SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mas Jones"/1) | (@(roleclean,performerclean) "Mas Jones")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1118 matches on Performance Comments, 338 matches on Performance Title, 169 matches on Event Comments, 134 matches on Author, and 36 matches on Roles/Actors.

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Lying Valet

Song: End of Farce:By Particular Desire, Bumper Squire Jones-Beard

Performances

Mainpiece Title: The Country Wife

Afterpiece Title: The Dragon of Wantley

Song: II: Stella and Flavia-Beard; IV: (By Particular Desire) Bumper Squire Jones-Beard

Music: IV: a Concerto-Piantanida

Dance: III: A Comic Dance-Boromeo, Mlle Bonneval

Performances

Mainpiece Title: The Orphan

Related Works
Related Work: The Orphan; or, The Unhappy Marriage Author(s): Thomas Otway

Afterpiece Title: The Devil To Pay

Song: I: Stella and Flavia-Beard; IV: Bumper Squire Jones-Beard; II: A Cantata (compos'd by Stanley)-Lowe

Music: III: Concerto on German Flute-Burk Thumoth

Dance: V: Grand Serious Ballet, as17421005

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Lying Valet

Dance: I: A French Peasant-Froment, Mlle Gondeau; III: A New Serious Dance-Desse, Mrs Walter; V: La Florana, as17430408

Song: II: Stella and Flavia-Beard; IV: Bumper Squire Jones-Beard, Lowe

Performances

Mainpiece Title: Cato

Afterpiece Title: The Dragon of Wantley

Dance: II: La Florana, as17430408

Song: III: Bumper Squire Jones-Beard, Lowe

Music: IV: New Violincello Concerto-Cervetto

Performances

Mainpiece Title: Loves Last Shift

Afterpiece Title: The Lying Valet

Song: I: a New song by Mr Boyce-Beard; III: Bumper Squire Jones-Beard, Lowe; V: A Cantata by Stanley-Lowe

Dance: II: Peasant Dance, as17420921; IV: The Hussar's Dance- , as17421211, but Checo, Chiaretta, Boromeo, Mlle Bonneval, Sga Costanza

Performances

Mainpiece Title: The Gamester

Performance Comment: Young Valere-Giffard; Hector-Yates; Angelica-Mrs Woffington; Sir Thomas-Taswell; Lovewell-W. Giffard; Marquis of Hazard-Blakes; Dorante-Collins; Count Cogdie-Neale; Galoon-Morgan; Boxkeeper-Cross; Lady Wealthy-Mrs Giffard; Favourite-Mrs Ridout; Mrs Topknot-Mrs Yates; Mrs Security-Mrs Egerton; Betty-Miss Horsington.
Cast
Role: Sir Thomas Actor: Taswell

Afterpiece Title: The Lying Valet

Song: II: Sullivan; IV: Bumper Squire Jones-Sullivan

Dance: III: Italian Masquerade-Muilment, Desse, Leviez, Mrs Walter, Mrs Thomson

Performances

Mainpiece Title: Julius Caesar

Afterpiece Title: The Devil to Pay

Song: By Desire, Bumper Squire Jones-Beard; Mary Scot-Mrs Clive

Performances

Mainpiece Title: The Wifes Relief Or The Husbands Cure

Afterpiece Title: The Lying Valet

Song: Miss Jones

Dance: The Little Swiss

Performances

Mainpiece Title: Tom Jones

Afterpiece Title: The Miller of Mansfield

Dance: II: The Reel, as17681212

Performances

Mainpiece Title: Tom Jones

Afterpiece Title: The Musical Lady

Cast
Role: Old Mask Actor: Yates
Role: Young Mask Actor: Dyer

Dance: End of Opera: The Merry Sailors, as17680920

Performances

Mainpiece Title: Tom Jones

Afterpiece Title: The Englishman in Paris

Dance: End of Opera: The Tartars, as17681004

Performances

Mainpiece Title: Tom Jones

Afterpiece Title: Harlequin Dr Faustus

Dance: II: Irish Lilt-. [See17680930.

Performances

Mainpiece Title: Tom Jones

Afterpiece Title: Catherine and Petruchio

Dance: End of Opera: The Garland, as17681028

Performances

Mainpiece Title: Tom Jones

Afterpiece Title: The Miller of Mansfield

Dance: End of Opera: The Tartars, as17681004

Performances

Mainpiece Title: Tom Jones

Afterpiece Title: The Musical Lady

Dance: End of Opera: The Reel, as17681212

Performances

Mainpiece Title: Tom Jones

Afterpiece Title: The Upholsterer

Dance: End of Opera: The Lamplighters, as17681101

Performances

Mainpiece Title: Tom Jones

Afterpiece Title: Harlequin Skeleton

Performance Comment: As17690204, but Rural Swain-_; Nymph-_; to conclude with the Masquerade Scene-with Additions and a; New Character-.

Performances

Mainpiece Title: Tom Jones

Afterpiece Title: Harlequin Skeleton

Performances

Mainpiece Title: Tom Jones

Afterpiece Title: Harlequin Skeleton

Event Comment: Benefit for Fishar (ballet master) and Sga Manesiere. [The previous day's bill made special announcement of the variety of Dancing to be offered. N.B. A previous Academy of Dancing 23 April 1762. Miles listed for the part of Landlady by Public Advertiser.

Performances

Mainpiece Title: Tom Jones

Afterpiece Title: Catharine and Petruchio

Dance: By Desire The Tartars, as17701003; End of Farce: A New Dance, The Corsican Sailor's Punch House-Fishar, Miss Twist, Hussey, Blurton, Miss Besford

Monologue: I: A Dancing Academy. The Minuet-Fishar, Sga Manesiere; The Allemande (first time)-Mas. Blurton, Miss Besford (both apprentices of Fishar); the Hornpipe-Mas. Blurton; to conclude with a New Cotillion-

Performance Comment: The Minuet-Fishar, Sga Manesiere; The Allemande (first time)-Mas. Blurton, Miss Besford (both apprentices of Fishar); the Hornpipe-Mas. Blurton; to conclude with a New Cotillion-.

Ballet: End Opera: First time this season, The Wapping Landlady. Jack-Fishar; Landlady-Mrs White; Orange Woman-Sga Manesiere; with a Double Hornpipe-Fishar, Sga Manesiere

Performances

Mainpiece Title: The Ascension Judas Maccabaeus

Music: Between the parts of the Oratorio: A Concerto on the Pedal Harp-Jones; concerto on the Violin-Lamotte[, as17760315

Performances

Mainpiece Title: The Prodigal Son Judas Maccabaeus

Music: Between parts of Oratorio: A Solo on the Pedal Harp-Jones; a New Concerto on the Violin-Lamotte; First Violin, as17760223

Performances

Mainpiece Title: Jupiter And Alcmena

Afterpiece Title: The Norwood Gypsies As17811027 but Justice Jones

Event Comment: Afterpiece [1st time; MD 2, by William Pearce. The Masque was produced in honor of the marriage of the Prince of Wales and Princess Caroline of Brunswick, 8 April 1795]: The Overture composed expressly for the Occasion by Haydn, as is the rest of the Music by Salomon [and see 9 Apr.]. The Scenery, Machinery, Decorations and Dresses are entirely New, and Designed by Noverre, except St. George's Hall, painted by the late Signor Cipriani. The Scenery executed by Hodgins, Walmsley, Phillips, Lupino, Hollogan, and many Assistants. The Machinery and Decorations by Sloper. Goosetree and Martinelli. The Dresses by Lupino, Dick and Mrs Egan. Books of the Songs to be had at the Theatre. "On the 10th [of April] I was at the Covent Garden Theatre-to see the big Spectacul [sic]-Windsor Castle, the music by Salomon quite passable. The decorations-costumes-scenery, and the enormous amount of people on the stage are exaggerated. All the Gods of Heaven and Hell, and everything that lives on the earth are in the piece" (Haydn, 299). Morning Chronicle, 7 May 1795: This Day is published Windsor Castle (1s. 6d.). Receipts: #266 8s. 6d. (250.12.6; 15.16.0)

Performances

Mainpiece Title: The Rage

Afterpiece Title: Windsor Castle

Afterpiece Title: Windsor Castle

Performance Comment: A Grand Masque, invented and prepared undyr the Immediate Direction of Noverre, representing the Marriage of Peleus and Thetis-; [The Story from the Greek Writers. Peleus-Farley; Ganymede-Byrn; Proteus-Holland; Hymen-Mrs Martyr; Hebe-Mme Rossi; Minerva-Mrs Follett; Thetis-Mme Prevost (1st appearance); Cupid-Mrs Clendining; Terpsichore-Mlle St.Amand; Discord-Mlle Droma (1st appearance.); [The Masque commences with the View of A Grove-;[, sacred to Cupid and Hymen . Woods, Rocks, and Waterfalls form the Borders of the Sea, which terminates by the Horizon; the Genii of the Morn-; [are seen, preceded by Aurora-; [Fame sounding her Trumpet, proclaims to Mortals the Arrival of Thetis ; several splendid Barges appear, from the last of which Thetis disembarks, attended by Hymen, the Graces-; Groups of Cupids-; Zephyrs-; [Peleus enters, accompanied by Cupid and Minerva with her Suite; Thetis resigns herself to the Protection of Minerva, and perceiving Peleus, is struck with Admiration, but not knowing him, is informed by Cupid, he is her intended Husband-Peleus approaching, offers her his hand, which she respectfully accepts-the Characters retire, and the Clouds gradually dispersing, discover Mount Olympus-; [with the Gods and Goddesses assembled to behold the Nuptials; the Temple of Jupiter- [is seen on one side, that of Cupid on the other; Jupiter-[seated, accompanied by; Juno-; Mars-; Hercules-; Apollo-; Bacchus-; Mercury-; Saturn-; Diana-; Venus-; Ceres-; Victory-; Cybelle-; the Destinies-; Neptune-; [and Amphitrite-; [arise from the Sea in their Watry Car Pluto-; [and Proserpine-; [ascend, together with Rhadamanthus-; Minos-; [and Eacus-; [this is succeeded by A Magnificent Entree, in the following order: Sylvan Dancers-; Instrumental Performers-; Vocal Performers-; Rural Nymphs-; a Magnificent Column- [Richly Decorated, bearing the Emblematical Trophies ff War, Love, the Fine Arts; Rural Swains-; Virgins bearing Baskets of Flowers-; [The Goddess Hebe, attended by Cupids collected in a Picturesque Corbeille de Treillage ; Nymphs and Swains-[, attendants upon Thetis; Terpsichore; Ganymede; Proteus; Minerva borne by Warriors on a Military Trophy; Peleus and Thetis in a Splendid Chariot, drawn by Cupids, and attended by Hymen, Zephyrus : The High Priest; Priests bearing the Altar of Hymen; Tripods with Incense burning, followed by the Virtues, Truth, Justice, Benevolence, Clemency, Glory, Strength and Generosity. After the Procession, Thetis and Peleus being led to the Altar by the High Priest, just as they are receiving the Conjugal Cup, the Goddess Discord appears, enraged at not being invited to the sacred Festival-She attempts, in vain, to spread Confusion by throwing an Apple on the stage, inscribed "For the Fairest"-Cupid presents it to the Dieties, who adjudge it to Thetis-Pluto enraged by the menaces of Discord directs her to be bound in Chains, and forced away, after which the Ceremony is concluded; Peleus and Thetis are placed on a Magnificent Throne, attended by Hymen, Cupid, and the Grace3; variety of Dances are performed; and Peleus and Thetis are crowned with Wreaths. The Appearance of the Stage then changes to another Emblematical Spectacle. Festoons of Flowers descend-Cupids ascend supporting a Medallion and the Letters G. C. [i.e. George Caroline]-the Side Scenes draw off and discover Pyramids formed of Variegated Colours, bearing the Order of the Garter, and the Piece is concluded with a; Grand Chorus-; Dance-Ganymede, Proteus, Hebe, Terpsichore; accompanied on the Harp-Weippert.

Song: Part I: concludes with ancient British Airs-; Chorus of Bards-, accompanied on the Harp by Jones