SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Lady Davenant"/1) | (@(roleclean,performerclean) "Lady Davenant")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4900 matches on Performance Comments, 2524 matches on Event Comments, 798 matches on Author, 498 matches on Performance Title, and 15 matches on Roles/Actors.

Performances

Mainpiece Title: At Kings Much Ado About Nothing

Afterpiece Title: The Prisoner

Dance: In II: a Masquerade-; with a Dance-the young D'Egvilles

Song: II: Sigh no more Ladies-Dignum, Caulfield, Welsh, Cooke, Mrs Bland, Miss DeCamp

Performances

Mainpiece Title: The Prodigal

Afterpiece Title: THE MOCK DOCTOR or The Dumb Lady Cured

Afterpiece Title: THE CHILDREN IN THE WOOD

Cast
Role: Lady Helen Actor: Miss DeCamp

Performances

Mainpiece Title: The London Hermit

Afterpiece Title: The Mock Doctor or The Dumb Lady Cured

Afterpiece Title: The Village Lawyer

Performances

Mainpiece Title: The Mock Doctor Or The Dumb Lady Cured

Afterpiece Title: The Agreeable Surprise

Afterpiece Title: Bannian Day

Performances

Mainpiece Title: Much Ado About Nothing

Related Works
Related Work: The Law Against Lovers Author(s): Sir William Davenant

Afterpiece Title: The Shipwreck

Dance: In II: Masquerade-; Dance-Gentili, Mrs Wild

Song: In Masquerade: Stevens's Glee, Sigh no more Ladies-Dignum, Sedgwick Cooke, Master Welsh, Mrs Bland, Miss DeCamp

Performances

Mainpiece Title: The Battle Of Eddington Or British Liberty

Afterpiece Title: Ways and Means

Performance Comment: Sir David Dunder-Baker; Young Random-Egerton; Scruple-Holmes; Old Random-Brent; Carney-Wilson; Paul Peery-Jones; Tiptoe-Meredith; Lady Dunder-Mrs Sincock; Harriet-Mrs Brent; Kitty-A Young Lady [unidentified].unidentified].
Cast
Role: Lady Dunder Actor: Mrs Sincock
Role: Kitty Actor: A Young Lady

Song: Mainpiece: Vocal Parts-Denman, Walker, Willoughby, Master Willoughby, Master Woodham, Mrs Laver, A Young Lady [probably Miss Jones (see17970510)]

Entertainment: Monologue.End: The Picture of a Playhouse ; or, Bucks have at ye all-Meredith

Performances

Mainpiece Title: Much Ado About Nothing

Related Works
Related Work: The Law Against Lovers Author(s): Sir William Davenant

Afterpiece Title: Cape St

Cast
Role: Lady Helen Actor: Mrs Powell

Dance: II: Masquerade-; with a Dance, as17970112

Song: Sigh no more Ladies, as17970112, but Miss Leak, Miss +Granger, Master _Welsh, Mrs _Bland

Ballet: End: The Scotch Ghost. As17961221

Performances

Mainpiece Title: Much Ado About Nothing

Related Works
Related Work: The Law Against Lovers Author(s): Sir William Davenant

Afterpiece Title: The Critic or A Tragedy Rehearsed

Dance: In II: Masquerade-; with Dancing-Mlle Parisot, Sga Bossi DelCaro

Song: In Masquerade: Sigh no more Ladies (composed by Stevens)-Sedgwick, Dignum, Mrs Bland, Miss DeCamp; End IV: Little Taffline-Mrs Bland; In course of Evening: Ally Croaker, Little Bess the Ballad Singer (composed by Dr Arnold)-Miss Leak

Performances

Mainpiece Title: The Farmer

Afterpiece Title: The Child of Nature

Dance: End 1st piece: Peggy's Love- in which, by permission of the Proprietor of the Opera House, who has generously allowed Principal Dancers and Whole Corps de Ballet to appear, the following Ladies and Gentlemen will exert their well known Abilities:Laborie, Didelot, Mme Laborie, Mme Hilligsberg; End 2nd piece: La Vengeance d'Amour, in which the Pas de Quatre de Panurge-Laborie, Didelot, Mme Laborie, Mme Hilligsberg

Performances

Mainpiece Title: Much Ado About Nothing

Related Works
Related Work: The Law Against Lovers Author(s): Sir William Davenant

Afterpiece Title: The Poor Soldier

Song: In II: Stevens's glee, Sigh no more Ladies-D'Arcy, Linton, Miss Griffiths, Mrs Edward

Performances

Mainpiece Title: Much Ado About Nothing

Related Works
Related Work: The Law Against Lovers Author(s): Sir William Davenant

Afterpiece Title: Blue Beard

Song: In II: a Masquerade-; and Stevens' Glee, Sigh no More Ladies-Sedgwick, Dignum, Danby, Miss Leak, Mrs Roffey

Performances

Mainpiece Title: She Woud And She Woud Not Or The Kind Impostor

Afterpiece Title: Blue Beard

Song: III: When first I began Sir to ogle the Ladies (from The Strangers at Home)-Mrs Jordan; End: There the silver'd Waters roam (from The Pirates)-Sedgwick

Entertainment: Monologue End I: Lodgings for Single Gentlemen (from George? Colman's Night-Gown and Slippers)-Suett

Performances

Mainpiece Title: Much Ado About Nothing

Related Works
Related Work: The Law Against Lovers Author(s): Sir William Davenant

Afterpiece Title: No Song No Supper

Song: In II: Masquerade-;, and Stevens' Glee, Sigh no more Ladies-Dignum, Danby, Evans, Danby Jun., Miss Wentworth, Miss Menage

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: The Turnpike Gate

Cast
Role: Landlady Actor: Mrs Whitmore

Dance: End: New Hornpipe-a Young Lady (1st appearance in public [Miss Rogers]); End I afterpiece: A Scotch Pas Deux-Jackson, Miss Bologna

Song: After 1st dance: The Little Farthing Rushlight-Master Standen

Event Comment: Pepys, Diary: Discoursed most about plays and the Opera, where, among other vanities, Captain Cooke had the arrogance to say that he was fain to direct Sir W. Davenant in the breaking of his verses into such and such lengths, according as would be fit for musick, and how he used to swear at Davenant, and command him that way, when W. Davenant would be angry, and find fault with this or that note--but a vain coxcomb I perceive he is, though he sings and composes so well. But what I wondered at, Dr Clerke did say that Sir W. Davenant is no good judge of a dramatick poem, finding fault with his choice of Henry the 5th, and others, for the stage, when I do think, and he confesses, The Siege of Rhodes as good as ever was writ

Performances

Event Comment: Pepys, Diary: At Wotton's, the shoemaker's, who tells me the reason of Harris's going form Sir Wm. Davenant's house, that he grew very Proud and demanded #20 for himself extraordinary, more than Betterton or any body else, upon every new play, and #10 upon every revive; which with other things Sir W. Davenant would not give him, and so he swore he would never act there more, in expectation of being received in the other House; but the King will not suffer it, upon Sir W. Davenant's desire that he would not, for then he might shut up house, and that is true. He tells me that his going is at present a great loss to the House, and that he fears he hath a stipend from the other House privately. He tells me that the fellow grew very proud of late, the King and every body else crying him up so high, and that above Betterton, he being a more ayery man, as he is indeed. But yet Betterton, he says, they say do act some parts that none but himself can do

Performances

Event Comment: The Duke's Company. The date of performance is uncertain. The play was entered in the Stationers' Register, 15 Feb. 1663@4, and its publication noted in The Newes, 3 March 1663@4. Katherine Philips, writing from Cardigan, Wales to Lady Temple in London, 24 Jan. 1663@4: I beleive er'e this you have seen the new Pompey either acted or written & then will repent your partiallity to ye other, but I wonder much what preparations for it could prejudice Will Davenant when I heare they acted in English habits, & yt so aprope yt Caesar was sent in with his feather & Muff, till he was hiss'd off ye Stage & for ye Scenes I see not where they could place any yt are very extra-ordinary, but if this play hath not diverted ye Cittizens wives enough Sr W: D: will make amends, for they say Harry ye 8th & some later ones are little better then Puppett-plays. I understand ye confederate-translators are now upon Heraclius, & I am contented yt Sr Tho. Clarges (who hath done that last yeare) should adorn their triumph in it, as I have done in Pompey (Harvard Theatre Collection)

Performances

Mainpiece Title: Pompey The Great

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, and there saw The English Monsieur; sitting for privacy sake in an upper box: the play hath much mirth in it as to that particular humour. After the play done, I down to Knipp, and did stay her undressing herself; and there saw the several players, men and women go by; and pretty to see how strange they are all, one to another, after the play is done. Here I saw a wonderful pretty maid of her own, that come to undress her, and one so pretty that she says she intends not to keep her, for fear of her being undone in her service, by coming to the playhouse. Here I hear Sir W. Davenant is just now dead; and so who will succeed him in the mastership of the house is not yet known. The eldest Davenport is, it seems, gone from this house to be kept by somebody; which I am glad of, she being a very bad actor.... [Mrs Knepp] tells me mighty news, that my Lady Castlemayne is mightily in love with Hart of their house; and he is much with her in private, and she goes to him, and do give him many Presents; and that the thing is most certain, and Becke Marshall only privy to it, and the means of bringing them together, which is a very odd thing; and by this means she is even with the King's love to Mrs Davis

Performances

Mainpiece Title: The English Monsieur

Event Comment: Betterton's Company. James Brydges, Diary: About 2. I came home to dinner, where I found Lady Hussy, & Cozzen Betty, & Mrs Howard, about 5. After dinner I went to Lord Pembroke's who being abroad, I went to Lord Arundell of Treryce, who not being at home, I went to Ld. Allinton's, but he not being within, I went to Mr Pitts, who being abroad, I went to ye Dean of Peterborough's but he being at church I went to ye playhouse in Lincolns inn fields, where I met Dr Davenant & Ld. Rumny (Huntington MS St 26)

Performances

Mainpiece Title: The Mourning Bride

Performances

Mainpiece Title: The Tempest

Related Works
Related Work: The Tempest Author(s): Sir William Davenant
Event Comment: At the particular Desire of several Ladies of Quality. Mainpiece: Alter'd from Shakespear by Sir W. Davenant, Mr Dryden

Performances

Mainpiece Title: The Tempest

Related Works
Related Work: The Tempest Author(s): Sir William Davenant

Afterpiece Title: Harlequin Restord

Dance: In II: Dance of Winds-Muilment, Thurmond; In IV: Comic Dance of Fantastical Spirits (in Grostesque Characters)-Thurmond, Villeneuve, Levier, Pelling; In V: Waterman's Dance-Harper; with a Grand ballet of Sailors-Mlle Roland

Event Comment: At the particular Desire of several Ladies of Quality. Mainpiece: Alter'd from Shakespear by Sir W. Davenant, Mr Dryden

Performances

Mainpiece Title: The Tempest

Related Works
Related Work: The Tempest Author(s): Sir William Davenant

Afterpiece Title: Harlequin Restord

Dance: As17370411

Event Comment: At the particular Desire of several Ladies of Quality. Mainpiece: Alter'd from Shakespear by Sir W. Davenant, Mr Dryden. Afterpiece: Written by the Author of the Toy Shop

Performances

Mainpiece Title: The Tempest

Related Works
Related Work: The Tempest Author(s): Sir William Davenant

Afterpiece Title: The King and the Miller of Mansfield

Dance: As17370411

Event Comment: On this day (L. C. 5@137,p. 343) Davenant was granted a warrant to act the following plays: Tempest, Measures for Measures, Much Adoe About Nothing, Romeo? and Juliet, Twelfe Night, The Life of King Henry the Eyght, The Sophy, Kinge Lear, The Tragedy of Mackbeth, The Tragedy of Hamlet Prince of Denmark, and The Dutchesse of Malfy. In addition, he was to have exclusive right for two months to The Mad Lover, The Mayde in Ye Mill, The Spanish Curate, The Loyall Subject, Rule a Wife and have a Wife, and [Pericles] Persiles Prince of Tyre. Davenant also received the right to act his own plays

Performances

Event Comment: Possibly on this day, Davenant and Killigrew, with a united company, began acting at this theatre. In L. C. 5@137, p. 332 (6 Oct. 1660) is a list of His Majesty's Comedians: Burt, Hart, Mohun, Robert Shatterell, Lacy, Wintershell, Clunne, Cartwright, Edward Shatterell, Baxter, Loveday, Kynaston, Betterton. (See Nicoll, Restoration Drama, p. 294; Hotson, Commonwealth and Restoration Stage, p. 204.) Hotson, p. 205, states that the company acted daily from 8 to 16 Oct. 1660

Performances