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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "MMr Larpent"/1) | (@(roleclean,performerclean) "MMr Larpent")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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644 results for: Keyword - MMr Larpent
We found 479 matches on Event Comments, 255 matches on Performance Comments, 3 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

276
18 January 1757 @ King's Theatre

Event Comment: A New Opera. Musick composed by Signor Hasse. Application by Regina Mingotti, Manager of ye Operas (Larpent MS)

Performances

Mainpiece Title: Il Re Pastore

Dance: Withnew Dances-

277
24 March 1757 @ Drury Lane Theatre

Event Comment: Benefit for Woodward. The Whole Pit will be laid into the Boxes, where servants will be admitted to keep places, and upon the Stage, which will be formed into an Amphitheatre and divided into Boxes. The Pit doors will be opened for the Ladies to pass to their places there, without incommoding those in the Front Boxes. Box, Pit and Stage at 5s. Nothing under full price will be taken during the performance. Ladies send servants by 3 o'clock (Public Advertiser). [The Larpent MS 130 indicates the intended cast, and suggests Dizzy-Oliver; Ruffle-$Yates; and Mrs Dotterel-$Mrs Bennet.] Receipts: #320 ($Cross)

Performances

Mainpiece Title: The Winter's Tale

Afterpiece Title: The Modern Fine Gentleman; or, 1757

278
30 April 1757 @ Drury Lane Theatre

Event Comment: Afterpiece alter'd from Beaumont & Fletcher (Cross) being a sequel to Catherine and Petruchio; or, The Taming of the Shrew (Public Advertiser). Benefit for Pritchard. Tickets of Pritchard in Great Queen St.; Lincoln's Inn Fields; and at Pritchard's Warehouse in Tavistock St. [The Larpent MS 133 lists the characters: Sophocles, Tranio, Maria, Bianca, Jaques, Petruchio, Petronius, Pedro, Citizens, Countrymen, Doctor, Apothecary, 1st Watch, 2nd Watch.] Receipts: #140 (Cross)

Performances

Mainpiece Title: Creusa

Afterpiece Title: The Tamer Tam'd

Song: Beard

279
30 April 1757 @ King's Theatre

Performances

Mainpiece Title: Rosmira

Performance Comment: Partenope-Signora Passerini; Arsare-Ricciarelli; Rosmira-Signora Regina Mingotti (Larpent MS).

Dance: With new dances

280
31 May 1757 @ King's Theatre

Performances

Mainpiece Title: Euristeo

Performance Comment: Creonte-Pazzaglia; Antigona-Signora Mingotti; Eurifreo-Ricciarelli; Ermione-Signora Passerini; Learco-Signora Grandis; Ormonte-Mareschi (Larpent MS).

Dance: With New dances-

281
22 December 1757 @ Drury Lane Theatre

Event Comment: Altered from Shirley by Garrick--(some hissing at it) (Cross). [See Theatrical Review, 1757 and Beginning of 1758 for generally favorable contemporary comment, but one which deplores Garrick's retention of Shirley's obsolete expressions. The printed version contains scenes in Act III not appearing in the Larpent MS] Receipts: #180 (Cross)

Performances

Mainpiece Title: The Gamesters

Dance: TThe Market, as17571126

282
30 March 1758 @ Drury Lane Theatre

Event Comment: Benefit for Mossop. Mainpiece: By Particular Desire. Farce wrote by Mr Murphy. Went off Indiff (Cross). [It was sent to Licenser one year before, 16 March 1757 (Larpent MS 131).] Garrick first announced for Ghost [Hamlet] which he afterwards declined having new part in the farce. Part of Pit into Boxes. Amphitheatre on stage (Winston MS 9). Receipts: #280 (Cross)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Upholsterer

283
22 April 1758 @ Drury Lane Theatre

Event Comment: Benefit for Holland. [The additions, according to the Larpent MS 146, consist of a Scene between Master and a Beauv , wherein the Master's reflections are sound and moral, whilst the Beau's are frivolous and fatuous.] Receipts: #200 (Cross)

Performances

Mainpiece Title: Zara

Afterpiece Title: The Toyshop

Dance: The Italian Peasants, as17571004

284
04 May 1758 @ Drury Lane Theatre

Event Comment: Benefit for Austin and Wood. Wood, Sub Treasurer (Winston MS 8). No Building on Stage. Receipts: #140 (Cross). [The Prologue was The Night's Adventure of a Buck, Larpent MS 147. The mid-portion shows the Buck at the playhouse]: @First to the Playhouse,--not to hear the play--@I went to pass an hour or so away,@For what to me are Shakespears, Otways, Rowes,@Their, Jaffiers, Bajazets, andRomeos?@Such mouthing rascals give no joy to me@I get behind the scenes, and there d'ye see,@I strut, and ogle, pull the girls about@Stand in the way, and put the actors out.@These, these are joys, which only Bucks can know,@And all the pleasures playhouses bestow...

Performances

Mainpiece Title: The Mistake

Afterpiece Title: The Englishman in Paris

Entertainment: TheNew Magic Scene in the characters of Harlequin, as17580428

285
06 July 1758 @ Covent Garden

Performances

Mainpiece Title: Madrigal And Truletta

Performance Comment: Characters-Mr Cibber; & Co., with a Prologue-; Epilogue-; an Ode-; a Dirge-; a Funeralv and Processionv; With Proper Habits, Scenes, Machines, and All Heroic Decorations. Larpent MS 148 lists parts: Madrigal-; Buckramo-; Straspada-; Lyric-; Acrostic-; Fustiano-; Epigram-; Goosino-; Bodkinda-; Presboradalio-; Yardwandelli-; Buttonelli-; Thimbletorio-; Truletta-; Sculliona-; Scourella-; Ghosts of Cabbagino and Truletta-; Poets-; Taylors-; Drums-; Trumpets-.

Afterpiece Title: Sir ThomasCallico; or, The Mock Nabob

286
17 October 1758 @ Drury Lane Theatre

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: The Diversions of the Morning

Performance Comment: Parts-Foote, Holland, Burton, Packer, Taswell, Ackman, Vaughan, Perry, Wilkinson Parts listed in Larpent MS 149; Trulove, Servant, Dick, Manly, Carmine, Boy, Slate, Lady Pentweazle, Alderman Pentweazle, Caleb, Prompter, Project, Crabstick, Players, Bounce. Trulove, Servant, Dick, Manly, Carmine, Boy, Slate, Lady Pentweazle, Alderman Pentweazle, Caleb, Prompter, Project, Crabstick, Players, Bounce.
Cast
Role: Parts Actor: Foote, Holland, Burton, Packer, Taswell, Ackman, Vaughan, Perry, Wilkinson Parts listed in Larpent MS 149

Dance: IV:A Spanish Dance, as17581014

287
02 March 1759 @ Covent Garden

Performances

Mainpiece Title: Solomon

Performance Comment: Parts were Zadock (High Priest)-; a Levite-; Chorus of Priests-; Chorus of Israelites-; Pharoah's Daughter-; Nicaule (Queen of Sheba)-; 1st Harlot-; 2d Harlot- (Larpent MS 78).

288
09 March 1759 @ Covent Garden

Performances

Mainpiece Title: Susanna

Performance Comment: Parts were: Chelsias [Susanna's Father]-; Joacim [her husband]-; Daniel-; 1st elder-; 2nd Elder-; Judge-; Susanna-; Attendant- (Larpent MS 156).

289
14 March 1759 @ Covent Garden

Performances

Mainpiece Title: Samson

Performance Comment: Parts were: Samson-; Manoa-; Micah-; Israelitish Officer-; Chorus of Israelites-; Dalila-; Harapha-; Chorus of Philistine women-; Priest of Dagon- (+Larpent MS 38).

290
22 March 1759 @ Covent Garden

Event Comment: Benefit for Shuter. Mainpiece: By Desire. Not acted these five years. [See 4 April 1752.] Ladies send servants by half past three o'clock. [The MS of Shuter's skit is Larpent MS 155.

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Double Disappointment

Entertainment: Between play and farce: Dish of All Sorts-Mr Shuter; will entertain the Audience. The Bill of Fare consisting of a Medley@Song-Shuter; A Dialogue upon Himself between an Old Man a North Briton and a Gentleman of Connaught-Mr Shuter; The History of Mr Shuter and the Sow-Shuter; To be sung by him as a Cantata in Sga Gruntinella's Taste. The Cries of London, as17581020

Dance: TThe Threshers, as17581016

291
23 March 1759 @ Covent Garden

Performances

Mainpiece Title: Judas Maccabeus

Performance Comment: The parts were: Judas-; Israelite Man-; Israelite woman-; Chorus-; Simon-(Brother to Judas); Messenger-; Eupolemus- (Jewish Ambassador to Rome) (Larpent MS 65).

292
05 December 1759 @ Drury Lane Theatre

Event Comment: Benefit for ye Marine Society (Cross). Part of Pit laid into Boxes. Receipts: #200 (Cross). [The Prologue is in Larpent MS 163: @"Ye sons of Freedom view this little Band@They owe their safety to your giving hand@Snatch'd from the paths of vice and branded shame@You ope the door to Honesty and Fame..."@ The Prologue is printed in the British Magazine, Jan., 1760.

Performances

Mainpiece Title: Zara

Afterpiece Title: The Male Coquette

293
13 December 1759 @ Covent Garden

Event Comment: Receipts: #173 5s. [The Occasional Song is Larpent MS 164, a patriotic one on George II's victories: "Amherst by land Boscawen by sea" referring to victories at Cape Breton, Crown Point, Niagara, Guadeloupe, Senegal, and Quebec.

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Fair

294
12 March 1760 @ Covent Garden

Performances

Mainpiece Title: Zimri

Performance Comment: parts were Zimri King of Moab-; Zuran (Prince of Midianites )-; Coabi (his daughter)-; Chorus of Midianites-; Moses-; Zimri Prince of Israel=-; Elders of Israel-; Messenger-; Chorus of Israelitish Virgins- (Larpent MS 169).

Music: As17600229

295
19 March 1760 @ Covent Garden

Performances

Mainpiece Title: Judas Maccabaeus

Performance Comment: The parts were Judas-; Israelitish Man-; Israelitish Woman-; Chorus-; Simon (Brother to Judas )-; Messenger-; Eupolemus-(Jewish Ambassador to Rome ) , in Larpent MS 65.

Music: As17600229

296
20 March 1760 @ Drury Lane Theatre

Event Comment: Benefit Mrs Clive. Part of the Pit railed into Boxes and Stage will be formed into Amphitheatre, where servants will be admitted to keep places. Afterpiece: Farce of Two Acts never before acted. [MacMillan lists the characters from the Larpent MS and points out that no indication of assignment appeared: Sir John Bayfield , Sir Charles Freelove , Sir James Trueman , Mr Lovenight , Captain Squander , Lady Bayfield , Miss Croston , Lady Di Clatter , Miss Gibberish , Mrs Lovenight , Miss Prue , Mrs Goodfellow , and servants . Two deputy licensers seem to have been operating at this time, for Garrick sends his plays to Edward Capel, and Rich his to Chetwyn.

Performances

Mainpiece Title: The Mistake

Afterpiece Title: Every Woman in Her Humour

Dance: TThe Cow Keepers, as17600313

297
29 March 1760 @ Drury Lane Theatre

Event Comment: Benefit for King. [The MS of the Specialty is Larpent MS 175.

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Catherine and Petruchio

Dance: IV: The Cow Keepers, as17600313

Entertainment: S+Speciality. For one night only, will present the Town with a Picture of a Playhouse; or, Bucks Have at Ye All-King

298
16 December 1760 @ King's Theatre

Performances

Mainpiece Title: Arianna E Teseo

Performance Comment: Minos-Gaetano Quilici; Ariadne-Signora Colomba Mattei; Theseus-Filipo Elisi; Tauris-Pietro Sorbelloni; Laodice-Signora Angiola Calori; Alcestes-Signora Teresa Eberardi; Director-Giocchino Cocchi; New Musical Prologue before the Opera begins-Signora Mattei--1760 Libretto; Director of Dancers-Gherardi; Dancers-Gherardi, Mlle Asselin, Polly Capitani, Tariot (Larpent MS).

299
06 February 1761 @ Covent Garden

Performances

Mainpiece Title: Judas Maccabaeus

Performance Comment: Judas-; Israelitish Man-; Chorus-; Simon-(brother to Judas); Messenger-; Eupolemus-(Jewish Ambassador to Rome) (Larpent MS 65).

Music: Concerto on Organ-Stanley; Solo on Violin-Sg Giardini

300
20 February 1761 @ Covent Garden

Performances

Mainpiece Title: Zimri

Performance Comment: Zimri- (King of Moab); Zuran- (Prince of Midianites); Cosbi- (his daughter); Chorus of Midianites-; Moses-; Zimri- (Prince of Israel); Elders of Israel-; Messenger-; Chorus of Israelitish Virgins- (Larpent MS 169).

Music: As17610206