SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mad Auguste"/1) | (@(roleclean,performerclean) "Mad Auguste")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 303 matches on Performance Title, 179 matches on Performance Comments, 79 matches on Event Comments, 7 matches on Roles/Actors, and 0 matches on Author.

Performances

Mainpiece Title: The Drummer

Afterpiece Title: Fortunatus

Performance Comment: As17541018, but Shepherd's Holiday-Campioni, Mad Auretti.

Performances

Mainpiece Title: The Distrest Mother

Afterpiece Title: Queen Mab

Performance Comment: Harlequin-Woodward; others-Liviez, Blakes, Ackman, Atkins, the Little Swiss, Mrs Toogood, Mas. Moore, Mad Mariet.

Performances

Mainpiece Title: The Drummer

Afterpiece Title: Queen Mab

Performance Comment: See17541031, but Harlequin-Woodward; Fairy-Master Moore; Colombine-Mad Mariet; others-_.
Cast
Role: Colombine Actor: Mad Mariet

Dance: I: A New Dance in Comic Characters call'd The Pandours-Sg and Sga Sabatini; IV: The Italian Fishermen, as17541022

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Genii

Performance Comment: Harlequin-Woodward; Others-Leviez, Blakes, Clough, Miss Minors, Mas. Simson, the Little Swiss, Mad Mariet; The Dances-Campioni, Mlle Auretti.

Performances

Mainpiece Title: Phaedra And Hippolitus

Afterpiece Title: The Genii

Performance Comment: As17541205, but Others-Miss Haughton, Mad _Mariet in the bills.

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: Fortunatus

Performance Comment: As17541018, but Others-Miss Haughton, Mad _Mariet in the bills.

Dance: I: By command, A New Dance-Sga Sabatini, as17541115

Performances

Mainpiece Title: A Medley Concert And Auction

Performance Comment: As17570803, but Preamble on the Kettle Drums-Mad Midnight.

Afterpiece Title: Harlequin's Frolic

Cast
Role: Mother Demdike Actor: Madam Chise

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Country House

Performance Comment: Bernard-Marten; Le Noble-Clarke; Baron-Holtom; Lucca-Dunstall; Marquis-Dyer; Janno-Shuter; Mad Bernard-Mrs Vincent; Clariana-Mrs Baker; Le Jupe-Mrs Pitt; Maukin-Mrs Green.
Cast
Role: Mad Bernard Actor: Mrs Vincent

Dance: CCountry Dance-Characters of the Opera; A Hornpipe-Miss Dawson; End II: A New Dance call'd The Shepherdess-Miss Wilford

Performances

Mainpiece Title: The Drummer; Or, The Haunted House

Afterpiece Title: Apollo and Daphne; or, The Burgomaster Trick'd

Performance Comment: Apollo-Sodi; Daphne-Sga Manesiere; Followers of Daphne-Mlle Marianne, Mrs Leppie, Mrs Viviez, Mad Jansolin, Mrs Welsh, Miss Daw; Morpheus-Legg; Mystery-Baker; Silence-Mattocks; Harlequin-Miles; Burgomaster-Shuter; Boor Servant-Lalauze; Scaramouche-Gosley; Colombine-Sga Maranesi; Huntsmen-Beard, Mattocks, Legg, Baker, Dibdin, Courts; Venus-Miss Miller; Silenus-Beard; Bacchus-Mattocks; Pan-Legg; Diana-Mrs Vernon; To Conclude with a Grand Ballet-Sodi, Sga Manesiere. Characters new Dress'd.

Performances

Mainpiece Title: The Pilgrim

Performance Comment: As17620215, but Drunken Servant-R. Smith; Peasant-Weller; In Act IV Song of Mad Bess, set to music by Henry Purcell, will be sung in Character-Mrs Vernon.
Cast
Role: Master of Madhouse Actor: Marten
Role: Mad Scholar Actor: Dyer
Role: Mad Priest Actor: Bennet
Role: Mad Taylor Actor: Holtom
Role: Mad Englishman Actor: Dunstall
Role: Mad Welchman Actor: Collins

Afterpiece Title: Apollo and Daphne

Performances

Mainpiece Title: Comus

Performance Comment: Comus-Smith; 1st Spirit-Ross; Elder Brother-Clarke; Younger Brother-White; 2nd Spirit-Young; The Lady-Mrs Ward; Bacchanals-Beard, Mattocks, Baker; Bacchants-Miss Brent, Miss Poitier, Miss Miller; 3rd Spirit-Miss Polly Young; Euphrosyne-Miss Poitier; Pastoral Nymph-Miss Catley, 1st appearance any stage; Sabrinaand the, song of sweet Echo=-Miss Brent; the Chorusses-Legg, Roberts, Dibdin, Mrs Lampe, Mrs Jones, Miss Davis, Miss Sledge; Dances incident to the masque-Sodi, Mad Manesiere, Tassoni, Granier, Sga Maranesi. With the usual Decorations and Machinery.

Afterpiece Title: The Double Disappointment

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Deuce is in Him

Performance Comment: Col. Tamper-Palmer; Major Belford-Packer; Prattle-King; Bell-Mrs Reddish; Mad Florival-Mrs Jeffries; Emily-Miss Pope.
Cast
Role: Mad Florival Actor: Mrs Jeffries

Dance: IV: The Irish Haymakers-Giorgi, Mrs King

Event Comment: Benefit for Mrs Siddons. Part of the Pit will be laid into the Boxes. To prevent confusion Ladies are desired to send their Servants by half past Four o'clock. Mainpiece: Not acted these 4 years [acted 15 May 1782]. Afterpiece: Not acted these 5 years [not acted since 25 Mar. 1775]. [In mainpiece the playbill assigns Banquo to Bensley, but "Poor Bensley's illness last night took him off; but on another night he will give and take in the triumph" {Public Advertiser, 4 Feb.). In afterpiece he is assigned to The Guardian. On the Kemble playbill in both cases his name is deleted and MS annotations substitute Hull's.] "Macbeth at Drury-lane will. . . gag the drivellers who, on the failure of Constance [in King John], ventured a sweeping prophecy of condemnation that 'the Siddons never could play Shakespeare.' Would it not have been better to have borrowed Farren, rather than Hull, for Banquo?" (Public Advertiser, 4 Feb.). "'Why,'say some of the critics, 'should Mrs Siddons wear a white dress in her last scene of Lady Macbeth? She is supposed to be asleep, not mad.' What reason except custom can be given for a mad heroine appearing in white we know not [and see DL, 20 Dec. 1782]. Yet there is an obvious reason why a person walking in their sleep should wear a white dress of the loose kind worn by Mrs Siddons ... It [is] the nearest resemblance which theatrical effect will admit, to the common sort of night-dresses" (Public Advertiser, 7 Feb.). Receipts: #346 16s. (198/10/0; 7/2/6; 0/8/6; tickets: 140/15/0) (charge: free)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Guardian

Song: In mainpiece: The Original Music by Matthew Locke, with additional Accompaniments, by Bannister, Dignum, Suett, Chapman, Barrymore, Williames, Wilson, Fawcett; Miss Phillips, Miss Field, Mrs Love, Mrs Booth, Miss Barnes, Mrs Burnett, Miss Simson, Miss Cranford, Miss Burnett, Mrs Smith, the Miss Stageldoirs, Miss George, Mrs Wrighten. [This was sung, as here assigned, in all subsequent performances, except on 4 Feb.]

Event Comment: Benefit Auguste Freudenfeld and Francis Rosenberg, Clarinets. Tickets 5s. At 7 p.m

Performances

Mainpiece Title: Concert

Music: Instrumental Music-

Event Comment: [Letter from Mlle Auguste to the Public stated that Fleetwood had refused to answer her letter, whence she had withdrawn and engaged with Rich, of which fact she appraised Fleetwood who still kept her name on the bills. Her reason for leaving Fleetwood was her having heard that on 4 Dec. he had read a letter on the stage at dl to her discredit. See London Daily Post and General Advertiser.] Receipts: #80

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: Harlequin Shipwrecked

Song: I: Early Horn-Lowe; III: Happy Pair-Beard

Dance: II: Sailor's Dance, as17411015; IV: The Italian Peasants, as17411205

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Amorous Goddess

Performance Comment: As17440201, but Fantastic Sprights-Mlle Auguste.

Performances

Mainpiece Title: Don Sebastian

Afterpiece Title: The Genii

Performance Comment: As17530105, but The Dances-Mlle Auguste.
Event Comment: Benefit for Mr Ross-Mlle Auguste had Tickets-(Cross). Tickets deliver'd out for the Provok'd Wife will be taken. Receipts: #170 (Cross)

Performances

Mainpiece Title: Virginia

Afterpiece Title: Lethe

Event Comment: On this day (L. C. 5@137,p. 343) Davenant was granted a warrant to act the following plays: Tempest, Measures for Measures, Much Adoe About Nothing, Romeo? and Juliet, Twelfe Night, The Life of King Henry the Eyght, The Sophy, Kinge Lear, The Tragedy of Mackbeth, The Tragedy of Hamlet Prince of Denmark, and The Dutchesse of Malfy. In addition, he was to have exclusive right for two months to The Mad Lover, The Mayde in Ye Mill, The Spanish Curate, The Loyall Subject, Rule a Wife and have a Wife, and [Pericles] Persiles Prince of Tyre. Davenant also received the right to act his own plays

Performances

Event Comment: The King's Company. See Herbert (Dramatic Records, p. 117), where are listed The Loyall Subject, Mad Louer, The Wildgoose Chase following this play but preceding April 1661. Pepys, Diary: I went by coach to the play-house at the Theatre, our coach in King Street breaking, and so took another. Here we saw Argalus and Parthenia, which I lately saw, but though pleasant for the dancing and singing, I do not find good for any wit or design therein

Performances

Mainpiece Title: Argalus And Parthenia

Event Comment: At Oxford in the morning A Mad World My Masters was played; in the afternoon, The Merry Milkmaids of Islington. According to Richard Walden (Io Ruminans, 1662) Anne Gibbs played Harebrain's Wife in the former, A Lady in the latter

Performances

Mainpiece Title: The Siege Of Rhodes, Part I

Event Comment: The King's Company. Pepys, Diary: After dinner, with my wife, to the King's house to see The Mayden Queene, a new play of Dryden's, mightily commended for the regularity of it, and the strain and wit; and, the truth is, there is a comical part done by Nell, which is Florimell, that I never can hope ever to see the like done again, by man or woman. The King and Duke of York were at the play. But so great performance of a comical part was never, I believe, in the world before as Nell do this, both as a mad girle, then most and best of all when she comes in like a young gallant; and hath the motions and carriage of a spark the most that ever I saw any man have. It makes me, I confess, admire her

Performances

Mainpiece Title: Secret Love; Or, The Maiden Queen

Event Comment: The King's Company. Pepys, Diary: [After looking in at lif], and so to the King's house: and there, going in, met with Knepp, and she took us up into the tireing-rooms: and to the women's shift, where Nell was dressing herself, and was all unready, and is very Pretty, prettier than I thought. And so walked all up and down the house above, and then below into the scene-room, and there sat down, and she gave us fruit: and here I read the questions to Knepp, while she answered me, through all her part of Flora's Figary's which was acted to-day. But, Lord! to see how they were both painted would make a man mad, and did make me loath them; and what base company of men comes among them, and how lewdly they talk! and how poor the men are in clothes, and yet what a shew they make on the stage by candle-light, is very observable. But to see how Nell cursed, for having so few people in the pit, was pretty; the other house carrying away all the people at the new play, and is said, now-a-days, to have generally most company, as being better players. By and by into the pit, and there was the play, which is pretty good

Performances

Mainpiece Title: Flora's Vagaries

Event Comment: The King's Company. Pepys, Diary: My wife, and I, and Willett, to the King's play-house, and there saw The Indian Emperour, a good play, but not so good as people cry it up, I think, though above all things Nell's ill speaking of a great part made me mad

Performances

Mainpiece Title: He Indian Emperour

Event Comment: The King's Company. Pepys, Diary: It being almost twelve o'clock, or a little more, and carried [Mercer, Mrs Horsfield, and Mrs Gayet] to the King's playhouse, where the doors were not then open; but presently they did open; and we in, and find many people already come in, by private ways, into the pit, it being the first day of Sir Charles Sidly's new play, so long expected, The Mulberry Garden, of whom, being so reputed a wit, all the world do expect great matters. I having sat here awhile, and eat nothing to-day, did slip out, getting a boy to keep my place...And so to the play again, where the King and Queen, by and by, come, and all the Court; and the house infinitely full. But the play, when it come, though there was, here and there, a pretty saying, and that not very many neither, yet the whole of the play had nothing extraordinary in it, at all, neither of language nor design; insomuch that the King I did not see laugh, nor pleased the whole play from the beginning to the end, nor the company; insomuch that I have not been less pleased at a new play in my life, I think. And which made it the worse was, that there never was worse musick played--that is, worse things composed, which made me and Captain Rolt, who happened to sit near me, mad. So away thence, very little satisfied with the play, but pleased with my company. [For Bannister's setting a song for Mrs Knepp for this play, see 7 May 1668.

Performances

Mainpiece Title: The Mulberry Garden