Event Comment: Benefit Mrs Pritchard and Miss Mann

Event Comment: By Command of Their Royal Highnesses the Prince and Princess of Wales [who were present]. Mainpiece: Written by Shakespear

Event Comment: By Command of their Royal Highnesses the Prince and Princess of Wales [who were present]. Mainpiece: Written by Colley Cibber, Esq; Poet-Laureat. 6:30 P.M

Event Comment: A New Opera. [Text by Xeno. Music by Broschi.] Lucy Wentworth, 8 Jan.: My mama has been so good to give me leave to goe to the Opera to night with Lady Anne. 'Tis to be a new one call'd Merophe, but the foolish Buffo's are to be left out which I am very glad of, but am sorry they are to have five hundred pound a piece for acting that silly stuf two nights if one may believe Mr Hamilton.The Opera is to be heard but once for he says 'tis the worst that ever was composed.-Wentworth Papers, p. 528. phay The Defeat of Apollo. Rehearsed. DDaily Advertiser, 11 Jan.: The Prologue to The Defeat of Apollo, which, in Compliment to some Gentlemen, was spoke last Saturday at the Rehearsal, encourages the Town to hope for what is new and entertaining. [For additional puffs, see Daily Advertiser, 11 and 12 Jan.

Event Comment: Benefit Mlle Anne Roland. Tickets at Hippisley's, Playhouse Passage

Event Comment: [The horror of the piece seemed too much for the sensibilities of Mrs Bellamy, so the part of Eurydice given to Mrs Vincent. See Genest, IV, 420. See also Apology for the Life of George Anne Bellamy, written by herself (4th ed., 1786), III, 30.]. This day publish'd at 2s. 6d. Coriolanus; or, The Roman Matron, taken partly from Shakespear and partly from Thomson, as it is now performing at Covent Garden. To which is added the Order of the Ovation. Printed for A. Miller in the Strand

Event Comment: 22 M2 March Died at his lodgings in High Holborn Leveridge in his 88th year sung d[uring] reigns of William, Anne, George I. Retired about 8 years ago, lived with daughters (Winston MS 8). [See Cross' note, 4 Feb. 1755.

Event Comment: Cancelled. Theatre and all the Gardens [closed] on account of the Death of Louisa Anne [sister of His Majesty]--until 23 May. [This was to have been the Benefit night for Mortimer, Tomlinson, and Lings.] Tickets deliver'd by Miss Berkley, Mas. Cape, and for The Committee were to have been taken

Event Comment: Paid Tallow Chandler's 4th Bill #41 6s. 5d.; Spermacetti Candles, #132 18s. Mr Tomlinson for Men's cloaths #11 11s.; Mr J. French on acct #20; Miss Hopkins, 15 nights (19th Dec. incl.) #3 15s. (Treasurer's Book). [The sixth edition of Wm. Law's Absolute Unlawfulness of Stage Representations was published this year (1st. edn. 1726) This day was published the Preliminary Number of the Westminster Magazine, which, monthly, included a section called The English Theatre, which observed generally on the state of the Stage, and commented specifically on new plays. Its view of the stage in general was not as sanguine as had been that of the writer for the Town and Country Magazine (1 April 1772). "We are of opinion, that the English Theatre is now in its decline. Whether it is that the stores of Dramatic Subjects or of Dramatic Genius are exhausted, is not immediately obvious; but there is a fault somewhere....We have seen the Morning star of Wit--the Noon too is past; we have now arriv'd at its evening...There is in Arts, as in Empires, a progress which leads to Refinement; and this refinement leads to Ruin." According to the writer the meridian glory of the English stage was during the reign of Queen Anne. Reviewer damns the Irish Widow, refuses to discuss the Gamesters (revived), damns the Rose and praises the Garrick alteration of Hamlet. This year also appeard Granny's Prediction, a 53-page pamphlet attack on Mrs Barry, condemning her on moral grounds (polygamy) and on aesthetic grounds, commenting on each of her characters. By a spiteful female relative Elizabeth Franchetti.] Receipts: #142 10s. (Treasurer's Book)

Event Comment: By Permission of the Lord Chamberlain. Benefit for Wilkinson. [For Miss Thompson see DNB, under Mary Anne Clarke.] Tickets to be had of Wilkinson, No. 33, Warwick-street, Golden-square. The Doors to be opened at 5:30. To begin at 6:30

Event Comment: Benefit for Mme Mara. Morning Chronicle, 4 June; Tickets to be had of Mme Mara, No. 25, Queen Anne-street, East. Receipts: #233 5s. 6d. (170.5.6; 56.9.0; 6.11.0; tickets: none listed) (charge: #161 10s.)

Event Comment: Benefit for Mme Mara. Public Advertiser 22 Apr.: Tickets to be had of Mme Mara, No. 25, Queen Anne-street, East. Receipts: #216 4s. 6d. (114.17.6; 28.11.0; 2.18.0; tickets: 69.18.0) (charge: #163 17s. 6d.)

Event Comment: Benefit for Holman. 2nd piece [1st time; D 5, by Joseph Trapp, adapted from Siri Brahe; oder, Die Neugierigen, by J. A. Gruttschreiber, itself a translation of Siri Brahe, by Gustavus III. Larpent MS 1206; not published. Prologue and Epilogue by John Taylor (Poems, I, 56-57)]: Written by the Late King of Sweden. Times, 28 Mar.: Tickets to be had of Holman, No. 73, New-street, Hanover-square. Receipts: #231 16s. (138.12.0; 4.10.6; tickets: 88.13.6)

Event Comment: Afterpiece: Scenery re-painted, and the Dresses and Decorations entirely new. Musick composed and selected by Kelly. Scenes designed and executed by Greenwood, Chalmers, and others. Machinery and Decorations designes, and under the direction o, Johnston, and executed by him and Underwood. The Dresses by Johnston, Gay and Miss Rein. Receipts: #441 16s. 6d. (301.14.0; 139.11.6; 0.11.0)

Event Comment: Mainpiece [1st time; T 5, by Richard Brinsley Sheridan, adapted from Die Spanier in Peru, by August Friedrich Ferdinand von Kotzebue. Prologue by Richard Brinsley Sheridan (consisting of the 1st 30 lines and the concluding couplet of his Prologue to The Miniature Picture); Epilogue by the Hon. William Lamb (see text). For publication see 1 July]: The Scenery, Dresses, and Decorations entirely new. The Musick, Airs and Chorusses incidental to the Piece composed and selected [from Gluck, Sacchini, &c. (Morning Chronicle, 25 May)] by Kelly. The Symphony preceding the Play, and those between the Acts, composed for the occasion by Dussek. The Scenery designed and executed by Marinari, Greenwood? Jun, Demaria, Banks, Blackmore, &c. [See Theatre Notebook, XX, 30-32, for suggestion that one scene was designed by DeLoutherbourg.] The Machinery, Decorations, and Dresses under the direction of Johnston, and executed by him, Underwood, and Gay. The Female Dresses designed and executed by Miss Rein. Account-Book, 14 May: Paid Miss Anne? Plumtree [i.e. Plumptree] for Spaniards in Peru #25. [It was this translation of Kotzebue's play that Sheridan adapted for the stage as Pizarro. For an account of the relationship between the translation and its adaptation see Marcella Gosch, "'Translators' of Kotzebue in England," Monatshefte fur deutschen Unterricht, XXXI, 178-83.] Paid Johnston [on this and other days] for sundries for Pizarro #135 14s. "It requires certainly more than English patience and spirits to sustain any Play of five hours in length. It is not one of the worst features of Pizarro that it contains a great deal which may be spared, without injury to the piece [see 25, 27 May]" (Morning Chronicle, 25 May). Receipts: #540 3s. 6d. (406.0.6; 17.5.0; 0.4.0; tickets sold by Fosbrook's Office: 116.14.0)