SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Master Elliot"/1) | (@(roleclean,performerclean) "Master Elliot")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1442 matches on Performance Comments, 1032 matches on Performance Title, 431 matches on Event Comments, 77 matches on Roles/Actors, and 0 matches on Author.
Event Comment: Benefit Lacy. Afterpiece: A new Satyrical, Allegorical, Political, Philosophical Farce, [Apparently by Lacy.] Daily Advertiser, 30 April: Yesterday I accidentally call'd in at the Theatre in the Hay-Market, and saw the Rehearsal of a new Farce call'd Fame...Which is to be acted there on Wednesday next...for the Benefit of Mr Lacy the Author. As I am neither acquainted with him, nor the Master of the Playhouse, I cannot be accus'd of Partiality, in affirming, that I think this the best Farce this Age has produc'd. It seems to be writ in Imitation of Shakespear, and entirely calculated for the present Taste. The Characters are strong, lively, majestic, and just; the incidents natural and moving; the Conduct regular; the Distresses extremely affecting; the Stile sublime; the Sentiments grand, full of Patriotism; and the Catastrophe so masterly wrought up, that, I am persuaded, no Farce whatsoever, now acting, will draw more Tears than this. But what affected me beyond all, was, the Zeal, the exemplary Zeal of a worthy Magistrate, who so strictly adheres to the very Letter of the Law, as to send a rich and honest Merchant, and Freeholder, to the House of Correction, as a sturdy Beggar, or Loiterer. I could enlarg in its Praise, but fear I may do the Author wrong, in raising your Expectations too high. See it, and I am convinc'd you will entertain the same Sentiments of it, as does Your Humble Servant, James Lacy. Alias Fustian, alias Sour-Wit, alias--But hold:--If I should be arraign'd for the Murder of this Farce, so many Alias's will half condemn me before I am heard

Performances

Mainpiece Title: Pasquin

Afterpiece Title: Fame; or, Queen Elizabeth's Trumpets; or, Never plead's Hopes of being a Lord Chancellor; or, The Lover turn'd Philosopher; or, The Miser's Resolve upon the Lowering of Interest

Event Comment: Benefit Pelling, Dukes. Tickets for Villeneuve, Master Green also taken

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Devil to Pay

Dance: I: Wooden Shoes-Livier, Villeneuve; II: Two Pierrots-Livier, Pelling; III: Hornpipe-a Seafaring Gentleman for his Diversion; IV: Turkish Dance-Muilment, Villeneuve, Livier; V: A new Scotch Dance-Dupre, Mrs Pelling

Event Comment: Mainpiece: Written by the late Mr Congreve. Egerton 2320: Berry, Oats & Shepard discharg'd much noise in ye Pit for ye restoring of Oats. Griffin at Rotterdam, Jack Ray did his part. Milward's [?] a good one--the first night of Beard's playing--his success great. Receipts: #115. [For performances at the Fairs, see season of 1736-1737.] Daily Advertiser, 22 Aug.: The House [dl] is neatly decorated, and a very large Lobby prepar'd for the Servants that keep Places, with two Fire Places, Seats, near the Boxes, where a Person is to attend to call them, whe wanted by their Masters or Ladies. There is also a new Passage to the Pit, which will make it much more convenient for the Audience

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Devil to Pay

Event Comment: Benefit Taylor, Dancing-Master. Mainpiece: Written by the late Sir John Vanbrugh

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: The Dragon of Wantley

Song: CChancon a Boire-Leveridge, Laguerre

Dance: Glover, Mlle Roland

Event Comment: Towards raising a Fund for Erecting a Monument to the Memory of Shakespear. Mainpiece: Written by Shakespear. The Pit and Boxes to be put together. London Daily Post and General Advertiser, 5 June: The Season [at dl] being finish'd, and the Accounts of it settled, it is thought proper to acquaint the Publick, that the Master of that Theatre has receiv'd One Hundred and Seventy-odd Pounds, (besides some Accounts of Tickets, the Produce of which has not as yet been paid in, which is suppos'd will make near the Sum of Two Hundred Pounds,) towards erecting a Monument to Shakespear

Performances

Mainpiece Title: Julius Caesar

Event Comment: DDaily Advertiser, 10 Nov.: Two of the French Strollers having desir'd Leave of the Town to act three Nights at one of the Patent Theatres, the Master of that House is desir'd to consider, whether if he lends it to those Foreigners, he can ever hope to have it fill'd with an English Audience, who probably will chastise the Abuse of Power in an ungrateful Patentee, as they did the Want of it in a French Harlequin

Performances

Mainpiece Title: Mithridates, King Of Pontus

Afterpiece Title: The Royal Chace

Event Comment: Benefit Berry. For the Entertainment of the Grand Master and the rest of the Brethren of...Free and Accepted Masons. [Three Rows of the Pit railed into the Boxes for Masons only. Tickets at Berry's in Bridges Street.

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: The Virgin Unmask'd

Song: I: Come let us Prepare-Brother Berry; III: On on my Dear Brethren-Brother Beard; IV: Ye Brethren of the Ancient Craft-Brother Berry; End Afterpiece: Thus mighty Eastern Kings-Brother Beard

Dance: II: Ethiopian Dance-Muilment, Livier, Baudouin, Rector, Fromont; V: Hungarian Dance-Denoyer, Mrs Walter

Event Comment: Benefit Walker, a Brother. For the Entertainment of the Grand Master and the Worthy Brothers and Sisters of the Honourable Community of Modern Free-Masons. Mainpiece: Written by the late Mr Gay. Afterpiece: Taken from Moliere, and Intermixed with Songs. Boxes 5s. Pit 3s. Gallery 2s. 6:30 p.m

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Mock Doctor

Song: Concluding with theModern Free@Masons Song-in the Character of Robin Hooda Brother

Dance: HHornpipe, Drunken Peasant-Phillips

Event Comment: Benefit Salway. For the Entertainment of the Grand Master and the Rest of the Brethren of the Ancient and Honourable Society of Free and Accepted Masons. Afterpiece: With several Additions by the Author

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Parting Lovers

Dance: I: Peasants-French Boy and Girl; II: Comic Ballet-Villeneuve, Miss Oates; End Afterpiece: Grand Ballet-Glover, Mlle Roland

Song: The Songs in Masonry as usual-

Event Comment: Benefit Master Charles Poitier

Performances

Mainpiece Title: Olimpia In Ebuda

Dance: As17400408

Performances

Mainpiece Title: The Rambling Lovers; Or, A New Way To Play An Old Game

Afterpiece Title: The Amorous Contention; or, The Politic Maid

Performance Comment: The Two Masters Granier, Miss Granier.

Afterpiece Title: Neptune's Palace

Dance: Janno; Tumbling-Steward, Williams, Tindal

Event Comment: For the Entertainment of the Grand Master, Grand Officers, Brothers, and Sisters of the Community of Modern Free Masons. Benefit Walker

Performances

Mainpiece Title: The Fatal Marriage

Afterpiece Title: The Contrivances

Entertainment: AA Song in Honour of Modern Masonry (in the Character of Robin Hood)-Mrs Jones; The Punch's Song-Hemskirk, Miss Jones; Scots Dance-Mrs Bullock

Music: The whole to conclude with the celebrated Water@Musick by Handel-; accompanied with Kettle@Drums-; Trumpets-; French@Horns-; the Preamble-Nelson

Event Comment: For the Entertainment of the Grand Master and the rest of the Brethren of...Free and Accepted Masons. Benefit Bencraft. Receipts: money #59 3s.; seals #65 8s. (Account Book); #130 (Rylands MS.). [Bencraft was charged #70 for his benefit.

Performances

Mainpiece Title: The Old Batchelor

Dance: FFrench Peasant-Mechel; The Swiss-Mechel, Mlle Mechel

Song: With the Songs in Masonry-as usual; And, by particular Desire, a Duette in the Characters of Punch and Colombine-Bencraft, Mrs Lampe

Event Comment: Benefit Taylor, Dancing-Master

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Lethe

Event Comment: TTurbutt and Dove's Booth, end of Hosier Lane, West Smithfield, during the Time of the Fair. [London Daily Post and General Advertiser gives Kevenhuller-$Woodward. Repeated 24, 25, 26 Aug.] Ballance Master, just arriv'd from Paris

Performances

Mainpiece Title: The Glorious Queen Of Hungary

Afterpiece Title: Harlequin Dissected; or, The Biter Bit

Event Comment: During this month was publish'd The Dramatic Congress, a short state of the stage under present management, by W. R. Chetwynd. The older actors and dramatists sit in Elysium and discuss the fate of the theatre under Fleetwood and Rich. Much on cartels and the decay of the stage, and the chicanery indulged in to starve the Macklin-Garrick revolters. Probably about this time was also publish'd Tyranny Triumphant...Or Historical and critical remarks on the famous Cartel lately agreed on by the masters of the two theatres, by Patrick Fitz-Crambo. Discusses the rumor that Rich shut up Lincoln's Inn Fields for six months and for #600 gave the key to the Manager of Drury Lane, leaving the actors to starve, and the town to be satisfied with whatever nonsense Drury Lane chose to put on

Performances

Mainpiece Title: The Orphan; Or, The Unhappy Marriage

Afterpiece Title: The School Boy

Event Comment: This year was printed, The Usefulness of Dramatic Interludes in the education of youth, an Oration spoken before the masters and scholars of the University of Basil, by Mr Werenfels, Translated from the Latin by Mr Duncombe. A 27-page pamphlet pleading for the revival of amateur drama in that University, on grounds of its beneficial moral influence. This month was printed An Essay upon Acting,-Gentlemen's Magazine, Register of Books

Performances

Mainpiece Title: The Alchemist

Dance: II: As17431013; IV: Italian Masquerade, as17431126

Event Comment: Benefit Dr Clancy. "The Day returns, but not to me returns," Milton. This Gentleman being deprived of the Advantages of following his profession; and as the writing he had produced for the stage could not be brought out this season, the Master of the Playhouse has been so kind as to favour him with a Benefit Night: It is therefore hoped, that as this will be the first instance of any person laboring under so heavy a deprivation, performing on the stage, the Novelty, as well as the Unhappyness of his case, will engage the favour and protection of a British Audience. Note: Tickets to be had at the Temple-Exchange Coffee House in Fleet Street; Tom's Coffee House in Cornhill; St. James Coffee House, St. James's Street; Child's Coffee House, St. Paul's Churchyard and the Chapter Coffee House in Paternoster Row. Places for Boxes to be Taken at the Stage Door of the Theatre. [General Advertiser, 4 April, publish'd a fifty-six Prologue (licensed) Intended for Oedipus, acted for the Benefit of the Very Ingenious Dr Clancy, written by Mr Lockman.

Performances

Mainpiece Title: Oedipus, King Of Thebes

Afterpiece Title: The School Boy

Event Comment: Mainpiece: By Command of their Royal Highnesses the Prince of Wales and Princess of Wales. This day is Publish'd The Case of Mrs Clive Submitted to the Publick. [This is Mrs Clive's 22-page complaint against the 'opression' of the managers of both patent theatres, who, it seems, formed a cartel to drive down actors' salaries, and caused by Mrs Clive's unemployment. She was dropped from Covent Garden without due notice and not for cause. She was not applied to by the Manager of Drury Lane, although he knew her to be unemployed, because he still owed her #160 12s. Her case seemed doubly hard to her since she had equipped herself with a fine wardrobe for theatrical use, had acted diligently in main and afterpiece, often on the same night to the prejudice of her health; had been at great expense in Masters for singing, for which article alone the managers now give #6 a week." Concludes by pleading for publick support of her Case. She returned to cg to play Lappet in the Miser, 30 Nov. She states that the published list of salaries in the London Daily Post of 15 Oct. 1734 is incorrect.

Performances

Mainpiece Title: Macbeth

Dance: LLe Gondalier, as17441010; Scotch Dance-Villeneuve, Mrs Delagarde

Event Comment: Benefit Mills. A Concert both Serious and Comic; Consisting of the most favourite Airs, taken from the most favourite Operas and Oratorios, by the best Masters. Boxes 5s. Pit 3s. Gallery 2s. 6 p.m. To the Publick. Gentlemen and Ladies: I humbly beg Pardon for troubling you in this Manner, but being Unfortunately excluded (I don't know for what Reason) from both the Theatres, and consequently deprived of getting my Living by my Profession, the Favour of your Company at a Concert which I take for my Benefit on Tuesday the 11th instant, at the Little House in the Haymarket, will be a very great Obligation to Your most faithful and devoted humble Servant, William Mills. Tickets to be had of Mr Mills at his House in Nassau St., near Soho. Note: After the Concert will be perform'd (gratis) a Comedy call'd The Careless Husband

Performances

Mainpiece Title: The Careless Husband

Song: Lowe, Miss Edwards

Event Comment: GGeneral Advertiser, 28 Sept.: We hear that Mr Lacy, Master of his Majesty's company of Comedians at D.L. has applied for leave to raise 200 men in defence of his Majesty's person and government, in which the whole company of players are willing to engage. [See 7 Oct.] On Saturday Night the Audience at the Theatre Royal in Drury Lane were agreeably surpris'd by the Gentlemen belonging to that House performing the Anthem of God Save our Noble King. The Universal Applause it met with being encored with repeated Huzzas suffciently denoted in how just an abhorrence they hold the arbitrary schemes of our invidious enemies and detest the despotic attempts of Papal Power. [See also Daily Advertiser, 30 Sept. The newspapers at this time run a three phrase slogan in bold face type vertically in the margins: No Pretender. No Popery. No Slavery, accompanied by two more phrases staring boldly from the bottom margin: No Wooden Shoes! No Arbitrary Power!]

Performances

Mainpiece Title: The Alchemist

Song: I: Lowe; IV: Colin and Phebe-Lowe, Mrs Arne; God Save our Noble King by Arne-Mrs Cibber, Beard, Reinhold (Deutsch, Handel, p. 623)

Dance: II: Grand Serious Dance-; V: Grand Comic Dance, as17450926

Event Comment: The Rebellion, is so far from being a disadvantage to the play-houses that, I assure you, it brings them very good houses; and the masters receive so much profit from the Nonjuror, that I wish it does not give them a respect for the name the rest of their lives.-Mrs Cibber to Garrick, 24 Oct. in Boaden, Private Correspondence of Garrick, I, 37. She continues: There will be no operas this year, so if you, Mr Quin and I, agree to play without any salary, and pick up some of the best actors and actresses that are disengaged, at what salary you both think proper, I make no doubt we shall get a licence to play there for fifty, sixty, or any number of nights you agree upon. Mr Heidigger shall pay scenes, & pay those that receive wages; and deliver the overplus to some proper person to enlist men to serve in any of the regiments of Guards, at five pounds per man;--this is the service St. Martin's Parish puts the money to that they collect,--and I mention it, because it is thought the most serviceable to the Government, of any scheme yet proposed

Performances

Mainpiece Title: The Nonjuror

Afterpiece Title: The Debauchees

Dance: V: Grand Comic Dance, as17450926

Event Comment: Died, after a lingering illness, Mr Robert Turbutt, belonging to the Theatre Royal in Drury Lane, and Master of the Swan Tavern in Smithfield, a facetious and agreeable companion, greatly and justly esteem'd by all that knew him for his Sincerity where he profess'd a friendship.--General Advertiser, 27 Feb

Performances

Event Comment: With the Alterations of several Airs by the most celebrated Masters. [Repeated in remaining notices of this pasticcio.

Performances

Mainpiece Title: Alexander In India

Event Comment: Benefit Nicholson, Dancing Master. 6:30 p.m. A Concert, etc

Performances

Mainpiece Title: The Constant Couple