife-Miss Gaudry; Obi Woman-Mr Abbot; Attendants-Miss Menage, Mrs Lloyd; Chorus of Negresses-Ms Hale, Ms Masters, Ms Gaudry, Ms Leserve, Ms Norton, Ms Coates, Mrs Castelle; Dancing Negresses-Miss Vining, Miss Dibdin, Miss Drake, Miss Willis, Miss Norton, Miss Watson.
Event Comment: Benefit Havard and Boucher, Prompter. Daily Advertiser, 2 June: We hear Mr Odel, Master.., Goodman's-Fields, intends to decline to concern himself any longer with the Management of that Theatre

Performances

Mainpiece Title: The Tempest

Performance Comment: Duke-Smith; Ferdinand-Bardin; Prospero-Havard; Antonio-Worsley; Gonzalo-Machen; Hippolito-Mrs Thomas; Stephano-Rosco; Mustacho-R. Williams; Ventoso-Collet; Trincalo-Morgan; Ariel-Master Woodward; Miranda-Mrs Palmer; Dorinda-Mrs Morgan; Caliban-W. Giffard; Sycorax-Collet; Waterman's Dance-Sandham, Rosco, R. Williams, Pearce, Bowcher; Neptune-a Gentleman; Amphitrite-Mrs Palmer.
Cast
Role: Ariel Actor: Master Woodward

Afterpiece Title: The Biter Bit; or, The Humours of Harlequin and Scaramouch

Afterpiece Title: The Throwsters Opera

Event Comment: Benefit Arne and Young Master Arne. At the particular Desire of several Persons of Quality. Afterpiece: a new Masque. Alter'd from the Serenata made on the Joyous Occasion of the Royal Nuptials: With Additions. [See Love and Glory, DL, 21 March, by Phillips and Arne.] Tickets for Tench at othello taken this night

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Britannia; or, Love and Glory

Performance Comment: Britannia-Mrs Barbier; Venus-Mrs Cibber (late Miss Arne); Mars-Waltz; Mercury-Master Arne; Pallas-Miss Jones; Graces-Mrs Mason, Miss Young, Miss Oates; Shepherds-Roberts, Snider, Mountier; Followers of Mars-Kelly, Rainton, Topham; Revellers-Essex, Miss Latour; Peasants-S. Lally, Holt; Peasant Women-Mrs D'Lorme, Miss Mann; With Grand Dance in Momus: Sailor-Nivelon; Lively Lass-Miss Mann; Swains-S. Lally, Davenport, Holt; Nymphs-Miss Latour, Mrs Delorme, Mrs Davenport .
Cast
Role: Mercury Actor: Master Arne

Music: Select Pieces. IV: By particular Desire, Mons Charle will perform a Solo on the French Horn, the first time of his Appearance on this Stage, and the last of his Performance in Publick during his Stay in England

Dance: I: The Pierrots by Poitier and Nivelon. II: English Maggot by S. Lally and Mrs Walter. III: Drunken Peasant by Le Brun

Event Comment: Benefit Master A. Ryan and Pether. Mainpiece: Written by Beaumont and Fletcher. Receipts: money #28 5s. 6d.; tickets #80 10s

Performances

Mainpiece Title: Wit Without Money

Afterpiece Title: The School Boy

Performance Comment: School Boy-Master Ryan; but see17360501 . but see17360501 .
Cast
Role: School Boy Actor: Master Ryan

Dance: II: French Peasants by Lalauze, Mlle D'Hervigni, &c. IV: Glover's Sailors Dance. End of Afterpiece: By particular Desire, Flora's Holiday by leveridge, Laguerre, Roberts, Stoppelaer, Mrs Wright, Miss Hillyard

Song: I: Mock Italian Song by E. Roberts. III: Tippling Philosophers by Leveridge. V: By Beard

Event Comment: Benefit Winstone and Miss Cole. Mainpiece: Written by Shakespear. [Tickets for Mrs Anderson, Villeneuve, Rainton, and Master Green taken.]

Performances

Mainpiece Title: Henry Iv, Part Ii

Afterpiece Title: The Devil to Pay

Dance: I: English Maggot by Villeneuve and Mrs Walter. II: Two Pierrots by Villeneuve and Delamayne. III: Minuet by Villeneuve and Mrs Anderson. IV: Rover by Essex, Mrs Walter, Mrs Pelling, Miss Mann, &c. V: Minuet by Master Weeks and Miss Cole. End Afterpiece: Rigadoon by Master Weeks and Miss Cole

Performance Comment: II: Two Pierrots by Villeneuve and Delamayne. III: Minuet by Villeneuve and Mrs Anderson. IV: Rover by Essex, Mrs Walter, Mrs Pelling, Miss Mann, &c. V: Minuet by Master Weeks and Miss Cole. End Afterpiece: Rigadoon by Master Weeks and Miss Cole .
Event Comment: Benefit for Liviez, the Ballet Master (Cross). Full Prices. Part of Pit laid into Boxes. Tickets at last house on right hand in Beaufort Buildings, Strand; and at The Stage Door. Receipts: #220 (Cross)

Performances

Mainpiece Title: The Constant Couple; Or, A Trip To The Jubilee

Afterpiece Title: Harlequin Inchanted

Performance Comment: Parts-Atkins, Blakes, Shuter, Mlle Mariet, Clough, Miss Poplin, Walker, Simson, Master Simson; The Dances-Ferrere, Mlle August; With New Music-; Machines. Machines.

Dance: III: Country Amusements, as17530412

Event Comment: Benefit for Simson Mrs Simson and Master Simson. Afterpiece: Acted there but once. Tickets to be had of Simson, in Wild-Passage, Wild St., near Lincoln's Inn Fields; Grigsby's Coffee House, behind the Exchange; and at the Stage Door. Receipts: #170 (Cross)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Oracle

Performance Comment: See17530324 but Occasional Prologue-Miss Bellamy; Oberon-Master Simson; Cynthia-Miss Simson; Statue-The Little Swiss; To conclude with a Minuet-the two principal characters of the Farce.
Cast
Role: Oberon Actor: Master Simson

Dance: DDance of Furies-Devisse, others

Song: A Song-Wilder

Event Comment: Benefit for Master Lioni and Lipmann. Tickets deliver'd by Miss Berkley will be taken

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: As17620104, but Sir John-Bransby; Sealand-Burton; in Act II.Singing-Master Leoni.
Cast
Role: Singing Actor: Master Leoni.
Role: Singing Actor: Master Leoni.

Afterpiece Title: The Apprentice

Dance: IV: Hearts of Oak, as17620421

Song: End: a Young Gentlewoman, first time of her appearing in public

Event Comment: Benefit for Mr and Master Burton. Tickets deliver'd by W. Yates and Miss Berkley will be taken. Afterpiece: Not acted these two years. [See 9 May 1764.

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Catherine and Petruchio

Performance Comment: Petruchio-King; Grumio-Yates; Tailor-Master Burton; Biondello-Baddeley; Baptista-Burton; Catherine-Mrs Abington (first time).
Cast
Role: Tailor Actor: Master Burton

Dance: End: New Tambourine, as17660123

Event Comment: This play is alter'd by Mr Cumberland was very well receiv'd Mr & Mrs Barry play'd very well Alcibiades was perform'd by Mr Crofts being his first appearance upon any Stage bad figure bad voice & Play'd bad (Hopkins Diary). New Scenes, Decorations &c. Mr Crofts-a stationer in the Temple (Winston MS 10). Theatrical Review, 4 Dec.: We think ourselves oblig'd to declare that this gentleman (Crofts), by no means answered the expectations we had formed, from the accounts we had heard of him.--His voice is not bad, though it is not much above the level of common conservation; --his deportment is aukward and void of grace to an extreme; and he labors under the disadvantage of having a face destitute of expression. His gestures are extremely ungraceful, and the whole of his execution is glaringly untutored, and misconceived. His persons is very ill formed, and therefore it makes greatly against him, especially as he is the representative of Alcibiades, who was the handsomest man in all Athens, and we never remember any one's attempting to set out as a capital performer with so few requisites for the support of such an undertaking as this gentleman appears to have. Paid Dr Nares & Mr Cooke's 8 boys in the Garter, 12 nights (30th ult. incl.) #36; Master Brown 7 nights (2nd inst. incl.) #2 12s 6d.; Licence for Timon, #2 2s. (Treasurer's Book). [Larpent MS 328 of Cumberland's Timon, is one of the earliest to include scenic descriptions: "A Hall in Timon's House. The Flat Scene represents stately Folding Doors. Scene two, the Back scene is hastily drawn back and discovers a magnificent Levee Room or Salon. &c."] Receipts: #243 1s. (Treasurer's Book)

Performances

Mainpiece Title: Timon Of Athens

Performance Comment: Timon-Barry; Apemantus-Bannister; Alcibiades-Crofts, 1st appearance on the stage; Flavius-Packer; Lucius-Palmer; Lucullus-Hurst; Senators-J. Aickin, Inchbald, Keen; Poet-Jefferson; Painter-Davies; Jeweler-Wright; Merchant-Fawcett; Flaminius-Brereton; Caphis-Ackman; Soldier-Baddeley; Servilius-Wrighten; Lucilius-Wheeler; Hortensius-Griffith; Titus-J. Burton; Varro-Master Cape; Philotus-Jacobs; Messenger-Follett; Evanthe-Mrs Barry; In Act I: will be introduced a Grand Dance-Daigville, Atkins, Giorgi, Sga Vidini, Sga Giorgi, Miss Rogers.
Cast
Role: Varro Actor: Master Cape

Afterpiece Title: The Musical Lady

Event Comment: Afterpiece: A New Musical Entertainment in 2 Acts [by Theodosius Forrest] never pebformed. With a New Overture by Dr Arnold. The Airs chiefly selected from the most eminent masters. [Larpent MS 392 confirms the character names and adds a Country Lad and a Country Lass. The Westminster Magazine for Oct. condemned the Weathercock: "To speak of this piece as a literary compostiion, it was throughout a dull, uninteresting narrative, told in duller numbers. Considered in a dramatic light, it was still less defensible....The overture by Dr Arnold was trite, except the last movement, which had great merit, and was universally admired....We expected in spite of the numerous Orders sent in by the Author and Managers, that it would have met with its deserved fate on the first representation, it was, however, somehow carried through that and a second night's hearing-on the third evening, however, it received a formal damnation."

Performances

Mainpiece Title: The Distress'd Mother

Afterpiece Title: The Weathercock

Performance Comment: The Characters- Mattocks, Reinhold, Mahon,Young, Quick, Miss Brown, Mrs Masters Mrs Mattocks; The Dances-Harris, Miss Ross; Amyand-Mattocks; Ready-Quick; Selvyn-Mahon; Sir Rowland-Reinhold; Delia-Miss Brown; Harriet-Mrs Mattocks (Genest, V, 512).
Event Comment: Benefit for Edwin. 1st piece: Never performed there. [Master Edwin was from the Hay.] Public Advertiser, 18 Apr.: Tickets to be had of Edwin, No. 76, the corner of Long Acre, Drury-lane. Receipts: #107 10s. 6d. (89.0.6; tickets: 18.10.0) (charge: #105)

Performances

Mainpiece Title: Buxom Joan

Afterpiece Title: Much Ado about Nothing

Afterpiece Title: The Flitch of Bacon

Performance Comment: As17800107, but Prologue written by Samuel Foote, Esq.,-Master Edwin (1st appearance on that stage).
Cast
Role: , Actor: Master Edwin

Song: End: Moderation and Alteration-Edwin

Event Comment: Benefit for Watson, Carleton Jun., Wilson & Hicks. Tickets delivered by Master Benson, Barrett, McDonald and Boroughs will be taken. Receipts: #256 14s. (18.1; 10.17; 0.13; tickets: 227.3) (charge: #105)

Performances

Mainpiece Title: Twelfth Night

Cast
Role: Clown Actor: Vernon

Afterpiece Title: Who's The Dupe

Dance: As17791215

Entertainment: Monologue. End: Bucks have at ye all-Master Benson

Performance Comment: End: Bucks have at ye all-Master Benson.
Event Comment: Afterpiece [1st time; P 2 (?), by Charles Dibdin and James Messink; synopsis of plot in London Chronicle, 30 Dec.]: To conclude with a Procession of the principal Grand Masters, from the Creation to the present Century, dressed in the Habits of their respective Ages and Countries. With new Music [by Charles Dibdin], Scenes, Dresses, Pageants, and Decorations. The paintings executed by Richards, Carver, Hodgins, and assistants. Books of the Songs, with an Explanation of the Pageants, to be had at the Theatre. Nothing under full Price will be taken. "To give magnificence a meaning, and unite antiquarian knowledge with polite entertainment, was a task hitherto unattempted by the contrivers of our Pantomime exhibitions. Such praise, however, the acting manager of Covent Garden theatre may justly claim, on the score of Harlequin Free-Mason, which is now representing before greater crowds than perhaps were ever attracted by Perseus and Andromeda [in 1730], the Rape of Proserpine [in 1727], or the celebrated Sorcerer [i.e. The Magician, in 1721]. The beauty of the first scene, in which a setting sun is admirably contrived, the Dutch winter piece, with numberless skate[r]s moving in the most natural attitudes, and, above all, the imperfect building, finished in a moment at the command of Harlequin, can be exceeded only by the pomp of the historic procession which closes the whole, and offers the richest and most intelligent spectacle that ever yet appeared on an English stage" (Gentleman's Magazine, Feb. 1781, pp. 58-59, which also prints a detailed description of the pageant). Account-Book, 1 Feb.: Paid Dibdin for music of Harlequin Free-Mason #70. Receipts: #236 2s. (230.3; 5.19)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Harlequin Free-Mason

Performance Comment: Larpent MS 541, and Universal Magazine, Supp. 1780, pp. 367-68 list the parts: Hiram Abbif-; Master Mason-; Bacchanal-; Skaters-; Masons-; Lawyers-; Harlequin-; Jew-; Colombine-; Fish Women-; Virgins-; Songs (G. Kearsley, 1781) lists no parts. Morning Herald, 30 Dec. assigns Dutch Lover-Wewitzer; but no others. For Reinhold see17810101. but no others. For Reinhold see17810101.
Cast
Role: Master Mason Actor:
Event Comment: Benefit for Booth. Mr Booth respectfully hopes his close Attention to the several Departments he occupies in the Theatre will be a sufficient Excuse for his not personally waiting on his Friends. [Public Advertiser, 22 Mar., notes that since Wild's accident [see 11 May] Booth had been acting as prompter.] Public Advertiser, 14 Apr.: Tickets to be had of Booth at his house in Great Queen-street, Lincoln's-inn-fields. 2nd piece [1st time; M. INT I, compiler unknown]: The Music compiled from the most eminent Masters

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Land of Enchantment

Performance Comment: A Select Scene, consisting of Music and Dancing, in which: a Hunting Song [Tantivy, the welkin resounds] by Mrs Martyr; the celebrated Vauxhall Echo Catch [They say there is an echo here (performers not listed)]; a Pastoral Dialogue [Alas! Poor Sue] by Johnstone and Mrs Martyr; Auld Robin Gray by Mrs Kennedy; Poor ThomasDay by Edwin, Brett, Davies. Abdiel, the Genius-Master Farley .
Cast
Role: , the Genius Actor: Master Farley

Afterpiece Title: Barataria

Dance: In 2nd piece, by Harris, Miss Besford, Mrs Goodwin, Mrs Ratchford, Miss Matthews

Song: As17841025, but omitted: names of singers

Event Comment: Benefit for Leoni. [Master Braham's 1st appearance was at this theatre on 21 Apr. 1787 (also on the night of Leoni's benefit), when he sang two songs.] Public Advertiser, 17 May: Tickets to be had of Leoni, No. 1, Well Close-square. Receipts: #123 17s. 6d. (89.14.6; 3.13.0; tickets: 30.10.0)

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Poor Vulcan

Performance Comment: As17880412, but Joe-Master Braham (Pupil to Leoni; 1st appearance at this Theatre [i.e. in a speaking part]). 1st appearance at this Theatre [i.e. in a speaking part]).
Cast
Role: Joe Actor: Master Braham
Event Comment: Afterpiece [1st time; P 2(?), by John O'Keeffe. Synopsis of action in Public Advertiser, 27 Dec.]: With new Music, Scenery, Machinery, and Decorations. The Scenes designed and executed by Richards, Carver, Hodgins, Pugh, &c. The Music selected from the Works of the most eminent Masters, by A. Shaw. The new Airs composed by Shield, and the Overture by Richardson. Books of the Songs, Recitative, &c. to be had at the Theatre. Nothing under Full Price will be taken. Receipts: #315 16s. (301.6; 14.10)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: Aladin; or, The Wonderful Lamp

Performance Comment: Harlequin-Boyce; Pantaloon-Cubitt; Lover-Farley; Clown-Letteney; Taberino-Rock; Zozeb-Master Simmons; Wood Cutter-Bonville; Undertaker-Stevens; Pierrot-Delpini; Aladin's Mother-Mrs Davenett; Pantaloon's Wife-Mrs White; Colombine-Mrs Goodwin; The Vocal Parts-Blanchard, Davies, Bernard, Darley, Mrs Martyr.
Cast
Role: Zozeb Actor: Master Simmons

Dance: In Afterpiece: Byrne, King, Ratchford, Mrs Watts, Mrs Lloyd, Mrs Ratchford. [Included, as here assigned, in all subsequent performances.

Event Comment: No Money to be returned. Books of the Performance to be had at the Theatre. Places for the Boxes to be taken of Fosbrook, at the Theatre. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. The Doors to be opened a 5:30. To begin at 6:30 [same throughout oratorio season]. [Master Clement was from the Imperial Opera House, Vienna.

Performances

Mainpiece Title: A Grand Selection 0 From The Works Of Handel

Afterpiece Title: Grand Selection 2

Performance Comment: Part II Ye sons of Israel-Chorus (Joshua); Tear such as tender Fathers shed-Bellamy (Deborah); O had I Jubal's Lyre-Miss Broadhurst (Joshua); There beneath a lowly shade-Dignum (Alexander Balus); Concerto Violin-Master Clement (1st appearance at this theatre); +Fallen is the Foe-Chorus (Judas Maccabaeus); Why does the God of Israel sleep?-Spence (Samson); O Liberty!-Miss Cecilia Davies (Judas Maccabaeus); accompanied violoncello-Mason; The many rend the skies-Chorus (Alexander's Feast).

Afterpiece Title: Grand Selection 3

Event Comment: Mainpiece [1st time; DO 3, by Prince Hoare, based on Didone Abbandonata, by Pietro Metastasio]: The Musick is chiefly new, and composed by Storace. The Selections are made from the most celebrated works of Salieri, Paer, Rampini, Sacchini, Sarti, Giordani, Cimarosa, Schuster, Andreozzi. The Scenery and Machinery designed by Greenwood and executed by himself and his Pupils. The Dresses of the Tyrians, Trojans and Africans entirely new, and taken from the most accurate descriptions of the Habits of their respective Nations. [Both Miss Barclay and Master Welsh had 1st appeared at the king's oratorios, 24 Feb.]. "A procession was introduced in which an Ostrich, a Dromedary and an Elephant marched to slow music. The Masque, which concluded the opera, was some insipid stuff about Neptune and Nereids, with a representation of the Temple of Neptune. Young Welsh sang prettily in this said Masque" (Morning Herald, 24 May). "[Mara] retained only one song of her Didone [see king's, 14 Feb. 1786]; the brilliant bravura, Son Regina, of Sacchini" (Mount-Edgcumbe, 80). Morning Herald, 28 May 1792: This Day is published Dido (price not listed). Receipts: #244 8s. 6d(213.14.5; 28.15.0; 1.19.0)

Performances

Mainpiece Title: Dido Queen Of Carthage

Monologue: To Conclude Masque, Neptune's Prophecy. Tritons, Neriads-the full Chorus of the Theatre; Neptune-Bannister; Ascanius-Master Welsh (1st appearance on any stage [see 24 Feb.]); Venus-Miss Collins; The Graces-Miss DeCamp, Miss Jacobs, Miss Heard

Performance Comment: Tritons, Neriads-the full Chorus of the Theatre; Neptune-Bannister; Ascanius-Master Welsh (1st appearance on any stage [see 24 Feb.]); Venus-Miss Collins; The Graces-Miss DeCamp, Miss Jacobs, Miss Heard.
Cast
Role: Ascanius Actor: Master Welsh

Afterpiece Title: The Miller of Mansfield

Event Comment: Mainpiece: To conclude with a Grand Procession of the Hundred Knights of Chivalry, and the Representation of an Ancient Tournament, under the direction of Dubois. [These were included in all subsequent performances.] With a new Overture and new Additional Musick, by Storace, Shaw, and other Eminent Masters. And new Dresses, Decorations and Machinery. [Miss Redhead is identified in Kemble Mem.] Account-Book, 20 Dec. 1792: Paid Kemble to purchase horses for Cymon #180 14s. 6d. (223.11.6; 55.4.0; 3.19.0)

Performances

Mainpiece Title: At King's Cymon

Performance Comment: Merlin-Bannister; Cymon-Kelly; Dorus-Wewitzer; Linco-Bannister Jun.; Damon-Bland; Dorilas-Cooke; Daemon of Revenge-Sedgwick; Cupid-Master Welsh; Urganda-Mrs Crouch; Sylvia-A Young Lady (1st appearance on any stage [Miss Redhead]); Fatima-Mrs Goodall; Phebe-Miss DeCamp; Daphne-Mrs Bland; Dorcas-Mr Suett; [In Tournament: Knights-Dubois, Fairbrother.
Cast
Role: Cupid Actor: Master Welsh

Afterpiece Title: The Deaf Lover

Event Comment: Powell: Kemble being indisposed from a violent Bruise in his Arm (during the several times of his playing the Part of Macbeth) so as to render him incapable of attending the Theatre this evening, an Apology was made by Wroughton, and the Prologue was omitted. [The playbill retains Miss Menage in afterpiece, but she] being at the Italian Opera this Evening, Master Chatterley play'd her part in the Children in the Wood. Henry VIII rehearsed at 10 (for Banks and Dignum; Packer ill); The Jew at 12 (for Miss Farren and Miss Tidswell). Receipts: #322 5s. 6d. (248/0/0; 67/15/0; 6/14/6; tickets not come in: 0/6/0)

Performances

Mainpiece Title: The Inconstant; Or, The Way To Win Him

Performance Comment: Old Mirabel-Aickin; Young Mirabel-Wroughton; Capt. Duretete-Dodd; Dugard-Whitfield; Petit-Benson; Bravoes-Maddocks, Caulfield, Webb, Phillimore; Page-Master Gregson//Oriana-Mrs Goodall; Bisarre-Miss Farren; Lamoree-Miss Tidswell. Epilogue as17940421.

Afterpiece Title: THE CHILDREN IN THE WOOD

Performance Comment: As17940425, but Master Chatterley in place of Miss Menage .
Cast
Role: Boy Actor: Master Menage