SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "MMiss Susan Mullart"/1) | (@(roleclean,performerclean) "MMiss Susan Mullart")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 910 matches on Performance Comments, 63 matches on Event Comments, 55 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: MMiss Pope. Clarinda. Mrs Yates being ill (Hopkins). I do not think it a character in Miss Pope's was (Hopkins Diary-MacMillan). Receipts: #139 14s. (MacMillan)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Rites of Hecate

Event Comment: MMiss Young's night. Tickets 5s. To be had of Miss Young

Performances

Mainpiece Title: Acis And Galatea

Music: CConcerto on Violin-Hay

Dance: To conclude with a Ball-

Event Comment: MMiss Morris was a pupil of Mr Colman's--She was very much approved by the public in the character of Juliet. On the sixth night of her appearance on the stage she was taken ill, and died before the end of this season. See the Bill for her Benefit (Hopkins MS Notes). Afterpiece: Not acted these 6 years. [See 19 May 1762.] [The Occasional Prologue, by Colman, is Larpent MS 288, which introduces Miss Morris as Juliet, and stresses the qualms and fears of a new performer.] Receipts: #227 19s. 6d. (Account Book). Lloyd's Evening Post, 28-30 Nov.: Sir: The managers of both theatres have of late, in order to put a stop to the Public complaint against a dearth of actors, given trials to several stage candidates that seemed to have any promising requisite. Such experiments have not proved fruitless. The most brilliant and interesting of which was the young lady's appearance on Covent Garden Theatre last night, in the character of Juliet. So great was her terror, on presenting herself for the first time before a crowded audience, that, deprived of all her powers, she fell down on the stage in a swoon. The first act in consequence, was all terror on her side, all compassion and anxiety on that of the audience. But having had time between the first and second Acts to recover from her panic, she shone forth in the Balcony Scene the most pleasing promise of a young tragic actress that has been seen for half a century past, and continued so throughout. Her person is genteel, her tone of voice insinuating, variable, and melodious; her recitation is just and sensible; very affecting in the pathetic parts; condescending, free, and polite are the familiar speeches with the Nurse. She is happily devoid of all stage whine, and tragedy Cant. The manner she has been rudimented in does great honour to her instructors, who have so judiciously prevented the so excellent actor of this verily a Shakespeare's Juliet, from being sophisticated by the studied tricks, and false ornamenting of mistaken modern and degenerate art

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Damon and Phillida

Event Comment: MMiss Burton made her first apperaranc on this stage in the part ofthe Country Girl. She is a pretty, genteel figure; Played the part well, and was much Applauded (Hopkins Diary). Country Girl, Young Gentlewoman, first Appearance (Cross Diary)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Queen Mab

Dance: II: A New Dance called The Hunters-Hamoir, Miss Hamoir

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Oxonian in Town

Dance: End: The Merry Sailors-Aldridge. [See17691009, 1767.

Event Comment: MMiss Weller a Pupil of Dr Arne first appear'd and-(Hopkins Diary). London Evening Post, 11 Jan.; A pupil of Dr Arne and scarecely 19 years of age; her figure is that of the tallest of the middle size, well proportioned and at present possesses a dignity and grace which when habit brings her to perfection cannot fail of being universally admired. Her face is oval with an aqualine nose and though from the timidity of a first appearance the rest of her features lost that necessary animation, yet there were periods when she could disposses herself of her confusion, that prognosticated great expression of countenance. Her voice was clear, commanding, and melodious, and her ear and manner both excellent. She is that kind of singer that one can be pleased from looking at as well as from hearing, --an excellence few vocal performers possess. Her acting abstracted from her voice would have done credit to a first appearance, as it was very pleasing and properly accompanied....What the managers could mean in casting Lucy for Miss Pope is extraordinary, as she sung, or indeed rather squalled every song so much out of tune that it was impossible for the music to accompany her; we do not however mean by this to cast the least reflection on so excellent an actress, as her spirited and judicious manner of playing it almost atoned for that of singing it

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: A Trip to Scotland

Performances

Mainpiece Title: The Rover

Song: A Song-Miss Thornowets; Susan's Complaint-Miss Mountfort

Dance: PPierrots-; Shepherds and Shepherdesses-

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Dance: III: Highlander and his Mistress-Salle, Mrs Laguerre; V: Grand Dance of Momus-Nivelon, Mrs Laguerre, Salle, Dupre, Glover, Pelling, Newhouse, Mrs Pelling, Mrs Bullock, Mrs Ogden, Miss LaTour

Dance: II: A Dialogue of Ballad@Tunes-Leveridge, Mrs Wright; IV: Chancon a Boire-Leveridge, Laguerre; Black@Ey'd Susan, in the Character of a Sailor,-Laguerre (by Desire)

Performances

Mainpiece Title: King Henry The Fourth, Part I

Afterpiece Title: The Vintner in the Suds

Dance: I: Minuet, Louvre-Desnoyer, Mlle Chateauneuf; II: A new dance-Muilment; III: Russian Sailor-Desnoyer; V: Tambourine-Mlle Chateauneuf

Song: IV: Black@ey'd Susan, disposed into a Cantata, with Recitatives and Airs adapted to the different Expressions in that celebrated Ballad, the Musick New by Mr Arne-Beard, Mrs Arne; V: English Captain (as17400325-Beard; End Afterpiece: The Eccho Song (Comus)-Mrs Arne

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: The Union; or, St

Dance: Afterpiece conclude: Highland Fling-the Scotch Characters

Song: End II: Black Eyed Susan-Incledon

Music: In afterpiece: will be introduced the Highland Competition Prizeexactly as represented annually in the City of Edinburgh,-McLane, McGregor, McTavish; several Strathpays, Laments, Pebruchs-several other celebrated Pipers

Entertainment: Monologue End: Epilogue (riding on an Ass,)-Wilson

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Catherine and Petruchio

Song: Probably at end: Black Eyed Susan-Incledon; Wine cannot cure the Pain I endure for my Chloe-Johnstone, Incledon

Music: Between Acts afterpiece: the favourite air of Moggy Lauder (on the Union Pipes)-the celebrated Courtney

Performances

Mainpiece Title: Which Is The Man

Related Works
Related Work: The Man's Bewitch'd; or, The Devil to do about Her Author(s): Susanna Centlivre

Afterpiece Title: Primrose Green; or, Love in the Country

Dance: After Monologue: The Jockies, as17910507

Song: End II: Black Eyed Susan-Incledon

Entertainment: Monologue. End: Dissertation on Hobby@Horses: The Statesman's Hobby; The Soldier's Hobby; The Beau's Hobby; The Lady's Hobby; The Fidler's Hobby; Mrs Mountain's Hobby; The Manager's Hobby; and His Own Hobby-Bernard

Performances

Mainpiece Title: The Midnight Hour

Afterpiece Title: The Comedy of Errors

Dance: As17910507

Song: End: Black Eyed Susan-Incledon

Monologue: After Dancing: a Selection of Poetry and Music descriptive of a day. Part I: Morning. Tantivy the welkin resounds (composed by Hook)-Mrs Martyr; PART II: Noon. Thou soft flowing Avon (from Garrick's Ode to Shakespeare)-Incledon; PART III: Evening. Pastoral Duet-Williamson, Mrs Mountain; PART IV: Night. The Soldier's Festival, as 16 May How sleep the brave (composed by Dr Cooke)-Incledon, Williamson, Davies, a Young Gentleman; introductory Chorus-Hull; How stands the Glass around-Incledon; How merrily we live that Soldiers be-Bannister, Incledon, Johnstone; To arms! Britons strike home-Bannister, Incledon, Follett, Blurton, Lee, Letteney, Reeve, Rees

Performances

Mainpiece Title: Double Falsehood; Or, The Distrest Lovers

Afterpiece Title: Tippoo Saib; or, British Valour in India

Afterpiece Title: Barnaby Brittle

Dance: In 2nd piece: Battle Dance-, and a Representation of English and British Grand Martial Procession

Song: I: Hark the Lark at Heaven's Gate sings (set by Dr Cooke)-Bannister, Johnstone, Incledon, Mrs Mountain; End II: Black Eyed Susan-Incledon; IV: Fond Echo Forbear thy fond sigh (written by Shakspeare [recte Lewis Theobald], and composed new for the Evening's Performance by Shield)-Mrs Mountain; In Pantomime: Poor Orra tink on Yanco dear (the music by Dibdin)-Mrs Mountain; The Gallant Soldier born to Arms (composed by Hook)-Incledon; Indian War Song-Bannister; The Tobacco Box: Tho' the Fate of Battle on Tomorrow wait-Johnstone, Mrs Warrell

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Hob in the Well

Afterpiece Title: Tippoo Saib

Song: End II: Black Eyed Susan-Incledon; In 3rd piece: as in 2nd piece, 6 June Poor Orra tink on Yanco dear, as17910606 The Gallant Soldier born to Arms, as17910606 Indian War Song, as17910606 The Tobacco Box, as17910606

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Love in a Camp

Dance: In III: a Hornpipe-Byrne

Song: End: Black Eyed Susan-Incledon

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: The Farmer

Dance: After Singing: A Pastoral Dance-Byrne, Mlle St.Amand

Song: End: Black Eyed Susan-Incledon

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Irishman in London

Afterpiece Title: A Masquerade Anticipated

Dance: In: As17911102

Song: In 2nd piece: As17920421; End I: Black Eyed Susan-Incledon; II: Sweet Bird-; III: Can a Lover Pleasure find (composed by Sacchini)-Mrs Billington

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Sailor's Festival; or, All Alive at Portsmouth

Afterpiece Title: Catherine and Petruchio

Dance: III: Hornpipe, as17920920

Song: End I: Black Eyed Susan-Incledon

Performances

Mainpiece Title: Every One Has His Fault

Afterpiece Title: The Pad

Afterpiece Title: The Shipwreck; or, French Ingratitude

Song: End: Captivity (Supposed to be sung by an Unfortunate Queen [Marie Antoinette] during her confinement)-; End 2nd piece: Black Eyed Susan-; In 3rd piece: Farewell to old England dear Mary adieu-Incledon

Performances

Mainpiece Title: The Comedy Of Errors

Afterpiece Title: The Sailor's Festival

Cast
Role: Susan Actor: Mrs Mattocks.

Afterpiece Title: Hartford Bridge

Cast
Role: Susan Actor: Mrs Harlowe

Dance: In 3rd piece: The Lucky Escape, as17921116

Song: End II: Black Eyed Susan, as17930510; III: a song in character-Miss Barnett

Performances

Mainpiece Title: Columbus

Afterpiece Title: The Pad

Afterpiece Title: The Shipwreck

Song: End of 1st piece: Dibdin's song; The Lucky Escape; or, The Ploughboy's Return from Sea in character-Mrs Harlowe; End of 2nd piece: Sally in our Alley-Marshall; In 3rd piece: Farewell to old England dear Mary adieu-Incledon; Rule Britannia-Marshall, full Chorus; In the course of the Evening: Black eyed Susan-Incledon

Performances

Mainpiece Title: Robin Hood

Afterpiece Title: NAPLES BAY; or, The British Seamen at Anchor

Afterpiece Title: THE FOLLIES OF A DAY

Cast
Role: Susan Actor: Mrs Pope.

Dance: In 2nd piece A Medley Hornpipe in Wooden Shoes by Byrn

Song: End of 1st piece Black-Eyed Susan by Incledon

Performances

Mainpiece Title: Hamlet

Afterpiece Title: A DIVERTISEMENT

Cast
Role: Susannah Actor: Mrs Mattocks

Afterpiece Title: MARGARET OF ANJOU

Song: In Act V of 1st piece, as17931216; End of 1st piece Black-Eyed Susan by Incledon

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: THE SAILOR'S FESTIVAL

Afterpiece Title: MODERN ANTIQUES

Song: End of Act IV of 1st piece Mad Bess, as17940425; In the course of the Evening Black-Eyed Susan, as17940502