Event Comment: Benefit for Robinson, Berrisford, Carlton Jr and Kaygill. Saw the Beggar's Opera at Drury Lane. Pit and Gallery so full no place Went into front Box ou much mob--low sort of people had tickets given them--side boxes almost empty. Extremely pleased with Mrs Smith (the Polly whom I never heard before), Mrs Wrighten (Lucy) and Vernon (Macheath) who all performed incomparably well (Baker Diary, p. 259). So Ends the Season 63 different Plays 36 different Farces 188 Nights in all (Hopkins Diary). Receipts: #201 15s. 6d. Charges: #84. Profits to Berrisford, Robinson, Carlton, and Kaygille: #117 15s. 6d. (Treasurer's Book). AFTER SEASON RECEIPTS (Treasurer's Book). 5 June: Rec'd Box Officer keeper's cash (deficit #6 5s.) #18 15s.; Benefit deficiencies #142 13s. 6d.; Remainder of Mr S. Barry's Bag #40 3s. 8d. 15 June: Rec'd in benefit deficiencies #223 18s.; Mr Griffith in full of #12 lent him #2 5s.; Mr Davies on acct #20; J. Aickin ditto #16 11s. 6d. 18 June: Public Advertiser and Gazetteer acct this season #100. 19 June: Sundry salaries taken up by Mr Evans #227 4s.; Remainder of Sinking Fund #70. 23 June: Rowland one yrs rent to Lady Day (#43 with #2 2s. tax decuted) #40 18s.; Mr Pope one yrs rent ditto (#30 with #1 13s. King's tax deducted) #28 7s.; Harrison one yrs rent ditto (#46 with #7 King's tax deducted) #39; Balance from Clutterbuck #159 16s.; Discount on #344 18s. 6d., the amount of tallow chandler's Bills this season #27 11s. 9d.; From the Managers per Mr D. G. #534 11s. 8d. 1 July: J. Johnston in part of Music forfeits #29 10s. 6d. 2 July: From A. Johnston for oil and sperm. Candle ends sold to sundry #6 12s. 6d. 3 July: Their Majesties Acct 3 nights #30; Her Majesty's Ladies Acct ditto #9; Williams one yrs rent to Lady Day last (#48 with #4 King's tax deducted) #44. EXPENDITURES 15 June: Paid J. French on acct #20; Wegg half yrs rent to Lady Day last #57. 19 June: Paid Miss Berkley on note #5 5s.; Loutherbourg (in full of #300) #70; D. Garrick (in full of #800) #254 11s. 8d.; King's extra salary at #3 Per week) #93 10s.; Parsons in lieu of a benefit night #80; J. Stevens 2 weeks as usual #1 16s. 23 June: Paid Black Lyon Wardrobe and Carpenter's Dinner bills #16 10s. 8d.; Pope's bill for wigs #21 4s., and for 54 nights extra dressing &c. #5 8s.; Tallow chandler's 10th and last bill #23 11s. 9d. 24 June: Paid Bibb, sword cutler, #14 16s. 6d.; Dorman, Coals, #27 15s., and for attending practices of Dances, as usual #10 10s.; Jennings, Glover & Furrier #21 9s.; Cropley (linen draper) #35 12s.; Cole (turner) #7 3s.; Hatsell (mercer) #35 9s.; Marshall & Co. (plumbers) #15; Thomson (smith) #15 15s. 6d.; Barber, for men's cloaths #6 6s.; Barret (wax chandler) #18 14s.; Ireland (upholder) #27 6s. 6d.; Blakes (hatter) #16 19s.; Hopkins & Co. (ironmongers) #42 2s.; Carpue (silk dyer) #9 10s.; Carter (scowerer); Jones (worsted lace man) #3 17s.; Hinchcliff (mercer) #36 11s. 6d.; Cubit (tinman) #12 7s.; Lowe & Co. (glasiers) #1 16s.; J. French on Acct #10. 25 June: Waller & Co. (hosiers) #20 19s.; Scott (copper laceman) #47 7s. 6d.; Kirkman, Harpsicord tuning #18 16s.; Mrs Chitty, Coals, #28 5s. A. Johnston a bill for gilt leather &c. #51 15s.; J. Aickin's Law bill to Mr Stephens #54 7s. 9d.; Mrs Garwood for work for the Wardrobe, &c. #17 16s. 6d.; Barrow & Co., for oil, #170; half yrs rent to Duke of Bedford to Lady Day Last, #165 17s. 7d.; Mrs Vaughan (haberdasher) #3 3s.; Mr Page in full of #25 for this season, #1 10s. 1 July: Paid Daigville's 5 Children Dancing &c. in full #5 5s.; Johnston Music bill to Xmas last, #29 10s. 6d.; Chettel (timber) #46 3s.; D. Richards of M: Band 31 weeks and 1 day, extra salary at #1 per week for this season, #31 3s. 4d.; Victor's gratuity as usual, #30; Evans in lieu of a Benefit #42; Hopkins, prompter's bill, #4 12s. 6d.; Jenkins, extra Trumpet 17 nights in full #8 18s. 6d.; Miss P. Hopkins, 8 Nights in full #2; C. Roberts (shoemaker) #6 9s. 6d.; One yrs Watch & Paving for Covent Garden Parish to Lady Day last #4 8s.; Victor & Evans 2 weeks salary as usual #8. BOOKS CLOSED 1 July 1773: Total income #32,639 15s. 5d. Total outgo #27,705 7s. 3d. Profit #4,934 8s. 2d. distributed as follows: To Managers #3,760; To Clutterbuck #1000, To Clutterbuck #174 8s. 2d

Event Comment: Pepys, Diary: And then out to the red bull (where I had not been since plays come up again)...where I was led by a seaman that knew me, but is here as a servant, up to the tireing-room, where strange the confusion and disorder that there is among them in fitting themselves, especially here, where the clothes are very poor, and the actors but common fellows. At last into the pitt, where I think there was not above ten more than myself, and not one hundred in the whole house. And the play, which is called All's lost by Lust, poorly done; and with so much disorder, among others, that in the musique-room the boy that was to sing a song, not singing it right, his master fell about his ears and beat him so, that it put the whole house in an uprore. Nicoll (Restoration Drama, p. 309) argues that George Jolly probably occupied the red bull in St John's Street, Clerkenwell. When Richard Walden saw the red bull players at Oxford in July 1661, Anne Gibbs acted Dionysia in All's Lost by Lust. It is possible that she played that role on this day. See Walden's Io Ruminans, 1662

Event Comment: On the assumption that the run began on 28 June and extended twelve days (as Downes states), it would continue through 11 July. On 3 July a group of players entitled the Red Bull Company began a series of performances at Oxford. The performances are known through the entries in Anthony Wood's journal. For a discussion of the problems as to what actors these were, see Sybil Rosenfeld, "Some Notes on the Players in Oxford, 1661-1713", Review of English Studies, XIX (1943), 366. On this day the players acted Tu Quoque, in which, according to Richard Walden (Io Ruminans, 1662) Anne Gibbs acted Gertrude

Event Comment: At Oxford on this day the so-called red bull players acted All's Lost by Lust in the morning, The Young Admiral in the afternoon. According to Richard Walden (Io Ruminans, 1662) Anne Gibbs played Dionysia in the former, Rosinda in the latter

Event Comment: At Oxford the players gave The Young Admiral in the morning, The Rape of Lucrece in the afternoon. According to Richard Walden (Io Ruminans, 1662) Anne Gibbs played Rosinda in the former, Lucretia in the latter

Event Comment: The King's Company. This play is on L. C. list, 5@12, p. 17: ye king here. See also Nicoll, Restoration Drama, p. 344. The play was apparently designed for the opening of the Bridges St playhouse in November 1666 but was not then acted. The edition of 1667 gives a intended cast. Bonhomme-Cartwright; Valerio-$C. Hart; Ergasto-$W. Winterson [$Wintershall]; Don Buisson-Burt; La Fleur-$E. Keninston [$Kynaston]; Sganarelle-J. Lacy; Mascarillio-$M. Moon [$Mohun]; Jodelet-R. Shatterel; Housekeepers-$Alexander, $Wilbraham; Mary and Anne-$The Two Marshalls; Isabella-$Mrs Rutter; Lysette-$Nel Guin; Prologue Intended for the Overture of the Theatre, 1666; Epilogue. [In this list the names Alexander and Wilbraham are not otherwise known and may represent errors in the printed list.

Event Comment: The King's Company. This play has generally been assigned to June 1669, partly on the basis of a suit--see Hotson, Commonwealth and Restoration Stage, pp. 252-53, 348-55-over a scene for it which Isaac Fuller, the scene designer, states was finished by 23 June 1669. The suit also states that the play ran for fourteen days, but it is not certain that the theatres played on consecutive days in the summer. The play has been assigned to 24 June 1669 on the basis of a letter from Charles II to Princess Henriette-Anne, dated 24 June [1669]: I am just now going to a new play that I heare very much commended (Cyril Hughes Hartmann, Charles II and Madame [London, 1934], p. 259). Elizabeth Cottington to Herbert Aston, ca. May 1669: Wee ar in expectation still of Mr Draidens play. Ther is a bowld woman [Aphra Behn (?)] hath oferd one: my cosen Aston can give you a better account of her then I can. Some verses I have seen which ar not ill; that is commentation enouf: she will think so too, I believe, when it comes upon the ptage. I shall tremble for the poor woman exposed among the critticks (Arthur Clifford, Tixall Letters [London, 1815], II, 60)

Event Comment: The King's Company. The date of the premiere is not known, but a licensing date of 28 March 1678 suggests a first performance not later than February 1678. One song, One night while all the village slept, with music by Louis Grabu and words by Sir Car Scroop, is in Choice Ayres and Songs, The Third Book, 1681. Downes (Roscius Anglicanus, p. 17): Major Mohun...[in] Mithridates, &c. An Eminent Poet seeing him Act this last, vented suddenly this Saying: Oh Mohun, Mohun! Thou little Man of Mettle, if I should write a 100 Plays, I'd Write a Part for thy Mouth; in short, in all his Parts, he was most Accurate and Correct. [Downes, p. 12, gives an identical cast except for omissions.] Princess Anne apparently played Ziphares and Frances Apsley played Semandra in a production of this drama, probably at St James's Palace or at Sir Allen Apsley's house in St James's Square, between January 1677@8 and August 1679. See Benjamin Bathurst, Letters of Two Queens (London, 1924), p. 61

Event Comment: The United Company. Newdigate newsletters, 11 June 1692: And on Monday [the Princess Anne] comes to see the new opera (Wilson, More Theatre Notes from the Newdigate Newsletters, p. 59)

Event Comment: BM Add. Mss. 34096, folio 63r 64v, Whitehall, 15 July 1692: The Prince and Princesse of Danemarke...yesterday...tooke barge to Goe to ye Play House. [See Benjamin Bathurst, Letters of Two Queens (London, 1924), p. 225, for a letter by Princess Anne ordering boats to take her to the theatre.

Event Comment: James Brydges, Diary: I set Mr Bullock down at ye Playhouse, & came home (Huntington MS St 26). John Dryden wrote to Mrs Steward on 23 Feb. [1699@1700, but possibly 1698@99, as the letter concerns theatrical affairs of the autumn and winter of 1698-99]: The Poem of The Confederates [see The Island Princess, November 1698] some think to be Mr Walsh: the copies are both lik'd. And there are really two factions of ladyes, for the two play-houses. If you do not understand the names of some persons mention'd I can help you to the knowledge of them. You know, Sir Tho. Skipwith is master of the play-house in Drury-Lane; and my Lord Scarsdale is the patron of Betterton's house, being in love with somebody there [presumably Anne Bracegirdle] (The Letters of John Dryden, p. 133)

Event Comment: Rich's Company. The date of the first production is not certain, but tradition states that Dryden died on the third day (1 May 1700); if this report is correct, the first performance occurred on 29 April 1700. In A Collection of New Songs...Compos'd by Mr Daniel Purcel, Perform'd in the Revis'd Comedy call'd the Pilgrim (1700) is a song, Chronos, Chronos, mend thy pace, with Janus sung by Freeman, Momus by Pate, Diana by Mrs Erwin. Gottfried Finger apparently composed the passage sung by Venus, Calms appear when storms are past. William Egerton, Faithful Memoirs of...Mrs Anne Oldfield (1731): The Pilgrim was indeed reviv'd for the Benefit of Mr Dryden, Ann. 1700, but he dying on third Night of its Representation, his Son attended the Run of it, and the Advantages accrued to his Family. Cibber, Apology, I, 269-70: This Epilogue, and the Prologue the same Play [The Pilgrim], written by Dryden, I spoke myself, which not being usually done by the same Person, I have a mind, while I think of it, to let you know on what Occasion they both fell to my Share....Sir John Vanbrugh, who had given some light touches of his Pen to the Pilgrim to assist the Benefit Day of Dryden, had the Disposal of the Parts, and I being then as an Actor in some Favour with him, he read the Play first with me alone, and was pleased to offer me my Choice of what I might like best for myself in it. But as the chief Characters were not (according to my Taste) the most shining, it was no great Self-denial in me that I desir'd he would first take care of those who were more difficult to be pleased; I therefore only chose for myself two short incidental Parts, that of the stuttering Cook and the mad Englishman....Sir John, upon my being contented with so little a Share in the Entertainment, gave me the Epilogue to make up my Mess; which being written so much above the Strain of common Authors, I confess I was not a little pleased with. And Dryden, upon his hearing me repeat it to him, made a farther Compliment of trusting me with the Prologue. Cibber, Apology, I, 305-6: In theYear 1699, Mrs Oldfield was first taken into the House, where she remain'd about a Twelve-month almost a Mute and unheeded, 'till Sir John Vanbrugh, who first recommended her, gave her the Part of Alinda in the Pilgrim revis'd. This gentle Character happily became that want of Confidence which is inseparable from young Beginners, who, without it, seldom arrive to any Excellence: Notwithstanding, I own I was then so far deceiv'd in my Opinion of her, that I thought she had little more than her Person that appear'd necessary to the forming a good Actress; for she set out with so extraordinary a Diffidence, that it kept her too despondingly down to a formal, plain (not to say) flat manner of speaking. Nor could the silver Tone of her Voice 'till after some time incline my Ear to any Hope in he favour. A Comparison Between the Two Stages (1702), p. 27: [After Drury Lane and Lincoln's Inn Fields had revived Shakespeare and Johnson] Nay then, says the whole party at D. Lane, faith we'll e'en put the Pilgrim upon him--ay faith, so we will, says Dryden, and if youll let my Son have the Profits of the Third Night, I'll give you a Secular Mask: Done, says the House, and so the Bargain was struck

Event Comment: Not Acted these Eight Years. Written by Shakespear. Containing, the Death of the Duke of Buckingham. The Fall of Cardinal Wolsey. The Divorce, and Death of Queen Catherine. The Coronation of Queen Anne Bullen, and the Christning of Queen Elizabeth. With Decorations proper to the Play. [The Prince of Wales present.

Event Comment: Admission as 14 May. To be admitted on the Stage One Guinea. [The Princess of Wales and Princess Anne present.

Event Comment: PPrince and Princess of Wales, Princesses Anne, Caroline and Amelia present

Event Comment: TThe King, Prince and Princess of Wales, and Princesses Anne, Carolona, and Amelia present

Event Comment: Receipts: #116 10s. Probable attendance: boxes, 191 paid and 12 orders; pit, 262 paid and 5 orders; slips, 25 paid and 2 orders; first gallery, 242 paid and 6 orders; second gallery, 50 paid and 1 order. For an essay on Camilla, see London Journal, 26 Nov. Mrs Pendarves to Anne Granville, 27 Nov.: I was at the opera of Camilla...performed by a Mrs Chambers, Mrs Barbiere, Mrs Fletchere, a Signor Rochetti, Mr Leveridge, Mr Legard. I can't say I was much pleased with it, I liked it for old acquaintance sake, but there is not many of the songs better then ballads.-Mrs Delany@Autobiography, I, 125

Event Comment: DDaily Post, 13 Nov.: We hear King Henry the Eighth, with the magnificent Coronation of Queen Anne Bullen , and the Christning of Queen Elizabeth , still continues to draw numerous Audiences, which is owing to the Excellency of the Performance, and the extraordinary Grandeur of the Decorations