SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mary Wilks"/1) | (@(roleclean,performerclean) "Mary Wilks")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1394 matches on Performance Comments, 167 matches on Event Comments, 69 matches on Performance Title, 29 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Albion Queens; Or, The Death Of Mary Queen Of Scotland

Performance Comment: Norfolk-W. Mills; Morton-Mills; Cecil-Berry; Davison-A. Hal lam; Gifford-Harrington; Queen Elizabeth-Mrs Butler; Queen Mary-Mrs Heron; Douglass-Mrs Charke .
Cast
Role: Queen Mary Actor: Mrs Heron

Afterpiece Title: Dido and Aeneas

Dance: Les ombres des Amants Fideles by Essex, Miss Robinson, F. Tench, Holt, Miss Mann, Miss Brett

Performances

Mainpiece Title: The Albion Queens; Or, The Death Of Mary Queen Of Scotland

Performance Comment: Queen Mary-Mrs Horton, the first time of her appearing on that stage; Norfolk-Ryan; Davison-A. Hallam; Morton-Bridgwater; Cecil-Roberts; Douglass-Miss Norsa; Queen Elizabeth-Mrs Hallam .

Afterpiece Title: The Lottery

Performances

Mainpiece Title: The Albion Queens; Or, The Death Of Mary Queen Of Scotland

Performance Comment: Queen Mary-Mrs Horton; Norfolk-Ryan; Davison-Delane; Morton-Bridgwater; Cecil-Aston; Dowglass-Mrs Stevens; Queen Elizabeth-Mrs Hallam.
Cast
Role: Queen Mary Actor: Mrs Horton

Afterpiece Title: The Rape of Proserpine

Performances

Mainpiece Title: The Albion Queens; Or, The Death Of Mary Queen Of Scotland

Performance Comment: Queen Mary-Mrs Horton; Norfolk-Ryan; Davison-Delane; Morton-Bridgwater; Cecil-Aston; Dowglass-Mrs Stevens; Queen Elizabeth-Mrs Hallam.
Cast
Role: Queen Mary Actor: Mrs Horton

Afterpiece Title: The Dragon of Wantley

Dance: As17371027

Performances

Mainpiece Title: The Albion Queens; Or, The Death Of Mary Queen Of Scotland

Performance Comment: Queen Mary-Mrs Horton; Norfolk-Ryan; Davison-Delane; Morton-Bridgwater; Cecil-Roberts; Dowglass-Mrs Stevens; Queen Elizabeth-Mrs Hallam.
Cast
Role: Queen Mary Actor: Mrs Horton

Afterpiece Title: The Rape of Proserpine

Performances

Mainpiece Title: The Albion Queens; Or, The Death Of Mary Queen Of Scotland

Performance Comment: Queen Mary-Mrs Horton; Norfolk-Ryan; Davison-Delane; Morton-Bridgwater; Cecil-Roberts; Douglas-Mrs Stevens; Queen Elizabeth-Mrs Hallam.
Cast
Role: Queen Mary Actor: Mrs Horton

Afterpiece Title: The Mock Doctor

Dance: II: Comic Ballet-Villeneuve, Miss Oates; IV: Faithful Lovers-Desse, Miss Oates; V: Grand Ballet-Glover, the Younger Mlle Roland

Performances

Mainpiece Title: Albion Queens; Or, The Death Of Mary Queen Of Scotland

Performance Comment: Queen Elizabeth-Mrs Porter; Norfolk-Ryan; Davison-Hale; Moreton-Bridgewater; Cecil-Rosco; Douglass-Mrs Stevens; Queen Mary-Mrs Horton.
Cast
Role: Queen Mary Actor: Mrs Horton.

Dance: As17420125, but Chacone=-_

Performances

Mainpiece Title: Albion Queens; Or, The Death Of Mary, Queen Of Scotland

Performance Comment: Norfolk-Ryan; Davison-Hale; Morton-Bridgwater; Cecil-Rosco; Gifford-Gibson; Douglas-Mrs Stevens; Queen Elizabeth-Mrs Woodward; Mary Queen of Scots-Mrs Horton.

Afterpiece Title: The Mock Doctor

Performances

Mainpiece Title: The Albion Queens; Or, The Death Of Mary Queen Of Scots

Performance Comment: Norfolk-Smith; Cecil-Walker; Morton-Clarke; Davison-Hull; Gifford-Gardner; Queen Elizabeth-Mrs Ward; Douglas-Miss Macklin; Queen Mary-Mrs Bellamy; New Occasional Prologue-Ross; Epilogue-Woodward, Shuter.
Cast
Role: Queen Mary Actor: Mrs Bellamy

Afterpiece Title: Perseus and Andromeda

Performances

Mainpiece Title: The Albion Queens; Or, The Death Of Mary Queen Of Scots

Performance Comment: Norfolk-Smith; Cecil-Walker; Morton-Clarke; Davison-Hull; Gifford-Gardner; Queen Elizabeth-Mrs Ward; Douglas-Miss Macklin; Queen Mary-Mrs Bellamy.
Cast
Role: Queen Mary Actor: Mrs Bellamy.

Afterpiece Title: Harlequin Dr Faustus

Performances

Mainpiece Title: The Albion Queens; Or, The Death Of Mary Queen Of Scots

Performance Comment: Norfolk-Smith; Cecil-Gibson; Morton-Clarke; Davison-Hull; Gifford-Gardner; Queen Elizabeth-Mrs Ward; Douglas-Miss Macklin; Queen Mary-Mrs Bellamy.
Cast
Role: Queen Mary Actor: Mrs Bellamy.

Afterpiece Title: The Walking Statue; or, The Devil in the Wine Cellar

Dance: End: The Irish Lilt, as17680930

Performances

Mainpiece Title: The Albion Queens; Or, The Death Of Mary Queen Of Scots

Performance Comment: Duke of Norfolk-Smith; Morton-Clarke; Cecil-Hull; Davison-Perry; Giffard-Gardner; Douglas-Miss Macklin; Queen Elizabeth-Miss Miller; Queen Mary-Mrs Bulkley, being their first appearance in those characters.

Afterpiece Title: A Trip to Scotland

Entertainment: Epilogue End: (By Particular Desire) New Occasional Epilogue-Mrs Bulkley

Dance: Minuet-Aldridge, Mrs Bulkley (playbill) Fisher, Mrs Bulkley (Public Advertiser)

Performances

Mainpiece Title: Illumination

Afterpiece Title: The Albion Queens; or, The Death of Mary Queen of Scots

Performance Comment: Duke of Norfolk-Wroughton; Davison-L'Estrange; Morton-Fearon; Gifford-Thompson; Cecil-Hull; Queen Elizabeth-Mrs Jackson; Douglas-Mrs Bulkley; Mary Queen of Scots-Mrs Hartley (Their 1st appearance in those characters).

Afterpiece Title: The Farmer's Return from London

Afterpiece Title: Comus

Performances

Mainpiece Title: At Hay Mary Queen Of Scots

Performance Comment: Duke of Norfolk-Kemble; Sir William Cecil-Aickin; Lord Herries-Barrymore; Davison-Packer; E. of Shrewsbury-Benson; E. of Huntingdon-Phillimore; Sir Amias Paulet-Fawcett; Beton-Whitfield; Nawe-Alfred; Lieutenant-Maddocks; Queen Mary-Mrs Siddons; Queen Elizabeth-Mrs Ward; Lady Douglas-Mrs Powell; Lady Scroop-Miss Tidswell.
Cast
Role: Queen Mary Actor: Mrs Siddons

Afterpiece Title: No Song No Supper

Performances

Mainpiece Title: The Albion Queens; Or, The Death Of Mary Queen Of Scots

Performance Comment: Queen Elizabeth-Mrs Horton; Norfolk-Ryan; Davison-Ridout; Morton-Bridgwater; Cecil-Arthur; Gifford-Gibson; Dowglass-Mrs Vincent; Mary, Queen of Scots-Mrs Woffington, 1st time.

Afterpiece Title: The Maid of the Mill; or, The Country Revels

Afterpiece Title: Judgment of Paris

Performances

Mainpiece Title: Entertainments

Entertainment: It consisted of Pyramids-; of all manner of Sweetmeats, the most generous Wines, Burgundy, Champaign, and was usher'd in by a Prologue-Mrs Younger; written by Mr Tickel, under Secretary to Mr Addison, and concluded by an Epilogue-Mr Wilks; written by himself; which was very merry and free with his own Character; after which, a large Table that was in th Area of the Consort-House, was taken away to make Room for the Company to Dance Country-Dances...We are likewise to acquaint the Reader, that an Ode of Horace-; was set to Musick and sung upon the Occasion, with several other very particular Songs and Performances, both Vocal and Instrumental Music- and that Mrs Younger spoke the Prologue, and Mr Wilks the Epilogue, which, after Sir Richard's Way, was extremely Diverting (Weekly Packet, 4 June)

Performance Comment: ..We are likewise to acquaint the Reader, that an Ode of Horace-; was set to Musick and sung upon the Occasion, with several other very particular Songs and Performances, both Vocal and Instrumental Music- and that Mrs Younger spoke the Prologue, and Mr Wilks the Epilogue, which, after Sir Richard's Way, was extremely Diverting (Weekly Packet, 4 June).
Event Comment: CCraftsman, 9 June: We hear...that the Rebel Players are not yet reduced to their Obedience, but it is thought that They will soon be obliged to surrender at Discretion. In that mean Time, the Publick waits with Impatience to see the Manifesto of their doubty Chief, Mr Theophilus Cibber, which He hath promised in the News-Papers. It is expected that, in this Manifesto, the young Captain will endeavour to prove that the King's Patent, after a solemn Adjudgment in the Court of Chancery, is of no Validity; and that picking a Gentleman's Pocket of Six Thousand Pounds is perfectly consistent with the Principles of Liberty. In the Daily Post, 11 June, Benjamin Griffin, Comedian, published his Humble Appeal to the Publick.The gist of his statement is: (1) Griffin had been under the management of Rich at Lincoln's Inn Fields, without any intention of leaving him, when, at the beginning of the season of 1721, the managers at Drury Lane sent him messages by Thurmond Sr and Shaw, seeking Griffin to treat with them. Griffin at first refused, but Steede, then the prompter of Drury Lane, prevailed upon him. Wilks immediately offered the same conditions Griffin had under Rich: #4 weekly and a benefit before 15 April, at the certain incident charge of #40. Wilks also offered him articles for three years, with a promise of an advance in salary and better terms at that time. (2) No sooner had Griffin agreed than the masters of both companies entered into a private agreement not to receive any one of the other's company, though discharged, without a private agreement to that purpose. (3) At the end of three years, under date of 12 December 1724, R. Castleman, the treasurer of Drury Lane, sent Griffin a note to the effect that the managers were willing to continue him at 10s. nightly (#3 weekly); as Griffin could not return to Rich, he had to accept the reduction in pay as well as a delay of his benefit to May and a payment of #50 for the charges. (4) He remained so until 1729, losing in salary #147 besides the #10 extra benefits. At Norris' illness and death, the managers returned him to #4 weekly but kept the charges at #50. (5) Under date of 4 June 1733, by the signatures of Mary Wilks, Hester Booth, John Highmore, and John Ellys, Griffin received a discharge from Drury Lane and full Liberty to treat with Rich or any one else. He asserts that he had no previous notice and received no reason for his discharge

Performances

Event Comment: [By Mary de la Riviere Manley.] Never Acted before. And by Reason of the Extraordinary Charge for Habits, Boxes 5s., Pit 3s., First Gallery 2s., Upper Gallery 1s. Preface: Almyna was admirably Acted, and advantagiously dress'd: The first was owing to Mr Betterton's unwearied care...the second to Mr Swiny...for venturing...to make so great an Expence...both justly condemn'd for playing it at so ill-fated a Time, viz. The immediate Week before Christmas between Devotion and Camilla

Performances

Mainpiece Title: Almyna; Or, The Arabian Vow

Performance Comment: Actors' names only listed, but edition of 1707 lists: Caliph Almanzor-Betterton; Abdalla-Wilks; Grand Vizier-Keen; Alhador-Bowman; Morat-Corey; Almyna-Mrs Barry; Zoradia-Mrs Bracegirdle; Prologue-Cibber; Epilogue-Betterton.
Cast
Role: Abdalla Actor: Wilks
Event Comment: By His Royal Highness's Command. [For the Princess' attendance at this play, see Diary of Mary Countess Cowper, pp. 46-47.

Performances

Mainpiece Title: The Amorous Widow

Performance Comment: As17140927, but Merryman-Penkethman; Sir Peter-Johnson; Barnaby-Bowen; Lovemore-Wilks; Cunningham-Mills; Lady Pride-Mrs Willis; Lady Laycock-Mrs Saunders; Damaris-Mrs Bicknell; Philadelphia-Miss Younger.
Cast
Role: Lovemore Actor: Wilks

Dance:

Event Comment: In a letter to the Daily Post. 4 June, the Patentees of Drury Lane-Mary Wilks, John Ellys, Hester Booth, and John Highmore-stated the cast of the Patentees. The gist of their statement is: (1) They operate under a Patent commencing 1 Sept. 1732 which, by Deaths and Legal Assignments, is the property of the four, with Highmore possessing one half, at an expence of #6,000 and upwards. (2) Several of the Players have threatened to desert the service of the Patentees and have contracted with some of the Trustees (the Sharers) to secure possession of the Theatre. (3) Drury Lane is let upon lease from the Duke of Bedford, granted to Thomas Kynaston and Francis Stanhope, Trustees for the Sharers (commonly called Renters) of Drury Lane at the rent of #50 annually upon a Fine of 1,000 guineas paid for the renewal of the lease. (4) The Players, under the Patentees, have acted at Drury Lane for twenty-one years without any interruption form the Trustees upon the sole contract that the Patentees pay the Trustees #3 12s. each acting night, besides the Liberty of seeing Plays. (5) At the beginning of this Season the manager's office received a letter from a few of the Renters demanding an Advance of Rent. Highmore, being new, was concerned, and asked the managers to take care of the matter; and thereafter the signers (the Patentees) had heard of no further discontent among the Renters. (6) To defend themselves against stories of hardship or complaint by the actors, the Patentees point out that the following weekly salaries had been paid: Colley Cibber #12 12s.; Theophilus Cibber #5; Mills Sr, #1 daily for 200 days certain, and a benefit, clear of all charges; Mills Jr #3; Johnson #5; Miller #5; Harper #4; Griffin #4; Shepard #3; Hallam, for himself and his father, the latter of little or no service, #3; Mrs Heron #5; Mrs Butler #3. For these charges and others, the Patentees stand a daily expence of #49 when the theatre is open. (7) Further, the Patentees paid Cibber Jr his wife's whole salary without her being able to act the greater part of the winter, #9 weekly for the two; Mills Jr, in the same circumstances with his wife, #5 10s. weekly for the two; Miller a salary (amounting to #40) for eight weeks before he acted, and a gratuity of ten guineas; Griffin a present of ten guineas; Harper a present, amount not specified; Mrs Heron an increase form 40s. to #5 weekly, although she refused afterward to play several parts assigned her and acted but seldom

Performances

Event Comment: The United Company. The date of the first production is not known, but Part II seems to have followed rather closely upon Part I. The Gentleman's Journal, June 1694 (which apparently appeared in mid-June) states: The first Part of Mr Durfey's Don Quixote was so well received, that we have had a second Part of that Comical History acted lately, which doubtless must be thought as entertaining as the first; since in this hot season it could bring such a numerous audience (p. 170). The Songs were advertised in the London Gazette, 5 July 1694, and Part II advertised in the same periodical 19-23 July 1694. The songs as listed in the separately printed Songs are as follows: Genius of England, the music by Henry Purcell, sung by Freeman and Mrs Cibber. I burn, I burn, the music by John Eccles, sung by Mrs Bracegirdle. Since times are so bad, the music by Henry Purcell, sung by Reading and Mrs Ayliff. Damon, let a friend, the music by Pack, sung by Mrs Hudson. Ye nymphs and sylvan gods, the music by John Eccles sung by Mrs Ayliff. If you will love me, composer and singer not named. In addition, Thesaurus Musicus, 1695, published Lads and lasses, blithe and gay, the music by Henry Purcell, sung by Mrs Hudson. Purcell also wrote the music for other songs for which the singer is not known. Preface, edition of 1694: The good success, which both the Parts of Don Quixote have had, either from their Natural Merit, or the Indulgence of my Friends, or both, ought sufficiently to satisfie me, that I have no reason to value tne little Malice of some weak Heads, that make it their business to be simply Criticizing....I think I have given some additional Diversion in the Continuance of the character of Marcella, which is wholly new in this Part, and my own Invention, the design finishing with more pleasure to the Audience by punishing that coy Creature by an extravagant Passion here, that was so inexorable and cruel in the first Part, and ending with a Song so incomparably well sung, and acted by Mrs Bracegirdle, that the most envious do allow, as well as the most ingenious affirm, that 'tis the best of that kind ever done before....I deserve some acknowledgment for drawing that Character of Mary the Buxom, which was intirely my own,...by making the Character humorous, and the extraordinary well acting of Mrs Verbruggen, it is by the best Judges allowed a Masterpiece of humour

Performances

Mainpiece Title: The Comical History Of Don Quixote, Part Ii

Performance Comment: Edition of 1694: Prologue-Mr Powel; Epilogue-Sancho, Mary the Buxome; Duke Richardo-Cibber; Cardenio-Bowman; Ambrosio-Verbruggen; Don Quixot-Boen; Manuel-Powel; Pedro Rezio-Freeman; Bernardo-Trefuse; Diego-Harris; Page to the Duke-Lee; Sancho Pancha-Underhil; Dutchess-Mrs Knight; Luscinda-Mrs Bowman; Dulcinea del Toboso-Lee; Marcella-Mrs Bracegirdle; Don Rodriguez-Mrs Kent; Teresa Pancha-Mrs Lee; Mary-Mrs Verbruggen.
Cast
Role: Epilogue Actor: Sancho, Mary the Buxome
Role: Mary Actor: Mrs Verbruggen.
Event Comment: [The Duke's Company. For Harris' role, see Pepys, 11 May 1668. For Angel as Stephano, see An Elegy Upon...Mr Edward Angell, reprinted in A Little Ark, pp. 38-39: @Who shall play Stephano now? your Tempest's gone@To raise new Storms i' th' hearts of every one.@ For Underhill as Trincalo, note his nickname of Prince Trincalo. (For Mary Davis as Ariel and Mrs Long as Hypolito, see J. H. Wilson, All the King's Ladies, pp. 140, 166.) Downes (Roscius Anglicanus, p. 33): The Tempest...Acted in Lincolns-Inn-Fields...alter'd by Sir William Davenant and Mr Dryden before 'twas made into an Opera. Pepys, Diary: At noon resolved with Sir W. Pen to go see The Tempest, an old play of Shakespeare's, acted, I hear, the first day; and so my wife, and girl, and W. Hewer by themselves, and Sir W. Pen and I afterwards by ourselves; and forced to sit in the side balcone over against the musique-room at the Duke's house, close by my Lady Dorset and a great many great ones. The house mighty full; the King and Court there: and the most innocent play that ever I saw; and a curious piece of musique in an echo of half sentences, the echo repeating the former half, while the man goes on the latter, which is mighty pretty. The play [has] no great wit, but yet good, above ordinary plays. Thence home with Sir W. Pen, and there all mightily pleased with the play

Performances

Mainpiece Title: The Tempest

Performance Comment: Adapted by Sir William Davenant and John Dryden. A possible cast: Ferdinand-Harris?; Stephano-Angel?; Trincalo-Underhill?; Ariel-Mary Davis?; Hypolito-Mrs Long?.
Cast
Role: Ariel Actor: Mary Davis?
Event Comment: Benefit Mrs Mary Man. At the particular Desire of several Persons of Quality

Performances

Mainpiece Title: The London Merchant

Performance Comment: Millwood-Mrs Mary Man; George Barnwell-Edward Giles; Barnwell Sr-Phoenix; Thorowgood-Jones; Trueman-Barcock; Blunt-Wignall; Maria-Miss Palms; Lucy-Mrs Hind; With the Original Prologue-Giles; and a new Epilogue-Mrs Man.
Cast
Role: Millwood Actor: Mrs Mary Man

Song: Singing in Italian and English-

Dance:

Music: Solo on the German Flute-Gentlemen for their Diversion; End Play: Trumpet Concerto-Burk Thumoth; Lesson on the Harpsichord-; Solo on the German Flute-

Event Comment: Benefit Mrs Porter. By Their Majesties' Command. Pit and Front Boxes put together at 51. [Duke, Princesses Amelia, Caroline, Mary, and Louisa present.]

Performances

Mainpiece Title: The Albion Queens

Performance Comment: Queen Elizabeth-Mrs Porter; Queen Mary-Mrs Horton; Norfolk-Marshall; Davison-Bridgwater; Morton-Hewitt; Cecil-Roberts; Giffard-Turbutt; Douglass-Miss Hollyday .
Cast
Role: Queen Mary Actor: Mrs Horton

Dance: La Badine by Lally, Mlle Grognet, S. Lally, Le Brun, Davenport, Olbeldiston, Mrs Walter, Mrs D'Lorme, Mrs Anderson, Mrs Davenport (with new Habits)

Event Comment: At Cross and Bridges' Booth, opposite the Hospital Gate. A new Dramatick Droll...being founded on a Story in Real Life, as related in the Memoirs of the celebrated Mrs Constantia Phillips. In which will be introduc'd a New Scene of Bedlam...Interspers'd witn a Merry Interlude call'd The Jovial Tars...with the Comical Humours of Nurse Prate and Will Bowling the Jovial Tar; as also of Jack Hanspite, Nick Hatchway, and Simon Bucket, Sailors; with Mary the Chambermaid, Susan of the Dairy, Kate of the Kitchen, and Nan the Spinster. To begin each day at noon. An extraordinary band of music is provided. Prices: 1s. 6d., 1s., 6d

Performances

Mainpiece Title: The Fair Lunatick; Or, The Generous Sailor

Afterpiece Title: Modern Madness; or, A Touch of the Times

Afterpiece Title: The Jubilee Ball, a Grand Scene

Monologue: 1749 8 24 bf I+Interlude The Jovial Jack Tars, or All Well Match'd. Nurse Prate-Mrs Cross; Mary-Mrs Daniel; Jack Bridle-Cross; Will Bowling-Clough

Performance Comment: Nurse Prate-Mrs Cross; Mary-Mrs Daniel; Jack Bridle-Cross; Will Bowling-Clough.
Cast
Role: Mary Actor: Mrs Daniel

Dance: TThe Medley of Jokes-; the French Peasants-Master Matthews, Mrs Annesley