SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Master Jones"/1) | (@(roleclean,performerclean) "Master Jones")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2063 matches on Performance Comments, 1231 matches on Performance Title, 541 matches on Event Comments, 120 matches on Author, and 5 matches on Roles/Actors.

Performances

Mainpiece Title: 'tis All A Farce

Afterpiece Title: Fortune's Frolick

Afterpiece Title: Obi

Performance Comment: As18000702 but added: Jonkanoo (Master of the Ceremonies)-Hawtin.

Performances

Mainpiece Title: The Point Of Honour

Afterpiece Title: Obi

Performance Comment: As18000702 but Chorus of Negro Men-_Fisher, Sawyer, +Thomas; added: Jonkanoo (Master of the Ceremonies)-Hawtin; Chorus of Negresses-Mrs _Castelle.
Cast
Role: Tuckey Actor: Master Menage

Performances

Mainpiece Title: The Iron Chest

Performance Comment: Sir Edward Mortimer-Barrymore; Fitzharding (1st time)-Davenport; Wilford-C. Kemble; Adam Winterton-Fawcett; Rawbold (1st time)-Emery; Samson Rawbold-Suett; David Rawbold-Master Suett; Armstrong-Trueman; Orson-Palmer; Servants-Abbot, Chippendale, Atkins; Robbers-Caulfield, Bannister, Klanert; Helen (1st time)-Miss Chapman; Blanch-Mrs Gibbs; Barbara-Mrs Mountain; Judith (1st time)-Miss DeCamp.
Cast
Role: David Rawbold Actor: Master Suett

Afterpiece Title: The Village Lawyer

Performances

Mainpiece Title: What A Blunder

Performance Comment: Characters by Fawcett, Johnstone, Holman (1st appearance here this season), Suett, Farley, Emery, Caulfield, J. Palmer, Atkins, Abbot, Chippendale, Miss DeCamp, Mrs Mountain, Miss Wheatley (1st appearance on this stage), Miss Menage. Cast from text (W. Miller, 1800): Dashington-Fawcett; Sir Sturdy O'Tremor-Johnstone; Count Alphonso d'Esparza-Holman; Don Miguel de Lara-Suett; Lopez-Farley; Juan-Emery; Robbers-Caulfield, J. Palmer; Diego-Atkins; Friar-Abbot; Patrick-Chippendale; Captain of the Banditti-Sawyer; Angelina-Miss DeCamp; Leonora-Mrs Mountain; Jaquelina-Miss Wheatley; Viletta-Miss Menage; Chorusses-Willoughby, Aylmer, Dibble, Little, Kenrick, Caulfield Jun., Fisher, Sawyer, Mrs Castelle, Mrs Hale, Mrs Gaudry, Mrs Butler, Miss Leserve, Mrs Norton, Mrs Masters, Mrs Coates, Mrs Lloyd.

Afterpiece Title: The Deaf Lover

Performances

Mainpiece Title: Cambro-britons

Performance Comment: Llewellyn-Barrymore; Shenkin-Emery; Cadwall-Palmer; Gwyn-Suett; O'Turloch-Johnstone; Bard-J. Palmer; King Edward-Caulfield; Prince David-A Gentleman (1st appearance [Forster]); Dynevor-Trueman; Mortimer-Klanert; Herefore-Davenport; Edwin-Abbot; Elinor-Miss DeCamp; Lady Griffith's Shade-Mrs Gibbs; Winifred-Mrs Bland; Chorus of Bards and Peasants-Sawyer, Little, Kenrick, Caulfield Jun., Dibble, Aylmer, Willoughby, Thomas, Ms Hale, Ms Masters, Ms Gaudry, Ms Butler, Ms Leserve, Ms Norton.

Afterpiece Title: The Agreeable Surprise

Song: End: Paddy's Description of Pizarro; or, Mr Paddy O'Doody and his Cousin Shaun Shaugnessy's Treat to the One Shilling Gallery-Johnstone

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 216: K: & Q:. See also Nicoll, Restoration Drama, p. 348. Nell Gwyn also attended this performance. See VanLennep, Nell Gwyn's Playgoing, p. 406. BM Add. Mss. 27, 962v, f. 312 (a transcript of a newsletter by Salvetti), 14 Dec. 1674 (translation): On last Wednesday all the royal family were present at the theatre to hear the tragedy of Hamlet, which, for their greater entertainment, was adorned and embellished with very curious dances between the acts. [I am indebted to Professor George Hilton Jones, Kansas State University, for this item.

Performances

Mainpiece Title: Hamlet

Event Comment: The United Company. Newdigate newsletters, 20 Jan. 1682@3: Yesterday was acted at the Theatre Royall the first of a new play Entituled the City Politiques the novelty of wch drew a Confluence of Spectators under both Qualifications of Whigg and Tory to hear and behold a Ld Mayor Sheriffs & some Aldermen with their wives in yr usuall formalityes buffoond & Reviled a great Lawyer with his young Lady Jeared and Intreagued Dr Oates pfectly represented berogued & beslaved the papist plott Egregiously Rediculed the Irish Testemonyes Contradictiorily disproved & befoold the Whiggs totally vanquished & undon Law & property men oreruld & there wanted nothing of Artifice in behaviour and discourse to render all those obnoxious & dispised in fine such a medly of occurences intervened that twas a question whether more of Loyalty designe or Rhetorique prvailed but there were mighty clappings among the poeple of both partyes in Expressing either their sattisfaction or displeasure (Wilson, Theatre Notes from the Newdigate Newsletters, p. 81). The Prologue and Epilogue, separately Printed, have 20 Jan. 1682@3 as Luttrell's date of acquisition (Huntington Library) and are reprinted in Wiley's Rare Prologues and Epilogues, pp. 166-69. John Dennis, To Mr --- In which are some Passages of the Life of Mr John Crown, Author of Sir Courtly Nice, June 23, 1719: About that time he writ The City Politicks, on purpose to Satyrize and expose the Whigs; a Comedy so agreeable, that it deserv'd to be writ in a much better Cause: But after he had writ he met with very great Difficulties in the getting it acted. Bennet Lord Arlington, who was then Lord Chamberlain of the King's Houshold, and who had secretly espous'd the Whigs, who were at that time powerful in Parliament, in order to support himself against the Favour and Power of the Lord Treasurer Danby, who was his declared Enemy, us'd all his Authority to suppress it. One While it was prohibited on the account of its being Dangerous, another while it was laid aside on the pretence of its being Falt and Insipid; till Mr Crown at last was forc'd to have Recourse to the king himself, and to engage him to give his absolute Command to the Lord Chamberlain for the acting of it; which Command the King was Pleas'd to give in his own Person (I, 49-50). Morrice Entry Book, Vol.1 1682@3: Mr Crowne [was cudgled on Wednesday last in St Martin's Lane and] hee that beat him said hee did it at the suite of the Earle of Rochester some time since deceased who greatly abused in the play for his penetency &c. (p. 353. I owe this note to the courtesy of Professor David M. Vieth of the University of Kansas and Professor G. H. Jones of Kansas State University)

Performances

Mainpiece Title: The City Politiques

Event Comment: The United Company. Lord Ashburnham's Diary: I waited on my Mother home and afterwards I went into the play (the Maiden Queen) There was a great deale of company, I came home before 8 at night, I am now not charm'd with Playes &c. (Ashburnham MS 932, East Sussex County Record Office, County Hall, Lewes, Sussex; I owe this entry and the subsequent ones from this MS to the kindness of Professor George Hilton Jones, Kansas State University). This is an unusual example of the revival of a play at the public theatre the day before its presentation at court

Performances

Mainpiece Title: Secret Love; Or, The Maiden Queen

Event Comment: Benefit Jones and Diggs

Performances

Mainpiece Title: The Rover

Song: As17170102; particularly Genius of England-Turner

Dance: As17161204

Event Comment: Benefit Jones

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Hob

Dance: Shaw, Topham, Mrs Younger, Miss Lindar

Event Comment: Benefit Jones, Numberer

Performances

Mainpiece Title: Love For Love

Dance: Dancing, as17190521, but Mrs _Santlow, Mrs Bicknell

Event Comment: Benefit Cross and Jones. Tickets for The Rehearsal taken

Performances

Mainpiece Title: King Richard The Third

Dance: Shaw, Thurmond Jr, Boval, Mrs Bicknell, Miss Tenoe, Miss Smith

Event Comment: Benefit Shaftoe, Jones, and Maine, Gallery Keepers. Receipts: money #5 6s. 6d.; tickets #102 13s

Performances

Mainpiece Title: The Busie Body

Dance: As17201214

Event Comment: Benefit Jones, Maine, Tillman. Gallery Keepers. Written by Shakespear. Receipts: money #6 16s; tickets #76 5s

Performances

Mainpiece Title: The Merry Wives Of Windsor

Dance:

Event Comment: Benefit Jones, Tillman, Tyefer. Receipts: money #9 13s. 6d.; tickets #72 18s

Performances

Mainpiece Title: The Island Princess

Dance:

Event Comment: Mainpiece: [By Mrs Eliza Haywood.] By Reason of the Indisposition of an Actress, the Part of the Wife is to be perform'd by Mrs Haywood, the Author. Afterpiece (Daily Post, 10 Aug.): A new Dramatic Entertainment...design'd by Mr Theo. Cibber, with new Music compos'd and adapt'd by Mr Jones, which proper Judges allow to be the best of the kind now extant

Performances

Mainpiece Title: A Wife To Be Let

Afterpiece Title: Apollo and Daphne

Related Works
Related Work: Apollo and Daphne; or, Harlequin Mercury Author(s): Richard Jones
Event Comment: Benefit Jones, Tillman, and Teyfer, Gallery Doorkeepers. Receipts: money #21 17s. 6d.; tickets #84 19s

Performances

Mainpiece Title: The London Cuckolds

Dance: Louvre-Mrs Wall; Entry-Glover; Peasant-Lanyon, Mrs Ogden

Event Comment: Benefit Wilks, Office Keeper, and Jones

Performances

Mainpiece Title: Love Makes A Man

Music: Select Pieces-

Song: As17250508

Dance: new Passacaile-Miss Robinson; A new Comic Dance-Miss Robinson, Young Rainton

Event Comment: Benefit Jones, Tillman, Teyfey (Gallery Doorkeepers). Written by Shakespear. Receipts: money #13 3s. 6d.; tickets #101 2s

Performances

Mainpiece Title: The True And Ancient History Of King Lear And His Three Daughters

Dance: CChacone-Mrs Bullock; Dutch Burgomaster-Newhouse, Mrs Ogden

Event Comment: Benefit Jones and May

Performances

Mainpiece Title: The Unhappy Favourite

Afterpiece Title: The Stage Coach

Dance: Thurmond, Boval, Mrs Brett, Miss Tenoe, Young Rainton, Miss Robinson

Related Works
Related Work: Apollo and Daphne; or, Harlequin Mercury Author(s): Richard Jones
Related Work: The Miser; or, Wagner and Abericock Author(s): Richard Jones
Event Comment: Benefit May and Jones

Performances

Mainpiece Title: Sir Courtly Nice

Afterpiece Title: The What D'ye Call It

Dance: TThe Muzette-Young Rainton, Miss Robinson

Event Comment: Benefit Jones

Performances

Mainpiece Title: Venice Preserv'd; Or, A Plot Discover'd

Song: Nicholls

Event Comment: Benefit Jones, Numberer; and Taylor, Boxkeeper

Performances

Mainpiece Title: The Fatal Marriage

Afterpiece Title: Hob; or, The Country Wake

Event Comment: Benefit Gallant, Rowland, Mrs Shaftoe, Jones. Afterpiece: Written by the late Sir John Vanbrugh. Receipts: money #10 12s. 6d.; tickets #103 15s

Performances

Mainpiece Title: The Emperor Of The Moon

Afterpiece Title: The Country House

Dance: SScotch Dance-Mrs Bullock; Fingalian-Newhouse, Mrs Ogden; Pierrots-Salle, Pelling; French Peasant-Moreau, Mrs Bullock

Performances

Mainpiece Title: Fatal Love; Or, The Degenerate Brother

Performance Comment: Principal parts by Wells, Mullart, Lacy, Fielding, Jones, Mrs Mullart, Mrs Martin, Mrs Lindsey, Mrs Nokes, Miss Wood; but edition of 1730 lists: Don Manuel-Wells Sr; Alonzo-Stopler; Pizarro-Wells Jr; Pedro-Fielding; Alvarez-Mullart; Rinaldo-Lacy; Diego-Dove; Hermit-Reynolds; Page-Achurch; Servants-Hicks, Richards; Ismena-Mrs Mullart; Lucina-Mrs Martin; Cleone-Mrs Lindsey; Julia-Mrs Newman; Florella-Mrs Nokes; Prologue, Epilogue-Charles Coffey.