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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Marie Antoinette"/1) | (@(roleclean,performerclean) "Marie Antoinette")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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17 results for: Keyword - Marie Antoinette
We found 7 matches on Performance Title, 5 matches on Performance Comments, 5 matches on Event Comments, 1 matches on Author, and 0 matches on Roles/Actors.

1
20 February 1793 @ King's Theatre

Performances

Mainpiece Title: The Messiah; Grand Selection 0

Afterpiece Title: The Messiah 1

Afterpiece Title: The Messiah 2

Afterpiece Title: The Messiah 3

Song: End Part I: Captivity (supposed to be sung by the unfortunate Marie Antoinette, Queen of France, during her confinement in the Tower of the Temple; composed by Percy)-Master Welsh

Music: End Part II: concerto on the violin-Janiewicz

2
27 May 1793 @ Covent Garden

Performances

Mainpiece Title: Every One Has His Fault

Afterpiece Title: The Pad

Afterpiece Title: The Shipwreck; or, French Ingratitude

Song: End: Captivity (Supposed to be sung by an Unfortunate Queen [Marie Antoinette] during her confinement)-; End 2nd piece: Black Eyed Susan-; In 3rd piece: Farewell to old England dear Mary adieu-Incledon

3
11 December 1798 @ Covent Garden

Event Comment: Afterpiece [1st time; MD 3, by Samuel Birch, adapted from Camille; ou, Le Souterrain, by Benoit Joseph Marsollier des Vivetieres, and from Les Victimes Cloitrees, by Jacques Marie Boutet de Monvel; the songs written by Thomas John Dibdin. Larpent MS 1236; not published. The playbill states that this was "Taken from the German," but London Chronicle, 12 Dec., says that its source is the same as that of The Captive of Spilburg (see dl, 14 Nov.). An examination of the MSS of these two pieces (Larpent 1230 and 1236) proves that such is unmistakably the case]: With entire new Scenes, Machinery, Dresses & Decorations. The Music composed and selected by Steibelt and Attwood. The Action of the Chorusaes, Finales, &c. under the Direction of Farley, and the Action of the Overture by Bologna Jun. A new Descriptive Overture, composed by Steibelt, on a Plan never before introduced on the English Stage, accompanied by Action. "The overture is...nothing more than music adapted to pantomime; and, in the present instance, the dumb shew is an unnecessary anticipation of the procession with which the piece opens" (Monthly Mirror, Dec. 1798, p. 369). The Scenery painted by Richards, Phillips, Lupino, Hollogan, Blackmore, &c. The Dresses by Dick and Mrs Egan. Books of the Songs to be had at the Theatre. Receipts: #338 17s. 6d. (325.14.6; 13.3.0)

Performances

Mainpiece Title: Laugh When You Can

Afterpiece Title: Albert and Adelaide; or, The Victim of Constancy

Related Works
Related Work: Albert and Adelaide; or, The Victim of Constancy Author(s): Jacques Marie Boutet de Monvel

Dance: In afterpiece: Procession and Dance of Swabian Peasants-Blurton, Dyke, Wilde, L. Bologna, T. Cranfield, Platt, Masters, Slape, Ramage, Goodwin, Little, Ms Watts, Ms Iliff, Ms Norton, Ms Castelle, Ms Leserve, Miss Gray, Ms Bologna, Ms Masters, Ms Burnett, Ms Gilbert, Ms Lloyd, Ms Blurton, Ms Ward

4
01 March 1793 @ Covent Garden

Event Comment: [The playbill retains Mrs Crouch, but "The indisposition of Mrs Crouch was an abatement, for which, though an apology was made, nothing could atone. Miss Dall was her substitute. Captivity was sung by Incledon, 'being his first appearance in the character of Marie? Antoinette'" (Thespian Magazine, Apr. 1793, p. 247).] MS annotation on BM playbill (cg, Vol. VIII), 2 Mar.: "Rec'd 5 nights Oratorio Rent #262 10s. [i.e. #52 12s. a night].

Performances

Mainpiece Title: The Messiah; Grand Selection 0

Song: End oratorio: Captivity [see17930220]-Incledon

Music: End Part II: the favourite concerto of Geminiani on the violin-G. Ashley

5
15 May 1718 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Royal Merchant

Afterpiece Title: The Jealous Doctor

Dance: Moreau, Thurmond Jr, Cook, Newhouse, Mrs Bullock, Miss Smith; Scotch Dance-Newhouse, Miss Smith; Marie-Cook, Miss Schoolding; The last Comic Dance-Thurmond Jr, Miss Smith

6
05 April 1720 @ Drury Lane Theatre

Performances

Mainpiece Title: The Chances

Dance: Passacaile-Mrs Booth; English Clown-Weaver; Forlanta-Lally, Miss Smith; The Marie-; Irish Trot-Miss Lindar, Lally's Scholar

7
25 April 1732 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Flora

Dance: II: Sicilian-Glover, Mrs Pelling; III: French Peasant Dance-Poitier; IV: Grand Dance of Ethiopians-Glover, Pelling, Newhouse, Miss LaTour, Mrs Ogden; V: Ball Dance called The Marie-; Also a Minuet-Glover, Mrs Laguerre; In Afterpiece: Hornpipe-Jones

8
20 April 1733 @ Goodman's Fields

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Devil to Pay

Dance: I: Le Menuet & La Marie-D'Vallois, Mrs Bullock, being particularly desired; II: La Payzane Mantaignez (new)-D'Vallois, D'Blainville, Pollet in Wooden Shoes; III: Two Pierrots-D'Vallois, Delagarde; IV: English Peasant-D'Vallois, Madam D'Vallois

Ballet: V: La Provansalle (newly composed by D'Vallois). Two Provansals-D'Vallois, Mrs Bullock; Other parts-Holt, Mrs D'Vallois, J. Delagarde, Miss Wherrit, Sandham, Mrs Haughton, Evans, Miss Sandham

9
20 April 1742 @ Covent Garden

Performances

Mainpiece Title: Love's Last Shift

Afterpiece Title: The King and Miller of Mansfield

Dance: I: Musette, as17420405 II: Louvre-Picq; III: New Comic Dance Pantaloon and Enamorata=-Picq, Mlle Auguste; IV: Rigadone Provencale, as17420226; V: La Marie, Minuet-Picq, Mlle Auguste

10
23 December 1734 @ Haymarket Theatre

Performances

Mainpiece Title: Le Malade Imaginaire; Or, The Mother-in-law

Performance Comment: Argante-Dessessars; Cleanthe-Le Sage Jr; Beralt-Verneuil; Diaphoirus-Dubuisson; ThomasDiaphoirus-Le Sage Sr; Apothecary-Maker; Belina-Mrs Dessessars; Angelica-Mrs Fompre; Antoinette-Mrs Le Sage Jr; Louisa-Miss Maker .
Cast
Role: Antoinette Actor: Mrs Le Sage Jr

Afterpiece Title: Arlequin Poly par L'Amour

Dance:

11
24 May 1737 @ King's Theatre

Performances

Mainpiece Title: Demofoonte

Performance Comment: Edition of 1737 lists: Demophontes-Signora Frances Tolve; Timantes-Charles Broschi called Farinello; Dircea-Mrs Antonio Merighi; Cresua-Mrs Elizab. duParc called Francescina; Cherinto-Mrs Marie Antonia called Lucchesini; Matthusius-Mrs Marg Chianti called Droghierina.
Cast
Role: Cherinto Actor: Mrs Marie Antonia called Lucchesini

12
20 February 1793 @ Covent Garden

Performances

Mainpiece Title: Alexander's Feast; Grand Selection 0

Afterpiece Title: A Grand Miscellaneous Act

Performance Comment: Overture-(Ariadne); Captivity (supposed to be sung by the unfortunate Maria Antoinette, Queen of France, during her confinement in the Tower of the Temple) [composed by Storace]-Mrs Crouch; Jehovah crowned-Incledon; He comes-Chorus (Esther); Mad Bess (composed by Purcell)-Mme Mara; Disdainful of danger-Incledon, Kelly, Reynolds (Judas Maccabaeus); He layeth the beams-Bartleman (Ezio); But bright Cecilia, As from the power-Mme Mara; The dead shall live-Chorus (Dryden's Ode); God save Great George our King, To Arms, Britons strike home-Chorus (Purcell).

Music: End II oratorio: concerto on the violin-Mme Gautherot

13
20 May 1726 @ Drury Lane Theatre

Event Comment: Benefit Mrs Marie. At the Desire of several Ladies of Quality

Performances

Mainpiece Title: Theodosius

Afterpiece Title: The Stage Coach

Dance: Roger, Boval, Mrs Brett, Miss Tenoe, Young Rainton, Miss Robinson

14
06 May 1734 @ Covent Garden

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Mock Lawyer

Dance: II: French Peasant by Malter. III: A new Marie, concluding with a Minuet, by Dupre Jr and Miss Baston. IV: Les Characteres de l'Amour by Mlle Salle. V: Scotch Dance, as17331004. Grand Dance in Momus: Sailor-Pelling; His Lass-Mrs Laguerre

Performance Comment: III: A new Marie, concluding with a Minuet, by Dupre Jr and Miss Baston. IV: Les Characteres de l'Amour by Mlle Salle. V: Scotch Dance, as17331004. Grand Dance in Momus: Sailor-Pelling; His Lass-Mrs Laguerre .

Song: I: The Black and White Joke by Leveridge and Laguerre

15
17 May 1734 @ Covent Garden

Performances

Mainpiece Title: The Mourning Bride

Dance: Tambourine, as17340504. Scottish Dal Karl by Delagarde and Mrs Ogden. Le Marie, with a Minuet, by Glover and Miss Rogers

Performance Comment: Scottish Dal Karl by Delagarde and Mrs Ogden. Le Marie, with a Minuet, by Glover and Miss Rogers .

16
15 July 1789 @ Haymarket Theatre

Event Comment: Mainpiece [1st time; C 3, by Elizabeth Inchbald, based on Le Philosophe Marie, by Philippe Nericault, dit Destouches]. Public Advertiser, 1 Aug. 1789: This Day is published The Married Man (1s. 6d.)

Performances

Mainpiece Title: The Married Man

Afterpiece Title: The Romp

Dance: As17890708

17
18 October 1792 @ Drury Lane Theatre

Event Comment: Afterpiece [1st time; MD 3, by John Rose, based on Raoul Sire De Crequi, by Jaques Marie Boutet de Monvel]: With new Scenes [by Greenwood (Public Advertiser, 19 Oct.)], Dresses and Decorations. The Music composed principally by Attwood; the rest selected from Mozart and Sarti. Books of the Songs to be had at the Theatre. Morning Herald, 20 Dec. 1792: This Day is published The Prisoner (1s.). Receipts: #217 10s. (128.12; 86.10; 2.8)

Performances

Mainpiece Title: At King's The Beaux Stratagem

Afterpiece Title: The Prisoner