28 March 1769

Event Information
Theatre: Covent Garden
Theatrical Season: 1768-1769
Volume: 4
Comments: Benefit for Mrs Bellamy. Afterpiece: Written by Aaron Hill not acted these 20 years. [See 17 April 1750.] Tickets deliver'd for the Distrest Mother will be taken. Charges #65 10s. Balance to Mrs Bellamy #86 11s. Plus #116 11s. from Tickets (Box 330; Pit 227). Paid the Italian Giant for 10 Nights performance in the Masquerade #38 17s Receipts: #152 1s. (Account Book)

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  • Original Data

    Source: London Stage Information Bank

    *p?\cg The Albion Queens; or, The Death of Mary Queen of Scots. Norfolk-Smith; Cecil-Gibson; Morton-Clarke; Davison-Hull; Gifford-Gardner; Queen Elizabeth-Mrs Ward; Douglas-Miss Macklin; Queen Mary-Mrs Bellamy. *a?\cg The Walking Statue; or, The Devil in the Wine Cellar. Toby, the Statue (for that night only) in the character of Harlequin-Woodward. [In which he will introduce the different attitudes.% *d?\cg End: <i>The Irish Lilt</i>, as 30 Sept. 1768. *c?\cg Benefit for $Mrs Bellamy=. Afterpiece: Written by $Aaron Hill= not acted these 20 years. [See 17 April 1750.] Tickets deliver'd for the <i>Distrest Mother</i> will be taken. Charges #65 10s. Balance to Mrs Bellamy #86 11s. Plus #116 11s. from Tickets (Box 330; Pit 227). Paid the $Italian Giant= for 10 Nights performance in the <i>Masquerade</i> #38 17s Receipts: #152 1s. (Account Book).
  • Cleaned Data

    *p1769 03 28 cg The Albion Queens; or, The Death of Mary Queen of Scots. Norfolk-Smith; Cecil-Gibson; Morton-Clarke; Davison-Hull; Gifford-Gardner; Queen Elizabeth-Mrs Ward; Douglas-Miss Macklin; Queen Mary-Mrs Bellamy.*a1769 03 28 cg The Walking Statue; or, The Devil in the Wine Cellar. Toby, the Statue (for that night only) in the character of Harlequin-Woodward. In which he will introduce the different attitudes.*d1769 03 28 cg End: <i>The Irish Lilt</i>, ^as17680930^.*c1769 03 28 cg Benefit for $Mrs Bellamy=. Afterpiece: Written by $Aaron Hill= not acted these 20 years. [See 17 April 1750.] Tickets deliver'd for the <i>Distrest Mother</i> will be taken. Charges #65 10s. Balance to Mrs Bellamy #86 11s. Plus #116 11s. from Tickets (Box 330; Pit 227). Paid the $Italian Giant= for 10 Nights performance in the <i>Masquerade</i> #38 17s Receipts: #152 1s. (Account Book).
  • Parsed Data

    Event: 34700 | 17690328 | cg | Benefit for $Mrs Bellamy=. Afterpiece: Written by $Aaron Hill= not acted these 20 years. [See 17 April 1750.] Tickets deliver'd for the <i>Distrest Mother</i> will be taken. Charges #65 10s. Balance to Mrs Bellamy #86 11s. Plus #116 11s. from Tickets (Box 330; Pit 227). Paid the $Italian Giant= for 10 Nights performance in the <i>Masquerade</i> #38 17s Receipts: #152 1s. (Account Book)
    Performance: 71499 | 34700 | p | The Albion Queens; Or, The Death Of Mary Queen Of Scots | Norfolk-Smith; Cecil-Gibson; Morton-Clarke; Davison-Hull; Gifford-Gardner; Queen Elizabeth-Mrs Ward; Douglas-Miss Macklin; Queen Mary-Mrs Bellamy.
    Cast:
    120047 | 71499 | Norfolk | Smith
    120048 | 71499 | Cecil | Gibson
    120049 | 71499 | Morton | Clarke
    120050 | 71499 | Davison | Hull
    120051 | 71499 | Gifford | Gardner
    120052 | 71499 | Queen Elizabeth | Mrs Ward
    120053 | 71499 | Douglas | Miss Macklin
    120054 | 71499 | Queen Mary | Mrs Bellamy.
    Performance: 71500 | 34700 | a | The Walking Statue; or, The Devil in the Wine Cellar | Toby, the Statue (for that night only) in the character of Harlequin-Woodward. In which he will introduce the different attitudes.
    Cast:
    120055 | 71500 | in the character of Harlequin | Woodward. In which he will introduce the different attitudes.
    Performance: 71501 | 34700 | d | End: <i>The Irish Lilt</i>, as17680930
    AsSeeDate: 71501 | cg | d | As | 17680930

Mainpiece

Comments:
Norfolk-Smith; Cecil-Gibson; Morton-Clarke; Davison-Hull; Gifford-Gardner; Queen Elizabeth-Mrs Ward; Douglas-Miss Macklin; Queen Mary-Mrs Bellamy.
Cast:

Afterpiece

Comments:
Toby, the Statue (for that night only) in the character of Harlequin-Woodward. In which he will introduce the different attitudes.

Dance

Comment: End: The Irish Lilt, as17680930

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